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Master Of The Death Of The Virgin (other)
Three anonymous artists have been called Master of the Death of the Virgin, after works depicting the Death of the Virgin Mary: * Master of the Death of the Virgin (engraver), a German engraver active in the middle of the fifteenth century * Master of the Death of the Virgin (painter), a Netherlandish painter of the sixteenth century *Master of the Amsterdam Death of the Virgin The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl. c. 1500) was a Netherlandish painter. His notname is derived from a panel depiction of the Death of the Virgin, dated to a ..., another Netherlandish painter See also * Master of the Life of the Virgin {{disambiguation ...
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Death Of The Virgin
The Death of the Virgin Mary is a common subject in Western Christian art, the equivalent of the Dormition of the Theotokos in Eastern Orthodox art. This depiction became less common as the doctrine of the Assumption gained support in the Roman Catholic Church from the Late Middle Ages onward. Although that doctrine avoids stating whether Mary was alive or dead when she was bodily taken up to Heaven, she is normally shown in art as alive. Nothing is said in the Bible about the end of Mary's life, but a tradition dating back to at least the 5th century says the twelve Apostles were miraculously assembled from their far-flung missionary activity to be present at the death, and that is the scene normally depicted, with the apostles gathered round the bed. A virtuoso engraving by Martin Schongauer of about 1470 shows the Virgin from the foot of a large bed with the apostles spread around the three sides, and this composition influences many later depictions. Earlier depictions u ...
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Master Of The Death Of The Virgin (engraver)
The Master of the Death of the Virgin (''fl.'' c. 1440–1450) was an engraver, probably active in what is now southern Germany. Approximately ten prints have been ascribed to him, including a ''Death of the Virgin'' for which he was named. He was formerly believed to be from the southern Netherlands, but is now thought to have lived in southern Germany. He was probably a goldsmith, and was among the first engravers known to be active. His style is awkward and unrefined, unlike the work of his contemporary, the Master of the Playing Cards. The drapery in his prints is stiff, and there is only a limited suggestion of space, creating an illusion that the figures are floating in mid-air. Most of the surviving work assigned to this Master is religious in nature; there is, however, a ''Battle Scene'', a unique impression of which is housed in the Louvre The Louvre ( ), or the Louvre Museum ( ), is the world's most-visited museum, and an historic landmark in Paris, France. ...
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Master Of The Death Of The Virgin (painter)
Joos van Cleve (; also Joos van der Beke; c. 1485–1490 – 1540/1541) was a leading painter active in Antwerp from his arrival there around 1511 until his death in 1540 or 1541. Within Dutch and Flemish Renaissance painting, he combines the traditional techniques of Early Netherlandish painting with influences of more contemporary Renaissance painting styles. An active member and co-deacon of the Guild of Saint Luke of Antwerp, he is known mostly for his religious works and portraits, some of royalty. He ran a large workshop, with at least five pupils and other assistants, which produced paintings in a variety of styles over his career. As a skilled technician, his art shows sensitivity to color and a unique solidarity of figures. His style is highly eclectic: he was one of the first to introduce broad world landscapes in the backgrounds of his paintings, sometimes collaborating with Joachim Patinir, which would become a popular technique of sixteenth century northern Renaissan ...
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Master Of The Amsterdam Death Of The Virgin
The Master of the Amsterdam Death of the Virgin (sometimes called the Master of the Almshouse of the Seven Electors) (fl. c. 1500) was a Netherlandish painter. His notname is derived from a panel depiction of the Death of the Virgin, dated to about 1500 and now in the Rijksmuseum Amsterdam. The painting shows the Virgin Mary and the twelve Apostles in a complex interior, in intimate mood. The figures in the painting are small, with small heads and hands; their torsos, however, are bulky and covered in drapery. The name "Master of the Almshouse of the Seven Electors" is sometimes preferred because it refers to the name of the institution that donated the painting to the museum. There is also some disagreement over the attribution of paintings ascribed to the Master; some critics prefer instead to attribute some of them to the poorly known Master of the Lantern. Critics also disagree as to his origin; some have linked him to Amsterdam, while others have suggested ties to Utre ...
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