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Mass For The Healing Of The World
''Mass for the Healing of the World'' is a live album by American jazz double bassist William Parker & the Little Huey Creative Music Orchestra which was recorded live in 1998 but not released on the Italian Black Saint label until 2003. Reception In his review for All About Jazz, Rex Butters states "One wonders how many recorded Little Huey performances languish in the can. This one documents a night six years ago that is both timeless and a time capsule. Like all Little Huey projects, all manner of musics emanate from the assembled musicians, all the musics tinted blue".Butters, R.All About Jazz review November 9, 2004 Track listing ''All compositions by William Parker'' # ''Invocation'' – 0:30 # "First Reading (Dawn Song)" – 13:22 # "Hallelujah" – 8:46 # "Mysticism" – 5:44 # "Response (Muezzin's Call)" – 13:00 # "Second Reading (Cathedral in the Mountains)" – 6:55 # "Willows (Can You Give Me Back My Life)" – 8:36 # "Cantos (Love God)" – 13:55 Personnel * Wil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Parker (musician)
William Parker (born January 10, 1952) is an American free jazz double bassist. Beginning in the 1980s, Parker played with Cecil Taylor for over a decade, and he has led the Little Huey Creative Music Orchestra since 1981. ''The Village Voice'' named him "the most consistently brilliant free jazz bassist of all time" and ''DownBeat'' has called him "one of the most adventurous and prolific bandleaders in jazz". Early life and career Parker was born in the Bronx, New York City, and grew up in the Melrose housing project. His first instrument was the trumpet, followed by the trombone and cello. Parker was not formally trained as a classical player, but in his youth studied with Jimmy Garrison, Richard Davis, and Wilbur Ware in learning the tradition. While Parker has been active since the early 1970s, he first came to public attention playing with pianist Cecil Taylor in the 1980s. He has performed in many of Peter Brötzmann's groups, and played with saxophonist David S. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Sax
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and written as a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for it ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2004 Live Albums
4 (four) is a number, numeral and digit. It is the natural number following 3 and preceding 5. It is the smallest semiprime and composite number, and is considered unlucky in many East Asian cultures. In mathematics Four is the smallest composite number, its proper divisors being and . Four is the sum and product of two with itself: 2 + 2 = 4 = 2 x 2, the only number b such that a + a = b = a x a, which also makes four the smallest squared prime number p^. In Knuth's up-arrow notation, , and so forth, for any number of up arrows. By consequence, four is the only square one more than a prime number, specifically three. The sum of the first four prime numbers two + three + five + seven is the only sum of four consecutive prime numbers that yields an odd prime number, seventeen, which is the fourth super-prime. Four lies between the first proper pair of twin primes, three and five, which are the first two Fermat primes, like seventeen, which is the third. On the other ha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timpani
Timpani (; ) or kettledrums (also informally called timps) are musical instruments in the percussion family. A type of drum categorised as a hemispherical drum, they consist of a membrane called a head stretched over a large bowl traditionally made of copper. Thus timpani are an example of kettle drums, also known as vessel drums and semispherical drums, whose body is similar to a section of a sphere whose cut conforms the head. Most modern timpani are ''pedal timpani'' and can be tuned quickly and accurately to specific pitches by skilled players through the use of a movable foot-pedal. They are played by striking the head with a specialized drum stick called a ''timpani stick'' or ''timpani mallet''. Timpani evolved from military drums to become a staple of the classical orchestra by the last third of the 18th century. Today, they are used in many types of ensembles, including concert bands, marching bands, orchestras, and even in some rock bands. ''Timpani'' is an Italian ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Susie Ibarra
Susie Ibarra (born Anaheim, November 15, 1970) is a contemporary composer and percussionist who has worked and recorded with jazz, classical, world, and indigenous musicians. One of SPIN's "100 Greatest Drummers of Alternative Music," she is known for her work as a performer in avant-garde, jazz, world, and new music. As a composer, Ibarra incorporates diverse styles and the influences of Philippine Kulintang, jazz, classical, poetry, musical theater, opera, and electronic music. Ibarra remains active as a composer, performer, educator, and documentary filmmaker in the U.S., Philippines, and internationally. She is interested and involved in works that blend folkloric and indigenous tradition with avant-garde. In 2004, Ibarra began field recording indigenous Philippine music, and in 2009 she co-founded Song of the Bird King, an organization focusing on the preservation of Indigenous music and ecology. Early years The youngest of five children, Ibarra was born in Anaheim, Califor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cooper-Moore
Cooper-Moore (born Gene Y. Ashton; August 31, 1946) is an American jazz pianist, composer and instrument builder/designer based in New York City. Early life At age 12, Cooper-Moore was recruited by community leaders to be the piano player for the town, and soon thereafter performed at church services and community functions. This is also the age when he heard musicians such as Ahmad Jamal and Charles Mingus, and was inspired to pursue jazz. He has cited pianist Jaki Byard's contributions to Mingus' band as a particular inspiration. He moved to Boston in 1967 to briefly attend Berklee College of Music. In Boston he connected with many musicians, some of whom became longtime collaborators, notably saxophonist David S. Ware, drummer Marc Edwards, Cleve Pozar, and Juma Santos. In 1970, he formed a collective trio, ''Apogee'', with Ware and Edwards. Career In 1973, the trio of Cooper-Moore, David S. Ware, and Marc Edwards moved to New York City and established a living and per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baritone Sax
The baritone saxophone is a member of the saxophone family of instruments, larger (and lower-pitched) than the tenor saxophone, but smaller (and higher-pitched) than the bass. It is the lowest-pitched saxophone in common use - the bass, contrabass and subcontrabass saxophones are relatively uncommon. Like all saxophones, it is a single-reed instrument. It is commonly used in concert bands, chamber music, military bands, big bands, and jazz combos. It can also be found in other ensembles such as rock bands and marching bands. Modern baritone saxophones are pitched in E. History The baritone saxophone was created in 1846 by the Belgian instrument maker Adolphe Sax as one of a family of 14 instruments. Sax believed these instruments would provide a useful tonal link between the woodwinds and brasses. The family was divided into two groups of seven saxophones each, from the soprano to the contrabass. Though a design for an F baritone saxophone is included in the C and F family ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alto Sax
The alto saxophone is a member of the saxophone family of woodwind instruments. Saxophones were invented by Belgian instrument designer Adolphe Sax in the 1840s and patented in 1846. The alto saxophone is pitched in E, smaller than the B tenor but larger than the B soprano. It is the most common saxophone and is used in popular music, concert bands, chamber music, solo repertoire, military bands, marching bands, pep bands, and jazz (such as big bands, jazz combos, swing music). The alto saxophone had a prominent role in the development of jazz. Influential jazz musicians who made significant contributions include Don Redman, Jimmy Dorsey, Johnny Hodges, Benny Carter, Charlie Parker, Sonny Stitt, Lee Konitz, Jackie McLean, Phil Woods, Art Pepper, Paul Desmond, and Cannonball Adderley. Although the role of the alto saxophone in classical music has been limited, influential performers include Marcel Mule, Sigurd Raschèr, Jean-Marie Londeix, Eugene Rousseau, and Frederick L. He ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marco Eneidi
Marco Eneidi (November 1, 1956 – May 24, 2016) was an American jazz alto saxophonist. He was primarily associated with free jazz. Career Eneidi was born in Portland, Oregon. His father worked for the Lawrence Berkeley National Laboratory and his mother was a paralegal. Eneidi and his family lived in Livermore before moving to Oakland, California. As a child, he took lessons with Sonny Simmons. He attended Mt. Hood Community College before earning a Bachelor of Arts degree from Sonoma State University and Master of Arts from Mills College. Later in his career, he studied North Indian classical music at the Ali Akbar College of Music in San Rafael, California. Career Eneidi moved to New York City in 1981 to study with Jimmy Lyons. He started to play with Jackson Krall, William Parker and Denis Charles. In 1984, he was hired by Bill Dixon to teach at Bennington College. In the early-1990s, he recorded his first important dates as a leader, such as ''Final Disconnect Notice'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rob Brown (saxophonist)
Rob Brown (born February 27, 1962) is an American free jazz saxophonist and composer. Life and career Brown was born in Hampton, Virginia, United States. He started playing saxophone at the age of 12. His first gigs were with a local Virginia swing band. He eventually studied at Berklee College for two years, and worked privately with both Joe Viola and John LaPorta. After a year on the west coast, Brown relocated to Boston, Massachusetts, where he met pianist Matthew Shipp. He moved to New York in 1985, where he enrolled at New York University, earned a music degree, and studied with saxophone masters such as Lee Konitz, but the teacher who had more influence on Brown conceptually was Philadelphian Dennis Sandole. Brown travelled to Philadelphia by rail once a week to study with him for a year and a half. His first issued recording was the duet with Shipp '' Sonic Explorations'' (1988), and since then has been actively leading groups or working as a sideman with Shipp, Willia ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Sax
The soprano saxophone is a higher-register variety of the saxophone, a woodwind instrument invented in the 1840s. The soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass saxophone and tubax. Soprano saxophones are the smallest and thus highest-pitched saxophone in common use. The instrument A transposing instrument pitched in the key of B, modern soprano saxophones with a high F key have a range from concert A3 to E6 (written low B to high F) and are therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the exception of the low A on some baritones and altos). Soprano saxophones were originally keyed from low B to high E, but a low B mechanism was patented in 1887 and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bass Clarinet
The bass clarinet is a musical instrument of the clarinet family. Like the more common soprano B clarinet, it is usually pitched in B (meaning it is a transposing instrument on which a written C sounds as B), but it plays notes an octave below the soprano B clarinet. Bass clarinets in other keys, notably C and A, also exist, but are very rare (in contrast to the regular A clarinet, which is quite common in classical music). Bass clarinets regularly perform in orchestras, wind ensembles and concert bands, and occasionally in marching bands, and play an occasional solo role in contemporary music and jazz in particular. Someone who plays a bass clarinet is called a bass clarinettist or a bass clarinetist. Description Most modern bass clarinets are straight-bodied, with a small upturned silver-colored metal bell and curved metal neck. Early examples varied in shape, some having a doubled body making them look similar to bassoons. The bass clarinet is fairly heavy and is suppor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
