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Maso Da San Friano
Maso da San Friano (1536–1571) was an Italian painter active in Florence. His real name was Tomaso D'Antonio Manzuoli. He was born in San Friano and died in Florence. According to Giorgio Vasari, Maso was a pupil of Pier Francesco Foschi while others claim it was Carlo Portelli. He collaborated with an elder Michelangelo on some projects. His altarpiece of the ''Visitation'' was painted in 1560 for the church of San Pier Maggiore, Florence - now in Trinity Hall Chapel, Cambridge, England. A similar work can be seen in the Prato cathedral. After 1561, he painted in the church of Ognissanti, Florence and in the church of Santa Felicita. He participated in the decoration of the Studiolo of Francesco I with an oval canvas relating the ''Fall of Icarus'' story (1572). The canvas has an affected milling in individuals below and an anomalous perspective; both are classic features of mannerist painting. His second contribution ''Mining of Diamonds''. A portrait of '' Ferdinando I ...
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Santa Trinita, Maso Da San Friano, Cristo Risorto (1582)
Santa Claus, also known as Father Christmas, Saint Nicholas, Saint Nick, Kris Kringle, or simply Santa, is a legendary figure originating in Western Christian culture who is said to bring children gifts during the late evening and overnight hours on Christmas Eve of toys and candy or coal or nothing, depending on whether they are "naughty or nice". In the legend, he accomplishes this with the aid of Christmas elves, who make the toys in his workshop, often said to be at the North Pole, and flying reindeer who pull his sleigh through the air. The modern figure of Santa is based on folklore traditions surrounding Saint Nicholas, the English figure of Father Christmas and the Dutch figure of ''Sinterklaas''. Santa is generally depicted as a portly, jolly, white-bearded man, often with spectacles, wearing a red coat with white fur collar and cuffs, white-fur-cuffed red trousers, red hat with white fur, and black leather belt and boots, carrying a bag full of gifts for childr ...
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Ferdinando I De' Medici
Ferdinando I de' Medici, Grand Duke of Tuscany (30 July 1549 – 3 February 1609) was Grand Duke of Tuscany from 1587 to 1609, having succeeded his older brother Francesco I. Early life Ferdinando was the fifth son (the third surviving at the time of his birth) of Cosimo I de' Medici, Grand Duke of Tuscany, and Eleanor of Toledo, the daughter of Pedro Álvarez de Toledo, Marquis of Villafranca, the Spanish viceroy of the Kingdom of Naples. He was made a Cardinal in 1562 at the age of 14, but was never ordained into the priesthood. At Rome, he proved an able administrator. He founded the Villa Medici in Rome and acquired many works of art (including the ''Medici lions''), which he then brought back to Florence with him. Grand Duke When his brother Francesco I de' Medici, Grand Duke of Tuscany, died in 1587, Ferdinando succeeded as grand duke at the age of 38. In many ways, Ferdinando was the opposite of his brother who preceded him. Approachable and generous, he set out ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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16th-century Italian Painters
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion o ...
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People From The Province Of Florence
A person ( : people) is a being that has certain capacities or attributes such as reason, morality, consciousness or self-consciousness, and being a part of a culturally established form of social relations such as kinship, ownership of property, or legal responsibility. The defining features of personhood and, consequently, what makes a person count as a person, differ widely among cultures and contexts. In addition to the question of personhood, of what makes a being count as a person to begin with, there are further questions about personal identity and self: both about what makes any particular person that particular person instead of another, and about what makes a person at one time the same person as they were or will be at another time despite any intervening changes. The plural form "people" is often used to refer to an entire nation or ethnic group (as in "a people"), and this was the original meaning of the word; it subsequently acquired its use as a plural form of per ...
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1571 Deaths
Year 1571 ( MDLXXI) was a common year starting on Monday (link will display the full calendar) of the Julian calendar. Events January–June * January 11 – The Austrian nobility are granted freedom of religion. * January 23 – The Royal Exchange opens in London, England. * c. February 4– 9 – The Spanish Jesuit missionaries of the Ajacán Mission, established on the Virginia Peninsula of North America in 1570, are massacred by local Native Americans. * March 18 – The Order of the Knights of Saint John transfers the capital of Malta, from Birgu to Valletta. * May 24 – Moscow is burnt by the Crimean army, under Devlet I Giray. * June 3 – Following the Battle of Bangkusay Channel, the conquest of the Kingdom of Maynila is complete, Spanish Conquistador Miguel López de Legazpi makes Manila a city, and the capital of the Philippines. * June 25 – Queen Elizabeth's Grammar School, Horncastle, is founded in Lincolnshire, England ...
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1536 Births
__NOTOC__ Year 1536 ( MDXXXVI) was a leap year starting on Saturday (link will display the full calendar) of the Julian calendar. Events January–June * January – King Henry VIII of England suffers a leg injury during a jousting tournament. *January 6 – The Colegio de Santa Cruz de Tlatelolco, the oldest European school of higher learning in the Americas, is established by Franciscans in Mexico City. * January 22 – John of Leiden, Bernhard Knipperdolling and Bernhard Krechting are executed in Münster for their roles in the Münster Rebellion. * February 2 – Spaniard Pedro de Mendoza founds Buenos Aires, Argentina. * February 18 – A Franco-Ottoman alliance exempts French merchants from Ottoman law and allows them to travel, buy and sell throughout the sultan's dominions, and to pay low customs duties on French imports and exports. The compact is confirmed in 1569. * February 25 – Tyrolean Anabaptist leader Jacob Hutter, founde ...
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Cosimo I De Medici
Cosimo I de' Medici (12 June 1519 – 21 April 1574) was the second Duke of Florence from 1537 until 1569, when he became the first Grand Duke of Tuscany, a title he held until his death. Life Rise to power Cosimo was born in Florence on 12 June 1519, the son of the famous condottiere Ludovico de' Medici (known as Giovanni delle Bande Nere) and his wife Maria Salviati, herself a granddaughter of Lorenzo the Magnificent. He was the grandson of Caterina Sforza, the Countess of Forlì and Lady of Imola. Cosimo came to power in 1537 at age 17, just after the 26-year-old Duke of Florence, Alessandro de' Medici, was assassinated. Cosimo was from a different branch of the Medici family, descended from Giovanni il Popolano, the great-grandson of Giovanni di Bicci de' Medici, founder of the Medici Bank. It was necessary to search for a successor outside of the "senior" branch of the Medici family descended from Cosimo di Giovanni de' Medici, since the only male child of Alessandro ...
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Alessandro Fei (painter)
Alessandro Fei (1543–1592) was an Italian painter active in Florence, working in a Mannerist style. He was also called il Barbiere (the Barber). He participated in the Vasari-directed decoration of the Studiolo of Francesco I with an oval canvas relating a ''Goldsmith Shop'' story. He also painted an altarpiece on the ''Flagellation of Christ'' for the Basilica church of Santa Croce in Florence. Trained under Ridolfo del Ghirlandaio. Piero Francia, and under Tommaso Manzuoli, better known as Maso da San Friano, Fei became a member of the Accademia dell’Arte e del Disegno in Florence in 1563 and was a trusted assistant of Giorgio Vasari Giorgio Vasari (, also , ; 30 July 1511 – 27 June 1574) was an Italian Renaissance Master, who worked as a painter, architect, engineer, writer, and historian, who is best known for his work ''The Lives of the Most Excellent Painters, Sculpt ... up until 1574. The artist spent most of his career in Florence, except for a trip to Rome a ...
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Jacopo Da Empoli
250px, ''Martyrdom of St. Sebastian'', San Lorenzo, Florence Jacopo da Empoli (30 April 1551 – 30 September 1640) was an Italian Florentine Reformist painter. Born in Florence as Jacopo Chimenti (Empoli being the birthplace of his father), he worked mostly in his native city. He apprenticed under Maso da San Friano. Like his contemporary in Counter-Maniera ( Counter-Mannerism), Santi di Tito, he moved into a style often more crisp, less contorted, and less crowded than mannerist predecessors like Vasari. He collaborated with Alessandro Tiarini in some projects. His younger brother, Domenico Chimenti, born in Empoli, was also a painter. Among his pupils were Felice Ficherelli, Giovanni Battista Brazzè (''Il Bigio''), Giovanni Battista Vanni, and Virgilio Zaballi.Hobbes J.R. p. 81 Finally, working in a thematic often shunned by Florentine painters, after the 1620s he completed a series of exceptional still-life paintings. Selected works * ''Madonna in Glory with Sain ...
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Counter-Mannerism
Counter-''Maniera'' or Counter-Mannerism (variously capitalized and part-italicized) is a term in art history for a trend identified by some art historians in 16th-century Italian painting that forms a sub-category or phase of Mannerism, the dominant movement in Italian art between about 1530 and 1590. Counter-''Maniera'' or Counter-Mannerism reacted against the artificiality of the second generation of Mannerist painters in the second half of the 16th century. It was in part due to artists wishing to follow the vague prescriptions for clarity and simplicity in art issued by the Council of Trent in its final session in 1563, and represented a rejection of the distortions and artificiality of high Mannerist style, and a partial return to the classicism and balance of High Renaissance art, with "clarity in formal order and legibility in content". The term was devised by the art historian Sydney Joseph Freedberg (1914–1997), and has gained a good degree of acceptance, although i ...
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Studiolo Of Francesco I
The Studiolo is a small painting-encrusted barrel-vaulted room in the Palazzo Vecchio, Florence, Italy. It was commissioned by Francesco I de' Medici, Grand Duke of Tuscany. It was completed for the duke from 1570 to 1572, by teams of artists under the supervision of Giorgio Vasari and the scholars Giovanni Batista Adriani and Vincenzo Borghini. This small room was part-office, part-laboratory, part-hiding place, and part- cabinet of curiosities. Here the prince tinkered with alchemy and kept his collection of small, precious, unusual or rare objects. The walls and ceiling were decorated with paintings showing a similar variety of subjects, some showing exotic forms of industry and others mythology. The inset paintings are now all that remains in the room of the original contents. They are rather larger than what is normally meant by the term cabinet painting. The late-Mannerist decorative program of paintings and sculpture was based on items encompassed by the collection. The ob ...
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