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Marshall Bluesbreaker
The Marshall Bluesbreaker is the popular name given to the Models ''1961'' and ''1962'' guitar amplifiers made by Marshall from 1964/65 to 1972. The Bluesbreaker, which derives its nickname from being used by Eric Clapton with John Mayall & The Bluesbreakers, is credited with delivering "the sound that launched British blues-rock in the mid-1960s." It was Marshall's first combo amplifier, and was described as "arguably the most important mplifierin the company's history" and "the definitive rock amplifier." History According to Robb Lawrence's ''The Early Years of the Les Paul Legacy'', Jim Marshall initially gave Clapton a Model 1961 with 4×10" speakers, which was soon replaced with a 2×12" Model 1962. Clapton used the combo amplifier with his 1960 Gibson Les Paul Standard, allegedly. Marshall's Model 1961/1962 combo amplifier entered the market at an affordable price—one third cheaper than a Vox AC30 and half the price of a Fender Bassman combo. Its reputation was cemented w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Amplifier
A guitar amplifier (or amp) is an electronic device or system that strengthens the electrical signal from a pickup on an electric guitar, bass guitar, or acoustic guitar so that it can produce sound through one or more loudspeakers, which are typically housed in a wooden cabinet. A guitar amplifier may be a standalone wood or metal cabinet that contains only the power amplifier (and preamplifier) circuits, requiring the use of a separate speaker cabinet–or it may be a "combo" amplifier, which contains both the amplifier and one or more speakers in a wooden cabinet. There is a wide range of sizes and power ratings for guitar amplifiers, from small, lightweight "practice amplifiers" with a single 6-inch speaker and a 10-watt amp to heavy combo amps with four 10-inch or four 12-inch speakers and a 100-watt amplifier, which are loud enough to use in a nightclub or bar performance. Guitar amplifiers can also modify an instrument's tone by emphasizing or de-emphasizing certain ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Effects Unit
An effects unit or effects pedal is an electronic device that alters the sound of a musical instrument or other audio source through audio signal processing. Common effects include distortion/overdrive, often used with electric guitar in electric blues and rock music; dynamic effects such as volume pedals and compressors, which affect loudness; filters such as wah-wah pedals and graphic equalizers, which modify frequency ranges; modulation effects, such as chorus, flangers and phasers; pitch effects such as pitch shifters; and time effects, such as reverb and delay, which create echoing sounds and emulate the sound of different spaces. Most modern effects use solid-state electronics or digital signal processors. Some effects, particularly older ones such as Leslie speakers and spring reverbs, use mechanical components or vacuum tubes. Effects are often used as stompboxes, typically placed on the floor and controlled with footswitches. They may also be built into guita ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Instrument Amplifiers
An instrument amplifier is an electronic device that converts the often barely audible or purely electronic signal of a musical instrument into a larger electronic signal to feed to a loudspeaker. An instrument amplifier is used with musical instruments such as an electric guitar, an electric bass, electric organ, synthesizers and drum machine to convert the signal from the pickup (with guitars and other string instruments and some keyboards) or other sound source (e.g, a synthesizer's signal) into an electronic signal that has enough power, due to being routed through a power amplifier, capable of driving one or more loudspeaker that can be heard by the performers and audience. Combination ("combo") amplifiers include a preamplifier, a power amplifier, tone controls, and one or more speakers in a cabinet, a housing or box usually made of hardwood, plywood or particleboard (or, less commonly, moulded plastic). Instrument amplifiers for some instruments are also available withou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Player
''Guitar Player'' is an American popular magazine for guitarists, founded in 1967 in San Jose, California. It contains articles, interviews, reviews and lessons of an eclectic collection of artists, genres and products. It has been in print since late 1967. The magazine is currently edited by Christopher Scapelliti. Contents A typical issue of ''Guitar Player'' includes in-depth artist features, extensive lessons, gear and music reviews, letters to the magazine, and various front-of-book articles. Guitar Player TV In May 2006, the Music Player Network partnered with TrueFire TV to launch an internet-based television station for guitarists. It provides content similar to that of the magazine such as interviews and lessons. Guitar Player TV is provided at no cost to the user because of advertising and sponsorship. |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Classic Rock (magazine)
''Classic Rock'' is a British magazine and website dedicated to rock music, owned and published by Future. It was launched in October 1998 and is based in London. The magazine publishes 13 editions a year, mainly covering rock bands from the 60, 70s, 80s and 90s, with the likes of Led Zeppelin, AC/DC, Pink Floyd, The Rolling Stones, Queen, Black Sabbath, Aerosmith and Deep Purple amongst its most prominent cover stars. As well as veteran rock artists, ''Classic Rock'' also covers modern rock bands and releases, with Alter Bridge, Rival Sons, Halestorm, Ghost, Blackberry Smoke and The Struts amongst the younger artists to have appeared on its cover in recent years. Publication history ''Classic Rock'' was launched by Dennis Publishing in 1998. It was subsequently sold to Future in 2000, then sold again to start-up publishing company TeamRock in April 2013. Following the collapse of TeamRock in December 2016, Future bought back the magazine and its website in January 2017. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Vernon (producer)
Michael William Hugh Vernon (born 20 November 1944) is an English music executive studio owner, and record producer from Harrow, Middlesex. He produced albums for British blues artists and groups in the 1960s, working with the Bluesbreakers, David Bowie, Duster Bennett, Savoy Brown, Chicken Shack, Climax Blues Band, Eric Clapton, Fleetwood Mac, Peter Green, Danny Kirwan, John Mayall, Christine McVie and Ten Years After amongst others. Biography Vernon is best known as founder of the blues record label, Blue Horizon. He worked at Decca Records starting in 1963, and produced the Mayall-Clapton collaboration '' Blues Breakers with Eric Clapton'' (1966). In 1967, he produced David Bowie's debut album for Deram Records. The 1971 Blue Horizon release ''Bring It Back Home'' featured Paul Kossoff and Rory Gallagher, each appearing on one track. Two years later, Vernon released a solo album, ''Moment of Madness'', on Sire Records. He was also a member of Olympic Runners (1974–1979 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KT66
KT66 is the designator for a beam power tube introduced by Marconi-Osram Valve Co. Ltd. (M-OV) of Britain in 1937 and marketed for application as a power amplifier for audio frequencies and driver for radio frequencies.Editors "The New Valves" ''Wireless World'', August 20th 1937, p. 178General Electric Co., Ltd."Osram Valves" ''Television and Short-Wave World'', Sept. 1939, p. 524 The KT66 is a beam tetrode that utilizes partially collimated electron beams to form a low potential space charge region between the anode and screen grid to return anode secondary emission electrons to the anode and offers significant performance improvements over comparable power pentodes.Dreyer, J. F. Jr."The Beam Power Output Tube" ''Electronics'', Vol. 9, No. 4, April 1936, pp. 18 - 21, 35 In the 21st century, the KT66 is manufactured and used in some high fidelity audio amplifiers and musical instrument amplifiers. Overview Although the RCA 6L6 of 1936 (the result of a license agreement between ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Celestion
Celestion is a British designer and exporter of professional loudspeakers. History Origins What became Celestion was started in Hampton Wick (suburban London) in 1924. ''Cyril French'' and his three brothers had taken over a plating works and established the ''Electrical Manufacturing and Plating Company''. They were listed as "electrical instrument manufacturers". ''Eric Mackintosh'' approached Cyril French for assistance with improving a new loudspeaker he had already filed a patent for (British Patent No. 230,552 on 15 December 1923, issued 16 March 1925). The BBC had started their programme in November 1922 and was building up new senders, public interest in radio broadcasting grew rapidly. But listeners still needed to connect either earphones or gramophone horns to the first radio receivers. Installing a loudspeaker sensitive enough in decorative cabinets quickly made these sought-after pieces of furniture in the roaring twenties. French and Mackintosh perfected the d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marshall JTM 45
The Marshall JTM45 is the first guitar amplifier made by Marshall. First produced in 1963, it has been called a "seminal" amplifier, and is praised as being among the most desirable of all the company's amplifiers. History Prototyping of the JTM45 begin in 1962, after London musical instrument retailer Jim Marshall decided to create a new amplifier in response to local guitarists' desire for an alternative to Fender amps. Marshall first enlisted his shop repairman Ken Bran, who then recommended electronics "whiz kid" Dudley Craven as the chief circuit designer. Marshall had Pete Townshend and Ritchie Blackmore demo prototypes built by Bran and Craven, settling on the sixth prototype as the production model. Dubbed the "JTM45" - for Jim and his son Terry Marshall, and 45 for the RMS-rated wattage - the amp mimicked the circuitry of the Fender Bassman but used an all-aluminum chassis, a 12AX7 valve as the first in the chain (the Bassman has a 12AY7), Celestion speakers with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
5881
6L6 is the designator for a beam power tube introduced by Radio Corporation of America in April 1936 and marketed for application as a power amplifier for audio frequencies.J. F. Dreyer Jr."The Beam Power Output Tube" New York: McGraw-Hill, ''Electronics'', April 1936, pp. 18 - 21, 35 The 6L6 is a beam tetrode that utilizes formation of a low potential space charge region between the anode and screen grid to return anode secondary emission electrons to the anode and offers significant performance improvements over power pentodes. The 6L6 was the first successful beam power tube marketed. In the 21st century, variants of the 6L6 are manufactured and used in some high fidelity audio amplifiers and musical instrument amplifiers. History In the UK, three engineers at EMI (Isaac Shoenberg, Cabot Bull and Sidney Rodda) had developed and filed patents in 1933 and 1934 on an output tetrode that utilized novel electrode structures to form electron beams to create a dense space charge re ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vintage Guitar
A vintage guitar is an older guitar usually sought after and maintained by avid collectors or musicians. The term may indicate either that an instrument is merely old, or that is sought after for its tonal quality, cosmetic appearance, or historical significance. History As early as the 1970s, musicians and collectors began to recognize the value of older instruments. The rising mass production of both acoustic and electric guitars in that era served to highlight the quality workmanship and materials of the older instruments. Historians, such as George Gruhn, helped to codify both the monetary value and sound quality of these guitars for both collectors and musicians. Examples of well-known vintage electric guitars are 1950s and 1960s era Fender Stratocaster and Telecaster and Gibson Les Paul. Older electric guitars in general have become desirable, including "budget brands" such as Harmony, Danelectro, and Kay. Examples of well-known vintage acoustic guitars are Martin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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