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Marshall's Collection Of Songs, Comic, Satirical 1827
Marshall's Collection of Songs, Comic, Satirical is a chapbook style songbook, giving the lyrics of local, now historical songs, with a few bits of other information. It was published by John Marshall in 1827. Details Marshall's Collection of Songs, Comic, Satirical 1827 (full title – "A Collection of Songs, Comic, Satirical, and Descriptive, chiefly in the Newcastle Dialect, and illustrative of the language and manners of the common people on the Banks of the Tyne and neighbourhood. By T. Thompson, J. Shields, W. Mitford, H Robson, and Others. Newcastle upon Tyne, Printed by John Marshal in the Old Flesh Market 1827) is a Chapbook style book of Geordie folk songs consisting of approx. 230 pages and over 130 song lyrics approximately 230 pages and over 130 song lyrics, published in 1827. The publication It is, as the title suggests, a collection of songs which would have been popular, or topical, at the date of publication. There is very little in the way of biographies of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chapbook
A chapbook is a small publication of up to about 40 pages, sometimes bound with a saddle stitch. In early modern Europe a chapbook was a type of printed street literature. Produced cheaply, chapbooks were commonly small, paper-covered booklets, usually printed on a single sheet folded into books of 8, 12, 16 and 24 pages. They were often illustrated with crude woodcuts, which sometimes bore no relation to the text (much like today's stock photos), and were often read aloud to an audience. When illustrations were included in chapbooks, they were considered popular prints. The tradition of chapbooks arose in the 16th century, as soon as printed books became affordable, and rose to its height during the 17th and 18th centuries. Many different kinds of ephemera and popular or folk literature were published as chapbooks, such as almanacs, children's literature, folk tales, ballads, nursery rhymes, pamphlets, poetry, and political and religious tracts. The term "chapbook" for t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Leonard (songwriter)
John Leonard was a Tyneside radical poet and songwriter of the early 19th century. His only dialect song was "Winlaton Hopping". Life It is thought that John Leonard was born in Gateshead, County Durham, but very little is known about him, or his life. His father, George, was a gardener and was a described as "a man of some means" owning some property in either Jackson’s Chare or more likely Leonard’s Court (both long since demolished), near Gateshead High Street. John Leonard was apprenticed as a joiner, but the date of birth and date and place of death are unknown. As there are no records of his burial in the Gateshead (St. Mary’s ) register between 1813 and 1852, it is assumed he died elsewhere. A note on one of his manuscripts states that it was partly written during a three months' imprisonment. There is no further record of the offence, place or time, but as he was a radical, and was in favour of Irish Nationalism, writing a poem in praise of Charles James Fox and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Oliver (songwriter)
William Oliver (5 February 1800 29 October 1848) was a Tyneside poet, singer and songwriter from Newcastle upon Tyne. He is arguably best known for the song "Newcassel Props", an example of Geordie dialect. Early life Oliver was born in The Side, near the Quayside, Newcastle upon Tyne. His father was a cheesemonger and had his own business. Career Oliver became a draper and hatter, working for a Mr Bowes of The Bridge End, Gateshead, and staying there for many years. For a short while, he ran his own business as a hatter, but this was unsuccessful. He eventually left the business around 1830 and joined his brother Timothy working in his grocery shop situated at the corner of Cloth Market and High Bridge, and there he stayed until his death. Music Oliver was popular as both singer and songwriter in his time. His 1829 collection of songs was dedicated to Robert Bill, Mayor of Newcastle upon Tyne. Personal life He was politically motivated, sympathized with the protesto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Newcassel Props
Newcassel Props is a famous Geordie folk song written in the 19th century by William Oliver, in a style deriving from music hall. This song pays homage to the passing of several local characters, with a small part dedicated to those still living. Lyrics THE NEWCASSEL PROPS Tune—"The Bold Dragoon" Oh, waes me for wor canny toon, It canna stand it lang -- The props are tumbling one by one, The beeldin seun mun gan; For Deeth o' lat hez no been blate, But sent some jovial souls a joggin' Aw never griev'd for Jacky Tate, Nor even little Archy Loggan. But when maw lugs was 'lectrified Wiv Judy Downey's deeth, Alang wi' Heufy Scott aw cried, Till beyth was oot o' breeth; For greet an' sma', fishwives an' a', Luik' up tiv her wi' veneration -- If Judy's in the Courts above, Then for au'd Nick there'll be ne 'cation. Next Captain Starkey teuk his stick, And myed his final bow; Aw wonder if he is scribbling yet, Or what he's efter noo -- Or if he's drinking jills ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
James Morrison (Geordie Songwriter)
James Morrison ( – post 1830) was a Newcastle songwriter in the early part of the 19th century. His best known song is probably "Burdon’s Address to his Cavalry". Life James Morrison, born c. 1800 in Morrison's Court (now demolished), off Groat Market, Newcastle. After completing his apprenticeship as a painter, he worked for some years as a Journeyman in Newcastle, before moving c1830 to Edinburgh, and from that date little is known of his life. He was a nephew of the scholar Dr. Morrison, who, through hard work and self-teaching had risen from an Apprentice joiner to one of the most eminent scholars of his time. Works *"Burdon's Address to His Cavalry", sung to the tune of "Scots Wha Hae", was published in Marshall's Chapbooks, 1823. It referred to the 1815 great sailors' strike at North Shields against which Thomas Burdon, Mayor of Newcastle and Lieutenant colonel of the Tyne Hussars, was sent to assist in keeping order. For his services he was knighted by the Princ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Robson (songwriter)
Henry Robson (c. 1775 – 1850) was a Tyneside concert hall poet, songwriter and performer in the late 18th and early 19th century. His best known works were perhaps the narrative poem "The Collier's Pay Week", and a poem "The Northern Minstrel's Budget", describing the repertoire of a travelling fiddler and piper. Early life Henry Robson was born c. 1770 at Benwell, near Newcastle, Northumberland, and was still residing in Newcastle in 1812 according to John Bell in his notes in "Rhymes of Northern Bards"). He worked as a printer for Mackenzie and Dent (who also printed the works of Bell) and also had his own small business, working at home, where he had a small press. Later life Most of Robson's known works had been published by 1824. He died on 21 December 1850 at his home in Grenville Terrace just behind City Road, Newcastle at the age of 75. His Obituary read - "he had worked 60 years as a printer, was the oldest member of the profession in the town, and was much respe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Watson (songwriter)
William Watson (1796–1840) was a Tyneside concert hall singer and songwriter in the early 19th century. His most famous song is " Dance To Thy Daddy". Early life ‘'’William Watson'’’ was born in 1796. He was a political activist, who, at election times, turned his poetical abilities to writing election songs, etc. to aid the candidates of his choice. The initial information seemed to point to him having been a shoemaker by profession, but a letter printed in the Gazette stated that this was untrue (see family and business details). At one time he lived in the Groat Market, Newcastle. He was very popular as a singer and songwriter, and had started his own company, but this failed. So in c1823 he sailed for London. In 1826 he wrote to his brother Nathaniel informing him that he had also sent a parcel of manuscripts and asking Nathanial to arrange to have them printed. He adds that several of the songs have been well received when he had sung them in the capital. There i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Mitford, Singer-songwriter
William Mitford (1788–1851) was a Tyneside songwriter of the 19th century. His best known works are those about "Cappy, The Pitman's Dog" and "The Pitman's Courtship". Early life William Mitford was born at Preston (which was a village close to North Shields) on 10 April 1788. His parents died when he was very young, and at the age of 3 or 4 his uncle brought him to Newcastle upon Tyne. He became a shoemaker's apprentice, possibly to the father of Willie Armstrong, and worked in Dean Street. The earliest record of William Mitford appears in the budget chapbook "Newcastle Songster" series in 1816. Mitford went on to write some of the region's most well-known songs. It is known that Mitford played the part of the bishop in the "Coronation" by The Cordwainers Company of Newcastle upon Tyne at The Freeman Hospital in Westgate, on the Festival of St. Crispin (the patron saints of cobblers, tanners, and leather workers) on 29 June 1823. Later life Shortly after, he left the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pitman’s Courtship
The Pitman's Courtship is a famous Geordie folk song Folk music is a music genre that includes #Traditional folk music, traditional folk music and the Contemporary folk music, contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be c ... written in the 19th century by William Mitford (singer-songwriter), William Mitford, in a style deriving from music hall. This piece takes a humorous look at the courtship of a Pitman and his lass where the discussion forms the proposal of marriage and the couple's plans for a life together. This song was generally considered to be one of the region's finest 'traditional' songs, one of only a handful of Tyneside songs to be appreciated outside the region in its day. Lyrics The earliest appearance of the song is in the budget chapbook "Newcastle Songster" series in 1816. Melody \relative c'' "Traditional Air"Melody taken from Catcheside-Warrington's Tyneside Song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Cameron (songwriter)
George Cameron (c. 1768 20 June 1823) was an English hairdresser and songwriter from Tyneside. Life He was born c. 1768, possibly on Tyneside. Very little is known of Cameron's life, except that at some stage he worked as a hairdresser, with a business in the Cloth Market, Newcastle upon Tyne. Around this time period, Napoleon had gathered his armies and was threatening Britain and all over the country volunteer regiments (a sort of Home Guard) were being recruited. Cameron served as a sergeant in one such regiment formed to defend Newcastle upon Tyne. Cameron wrote his first (and what appears to be his only) song "The Pitman's Revenge (against Bonaparte)" during this period, c. 1804. He first performed the song at a meeting of his regiment at the Three Indian Kings on Newcastle's Quayside, and despite being met with much approval this appears to have been the only song he wrote. He died, age 55, on 20 June 1823 and is buried in St. Nicholas' Churchyard. Notes on the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pitman’s Revenge
The Pitman's Revenge (against Bonaparte) is a traditional Geordie folk song, written circa 1804, by George Cameron in the Geordie dialect. The song is about the threat of invasion posed by Napoleon Bonaparte. History Around this period, Napoleon had gathered his armies and was threatening Britain. All over the country volunteer regiments (a sort of Home Guard) were being recruited. George Cameron served as a Sergeant in one such regiment formed to defend Newcastle upon Tyne. He wrote this, his first (and it appears his only) song "The Pitman's Revenge against Bonaparte" during this period, c1804. He first performed the song at a meeting of his regiment, and despite being met with much approval this appears to have been the only song he wrote. According to the 1872 edition of "Allan's Illustrated Edition of Tyneside songs", Cameron's daughter reported that the writer first performed the song at a meeting of his regiment at the Three Indian Kings on Newcastle's Quayside, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Collier’s Rant
"The Collier’s Rant" is a traditional Geordie folk song written many years ago (possibly around 1650), the writer is unknown. It is one of the oldest mining songs in existence. It was already popular, and had been for how long we do not know, when Joseph Ritson published it in his Northumbrian Garland in 1793. It is still a very popular piece by choirs throughout the North East of England. Lyrics There have been mine disasters as long as coal has been mined, going back long before medieval times. Some of these have been caused by gasses (the first reference to an explosion in a North East mine appears to have been in 1621), some by rock falls, and some by plain carelessness. From early times the miners had viewed the pit with suspicion, and it was part folk lore, part fright, and part plain superstition, that many of the disasters had been attributed to the de’il (the devil) or his henchmen who lived at the bottom of the shaft in every pit. This old north eastern song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
