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Manuel De Araújo Porto-alegre, Baron Of Santo Ângelo
Manuel José de Araújo Porto-Alegre, Baron of Santo Ângelo (29 November 1806 – 30 December 1879), was a Brazilian Romantic writer, painter, architect, diplomat and professor, considered to be one of the first Brazilian editorial cartoonists ever. He is the patron of the 32nd chair of the Brazilian Academy of Letters. Life Porto-Alegre was born Manuel José de Araújo in Rio Pardo, Rio Grande do Sul, to Francisco José de Araújo and Francisca Antônia Viana. He would change his name to Manuel de Araújo Pitangueira during the independence of Brazil, citing nativist reasons. Later on, he finally changed it to Manuel de Araújo Porto-Alegre. In 1826, he moved to Rio de Janeiro, in order to study painting with Jean-Baptiste Debret at the Imperial Academy of Fine Arts. He also studied at what is now the Academia Militar das Agulhas Negras and took a medicine course and philosophy. In 1831, he left Brazil along with Debret to Europe, in order to improve his painting techniques. ...
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Rio Pardo
Rio Pardo is a municipality in the state of Rio Grande do Sul in Brazil Brazil ( pt, Brasil; ), officially the Federative Republic of Brazil (Portuguese: ), is the largest country in both South America and Latin America. At and with over 217 million people, Brazil is the world's fifth-largest country by area .... The population is 38,265 (2020 est.) in an area of 2051 km². The elevation is 41 m. References Municipalities in Rio Grande do Sul {{RioGrandedoSul-geo-stub ...
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Independence Of Brazil
The Independence of Brazil comprised a series of political and military events that led to the independence of the Kingdom of Brazil from the United Kingdom of Portugal, Brazil and the Algarves as the Brazilian Empire. Most of the events occurred in Bahia, Rio de Janeiro, and São Paulo between 1821–1824. It is celebrated on 7 September, although there is a controversy whether the real independence happened after the Siege of Salvador on July 2 of 1823 in Salvador, Bahia where the independence war was fought. However, September 7th is the anniversary of the date in 1822 that prince regent Dom Pedro declared Brazil's independence from his royal family in Portugal and the former United Kingdom of Portugal, Brazil and Algarves. Formal recognition came with a treaty three years later, signed by the new Empire of Brazil and the Kingdom of Portugal in late 1825. Background The land now called Brazil was claimed by the Kingdom of Portugal in April 1500, on the arrival of the Por ...
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Petrópolis
Petrópolis (; ), also known as The Imperial City, is a Municipalities of Brazil, municipality in the Southeast Region, Brazil, Southeast Region of Brazil. It is located in the state of Rio de Janeiro (state), Rio de Janeiro, northeast of the city of Rio de Janeiro. According to the 2010 National Brazilian Census, Petrópolis municipality had 295,917 inhabitants that year, up from 286,537 inhabitants at the last census. Besides being the largest and most populous city in the :pt:Microrregião Serrana, Fluminense Mountain Region, the city also has the largest GDP and HDI in the region. The town's name ("city of Peter") honors Pedro II of Brazil, Pedro II, the last List of monarchs of Brazil, Emperor of Brazil, who is entombed there at the Cathedral of Petrópolis, Cathedral of Saint Peter of Alcantara. The city was the summer residence of the List of monarchs of Brazil, Brazilian Emperors and aristocrats in the 19th century, and was the official capital of the Rio de Janeiro (stat ...
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Imperial Museum Of Brazil
The Museu Imperial de Petrópolis is a museum in the historic center of Petrópolis, Rio de Janeiro (state), Rio de Janeiro, Brazil. It is housed in the Petrópolis Imperial Palace, the former summer residence of Emperor Pedro II of Brazil, Pedro II (reigned 1831–1889), which was built starting in 1845. The museum includes the palace itself, pieces of the monarchical past of Brazil, and a temporary exhibition hall dedicated to contemporary art. It is one of the most-visited museums – and was voted the best museum – in the country. History The building In 1822, Emperor Pedro I of Brazil, Pedro I, traveling to Vila Rica, Minas Gerais, to seek support for the movement of the independence of Brazil, was enchanted with the Atlantic Forest and the mild climate of the mountainous region. He stayed at Padre Correia's estate and even made an offer to buy it. Faced with the owner's refusal, Pedro bought the Córrego Seco estate in 1830, thinking of transforming it one day into the Pal ...
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Pedro II Of Brazil
Don (honorific), Dom PedroII (2 December 1825 – 5 December 1891), nicknamed "the Magnanimity, Magnanimous" ( pt, O Magnânimo), was the List of monarchs of Brazil, second and last monarch of the Empire of Brazil, reigning for over 58 years. He was born in Rio de Janeiro, the seventh child of Emperor Dom Pedro I of Brazil and Empress Dona Maria Leopoldina and thus a member of the Brazilian branch of the House of Braganza. His father's Abdication of Pedro I of Brazil, abrupt abdication and departure to Europe in 1831 left the five-year-old as emperor and led to a grim and lonely childhood and adolescence, obliged to spend his time studying in preparation for rule. His experiences with court intrigues and political disputes during this period greatly affected his later character; he grew into a man with a strong sense of duty and devotion toward his country and his people, yet increasingly resentful of his role as monarch. Pedro II inherited an empire on the verge of disint ...
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Pedro Américo
Pedro Américo de Figueiredo e Melo (29 April 1843 – 7 October 1905) was a Brazilian novelist, poet, scientist, art theorist, essayist, philosopher, politician and professor, but is best remembered as one of the most important academic painters in Brazil, leaving works of national impact. From an early age he showed an inclination towards the arts, being considered a child prodigy. At a very young age, he participated as a draftsman on an expedition of naturalists through the Brazilian northeast, and received government support to study at the Imperial Academy of Fine Arts. He did his artistic improvement in Paris, studying with famous painters, but he also dedicated himself to science and philosophy. Soon after his return to Brazil, he began to teach at the Academy and began a successful career, gaining prominence with great paintings of a civic and heroic character, inserting himself in the civilizing and modernizing program of the country fostered by emperor Pedro II, of whic ...
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History Painting
History painting is a genre in painting defined by its subject matter rather than any artistic style or specific period. History paintings depict a moment in a narrative story, most often (but not exclusively) Greek and Roman mythology and Bible stories, opposed to a specific and static subject, as in portrait, still life, and landscape painting. The term is derived from the wider senses of the word ''historia'' in Latin and ''histoire'' in French, meaning "story" or "narrative", and essentially means "story painting". Most history paintings are not of scenes from history, especially paintings from before about 1850. In modern English, "historical painting" is sometimes used to describe the painting of scenes from history in its narrower sense, especially for 19th-century art, excluding religious, mythological, and allegorical subjects, which are included in the broader term "history painting", and before the 19th century were the most common subjects for history paintings. His ...
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Francisco De Sales Torres Homem, Viscount Of Inhomirim
Francisco de Sales Torres Homem, Viscount of Inhomirim (January 29, 1812 – June 3, 1876), was a physician, lawyer, journalist, romantic writer, deputy, senator, top officer of the National Treasury, president of the Bank of Brazil and Minister of Treasury. The only afrobrazilian ever to have been in charge of the economy of Brazil throughout its history. Biography Francisco de Sales Torres Homem was born on January 29, 1812, at Rio de Janeiro, Brazil. His father, Apolinário Torres Homem, was a shady businessman, married to María Patrícia, a mulatto traveling market salesman, nicknamed ''You kill me''. After finishing his career in medicine at the Medical-Surgical Academy at Rio de Janeiro in 1832, he became enrolled by Evaristo Ferreira da Veiga at the Society for the Defense of Freedom and National Independence, a political group related to the moderate liberal party, and asked to write political articles for some journals. At first he was unwilling to perform these duti ...
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Niterói (magazine)
''Niterói: Revista Brasileira'' ( Portuguese for ''Niterói: Brazilian Magazine'') was a magazine created in 1836 by three of the most prominent Brazilian writers at the time: Gonçalves de Magalhães, Manuel de Araújo Porto-Alegre and Francisco de Sales Torres Homem. It was edited in Paris, France. Only two issues of the magazine were published before it became defunct. Historical During the Regency period (1831–1840) of Brazil, the country saw a boom on the publication of periodicals. Due to the historical circumstances of the consolidation of institutions, politics and the own national territory, most of the periodicals at the time had political themes. ''Niterói'', however, was an exception, since it discussed sciences, arts and literature. It is now considered to be a forerunner of the Romantic movement in Brazil.http://www.scielo.br/pdf/rbh/v29n58/a08v2958.pdf Editions The magazine discussed numerous themes, from comet A comet is an icy, small Solar System ...
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Gonçalves De Magalhães, Viscount Of Araguaia
Domingos José Gonçalves de Magalhães, Viscount of Araguaia (August 13, 1811 – July 10, 1882), was a Brazilian poet, playwright, physician and diplomat. He is considered the founder of Romanticism in Brazilian literature, and was a pioneer of the Brazilian theatre. He is the patron of the 9th chair of the Brazilian Academy of Letters. Biography Domingos José Gonçalves de Magalhães was born in Rio de Janeiro, to Pedro Gonçalves de Magalhães Chaves. His mother's name is unknown. He entered in a Medicine course in 1828, graduating in 1832. In the following year, he travelled to Europe, where he met and befriended Manuel de Araújo Porto-Alegre and was exposed to the Romantic ideals. He wrote in 1836 a Romantic manifesto, ''Discurso Sobre a História da Literatura no Brasil'', and, in the same year, he published the poetry book ''Suspiros Poéticos e Saudades'', the first Romantic work to be written by a Brazilian. Returning to Brazil in 1837, he wrote two tragic plays: ' ...
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Academia Militar Das Agulhas Negras
The ''Academia Militar das Agulhas Negras'' (AMAN, en, Military Academy of Agulhas Negras - named after the Agulhas Negras summit) is the biggest among several schools of formation of combatant officers of the Brazilian Army. It originated in 1792 with the creation of the Royal Academy of Artillery, Fortification and Drawing, the first military school of the Americas, in the city of Rio de Janeiro. Today the Academy is located in the city of Resende, in the state of Rio de Janeiro. History In 1792, Queen Mary I of Portugal and Brazil founded the ''Real Academia de Artilharia, Fortificação e Desenho'' (Royal Academy of Artillery, Fortification and Drawing) in Rio de Janeiro, modeled after the existing Academy in Lisbon, intended to train artillery and engineering officers of the Portuguese Army in Brazil. This Academy is considered the pioneer of military and engineering education in the Americas. The transfer of the Portuguese Royal Court from Lisbon to Rio de Janeiro i ...
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Jean-Baptiste Debret
Jean-Baptiste Debret (; 18 April 1768 – 28 June 1848) was a French painter, who produced many valuable lithographs depicting the people of Brazil. Debret won the second prize at the 1798 Salon des Beaux Arts. Biography Debret studied at the French Academy of Fine Arts, a pupil of the great Jacques-Louis David (1748–1825) to whom he was related. He accompanied David to Rome in the 1780s. His debut was at the Salon des Beaux Arts of 1798, where he got the second prize. He travelled to Brazil in March 1816 as a member of the so-called French Artistic Mission, a group of bonapartist French artists and artisans bound to creating an arts and crafts lyceum in Rio de Janeiro (Escola Real de Artes e Ofícios) under the auspices of King D. João VI and the Count of Barca. The lyceum later became the Academia Imperial de Belas Artes (Imperial Academy of Fine Arts) under Emperor Dom Pedro I. As a painter favored first by the Portuguese court in exile and later by the imperia ...
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