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Makin' The Changes
''Makin' the Changes'' is a studio album by saxophonist Jackie McLean. It was recorded in 1957 for Prestige, but not released until 1960 by the subsidiary label New Jazz as NJ 8231. It features three tracks with McLean in a quartet with pianist Mal Waldron, bassist Arthur Phipps and drummer Art Taylor, and three with a sextet featuring trumpeter Webster Young, trombonist Curtis Fuller, pianist Gil Coggins, bassist Paul Chambers and drummer Louis Hayes. Track listing #" Bean and the Boys" (Coleman Hawkins a contrafact of " Lover Come Back to Me") - 8:33 #"What's New?" ( Bob Haggart, Johnny Burke) - 7:09 #"I Never Knew" (Gus Kahn, Ted Fiorito) - 3:00 #"I Hear a Rhapsody" (Dick Gasparre, George Fragos, Jack Baker) - 5:08 #"Jackie's Ghost" (Ray Draper) - 5:28 #" Chasin' the Bird" (Charlie Parker) - 6:35 ''Recorded on February 15 (#1, 3-4) & August 30 (#2, 5-6), 1957.'' Personnel Tracks 1, 3-4 *Jackie McLean - alto sax * Mal Waldron - piano *Arthur Phipps - bass * Art Taylor ...
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Jackie McLean
John Lenwood "Jackie" McLean (May 17, 1931 – March 31, 2006) was an American jazz alto saxophonist, composer, bandleader, and educator, and is one of the few musicians to be elected to the ''DownBeat'' Hall of Fame in the year of their death. Biography McLean was born in New York City. His father, John Sr., played guitar in Tiny Bradshaw's orchestra. After his father's death in 1939, Jackie's musical education was continued by his godfather, his record-store-owning stepfather, and several noted teachers. He also received informal tutoring from neighbors Thelonious Monk, Bud Powell, and Charlie Parker. During high school McLean played in a band with Kenny Drew, Sonny Rollins, and Andy Kirk, Jr. (the saxophonist son of Andy Kirk). Along with Rollins, McLean played on Miles Davis' '' Dig'' album, when he was 20 years old. As a young man he also recorded with Gene Ammons, Charles Mingus (for '' Pithecanthropus Erectus''), George Wallington, and as a member of Art Blake ...
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Gil Coggins
Gilbert Lloyd "Gil" Coggins (August 23, 1924 – February 15, 2004) was an American jazz pianist. Coggins was born to parents of West Indian heritage.Gil Coggins
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His mother was a pianist and had her son start on piano from an early age. He attended school in and . In , New York City, he attended

Ray Draper
Raymond Allen Draper (August 3, 1940, New York City – November 1, 1982) was an American jazz tuba player. Early life and education Draper was born in New York City and attended the Manhattan School of Music in the mid-1950s. Career As a leader, he recorded his first album, ''Tuba Sounds'' (Prestige 1957), at the age of 16, with a quintet. His second album, ''The Ray Draper Quintet featuring John Coltrane'', was recorded at the age of 17 with slight changes in his quintet, including John Coltrane. Imprisoned over his drug use, after his release in the late 1960s, Draper formed the first jazz rock fusion band composed of established jazz musicians of the day. This preceded Miles Davis's ''Bitches Brew'', which is normally recognized as the first jazz rock fusion group and recording by two years. Original band members included George Bohanon on trombone, Hadley Caliman on tenor sax, John Duke on upright bass, Paul Lagos on drums and Tom Trujillo on guitar. This band, afte ...
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I Hear A Rhapsody
"I Hear a Rhapsody" is a 1941 pop song that became a jazz standard, composed by George Fragos, Jack Baker, and Dick Gasparre. Written in 1940, in 1941 it was a top 10 hit for three separate artists, Charlie Barnet, Jimmy Dorsey and Dinah Shore. “I Hear a Rhapsody” was at the top of "Your Hit Parade" in 1941. It was featured in the 1952 film noir ''Clash by Night'', in which it was sung by Tony Martin. The soundtrack featured jazz notables such as pianist Gerald Wiggins, alto saxophonist Benny Carter, and tenor saxophonist Coleman Hawkins. The film, directed by Fritz Lang, involved a love triangle in a small fishing village and starred Barbara Stanwyck, Robert Ryan, and Paul Douglas. Versions * Charlie Barnet and His Orchestra with Bob Carroll, recorded October 14, 1940 (10" shellac single, Bluebird, 1941) * Jimmy Dorsey and His Orchestra with Bob Eberly, recorded December 9, 1940 (10" shellac single, Decca, 1941) * Duke Ellington and His Orchestra with Herb Jeffries and B ...
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Ted Fiorito
Theodore Salvatore Fiorito (December 20, 1900 – July 22, 1971),DeLong, Thomas A. (1996). ''Radio Stars: An Illustrated Biographical Dictionary of 953 Performers, 1920 through 1960''. McFarland & Company, Inc. . P. 95. known professionally as Ted Fio Rito, was an American composer, orchestra leader, and keyboardist, on both the piano and the Hammond organ, who was popular on national radio broadcasts in the 1920s and 1930s. His name is sometimes given as Ted Fiorito or Ted FioRito. Biography He was born Teodorico Salvatore Fiorito in Newark, New Jersey to an Italian immigrant couple, tailor Louis (Luigi) Fiorito and Eugenia Cantalupo Fiorito, when they were both 21 years old; and he was delivered by a midwife at their 293 15th Avenue residence. Ted Fiorito attended Barringer High School in Newark. In Italy, his mother had sung light opera. He was still in his teens when he landed a job in 1919 as a pianist at Columbia's New York City recording studio, working with the Har ...
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Gus Kahn
Gustav Gerson Kahn (November 6, 1886October 8, 1941) was an American lyricist who contributed a number of songs to the Great American Songbook, including " Pretty Baby", " Ain't We Got Fun?", " Carolina in the Morning", " Toot, Toot, Tootsie (Goo' Bye!)", " My Buddy" " I'll See You in My Dreams", " It Had to Be You", " Yes Sir, That's My Baby", " Love Me or Leave Me", " Makin' Whoopee", " My Baby Just Cares for Me", "I'm Through with Love", " Dream a Little Dream of Me" and " You Stepped Out of a Dream". Life and career Kahn was born in 1886 in Bruschied, in the Rhine Province of the Kingdom of Prussia, the son of Theresa (Mayer) and Isaac Kahn, a cattle farmer. The Jewish family emigrated to the United States and moved to Chicago in 1890. After graduating from high school, he worked as a clerk in a mail order business before launching one of the most successful and prolific careers from Tin Pan Alley. Kahn married Grace LeBoy in 1916 and they had two children, Donald and Irene. ...
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Johnny Burke (lyricist)
John Francis Burke (October 3, 1908 – February 25, 1964) was an American lyricist, successful and prolific between the 1920s and 1950s. His work is considered part of the Great American Songbook. His song " Swinging on a Star", from the Bing Crosby film '' Going My Way'', won an Academy Award for Best Song in 1944. Early life Burke was born in Antioch, California, United States, the son of Mary Agnes (Mungovan), a schoolteacher, and William Earl Burke, a structural engineer. When he was still young, his family moved to Chicago, Illinois, where Burke's father founded a construction business. As a youth, Burke studied piano and drama. He attended Crane College and then the University of Wisconsin–Madison, where he played piano in the orchestra. After graduating from the University of Wisconsin–Madison in 1927, Burke joined the Chicago office of the Irving Berlin Publishing Company in 1926 as a pianist and song salesman. He also played piano in dance bands and vaudeville. ...
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Bob Haggart
Robert Sherwood Haggart (March 13, 1914 – December 2, 1998) was an American dixieland jazz double bass player, composer, and arranger. Although he is associated with dixieland, he was one of the finest rhythm bassists of the Swing Era. Music career In 1935, Haggart became a member of the Bob Crosby Band. He arranged and composed " Big Noise from Winnetka", "My Inspiration", " What's New?", and "South Rampart Street Parade". He remained with the band until it dissolved in 1942, then began working as session musician, with much of his time spent at Decca Records. He recorded with Billie Holiday, Duke Ellington, Benny Goodman, and Ella Fitzgerald; his arrangements can be heard on Fitzgerald's album ''Lullabies of Birdland''. Haggart also starred in several commercials for L&M cigarettes on the radio program "Gunsmoke", including the March 4, 1956 episode, "The Hunter". He and Yank Lawson formed the Lawson-Haggart Band, and they also led the World's Greatest Jazz Band from 19 ...
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What's New?
What's New?" is a 1939 popular song composed by Bob Haggart, with lyrics by Johnny Burke. It was originally an instrumental tune titled "I'm Free" by Haggart in 1938, when Haggart was a member of Bob Crosby and His Orchestra. The tune was written with a trumpet solo, meant to showcase the talents of band-mate Billy Butterfield. Crosby's orchestra recorded "I'm Free" the same day it was written. The following year, the music publishers hired Johnny Burke to write lyrics for the tune. Burke's telling of the torch song is unique, using one side of a casual conversation between former lovers. Thus the song was retitled using the song's first line, "What's New?". The song was recorded with the new title in 1939 by Bob Crosby and His Orchestra with vocalist Teddy Grace. The song reached a peak chart position of #10. Bing Crosby recorded the song on June 30, 1939 with John Scott Trotter and His Orchestra and this was the biggest hit recording of the song, peaking at #2 during a 10 ...
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Lover Come Back To Me
"Lover, Come Back to Me" is a popular song composed by Sigmund Romberg with lyrics by Oscar Hammerstein II for the Broadway show ''The New Moon'', where the song was introduced by Evelyn Herbert and Robert Halliday (as Robert Misson). The song was published in 1928. Film versions The song was performed by Lawrence Tibbett and Grace Moore in '' New Moon'', the 1930 film adaptation of ''The New Moon'', and by Jeanette MacDonald and Nelson Eddy in the 1940 adaptation, also titled '' New Moon''. Barbra Streisand version Arranged and conducted by George Williams, the song was released as Barbra Streisand's second single in November 1962 as a double single with " My Coloring Book". Produced by Mike Berniker, and recorded before Streisand's first album sessions, the single was sent to radio. In 1963, Streisand re-recorded the song for her second album ''The Second Barbra Streisand Album'', which appeared on the compilation ''The Essential Barbra Streisand''. In her first television ...
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Contrafact
A contrafact is a musical work based on a prior work. The term comes from classical music and has only since the 1940s been applied to jazz, where it is still not standard. In classical music, contrafacts have been used as early as the parody mass and In Nomine of the 16th century. More recently, '' Cheap Imitation'' (1969) by John Cage was produced by systematically changing notes from the melody line of '' Socrate'' by Erik Satie using chance procedures. In jazz, a contrafact is a musical composition consisting of a new melody overlaid on a familiar harmonic structure.. As a compositional device, it was of particular importance in the 1940s development of bop, since it allowed jazz musicians to create new pieces for performance and recording on which they could immediately improvise, without having to seek permission or pay publisher fees for copyrighted materials (while melodies can be copyrighted, the underlying harmonic structure cannot be). Contrafacts are not to be co ...
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Coleman Hawkins
Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist.Yanow, Scot"Coleman Hawkins: Artist Biography" AllMusic. Retrieved December 27, 2013. One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". Hawkins biographer John Chilton described the prevalent styles of tenor saxophone solos prior to Hawkins as "mooing" and "rubbery belches." Hawkins cited as influences Happy Caldwell, Stump Evans, and Prince Robinson, although he was the first to tailor his method of improvisation to the saxophone rather than imitate the techniques of the clarinet. Hawkins' virtuosic, arpeggiated approach to improvisation, with his characteristic rich, emotional, and vibrato-laden tonal style, was the main influence on a generation of tenor players that included Chu Berry, Charlie ...
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