Magistrates Of Brussels
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Magistrates Of Brussels
''Magistrates of Brussels'' was a 1634-35 oil painting by Anthony van Dyck. It was destroyed in the French bombardment of Brussels in 1695. Its composition is known from a grisaille sketch in the École nationale supérieure des Beaux-Arts in Paris, which Van Dyck prepared to show how he planned to lay out the work. Van Dyck was paid 2,400 florins for the painting in 1628, intended for Brussels Town Hall. It was painted in a period when Van Dyck had returned to the Netherlands. The work was completed in 1634-5 and included portraits of seven magistrates in council, around a statue representing Justice. At least four sketches of magistrates' heads for the same work are known to exist, each with a distinctive pink background. Two are in the Ashmolean Museum at Oxford. A third was in the collection of the Saint Louis Art Museum from 1952 to 2010, and later sold to a private collector. A fourth (''Magistrate of Brussels'') was rediscovered in England in 2013. A further wo ...
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Van Dyck - Les Echevins De Bruxelles Autour De La Statue De La Justice, 1634
A van is a type of road vehicle used for transporting goods or people. Depending on the type of van, it can be bigger or smaller than a pickup truck and SUV, and bigger than a common car. There is some varying in the scope of the word across the different English-speaking countries. The smallest vans, microvans, are used for transporting either goods or people in tiny quantities. Mini MPVs, compact MPVs, and MPVs are all small vans usually used for transporting people in small quantities. Larger vans with passenger seats are used for institutional purposes, such as transporting students. Larger vans with only front seats are often used for business purposes, to carry goods and equipment. Specially-equipped vans are used by television stations as mobile studios. Postal services and courier companies use large step vans to deliver packages. Word origin and usage Van meaning a type of vehicle arose as a contraction of the word caravan. The earliest records of a van as a vehi ...
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Anthony Van Dyck
Sir Anthony van Dyck (, many variant spellings; 22 March 1599 â€“ 9 December 1641) was a Brabantian Flemish Baroque artist who became the leading court painter in England after success in the Southern Netherlands and Italy. The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work. Van Dyck worked in London for some months in 1621, then returned to Flanders for a brief time, before travelling to Italy, where he stayed until 1627, mostly in Genoa. In the late 1620s he completed his greatly admired ''Iconography'' series of portrait etchings, mostly of other artists. He spent five years in Flanders after his return from Italy, and from 1630 was court painter for the arch ...
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Bombardment Of Brussels
The bombardment of Brussels by troops of Louis XIV of France on August 13, 14 and 15, 1695, and the resulting fire were together the most destructive event in the entire history of Brussels. Brussels was mostly untouched by most other conflicts. It did not suffer significant damage during World War I, and bombing during World War II was not nearly as extensive as that of 1695. The Grand-Place was destroyed, along with a third of the buildings in the city. The reconstruction of the city centre, effected during subsequent years, profoundly changed the appearance of the city and left numerous traces still visible today. The bombardment was part of the Nine Years' War. The French forces hoped that by bombarding, or threatening to bombard Brussels, they would be able to divert Allied troops from the Siege of Namur. The strategy was unsuccessful, and no military gain came of the bombardment, although Louis XIV's reputation suffered for such a barbarous act. Historical context ...
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Grisaille
Grisaille ( or ; french: grisaille, lit=greyed , from ''gris'' 'grey') is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range. Paintings executed in brown are referred to as ''brunaille'', and paintings executed in green are called ''verdaille''. A grisaille may be executed for its own sake, as an underpainting for an oil painting (in preparation for glazing layers of colour over it) or as a model from which an engraver may work (as was done by Rubens and his school). Full colouring of a subject makes many demands of an artist, and working in grisaille was often chosen as it may be quicker and cheaper than traditional painting, although the effect was sometimes deliberately chosen for aesthetic reasons. Grisaille paintings resemble the drawings, normally in monochrome, that artists from the Renaissance on were tra ...
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École Nationale Supérieure Des Beaux-Arts
The Beaux-Arts de Paris is a French ''grande école'' whose primary mission is to provide high-level arts education and training. This is classical and historical School of Fine Arts in France. The art school, which is part of the Paris Sciences et Lettres University, is located on two sites: Saint-Germain-des-Prés in Paris, and Saint-Ouen. The Parisian institution is made up of a complex of buildings located at 14 rue Bonaparte, between the quai Malaquais and the rue Bonaparte. This is in the heart of Saint-Germain-des-Prés, just across the Seine from the Louvre museum. The school was founded in 1648 by Charles Le Brun as the famed French academy ''Académie de peinture et de sculpture''. In 1793, at the height of the French Revolution, the institutes were suppressed. However, in 1817, following the Bourbon Restoration, it was revived under a changed name after merging with the Académie d'architecture. Held under the King's tutelage until 1863, an imperial decree on Novemb ...
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Brussels Town Hall
The Town Hall (french: Hôtel de Ville, Dutch: ) of the City of Brussels is a landmark building and the seat of the City of Brussels municipality of Brussels, Belgium. It is located on the south side of the famous Grand-Place/Grote Markt (Brussels' main square), opposite the neo-Gothic ''King's House'' or ''Bread House'', nl, Broodhuis, link=no building, housing the Brussels City Museum. Erected between 1401 and 1455, the Town Hall is the only remaining medieval building of the Grand-Place and is considered a masterpiece of civil Gothic architecture and more particularly of Brabantine Gothic. Its three classicist rear wings date from the 18th century. Since 1998, is also listed as a UNESCO World Heritage Site, as part of the square. This site is served by the ''premetro'' (underground tram) station Bourse/Beurs (on lines 3 and 4), as well as the bus stop / (on line 95). History Gothic Town Hall The Town Hall (french: Hôtel de Ville, link=no, nl, Stadhuis, link=no) of ...
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Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum also opened redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and collectors Joh ...
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Saint Louis Art Museum
The Saint Louis Art Museum (SLAM) is one of the principal U.S. art museums, with paintings, sculptures, cultural objects, and ancient masterpieces from all corners of the world. Its three-story building stands in Forest Park in St. Louis, Missouri, where it is visited by up to a half million people every year. Admission is free through a subsidy from the cultural tax district for St. Louis City and County.Saint Louis Art Museum Visitor Guide (2007) In addition to the featured exhibitions, the museum offers rotating exhibitions and installations. These include the ''Currents'' series, which features contemporary artists, as well as regular exhibitions of new media art and works on paper. History The museum was founded in 1879 as the Saint Louis School and Museum of Fine Arts, an independent entity within Washington University in St. Louis.''Saint Louis Art Museum Handbook of the Collection'' (2004), p. 8 It was housed in a building commissioned by Wayman Crow as a memor ...
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Magistrate Of Brussels
''Magistrate of Brussels'' is an unfinished oil painting or oil sketch by Anthony van Dyck, rediscovered in 2013 after being shown on episodes of the BBC television programme '' Antiques Roadshow''. The work was purchased for £400 from a Nantwich, Cheshire, antiques shop some years previously by Father Jamie MacLeod and hung in the Whaley Hall Ecumenical Retreat House, which he runs, at Whaley Bridge. At one point, it fell from the wall there, smashing a CD player, but sustained no significant damage. The frame was labelled "Sir A van Dyck", but the picture was thought to be a copy. He took the painting to a recording of ''Antiques Roadshow'' at Newstead Abbey, Nottinghamshire, in 2012. MacLeod then took it to a second recording, at the Royal Agricultural University, Cirencester. There, it was recognised as potentially a van Dyck by presenter Fiona Bruce, who had been working with art historian Philip Mould on an episode of another BBC programme ('' Fake or Fortune?''), ...
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Royal Collection
The Royal Collection of the British royal family is the largest private art collection in the world. Spread among 13 occupied and historic royal residences in the United Kingdom, the collection is owned by King Charles III and overseen by the Royal Collection Trust. The British monarch owns some of the collection in right of the Crown and some as a private individual. It is made up of over one million objects, including 7,000 paintings, over 150,000 works on paper, this including 30,000 watercolours and drawings, and about 450,000 photographs, as well as around 700,000 works of art, including tapestries, furniture, ceramics, textiles, carriages, weapons, armour, jewellery, clocks, musical instruments, tableware, plants, manuscripts, books, and sculptures. Some of the buildings which house the collection, such as Hampton Court Palace, are open to the public and not lived in by the Royal Family, whilst others, such as Windsor Castle and Kensington Palace, are both residences an ...
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List Of Paintings By Anthony Van Dyck
The following is an incomplete list of works by the Flemish painter Anthony van Dyck (1599–1641). Portraits (1613–1632) Between 1613 and 1632, van Dyck travelled all over Europe – from his native Antwerp (where he began working as a painter, initially under Hendrick van Balen and later with Peter Paul Rubens), to England for a brief stay at the court of James I and then to Italy, where he had the chance to get to know the old masters. He then finally settled back in Flanders. Portraits (1632–1649) From 1632 until his death in 1641, van Dyck travelled regularly to London and the court of his patron Charles I. An art lover, Charles I made van Dyck his Principal Painter and a baronet. In between he spent short periods in Antwerp, Brussels and Paris, where he hoped to become a court painter to Louis XIII of France. Mythological paintings Mainly celebrated as a portraitist, van Dyck also produced several historical, religious and mythological works. Religious paintings ...
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Portraits By Anthony Van Dyck
A portrait is a painting, photograph, sculpture, or other artistic representation of a person, in which the face and its expressions are predominant. The intent is to display the likeness, personality, and even the mood of the person. For this reason, in photography a portrait is generally not a snapshot, but a composed image of a person in a still position. A portrait often shows a person looking directly at the painter or photographer, in order to most successfully engage the subject with the viewer. History Prehistorical portraiture Plastered human skulls were reconstructed human skulls that were made in the ancient Levant between 9000 and 6000 BC in the Pre-Pottery Neolithic B period. They represent some of the oldest forms of art in the Middle East and demonstrate that the prehistoric population took great care in burying their ancestors below their homes. The skulls denote some of the earliest sculptural examples of portraiture in the history of art. Historical portraitur ...
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