Madonna And Child (Artemisia Gentileschi)
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Madonna And Child (Artemisia Gentileschi)
''Madonna and Child'' is an early painting by the baroque painter Artemisia Gentileschi. It was painted around 1613, when Artemisia was around 20 years old. It currently hangs in the Galleria Spada in Rome. Description The Virgin Mary is depicted wearing a pink dress sitting on a plain wooden chair, about to nurse her son, as he turns and caresses her face with his left hand. Mary's figure fills the canvas, bringing her close to the viewer, while the Christ child with tousled blonde hair appears to have been modeled on that of a real child. History An 1837 engraving of the painting indicates a more complicated arrangement of drapery than is now in evidence. A restoration which took place during 1969-1970 removed a significant amount of retouching and overpaint, which revealed the pink dress with deep maroon shadows as well as the blue mantle. Attribution The painting had been attributed to a series of Italian artists until 1992, when archival research uncovered an inventory ...
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Artemisia Gentileschi
Artemisia Lomi or Artemisia Gentileschi (, ; 8 July 1593) was an Italian Baroque painter. Gentileschi is considered among the most accomplished seventeenth-century artists, initially working in the style of Caravaggio. She was producing professional work by the age of 15. In an era when women had few opportunities to pursue artistic training or work as professional artists, Gentileschi was the first woman to become a member of the Accademia di Arte del Disegno in Florence and she had an international clientele. Many of Gentileschi's paintings feature women from myths, allegories, and the Bible, including victims, suicides, and warriors. Some of her best known subjects are ''Susanna and the Elders'' (particularly the 1610 version in Pommersfelden), ''Judith Slaying Holofernes'' (her 1614–1620 version is in the Uffizi gallery), and '' Judith and Her Maidservant'' (her version of 1625 is in the Detroit Institute of Arts). Gentileschi was known for being able to depict the f ...
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Oil On Canvas
Oil painting is the process of painting with pigments with a medium of drying oil as the binder. It has been the most common technique for artistic painting on wood panel or canvas for several centuries, spreading from Europe to the rest of the world. The advantages of oil for painting images include "greater flexibility, richer and denser colour, the use of layers, and a wider range from light to dark". But the process is slower, especially when one layer of paint needs to be allowed to dry before another is applied. The oldest known oil paintings were created by Buddhist artists in Afghanistan and date back to the 7th century AD. The technique of binding pigments in oil was later brought to Europe in the 15th century, about 900 years later. The adoption of oil paint by Europeans began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of tempera paints in the majority o ...
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Palazzo Pitti
The Palazzo Pitti (), in English sometimes called the Pitti Palace, is a vast, mainly Renaissance, palace in Florence, Italy. It is situated on the south side of the River Arno, a short distance from the Ponte Vecchio. The core of the present palazzo dates from 1458 and was originally the town residence of Luca Pitti, an ambitious Florentine banker. The palace was bought by the Medici family in 1549 and became the chief residence of the ruling families of the Grand Duchy of Tuscany. It grew as a great treasure house as later generations amassed paintings, plates, jewelry and luxurious possessions. In the late 18th century, the palazzo was used as a power base by Napoleon and later served for a brief period as the principal royal palace of the newly united Italy. The palace and its contents were donated to the Italian people by King Victor Emmanuel III in 1919. The palazzo is now the largest museum complex in Florence. The principal palazzo block, often in a building of this ...
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Gender Bias
Sexism is prejudice or discrimination based on one's sex or gender. Sexism can affect anyone, but it primarily affects women and girls.There is a clear and broad consensus among academic scholars in multiple fields that sexism refers primarily to discrimination against women, and primarily affects women. See, for example: * Defines sexism as "prejudice, stereotyping, or discrimination, typically against women, on the basis of sex". * Defines sexism as "prejudice or discrimination based on sex or gender, especially against women and girls". Notes that "sexism in a society is most commonly applied against women and girls. It functions to maintain patriarchy, or male domination, through ideological and material practices of individuals, collectives, and institutions that oppress women and girls on the basis of sex or gender." * Notes that Sexism' refers to a historically and globally pervasive form of oppression against women." * Notes that "sexism usually refers to prejudice ...
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Saint Cecilia (Artemisia Gentileschi)
''Santa Cecilia'' is an early painting, from c. 1620, by the Baroque painter Artemisia Gentileschi, a painter described as "a grand exception in the history of art - a successful woman painter in an era in which art was dominated by men." Description It shows a woman in a yellow gown and white chemise playing a lute, with an organ in the background. A cleaning in 1988 made the organ visible and confirmed the depiction of Saint Cecelia, an early Christian martyr who later became associated with musical instruments. Provenance It is believed to have been painted in 1620 and is known to be in the collection Alessandro Biffi by 1637. It passed to the Spada collection in the seventeenth century as a means of settling debts and is currently in the Galleria Spada in Rome. In 1759 it was inventoried as "school of Titian", then later ascribed to Caravaggio and Caroselli, before being suggested as a work of Artemisia in 1911. See also * List of works by Artemisia Gentileschi The followi ...
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List Of Works By Artemisia Gentileschi
The following is an incomplete list of works by Artemisia Gentileschi. Catalogue numbers abbreviated "WB" are taken from the 1999 publication by Raymond Ward Bissell, and number abbreviated "MET" are from the 2001 publication by the Metropolitan Museum of Art. Other attributions are taken from Jesse Locker's ''The Language of Painting''. Further references are available on the Bibliography on Artemisia Gentileschi This is an ongoing bibliography of work related to the Italian baroque painter Artemisia Gentileschi. 2023 * Banta, Andaleeb Badiee, Alexa Greist, and Theresa Kutasz Christensen, eds. ''Making Her Mark: A History of Women Artists in Europe, 140 .... References {{Lists of paintings Gentileschi,Artemisia * ...
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Paintings By Artemisia Gentileschi
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, nar ...
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1610s Paintings
Year 161 ( CLXI) was a common year starting on Wednesday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Caesar and Aurelius (or, less frequently, year 914 ''Ab urbe condita''). The denomination 161 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * March 7 – Emperor Antoninus Pius dies, and is succeeded by Marcus Aurelius, who shares imperial power with Lucius Verus, although Marcus retains the title Pontifex Maximus. * Marcus Aurelius, a Spaniard like Trajan and Hadrian, is a stoical disciple of Epictetus, and an energetic man of action. He pursues the policy of his predecessor and maintains good relations with the Roman Senate, Senate. As a legislator, he endeavors to create new principles of morality and humanity, particularly favoring women and slaves. * Aure ...
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Paintings In The Galleria Spada
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ...
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