Macbeth Discography
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Macbeth Discography
This is a list of recordings of ''Macbeth'', an opera by Giuseppe Verdi Giuseppe Fortunino Francesco Verdi (; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto to a provincial family of moderate means, receiving a musical education with the h .... The first performance of the work was on 14 March 1847 at the Teatro della Pergola in Florence. Verdi subsequently revised the work and the first performance of this version was on 21 April 1865 at the Théâtre Lyrique in Paris. Some recordingsThe 1976 Abbado version is one example. and some performances today incorporate both Macbeth's final aria before he dies (from the original version) ''and'' the revised version's ending with the soldiers' chorus. 1847 original version 1865 revised version References {{Macbeth Opera discographies Operas by Giuseppe Verdi ...
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Macbeth (Verdi)
''Macbeth'' () is an opera in four acts by Giuseppe Verdi, with an Italian libretto by Francesco Maria Piave and additions by Andrea Maffei, based on William Shakespeare's play of the same name. Written for the Teatro della Pergola in Florence, it was Verdi's tenth opera and premiered on 14 March 1847. ''Macbeth'' was the first Shakespeare play that Verdi adapted for the operatic stage. Almost twenty years later, ''Macbeth'' was revised and expanded in a French version and given in Paris on 19 April 1865. After the success of ''Attila'' in 1846, by which time the composer had become well established, ''Macbeth'' came before the great successes of 1851 to 1853 (''Rigoletto'', ''Il trovatore'' and ''La traviata'') which propelled him into universal fame. As sources, Shakespeare's plays provided Verdi with lifelong inspiration: some, such as an adaption of ''King Lear'' (as ''Re Lear'') were never realized, but he wrote his two final operas using ''Othello'' as the basis for ''Ot ...
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Margherita Grandi
Margherita Grandi (10 October 1892Some sources give her birthdate as 4 October 1894.29 January 1972) was an Australian-born Italian soprano. Life and career Margherita Grandi was born Margaret Gard in Harwood Island, Clarence River, near Maclean, in the Northern Rivers area of New South Wales, Australia. When she was ten, her family moved to Tasmania and she went to school in Hobart. She left Australia in 1911 to study at the Royal Conservatory of Music in London. She also studied with Mathilde Marchesi and Jean de Reszke; and later in Paris with Emma Calvé. She made her professional debut in Paris, as a mezzo-soprano under the stage name of Djéma Vécla (Vecla being an anagram of Calvé)Not to be confused with the French singer Emma Vecla who adopted that stage name for the same reason (student of Calvé) and whose biography has many parallels. singing Charlotte in Massenet's ''Werther''. In 1922, she created Massenet's '' Amadis'' in Monte Carlo. Kutsch, Karl-Josef; Riemens ...
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La Scala
La Scala (, , ; abbreviation in Italian of the official name ) is a famous opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the ' (New Royal-Ducal Theatre alla Scala). The premiere performance was Antonio Salieri's ''Europa riconosciuta''. Most of Italy's greatest operatic artists, and many of the finest singers from around the world, have appeared at La Scala. The theatre is regarded as one of the leading opera and ballet theatres globally. It is home to the La Scala Theatre Chorus, La Scala Theatre Ballet, La Scala Theatre Orchestra, and the Filarmonica della Scala orchestra. The theatre also has an associate school, known as the La Scala Theatre Academy ( it, Accademia Teatro alla Scala, links=no), which offers professional training in music, dance, stagecraft, and stage management. Overview La Scala's season opens on 7 December, Saint Ambrose's Day, the feast day of Milan's patron saint. All performances must end befor ...
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Victor De Sabata
Victor de Sabata (10 April 1892 – 11 December 1967) was an Italian conductor and composer. He is widely recognized as one of the most distinguished operatic conductors of the twentieth century, especially for his Verdi, Puccini and Wagner. De Sabata was acclaimed for his interpretations of orchestral music. Like his near contemporary Wilhelm Furtwängler, de Sabata regarded composition as more important than conducting but achieved more lasting recognition for his conducting than his compositions. De Sabata has been praised by various authors and critics as a rival to Toscanini for the title of greatest Italian conductor of the twentieth century, and even as "perhaps the greatest conductor in the world". In 1918, aged 26, de Sabata was appointed conductor of the Monte Carlo Opera, performing a wide variety of late-19th century and contemporary works, and earning acclaim from Maurice Ravel. De Sabata became the music director at La Scala in Milan, a post he would hold for over ...
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Maria Callas
Maria Callas . (born Sophie Cecilia Kalos; December 2, 1923 – September 16, 1977) was an American-born Greek soprano who was one of the most renowned and influential opera singers of the 20th century. Many critics praised her ''bel canto'' technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical ''opera seria'' to the ''bel canto'' operas of Gaetano Donizetti, Donizetti, Vincenzo Bellini, Bellini and Gioachino Rossini, Rossini and, further, to the works of Giuseppe Verdi, Verdi and Giacomo Puccini, Puccini; and, in her early career, to the music dramas of Richard Wagner, Wagner. Her musical and dramatic talents led to her being hailed as ''La Divina'' ("the Divine one"). Born in Manhattan, New York City, to Greek immigrant parents, she was raised by an overbearing mother who had wanted a son. Maria received her musical education in Greece at age 13 and later established her career in Italy. Forced to deal with the exigencies of 194 ...
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Enzo Mascherini
Enzo Mascherini (6 August 1910, Florence - 29 July 1981, Livorno) was an Italian operatic baritone, one of the leading baritones of his generation. He studied in Florence with Titta Ruffo and Riccardo Stracciari and made his debut there in 1937, as Giorgio Germont in ''La traviata'', and also sang at the premiere of Gian Francesco Malipiero's ''Antonio e Cleopatra'', in 1938. He made his debut at the San Carlo in Naples, in 1939, and at the Teatro alla Scala in Milan, in 1940. He appeared in two legendary performances opposite Maria Callas, the first at the Maggio Musicale Fiorentino in 1951, as Montforte in ''I vespri siciliani'', under Erich Kleiber, and on opening night of the 1952-53 season at La Scala, as ''Macbeth'', under Victor de Sabata. He also appeared there in ''La bohème'' (with Giuseppe di Stefano, 1952), ''La favorite'' (1953), ''Faust'' (with Dame Elisabeth Schwarzkopf, 1954), ''Don Carlos'' (with Callas, 1954), and, again, ''La bohème'' (conducted by Leonard Ber ...
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Vittorio Gui
Vittorio Gui (14 September 188516 October 1975) was an Italian conductor, composer, musicologist and critic. Gui was born in Rome in 1885. He graduated in humanities at the University of Rome and also studied composition at the Accademia Nazionale di Santa Cecilia; his principal composition teachers were the noted composers Giacomo Setaccioli and Stanislao Falchi. His style was "impressionistic with characteristic Italian traits".''The New Grove Dictionary of Music and Musicians'' Gui's opera ''David'' premiered in Rome in 1907; later that year, he made his professional conducting debut at the Teatro Adriano in Rome, leading Ponchielli's '' La Gioconda'' as a substitute. This led to invitations to conduct in Naples and Turin (he met Claude Debussy in Turin in 1911). In 1923, Arturo Toscanini invited him to conduct '' Salome'' by Richard Strauss as the season opener at La Scala in Milan. He conducted the Teatro Regio in Turin from 1925 to 1927; in his last year in Turin, he prem ...
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Gino Penno
Gino Penno (8 December 1920 – 8 February 1998) was an Italian tenor, who enjoyed a short but brilliant career in opera in the 1950s. Penno was born in Felizzano, Italy, and studied with Ettore Campogalliani. After winning a singing competition, he entered the Scuola di Canto of the Teatro alla Scala in Milan. While still a student, he sang a number of comprimario roles, and appeared in his first leading role in 1950, Floreski in Cherubini's '' Lodoiska''. In the early 1950s, he became known throughout Italy, as a highly competent heldentenor, singing Siegfried at the Verona Arena and Lohengrin in Rome. He also partnered the new diva Maria Callas in ''Norma'', '' Macbeth'', ''Il trovatore'' and ''Medea'', in various theatres in Italy. In 1951, his career took an international turn. He appeared at the Paris Opéra, the Liceo in Barcelona, the Monte Carlo Opera, the Metropolitan Opera in New York, and the Royal Opera House in London. By the end of the 1950s he was gone from t ...
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Astrid Varnay
Ibolyka Astrid Maria Varnay (25 April 1918 – 4 September 2006) was a Swedish-born American dramatic soprano of Hungarian descent. She spent most of her career in the United States and Germany. She was one of the leading Wagnerian heroic sopranos of her generation. Background Both her parents were Hungarian and born in small towns in the Austro-Hungarian Empire, but she was born in Stockholm, where her parents were living during part of World War I. During a Da Capo interview in 1988 Varnay claimed that although she was born in Stockholm, her ancestry was Hungarian, French and German. Her mother, Maria Junghans (who changed her name to Javor when she took to the stage as a singer), born October 15, 1889, was a noted coloratura soprano with acoustic recordings to her credit. Her father was Alexander Varnay (born September 11, 1889), a spinto tenor. Opera was the family business, and Varnay grew up backstage at the world's opera houses. Her father founded, and both parents ran, ...
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Classical Recordings Quarterly
''Classical Recordings Quarterly'' (formerly ''Classic Record Collector'') was a quarterly British magazine devoted to vintage recordings of classical music, across the range of instrumental recordings, chamber music, orchestral, vocal and opera. Background Based in London, the magazine was founded (as ''International Classical Record Collector'') in 1995. The magazine contains articles about artists and their recordings from the start of recording history through to the 1960s. There is also a letters page, reviews of new DVD and CD issues of pre-digital material, new LP and 78rpm repressings and books. The ''International Opera Collector'' was another quarterly supplement published at the same time. Content Extended articles on the Kingsway Hall and on William Barrington-Coupe's record labels appeared, as well as features on a wide range of artists such as Louis Cahuzac, Tancredi Pasero, Montserrat Caballé, the Ballets Russes, the Griller Quartet, Albert Spalding and Oskar Frie ...
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Edinburgh Festival
__NOTOC__ This is a list of arts and cultural festivals regularly taking place in Edinburgh, Scotland. The city has become known for its festivals since the establishment in 1947 of the Edinburgh International Festival and the Edinburgh Festival Fringe which runs alongside it. The latter is the largest event of its kind in the world. The term ''Edinburgh Festival'' is commonly used, but there is no single festival; the various festivals are put on by separate, unrelated organisations. However they are widely regarded as part of the same event, particularly the various festivals that take place simultaneously in August each year. The term ''Edinburgh Festival'' is often used to refer more specifically to the Fringe, being the largest of the festivals; or sometimes to the International Festival, being the original "official" arts festival. Within the industry, people refer to all the festivals collectively as the ''Edinburgh Festivals'' (plural). The festivals Listed in ...
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Glyndebourne Festival
Glyndebourne Festival Opera is an annual opera festival held at Glyndebourne, an English country house near Lewes, in East Sussex, England. History Under the supervision of the Christie family, the festival has been held annually since 1934, except in 1941–45 during World War II and 1993 when the theatre was being rebuilt, for a 1994 reopening. Gus Christie, son of Sir George Christie and grandson of festival founder John Christie, became festival chairman in 2000. Since the company's inception, Glyndebourne has been particularly celebrated for its productions of Mozart operas. Recordings of Glyndebourne's past historic Mozart productions have been reissued. Other notable productions included their 1980s production of George Gershwin's ''Porgy and Bess'', directed by Trevor Nunn, and later expanded from the Glyndebourne stage and videotaped in 1993 for television, with Nunn again directing. While Mozart operas have continued to be the mainstay of its repertory, the co ...
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