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Maach Mishti
Maach is a form of folk theatre from the Malwa region of the Indian state of Madhya Pradesh. Origin Maach is thought to have originated from the Khyal theatre form of Rajasthan which spread out of the state and is thought to have, besides itself and Maach, also given rise to other North Indian folk theatre forms of Nautanki in Uttar Pradesh and Swang in Haryana. In Madhya Pradesh, Maach is said to have been introduced by Gopalji Guru who himself authored several Maach plays. Another hypothesis looks at the Maach as having originated from the Turra Kalagi troupes that accompanied the Maratha forces into Central India in the 18th and 19th centuries where it evolved into a staged performance replete with new stories, costumes, singing and dancing. Themes Maach derives its name from the Hindi word ''manch'' which means a stage. It is a sung folk theatre that has a semi sacred character, blending religious and secular themes within it. Many of the themes are historical, bor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sarangi
The sārangī is a bowed, short-necked string instrument played in traditional music from South Asia – Punjabi folk music, Rajasthani folk music, and Boro folk music (there known as the ''serja'') – in Pakistan, India and Bangladesh. It is said to most resemble the sound of the human voice through its ability to imitate vocal ornaments such as ''gamaks'' (shakes) and ''meends'' (sliding movements). The sarangi (Nepali) is a different instrument, traditional to Nepal. History Sarangi derives its name from the bow of Lord Vishnu and probably as it is played with a bow it is named sarangi. According to some musicians, the word ''sarangi'' is a combination of two words: ''seh'' ('three' in Persian) and ''rangi'' ('coloured' in Persian) or Persian ''sad-rangi'', ''sad'' for 'hundred' in Persian ('hundred coloured) corrupted as ''sarangi''. The term ''seh-rangi'' represents the three melody strings. However, the most common folk etymology is that ''sarangi'' is derived from ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mahabharata
The ''Mahābhārata'' ( ; sa, महाभारतम्, ', ) is one of the two major Sanskrit epics of ancient India in Hinduism, the other being the ''Rāmāyaṇa''. It narrates the struggle between two groups of cousins in the Kurukshetra War and the fates of the Kaurava and the Pāṇḍava princes and their successors. It also contains philosophical and devotional material, such as a discussion of the four "goals of life" or ''puruṣārtha'' (12.161). Among the principal works and stories in the ''Mahābhārata'' are the '' Bhagavad Gita'', the story of Damayanti, the story of Shakuntala, the story of Pururava and Urvashi, the story of Savitri and Satyavan, the story of Kacha and Devayani, the story of Rishyasringa and an abbreviated version of the ''Rāmāyaṇa'', often considered as works in their own right. Traditionally, the authorship of the ''Mahābhārata'' is attributed to Vyāsa. There have been many attempts to unravel its historical growth and c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre In India
Theatre of India is one of the most ancient forms of theatre and it features a detailed textual, sculptural, and dramatic effects which emerged in mid 1st millennium BC, first millennium BC. Like in the areas of music and dance, the Indian theatre is also defined by the dramatic Performance art, performance based on the concept of ''Indian classical dance, Nritya'', which is a Sanskrit word for drama but encompasses dramatic narrative, virtuosic dance, and music. Historically, Indian theatre has exerted influence beyond its borders, reaching ancient China and other countries in the Far East. With the Muslim conquests in the Indian subcontinent, Islamic conquests that began in the 10th and 11th centuries, theatre was discouraged or forbidden entirely.Brandon (1997, 72) and Richmond (1998, 516). Later, in an attempt to re-assert indigenous values and ideas, village theatre was encouraged across the subcontinent, developing in a large number of regional languages from the 15th to ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indian Folk Music
Indian folk music is diverse because of India's vast cultural diversity. It is sung in various languages and dialects throughout the length and breadth of this vast nation and exported to different parts of the world owing to migration. Tamang Selo Tamang Selo is a musical genre of the Tamang people and widely popular amongst the Nepali speaking community in India and around the world. It is usually accompanied by Tamang instruments, the Damphu, Madal and Tungna. although modern instruments have found their way into the compositions these days A Selo could be very catchy, attractive and lively or slow and melodious and is usually sung to express love, sorrow and stories of day-to-day life. Hira Devi Waiba is hailed as the pioneer of Nepali Folk songs and Tamang Selo. Her song 'Chura ta Hoina Astura' (चुरा त होइन अस्तुरा) is said to be the first Tamang Selo ever recorded. Waiba has sung nearly 300 songs in a career spanning 40 years. After Waiba's d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Madhya Pradesh
Madhya Pradesh (, ; meaning 'central province') is a state in central India. Its capital is Bhopal, and the largest city is Indore, with Jabalpur, Ujjain, Gwalior, Sagar, and Rewa being the other major cities. Madhya Pradesh is the second largest Indian state by area and the fifth largest state by population with over 72 million residents. It borders the states of Uttar Pradesh to the northeast, Chhattisgarh to the east, Maharashtra to the south, Gujarat to the west, and Rajasthan to the northwest. The area covered by the present-day Madhya Pradesh includes the area of the ancient Avanti Mahajanapada, whose capital Ujjain (also known as Avantika) arose as a major city during the second wave of Indian urbanisation in the sixth century BCE. Subsequently, the region was ruled by the major dynasties of India. The Maratha Empire dominated the majority of the 18th century. After the Anglo-Maratha Wars in the 19th century, the region was divided into several princely states u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sutradharulu
''Sutradharulu'' () is a 1989 Indian Telugu-language drama film written and directed by K. Viswanath. It stars Akkineni Nageswara Rao, Bhanuchander, and Ramya Krishna. The music is composed by K. V. Mahadevan. It is produced by Sudhakar and Karunakar under the Sudarshan Cine Enterprises banner. This film is based on a story against violence shown in a rural background. This message is shown in a short graphic format as an introduction to the film. The film received National Film Award for Best Feature Film in Telugu, and three state Nandi Awards (including Third Best Feature Film). Plot The film begins in a village where Neelakantam is a tyrant who tramples the public under his feet. In the same village, Hanumanth Dasu and his brother-in-law Rangadasu belong to a Haridasa family. Once Neelakantam molests an orthodox Brahmin woman Yashodamma wife of a Bhagavathar Acharyulu. So, Yashodamma forfeits herself to be his wife and discards from his life along with Tirumala Dasu the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Overture
Overture (from French ''ouverture'', "opening") in music was originally the instrumental introduction to a ballet, opera, or oratorio in the 17th century. During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing instrumental, programmatic works that foreshadowed genres such as the symphonic poem. These were "at first undoubtedly intended to be played at the head of a programme". History 17th century The idea of an instrumental opening to opera existed during the 17th century. Peri's '' Euridice'' opens with a brief instrumental ritornello, and Monteverdi's ''L'Orfeo'' (1607) opens with a toccata, in this case a fanfare for muted trumpets. More important, however, was the prologue, which comprised sung dialogue between allegorical characters which introduced the overarching themes of the stories depicted. French overture As a musical form, however, the French overture first appears in the court balle ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bhishti
The Bhishti ( Hindustani: भिश्ती, بهِشتی) are a Muslim tribe or found in North India and Pakistan. History and origin They are classified as ''Ajlaf'' in the South Asian Muslim caste system. The bhisti are knows as Abbasi or Sheikh Abbasi and Saqqa.The Sheikh Abbasi belong to arab tribe (Banu_Abbas).People of India Uttar Pradesh Volume XLII edited by A. Hasan & J. C. Das page 285 *Chisholm, Hugh, ed. (1911). "Bheesty" . ''Encyclopædia Britannica''. 3 (11th ed.). Cambridge University Press. p. 845 References Islam in Delhi Indian castes Social groups of Uttar Pradesh Muslim communities of India Shaikh clans Social groups of Delhi Muslim communities of Uttar Pradesh Muslim communities of Gujarat Social groups of Gujarat Social groups of Maharashtra Muslim communities of Maharashtra Tribes of Asia Tribes of Pakistan Tribes of India {).People of India Uttar Pradesh Volume XLII edited by A. Hasan & J. C. Das page 285 Chisholm, Hugh, ed. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Holi
Holi (), also known as the Festival of Colours, the Festival of Spring, and the Festival of Love,The New Oxford Dictionary of English (1998) p. 874 "Holi /'həʊli:/ noun a Hindu spring festival ...". is an ancient Hindu religious festival and one of the most popular festivals in Hinduism. It celebrates the eternal and divine love of Radha Krishna. The day also signifies the triumph of good over evil, as it commemorates the victory of Lord Vishnu as Narasimha Narayana over Hiranyakashipu. It originated and is predominantly celebrated in the Indian subcontinent but has also spread to other regions of Asia and parts of the Western world through the Indian diaspora.Ebeling, Karin (10), Holi, an Indian Festival, and its Reflection in English Media; Die Ordnung des Standard und die Differenzierung der Diskurse: Akten des 41. Linguistischen Kolloquiums in Mannheim 2006, 1, 107, [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ragas
A ''raga'' or ''raag'' (; also ''raaga'' or ''ragam''; ) is a melodic framework for improvisation in Indian classical music akin to a melodic mode. The ''rāga'' is a unique and central feature of the classical Indian music tradition, and as a result has no direct translation to concepts in classical European music. Each ''rāga'' is an array of melodic structures with musical motifs, considered in the Indian tradition to have the ability to "colour the mind" and affect the emotions of the audience. Each ''rāga'' provides the musician with a musical framework within which to improvise. Improvisation by the musician involves creating sequences of notes allowed by the ''rāga'' in keeping with rules specific to the ''rāga''. ''Rāga''s range from small ''rāga''s like Bahar and Shahana that are not much more than songs to big ''rāga''s like Malkauns, Darbari and Yaman, which have great scope for improvisation and for which performances can last over an hour. ''Rāga''s may ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hindustani Classical Music
Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sitar and sarod. Its origins from the 12th century CE, when it diverged from Carnatic music, the classical tradition in South India. Hindustani classical music arose in the Ganga-Jamuni Tehzeeb, a period of great influence of Perso-Arabic arts in the subcontinent, especially the Northern parts. This music combines the Indian classical music tradition with Perso-Arab musical knowledge, resulting in a unique tradition of gharana system of music education. History Around the 12th century, Hindustani classical music diverged from what eventually came to be identified as Carnatic classical music.The central notion in both systems is that of a melodic musical mode or '' raga'', sung to a rhythmic cycle or '' tala''. It is melodic music, with no ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dacoity
Dacoity is a term used for "banditry" in the Indian subcontinent. The spelling is the anglicised version of the Hindi word ''daaku''; "dacoit" is a colloquial Indian English word with this meaning and it appears in the ''Glossary of Colloquial Anglo-Indian Words and Phrases'' (1903). Banditry is criminal activity involving robbery by groups of armed bandits. The East India Company established the Thuggee and Dacoity Department in 1830, and the Thuggee and Dacoity Suppression Acts, 1836–1848 were enacted in British India under East India Company rule. Areas with ravines or forests, such as Chambal and Chilapata Forests, were once known for dacoits. Etymology The word "dacoity", the anglicized version of the Hindi word ''ḍakaitī'' (historically spelled ''dakaitee''). Hindi डकैती comes from ''ḍākū'' (historically spelled ''dakoo'', Hindi: डाकू, meaning "armed robber"). The term dacoit (Hindi: डकैत ''ḍakait'') means "a bandit" according to t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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