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MIM – Laboratoire Musique Et Informatique De Marseille
MIM (Laboratoire Musique et Informatique de Marseille - the Music and informatics laboratory of Marseille) is a multidisciplinary group (composers, visual artists, video artists, scientists). It was founded in 1984 by the French composer and musicologist Marcel Frémiot who wanted to create in Marseille a tool for reflection on music and contemporary musical practices. In 1991, a new research program is developed, with François Delalande as research director (Groupe de recherches musicales - INA / GRM) on problematics of the musical time, a program born of the concern of composers faced with the difficulties approach and reception of contemporary music. This research work will generate a new musical analysis tool called UST (Unités Sémiotiques Temporelles - Temporal Sémiotic Units). In this year (1991), the French composer Michel Philippot becomes president of MIM. Thereafter, the MIM will develop around the concept of UST a lot of collaborations with research structures musica ...
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Marcel Frémiot
Marcel Frémiot (29 February 1920 – 19 January 2018) was a French composer and musicologist. Biography Born in the 8th arrondissement of Paris, Frémiot was a student at the Conservatoire de Paris and a pupil of René Leibowitz. He was introduced to musicology by Vladimir Fedoroff. He was artistic director or sound recordist in several record companies (Le Chant du Monde, Harmonia Mundi, disques Jéricho). From 1966, he was a professor of music history at the Marseille conservatory. In 1967–1968, he was a trainee of the Groupe de recherches musicales (GRM) under the direction of Pierre Schaeffer. In 1968, he was the professor of the first class of electroacoustic music at the Marseille conservatory, created on the initiative of its director Pierre Barbizet. In 1970, he founded the "Groupe de musique expérimentale de Marseille" (GMEM). In 1984, he created the Laboratoire Musique et informatique de Marseille (MIM). Selected works Frémiot wrote about 120 works of instrumental ...
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Groupe De Recherches Musicales
A group is a military unit or a military formation that is most often associated with military aviation. Air and aviation groups The terms group and wing differ significantly from one country to another, as well as between different branches of a national defence force. Air groups vary considerably in size and status, but generally take two forms: * A unit of two to four squadrons, commanded by a lieutenant colonel, colonel, commander, naval captain or an equivalent rank. The United States Air Force (USAF), ''groupes'' of the French ''Armée de l'air'', ''gruppen'' of the German ''Luftwaffe'', United States Marine Corps Aviation, British Fleet Air Arm and some other naval air services usually follow this pattern. * A larger formation, often comprising more than 10 squadrons, commanded by a major general, brigadier general, commodore, rear admiral, air commodore or air vice-marshal. The air forces of many Commonwealth countries, such as the British Royal Air Force (R ...
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Michel Philippot
Michel Paul Philippot (2 February 1925 – 28 July 1996) was a French composer, mathematician, acoustician, musicologist, aesthetician, broadcaster, and educator. Life Philippot was born in Verzy. His studies of mathematics were interrupted by World War II, after which he decided instead to study music, first at the of Reims, and then at the Conservatoire de Paris (1945–48), where he studied harmony with Georges Dandelot. He also took private composition lessons from 1946 to 1950 with René Leibowitz, who introduced him to the music of the Second Viennese School. In 1949 he began a career at ORTF in a position as a music producer. In 1959 he became assistant to Pierre Schaeffer in the Groupe de Recherches Musicales, and later worked under Henri Barraud at the radio station France Culture. From 1964 to 1972 he was in charge of music programs, then became a technical adviser to the Director General of Radio France and to the President of the Institut national de l'audiovisuel ...
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Electronic Music Foundation
Electronic Music Foundation (EMF) is a not-for-profit 501(c)(3) organization that produces events, publishes and disseminates media and information, and provides access to materials relevant to the history and creative potential of electronic music Electronic music is a genre of music that employs electronic musical instruments, digital instruments, or circuitry-based music technology in its creation. It includes both music made using electronic and electromechanical means ( electroa .... The organization was founded in 1994 by composer Joel Chadabe. In 2000, the EMF Institute website was created in order to provide public access to educational resources relating to electronic music. The project was done in collaboration with the UNESCO Digi-Arts portal.EMF Institute Support


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