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M.I.M.E.O.
M.I.M.E.O. (or MIMEO) is an experimental electroacoustic free improvisation group formed in 1997 on the initiative of several independent concert promoters in Europe. The abbreviation stands for "Music In Movement Electronic Orchestra". They have issued recordings on Erstwhile Records, Cathnor, Perdition Plastics, Grob, and other labels. Their album ''Sight'' (2007) was inspired by painter Cy Twombly. Each of the eleven members of M.I.M.E.O. (spread across Europe) placed approximately five minutes of sound anywhere they chose onto a blank sixty-minute CDR. This was done independently of one another, with no communication between the musicians about how or where the music should be distributed on the disc. The CDRs were then compiled onto one CD and sent to a pressing plant. Pianist John Tilbury joined the group to record the album ''The Hands of Caravaggio'' (2001, Erstwhile). Critic Brian Olewnick describes the album as "A staggering achievement, one is tempted to call The Hands ...
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John Tilbury
John Tilbury (born 1 February 1936) is a British pianist. He is considered one of the foremost interpreters of Morton Feldman's music, and since 1980 has been a member of the free improvisation group AMM. Early life and education Tilbury studied piano at the Royal College of Music with Arthur Alexander and James Gibb and also with Zbigniew Drzewiecki in Warsaw. 1968 he was the winner of the Gaudeamus competition in the Netherlands. Musical career During the 1960s, Tilbury was closely associated with the composer Cornelius Cardew, whose music he has interpreted and recorded and a member of the Scratch Orchestra. His biography of Cardew, "Cornelius Cardew – A life unfinished" was published in 2008. Tilbury has also recorded the works of Howard Skempton and John White, among many others, and has also performed adaptations of the radio plays of Samuel Beckett. With guitarist AMM bandmate Keith Rowe's electroacoustic ensemble M.I.M.E.O., Tilbury recorded ''The Hands of ...
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Cor Fuhler
Cornelis William Hendrik Fuhler (3 July 1964 – 19 July 2020) was a Dutch/Australian improvisor, composer, and instrument builder associated with free jazz, experimental music and acoustic ecology. He played piano by manipulating sound with electromagnetic string stimulators like Ebows and motorized actuators. Fuhler also performed on guitar, turntables and synthesizer. He invented the keyolin, a combination of keyboard and violin. Fuhler was a student of Misha Mengelberg of the Instant Composers Pool. He recorded the album ''Corkestra'' (Data, 2005) with Ab Baars, Tony Buck, Tobias Delius, Wilbert de Joode, Anne La Berge, Andy Moor, Nora Mulder, and Michael Vatcher. Fuhler played prepared piano, analog keyboards, clavinet, melodica, and electric lamellophone. Fuhler played solo prepared piano on his album ''Stengam'' (Potlatch, 2007). In 2016 he attained a PhD in composition at the University of Sydney and in 2017 he published his book ''Disperse and Display'' covering modular ...
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Thomas Lehn
Thomas Lehn (born 1958 in Fröndenberg) is a German piano and synthesizer player active in free improvisation and contemporary music. Lehn has recorded with Marcus Schmickler, Keith Rowe, John Butcher, Phil Minton, Phil Durrant, Radu Malfatti, Axel Dörner, Cor Fuhler, Gerry Hemingway, and Andy Moor of The Ex. He is a member of the electronic orchestra M.I.M.E.O. In 1997 Lehn formed a free improvisation Free improvisation or free music is improvised music without any rules beyond the logic or inclination of the musician(s) involved. The term can refer to both a technique (employed by any musician in any genre) and as a recognizable genre in its ... band Konk Pack. They have released three CDs. Discography *''Thermal'' (with John Butcher / Andy Moor) (2001, CD, Unsounds) Konk Pack * ''Big Deep'' (1999) * ''Warp Out'' (2001) * ''Off Leash'' (2005) External links * A Profile 1958 births Living people People from Fröndenberg Free improvisation Electroacou ...
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Gert-Jan Prins
Gert-Jan Prins (born 1961, IJmuiden) is a Dutch musician active in free improvisation. Initially a free jazz percussionist, Prins now focuses on producing and manipulating sound, especially white noise, white and pink noise, using a collection of custom-built FM radio transmitters and receivers, similar to the instruments of American composer David Tudor. Prins is a member of M.I.M.E.O., a twelve-piece electronic orchestra led by Keith Rowe (formerly of the British free-improvisation trio AMM). He has groups with synthesizer players Thomas Lehn and Thomas Ankersmit, pianist Cor Fuhler and composer and reed player Peter van Bergen. Discography * 2012 Gert-Jan Prins – S/T 10"EP (The Spring Press #14) * 2011 mimeo wigry, 2lp, monolp006 * 2010 Tomas Korber / gert-jan prins: RI 1.5442, cd, cavity 03 * 2010 gert-jan prins cavity: the capacitive version, publication+ 10" vinyl, onomatopee 39 * 2009 gert-jan prins & bas van koolwijk: synchronator device, first edition * 2009 gert-jan ...
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Marcus Schmickler
Marcus Schmickler (born November 15, 1968, in Cologne) is a German composer, musician, and producer. He is also known under the pseudonym Pluramon. Background In 1968 he was born as the son of an industrial salesman and a baker's daughter in Cologne. Soon his parents moved to Kuerten where he met the music of Karlheinz Stockhausen. In 1991, after spending a year in London, he started studying music in Cologne and became a member of the seminal collective Kontakta. 1992 his first solo release appeared with the French label Odd Size. In 1995, he was co-initiator of the A-Musik record store and the DJ collective Brüsseler-Platz-10a-Musik, together with Georg Odijk and Jan St. Werner ( Mouse on Mars). Since 1995 he works as a composer, for film theater and radio play. In 1996 he released one of the first fully digitally produced post-rock albums under the pseudonym Pluramon on the German label Mille Plateaux. After a concert in Cologne, in 1998, he became a member of the 12-piece ...
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Erstwhile Records
Erstwhile Records is an independent record label devoted to free improvisation, particularly the electroacoustic variety, contemporary, experimental composed music, and combinations of both. Erstwhile was founded by Jon Abbey in 1999, whose personality and tastes are closely identified with the label. Characteristic label artists include guitarist Keith Rowe, percussionist Günter Müller, guitarist / turntablist Otomo Yoshihide, homemade electronics group Voice Crack, sine wave improviser Sachiko M, concrete artist Jason Lescalleet, guitarist / laptop composer Fennesz, guitarist Burkhard Stangl and synthesizer player Thomas Lehn, as well as younger musicians such as clarinetist Kai Fagaschinski. In recent years, also artists connected to the Wandelweiser group started releasing albums on the label, such as American composer Michael Pisaro. History The first few Erstwhile releases were something of a mixed set in terms of the music, ranging from the melancholy avant-blues of Lore ...
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Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ...
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Experimental Musical Groups
An experiment is a procedure carried out to support or refute a hypothesis, or determine the efficacy or likelihood of something previously untried. Experiments provide insight into cause-and-effect by demonstrating what outcome occurs when a particular factor is manipulated. Experiments vary greatly in goal and scale but always rely on repeatable procedure and logical analysis of the results. There also exist natural experimental studies. A child may carry out basic experiments to understand how things fall to the ground, while teams of scientists may take years of systematic investigation to advance their understanding of a phenomenon. Experiments and other types of hands-on activities are very important to student learning in the science classroom. Experiments can raise test scores and help a student become more engaged and interested in the material they are learning, especially when used over time. Experiments can vary from personal and informal natural comparisons (e. ...
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Prepared Guitar
A prepared guitar is a guitar that has had its timbre altered by placing various objects on or between the instrument's strings, including other extended techniques. This practice is sometimes called tabletop guitar, because many prepared guitarists do not hold the instrument in the usual manner, but instead place the guitar on a table to manipulate it. The idea of altering an instrument's timbre through the use of external objects has been applied to other instruments as well, most notably John Cage's prepared piano, which preceded the prepared guitar. History With prepared guitars, one of the key goals in preparing the instrument is changing its timbre – the fundamental tone composition of the sound. This is typically achieved by placing objects on or under the strings. The objects can have a tone of their own, like for instance a pen spring, but can also cause strange string resonance effects or behave like a seesaw and create echoing or buzzing effects after being struck ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Radio
Radio is the technology of signaling and communicating using radio waves. Radio waves are electromagnetic waves of frequency between 30 hertz (Hz) and 300 gigahertz (GHz). They are generated by an electronic device called a transmitter connected to an antenna which radiates the waves, and received by another antenna connected to a radio receiver. Radio is very widely used in modern technology, in radio communication, radar, radio navigation, remote control, remote sensing, and other applications. In radio communication, used in radio and television broadcasting, cell phones, two-way radios, wireless networking, and satellite communication, among numerous other uses, radio waves are used to carry information across space from a transmitter to a receiver, by modulating the radio signal (impressing an information signal on the radio wave by varying some aspect of the wave) in the transmitter. In radar, used to locate and track objects like aircraft, ships, spacecraf ...
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Electroacoustic Music
Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments. It originated around the middle of the 20th century, following the incorporation of electric sound production into compositional practice. The initial developments in electroacoustic music composition to fixed media during the 20th century are associated with the activities of the at the ORTF in Paris, the home of musique concrète, the Studio for Electronic Music in Cologne, where the focus was on the composition of '' elektronische Musik,'' and the Columbia-Princeton Electronic Music Center in New York City, where tape music, electronic music, and computer music were all explored. Practical electronic music instruments began to appear in the early 20th century. Tape music Tape music is an integral part of '' musique concrète'' ...
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