|
Lynn Aldrich
Lynn Aldrich (born 1944) is an American sculptor whose diverse works draw on a wide range of high and low cultural influences and materials.Jones, Amelia. "Lynn Aldrich," ''Artforum'', Summer 1992, p. 115.Nolan, Timothy. "Lynn Aldrich," ''New Art Examiner'', July–August 1997, p. 47.Frank, Peter. "Objects of Affection," ''LA Weekly'', January 18–24, 2008.Ollman, Leah''Los Angeles Times'', November 6, 2015. Retrieved January 13, 2020. Her work can range from what art writers describe as "slyly Minimalism, Minimalist meditations" on color, light and spaceIse, Claudine"Shifting Perceptions,"''Los Angeles Times'', " April 2, 1999. Retrieved January 10, 2020. to whimsical "Home Depot Pop art, Pop" that reveals and critiques the excesses—visual, formal and material—of unbridled consumption.Kandel, Susan"Intriguing Concepts ''Los Angeles Times'', May 2, 1997. Retrieved January 9, 2020.Valentine, Christina. "The uncommon life of objects and meaning,''Lynn Aldrich: Un/Common Objects' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bryan, Texas
Bryan is a city and the county seat of Brazos County, Texas, United States. It is located in the heart of the Brazos Valley (East and Central Texas). As of the 2020 census, the city had a population of 83,980. Bryan borders the city of College Station, which lies to its south. Together they are referred to as the Bryan–College Station metropolitan area, which has a population of more than 250,069. History The area around Bryan was part of a land grant to Moses Austin by Spain. Austin's son, Stephen F. Austin, helped bring settlers to the area. Among the settlers was William Joel Bryan, the nephew of Stephen Austin. In 1866 the county seat of Brazos County was changed from Boonville to Bryan, and a post office was opened. In 1867, after many delays caused by the Civil War, the Houston and Texas Central Railroad, which had only previously gotten as far as Millican, finally reached Bryan. A short time later, in 1871, the city of Bryan became incorporated. Just south of Brya ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portland Art Museum
The Portland Art Museum in Portland, Oregon, United States, was founded in 1892, making it one of the oldest art museums on the West Coast and seventh oldest in the US. Upon completion of the most recent renovations, the Portland Art Museum became one of the 25 largest art museums in the US, at a total of 240,000 square feet (22,000 m2), with more than 112,000 square feet (10,400 m2) of gallery space. The permanent collection has more than 42,000 works of art, and at least one major traveling exhibition is usually on show. The Portland Art Museum features a center for Native American art, a center for Northwest art, a center for modern and contemporary art, permanent exhibitions of Asian art, and an outdoor public sculpture garden. The Northwest Film Center is also a component of Portland Art Museum. The museum is accredited by the American Alliance of Museums, with accreditation through 2024. Founding Originally incorporated as the Portland Art Association, the museum's roots da ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sue Spaid
Sue Spaid (born 1961) is an American curator and philosopher, currently based in Belgium. Spaid’s thematic exhibitions feature all types of art, though she is most known for experiential exhibitions, such as “Action Station: Exploring Open Systems” (1995) at the Santa Monica Museum of Art; “Comestible Compost” (1998) at the Pavilions Marketplace in West Hollywood; “Cremolata Flotage” (1999) on the Andrew J. Barberi Staten Island Ferry; “An Active Life” (2000) at the Contemporary Arts Center, Cincinnati; “Hovering Above” (2008) and “Endurance: Visualizing Time” (2009) for the Abington Art Center Sculpture Park in Jenkintown, Pennsylvania; and “Microfibers” (2009) at Locks Gallery, Philadelphia. She has organized career surveys for Jim Isermann (1993, Sue Spaid Fine Art), Robert Overby (1994, Sue Spaid Fine Art), Lynne Berman/ Kathy Chenoweth (1997, Special K), Eileen Cowin (2000, Armory Center for the Arts) and Jim Shaw (2000, The Contemporary Arts Cente ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ed Ruscha
Edward Joseph Ruscha IV (, ''roo-SHAY''; born December 16, 1937) is an American artist associated with the pop art movement. He has worked in the media of painting, printmaking, drawing, photography and film. He is also noted for creating several artist's books. His works is often associated with the Pop Art movement. Ruscha lives and works in Culver City, California. Early life and education Ruscha was born into a Roman Catholic family in Omaha, Nebraska, with an older sister, Shelby, and a younger brother, Paul. Edward Ruscha, Sr. was an auditor for Hartford Insurance Company. Ruscha's mother was supportive of her son's early signs of artistic skill and interests. Young Ruscha was attracted to cartooning and would sustain this interest throughout his adolescent years. Though born in Nebraska, Ruscha lived some 15 years in Oklahoma City before moving to Los Angeles in 1956 where he studied at the Chouinard Art Institute (now known as the California Institute of the Arts) und ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Robert Irwin (artist)
Robert W. Irwin (born September 12, 1928) is an American installation artist who has explored perception and the conditional in art, often through site-specific, architectural interventions that alter the physical, sensory and temporal experience of space. He began his career as a painter in the 1950s, but in the 1960s shifted to installation work, becoming a pioneer whose work helped to define the aesthetics and conceptual issues of the West Coast Light and Space movement. His early works often employed light and veils of scrim to transform gallery and museum spaces, but since 1975, he has also incorporated landscape projects into his practice. Irwin has conceived over fifty-five site-specific projects, at institutions including the Getty Center (1992–98), Dia:Beacon (1999–2003), and the Chinati Foundation in Marfa, Texas (2001–16). The Museum of Contemporary Art, Los Angeles mounted the first retrospective of his work in 1993; in 2008, the Museum of Contemporary Art Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anne Truitt
Anne Truitt (March 16, 1921December 23, 2004), born Anne Dean, was an American sculptor of the mid-20th century. She became well known in the late 1960s for her large-scale minimalist sculptures, especially after influential solo shows at André Emmerich Gallery in 1963 and the Jewish Museum (Manhattan) in 1966. Unlike her contemporaries, she made her own sculptures by hand, eschewing industrial processes. Drawing from imagery from her past, her work also deals with the visual trace of memory and nostalgia. This is exemplified by a series of early sculptures resembling monumental segments of white picket fence. Early life and education Truitt grew up in Easton, on Maryland's Eastern Shore, and spent her teenage years in Asheville, North Carolina. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_-_1.JPG "Click for more on -> Portland Art Museum")
