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Lydia Lunch
Lydia Lunch (born Lydia Anne Koch; June 2, 1959)Martin Charles Strong. ''The Great Indie Discography''. 2003, page 85 is an American singer, poet, writer, actress and self-empowerment speaker. Her career began during the 1970s New York City no wave scene as the singer and guitarist of Teenage Jesus and the Jerks. Her work typically features provocative and confrontational noise music delivery, and has maintained an anti-commercial ethic, operating independently of major labels and distributors. The ''Boston Phoenix'' named Lunch one of the ten most influential performers of the 1990s. Her collaboration with Sonic Youth called " Death Valley '69" was named one of "The 50 Most Evil Songs Ever" by ''Kerrang!'' Biography Lunch was born on June 2, 1959, in Rochester, New York and is of German and Italian descent. She moved to New York City at the age of 16 and eventually moved into a communal household of artists and musicians. After befriending Alan Vega and Martin Rev at Max's K ...
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Saint-Julia
Saint-Julia (; oc, Sent Julian) is a commune in the Haute-Garonne department in southwestern France France (), officially the French Republic ( ), is a country primarily located in Western Europe. It also comprises of overseas regions and territories in the Americas and the Atlantic, Pacific and Indian Oceans. Its metropolitan area .... Population Saint-Julia (Haute-Garonne).jpg, Church and Town hall Saint-Julia L'église interieur.jpg, Interior of church Saint-Julia la Mairie.jpg, Town hall See also * Communes of the Haute-Garonne department References Communes of Haute-Garonne {{HauteGaronne-geo-stub ...
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James Chance
James Chance, also known as James White (born James Siegfried, April 20, 1953), is an American saxophonist, keyboard player, and singer. A key figure in no wave, Chance has been playing a combination of improvisational jazz-like music and punk in the New York music scene since the late 1970s, in such bands as Teenage Jesus and the Jerks, James Chance and the Contortions, James White and the Blacks (as he appeared in the film ''Downtown 81''), The Flaming Demonics, James Chance & the Sardonic Symphonics, James Chance and Terminal City, and James Chance and Les Contortions. Biography Born and raised in Milwaukee and Brookfield, Wisconsin, Chance attended Michigan State University, then the Wisconsin Conservatory of Music in Milwaukee. There, Chance joined a band named Death, which performed covers of the Stooges and the Velvet Underground before moving toward original songs. At the end of 1975, Chance dropped out and moved to New York City after the dissolution of the band ...
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Martin Rev
Martin Reverby, better known by his stage name Martin Rev, (born December 18, 1947) is an American musician and one half of the influential synth-punk band Suicide. Rev has also released several solo albums for a number of record labels, including ROIR and Puu. His style varies widely from release to release, from harsh and abrasive no wave (''Martin Rev'') to light bubblegum pop (''Strangeworld'') to heavy synthesizer rock (''To Live''). Rev also works with Stefan Roloff, doing soundtracks for Roloff's video work. He contributed to the Raveonettes' 2005 album, ''Pretty in Black''. In 2008, while Martin was working on the album ''Stigmata'', his wife Mari died. The album, dedicated to her, is strong in religious imagery with most songs being titled in Latin. Kris Needs Kris Needs (born 3 July 1954) is a British journalist and author, known for writings on music from the 1970s onwards. He became editor of proto-punk and early punk rock ''ZigZag'' magazine in August 1 ...
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Alan Vega
Boruch Alan Bermowitz (June 23, 1938 – July 16, 2016), known professionally as Alan Vega, was an American vocalist and visual artist, primarily known for his work with the electronic protopunk duo Suicide. Life and career Boruch Alan Bermowitz was raised in Bensonhurst, Brooklyn. Until the announcement of the 70th birthday release of his recordings in 2008, Vega was widely thought to have been ten years younger; the 2005 book ''Suicide: No Compromise'' lists 1948 as his birth year and quotes a 1998 interview in which Vega talks about watching Elvis Presley on ''The Ed Sullivan Show'' (1956) as a "little kid". A 1983 ''Los Angeles Times'' article refers to him as a 35-year-old, and several other sources also list 1948 as his birthdate.Buckley, Peter (2003) ''The Rough Guide to Rock'', Rough Guides, , p. 1131Thompson, Dave (2000) ''Alternative Rock'', Miller Freeman Books, , p. 667 Two 2009 articles confirmed his 1948 birth date, one in ''Le Monde'' about the Lyon exhibit an ...
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Kerrang!
''Kerrang!'' is a British weekly magazine devoted to rock, punk and heavy metal music, currently published by Wasted Talent (the same company that owns electronic music publication ''Mixmag''). It was first published on 6 June 1981 as a one-off supplement in the ''Sounds'' newspaper. Named after the onomatopoeic word that derives from the sound made when playing a power chord on a distorted electric guitar, ''Kerrang!'' was initially devoted to the new wave of British heavy metal and the rise of hard rock acts. In the early 2000s, it became the best-selling British music weekly. History ''Kerrang!'' was founded in 1981. The editor of the weekly music magazine ''Sounds'', Alan Lewis, suggested that Geoff Barton edit a one-off special edition focusing on the new wave of British heavy metal phenomenon and on the rise of other hard rock acts.
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Death Valley '69
"Death Valley '69" is a song by American alternative rock band Sonic Youth and featuring Lydia Lunch. The song was written and sung by Thurston Moore and fellow New York musician Lunch, and recorded by Martin Bisi in 1984. A demo version of the song was released in December 1984 on Iridescence Records. A re-recorded version was released in EP format with different artwork in June 1985; this version was featured on their second studio album, ''Bad Moon Rising''. Music video The video for "Death Valley '69" was filmed in 1985 and was the first music video by Sonic Youth, directed by Judith Barry and Richard Kern. The video features the majority of the band in various states of bloody dismemberment interlaced with live footage of the band. It also stars alternative model Lung Leg. The video is the only one to feature both recently departed drummer Bob Bert and new member Steve Shelley. Critical reception The song was ranked number 10 among the "Tracks of the Year" for 19 ...
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The Phoenix (newspaper)
''The Phoenix'' (stylized as ''The Phœnix'') was the name of several alternative weekly periodicals published in the United States of America by Phoenix Media/Communications Group of Boston, Massachusetts, including the ''Portland Phoenix'' and the now-defunct ''Boston Phoenix'', ''Providence Phoenix'' and ''Worcester Phoenix''. These publications emphasized local arts and entertainment coverage as well as lifestyle and political coverage. The ''Portland Phoenix'', although it is still publishing, is now owned by another company, New Portland Publishing. The papers, like most alternative weeklies, are somewhat similar in format and editorial content to the ''Village Voice''. History Origin ''The Phoenix'' was founded in 1965 by Joe Hanlon, a former editor at MIT's student newspaper, '' The Tech''. Since many Boston-area college newspapers were printed at the same printing firm, Hanlon's idea was to do a four-page single-sheet insert with arts coverage and ads. He began ...
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Major Labels
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ...
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Independent Music
Independent music (also commonly known as indie music or simply indie) is music that is produced independently from commercial record labels or their subsidiaries, a process that may include an autonomous, do-it-yourself approach to recording and publishing. The term ''indie'' is sometimes used to describe a genre (such as indie rock and indie pop), and as a genre term, "indie" may or may not include music that is independently produced, and many independent music artists do not fall into a single, defined musical style or genre and create self-published music that can be categorized into diverse genres. The term 'indie' or 'independent music' can be traced back to as early as the 1920s after it was first used to reference independent film companies but was later used as a term to classify an independent band or record producer. Record labels Independent labels have a long history of promoting developments in popular music, stretching back to the post-war period in the United ...
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Commercialism
Commercialism is the application of both manufacturing and consumption towards personal usage, or the practices, methods, aims, and distribution of products in a free market geared toward generating a profit. Commercialism can also refer, positively or negatively, to corporate domination. Commercialism is often closely associated with the corporate world and advertising, and often makes use of advancements in technology. Commercialism can also be used in a negative connotation to refer to the possibility within open-market capitalism to exploit objects, people, or the environment for the purpose of private monetary gain. As such, the related term "commercialized" can be used in a negative fashion, implying that someone or something has been despoiled by commercial or monetary interests. See also * Anti-consumerism Anti-consumerism is a sociopolitical ideology that is opposed to consumerism, the continual buying and consuming of material possessions. Anti-consumerism is con ...
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Noise Music
Noise music is a genre of music that is characterised by the expressive use of noise within a musical context. This type of music tends to challenge the distinction that is made in conventional musical practices between musical and non-musical sound. Noise music includes a wide range of musical styles and sound-based creative practices that feature noise as a primary aspect. Noise music can feature acoustically or electronically generated noise, and both traditional and unconventional musical instruments. It may incorporate live machine sounds, non-musical vocal techniques, physically manipulated audio media, processed sound recordings, field recording, computer-generated noise, stochastic process, and other randomly produced electronic signals such as distortion, feedback, static, hiss and hum. There may also be emphasis on high volume levels and lengthy, continuous pieces. More generally noise music may contain aspects such as improvisation, extended technique, cac ...
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