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Lux Film
Lux Film was an Italian film distribution (and later production) company founded by Riccardo Gualino in 1934. Gualino was an anti-fascist businessman who had clashed with the regime of Mussolini in 1931 and had been forced into internal exile on the island of Lipari.Gian Piero Brunetta, Jeremy Parzen ''The History of Italian Cinema: a Guide to Italian Film From its Origins to the Twenty-First Century'', 2009, Princeton & Woodstock: Princeton University Press, p. 71, 117 Founded in 1934, the Turin-based company specialised in distributing non-Italian films during its first few years. Relocating in Rome in 1940, Lux began making its own films around this time, with the aim of its output being "low risk and low budget by packaging high-quality art films with cultural content". Unlike the studio system current in Hollywood at the time, the company did not have its own studios, but financed, distributed, and exhibited projects which others brought to it with 'fixed-price contracts' wher ...
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Riccardo Gualino
Riccardo Gualino (25 March 1879 – 6 June 1964) was an Italian Business magnate and art collector. He was also a patron, and an important film producer. His first business empire was based on lumber from Eastern Europe and included forest concessions, lumber mills, ships and warehouses. The highly leveraged structure collapsed in 1912–13. Gualino was also involved in manufacturing and distributing cement, and during World War I (1914–18) built and operated cargo ships carrying goods such as coal from the United States to Europe. After the war he was engaged in many enterprises, some in partnership with Giovanni Agnelli of FIAT. His activities included banking, manufacture of rayon, confectionery, chemicals and artificial leather. The Italian economy weakened after a currency revaluation in 1926. Gualino became involved in risky speculations with the French financier Albert Oustric. Their joint enterprises could not survive the world economic crisis of 1929. Gualino failed ...
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Mario Camerini
Mario Camerini (6 February 1895 – 4 February 1981) was an Italian film director and screenwriter. The cousin of Augusto Genina, he made the most well-known films in Italy during the 1930s, most of them comedies starring Vittorio De Sica. He directed about 50 films till 1972, including Ulysses (1954 film), ''Ulysses'' with American stars Kirk Douglas and Anthony Quinn, one of the first Europe/U.S.A. film coproductions. He died in 1981 in Gardone Riviera, Gardone Rivera, Italy. Selected filmography * ''Wally (1923 film), Wally'' (1923) *''Jolly clown da circo'' (1923) * ''The House of Pulcini'' (1924) * ''Voglio tradire mio marito'' (1925) * ''Saetta, principe per un giorno'' (1925) * ''Maciste against the Sheik'' (1925) * ''Kif Tebbi'' (1928) * ''Rails (film), Rails'' (1929) * ''Figaro and His Great Day'' (1931) * ''The Last Adventure (1932 film), The Last Adventure'' (1932) * ''What Scoundrels Men Are!'' (1932) * ''Giallo (1933 film), Giallo'' (1933) * ''T'amerò sempre ( ...
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Film Production Companies Of Italy
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitized ...
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Film Distributors Of Italy
A film also called a movie, motion picture, moving picture, picture, photoplay or (slang) flick is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, feelings, beauty, or atmosphere through the use of moving images. These images are generally accompanied by sound and, more rarely, other sensory stimulations. The word "cinema", short for cinematography, is often used to refer to filmmaking and the film industry, and to the art form that is the result of it. Recording and transmission of film The moving images of a film are created by photographing actual scenes with a motion-picture camera, by photographing drawings or miniature models using traditional animation techniques, by means of CGI and computer animation, or by a combination of some or all of these techniques, and other visual effects. Before the introduction of digital production, series of still images were recorded on a strip of chemically sensitiz ...
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Senso (film)
''Senso'' is a 1954 Italian historical melodrama film directed and co-written by Luchino Visconti, based on Camillo Boito's novella of the same name. Set during the Third Italian War of Independence, the film follows the Italian Contessa Livia Serpieri (Alida Valli), who has an affair with the Austrian Lieutenant Franz Mahler (Farley Granger). It was Visconti's first color film. The word ''senso'' is Italian for "sense," "feeling," or "lust." The title refers to the delight Livia experiences while reflecting on her affair with a handsome lieutenant, in spite of her political convictions. Historical background ''Senso'' is set in Italy around 1866, the year the Italian-Austrian war of unification would see the Veneto and most of Friuli-Venezia Giulia united to Italy after the Seven Weeks' War between Austria on one side and Prussia and Italy on the other. Plot The film opens in the La Fenice opera house in Venice during a performance of ''Il Trovatore''. At the close of Manr ...
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Luchino Visconti
Luchino Visconti di Modrone, Count of Lonate Pozzolo (; 2 November 1906 – 17 March 1976) was an Italian filmmaker, stage director, and screenwriter. A major figure of Italian art and culture in the mid-20th century, Visconti was one of the fathers of cinematic neorealism, but later moved towards luxurious, sweeping epics dealing with themes of beauty, decadence, death, and European history, especially the decay of the nobility and the bourgeoisie. He was the recipient of many accolades, including the Palme d'Or and the Golden Lion, and many of his works are regarded as highly-influential to future generations of filmmakers. Born to a Milanese noble family, Visconti explored artistic proclivities from an early age, working as an assistant director to Jean Renoir. His 1943 directorial debut, ''Ossessione,'' was condemned by the Fascist regime for its unvarnished depictions of working-class characters resorting to criminality, but is today renowned as a pioneering work of Ital ...
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Ulysses (1955 Film)
''Ulysses'' () is a 1954 fantasy-adventure film based on Homer's epic poem ''Odyssey''. The film was directed by Mario Camerini, who co-wrote the screenplay with writer Franco Brusati. The original choice for director was Georg Wilhelm Pabst but he quit at the last minute.''Dino de Laurentiis Obituary'' ''The Guardian'' 11 November 2010 The film's cinematographer Mario Bava co-directed the cyclops Polyphemus segment (uncredited). In the film Silvana Mangano plays two roles, as Penelope, the faithful wife of Ulysses and the sorceress Circe. American star Kirk Douglas plays the Greek hero, Ulysses. Anthony Quinn plays Antinous. Plot The palace of Ulysses, king of Ithaca, is beleaguered by a horde of suitors wooing his wife Penelope after his failure to return from the war against the city of Troy. Penelope has promised under pressure to marry one of her many suitors, who under the leadership of Antinous squander her husband's wealth and land. She holds them off by telling t ...
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National Legion Of Decency
The National Legion of Decency, also known as the Catholic Legion of Decency, was a Catholic group founded in 1934 by Archbishop of Cincinnati, John T. McNicholas, as an organization dedicated to identifying objectionable content in motion pictures on behalf of Catholic audiences. Members were asked to pledge to patronize only those motion pictures which did not "offend decency and Christian morality". The concept soon gained support from other churches. Condemnation by the Legion would often diminish a film's chances for success because it meant the population of Catholics, some twenty million strong at the time, (plus their Protestant allies), would avoid attending any screening of the film. The efforts to help parishioners avoid films with objectionable content sometimes backfired when it was found that they helped draw attention to those films. Although the Legion was often envisioned as a bureaucratic arm of the Catholic Church, it instead was little more than a loose confed ...
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Production Code Administration
The Motion Picture Association (MPA) is an American trade association representing the Major film studios#Present, five major film studios of the United States, as well as the video streaming service Netflix. Founded in 1922 as the Motion Picture Producers and Distributors of America (MPPDA) and known as the Motion Picture Association of America (MPAA) from 1945 until September 2019, its original goal was to ensure the viability of the American film industry. In addition, the MPA established guidelines for film content which resulted in the creation of the Motion Picture Production Code in 1930. This code, also known as the Hays Code, was replaced by a voluntary Motion Picture Association of America film rating system, film rating system in 1968, which is managed by the Classification and Rating Administration (CARA). The MPA has advocated for the motion picture and television industry, with the goals of promoting effective copyright protection, reducing Copyright infringement ...
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Italian Neorealism
Italian neorealism ( it, Neorealismo), also known as the Golden Age, is a national film movement characterized by stories set amongst the poor and the working class. They are filmed on location, frequently with non-professional actors. They primarily address the difficult economic and moral conditions of post-World War II Italy, representing changes in the Italian psyche and conditions of everyday life, including poverty, oppression, injustice and desperation. History Italian neorealism came about as World War II ended and Benito Mussolini's government fell, causing the Italian film industry to lose its centre. Neorealism was a sign of cultural and social change in Italy. Its films presented contemporary stories and ideas and were often shot on location as the Cinecittà film studios had been damaged significantly during the war. The neorealist style was developed by a circle of film critics that revolved around the magazine ''Cinema'', including: * Luchino Visconti * Gia ...
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Bitter Rice
''Bitter Rice'' ( it, Riso Amaro ) is a 1949 Italian film made by Lux Film, written and directed by Giuseppe De Santis. Produced by Dino De Laurentiis, starring Silvana Mangano, Raf Vallone, Doris Dowling and Vittorio Gassman, ''Bitter Rice'' was a commercial success in Europe and the United States. It was a product of the Italian neorealism style. The Italian title of the film is based on a pun; since the Italian word '' riso'' can mean either "rice" or "laughter", can be taken to mean either "bitter laughter" or "bitter rice". Although ''Bitter Rice'' did not win any awards, it was nominated for the 1950 Academy Award for Best Story and entered into the 1949 Cannes Film Festival. Production The film was shot on location in the countryside of Vercellese. The main locations are Tenuta Selve in Salasco and Cascina Veneria in Lignana. The film's sets were designed by the art director Carlo Egidi. Plot The film begins at the start of the rice-planting season in northern Ital ...
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La Figlia Del Capitano
''The Captain's Daughter'' ( it, La figlia del capitano) is a 1947 Italian adventure film directed by Mario Camerini. It was entered into the 1947 Cannes Film Festival. It is based on the 1836 novel of the same name by Alexander Pushkin, which is set in Russia during the reign of Catherine II. It takes place during the Cossack Rebellion. Cast * Irasema Dilián as Maria Ivanovna "Masha" Mironova * Amedeo Nazzari as Yemelyan Pugachev, false tsar Peter III * Vittorio Gassman as Alexey Ivanovich Shvabrin * Cesare Danova as Pyotr Andreyevich Grinyov * Aldo Silvani as capitain Ivan Kuzmich Mironov, father of Masha * Ave Ninchi as Vasilisa Yegorovna Mironova, mother of Masha * Ernesto Almirante as Savelyich, servant of Grinyov * Olga Solbelli as Catherine II * Carlo Ninchi as Zurin * Laura Gore as Palashka * Gualtiero Tumiati Gualtiero Tumiati ( 8 May 1876 – 23 April 1971) was an Italian actor and stage director. Life and career Born in Ferrara, Tumiati studied at the Colleg ...
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