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Lush Life (John Coltrane Album)
''Lush Life'' is an album by jazz musician John Coltrane, released in early 1961 on Prestige Records. It was assembled from previously unissued tracks from three recording sessions at Van Gelder Studio in Hackensack, New Jersey in 1957 and 1958. As Coltrane's profile increased during the 1960s, some years after the end of his Prestige contract, the label used unissued recordings to create new albums without Coltrane's input or approval. Track listing # "Like Someone in Love" ( Jimmy Van Heusen) – 5:00 # " I Love You" ( Cole Porter) – 5:33 # "Trane's Slow Blues" Google Books. Retrieved 22 November 2013. (Coltrane) – 6:05 # " [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Coltrane
John William Coltrane (September 23, 1926 – July 17, 1967) was an American jazz saxophonist, bandleader and composer. He is among the most influential and acclaimed figures in the history of jazz and 20th-century music. Born and raised in North Carolina, Coltrane moved to Philadelphia after graduating high school, where he studied music. Working in the bebop and hard bop idioms early in his career, Coltrane helped pioneer the use of modes and was one of the players at the forefront of free jazz. He led at least fifty recording sessions and appeared on many albums by other musicians, including trumpeter Miles Davis and pianist Thelonious Monk. Over the course of his career, Coltrane's music took on an increasingly spiritual dimension, as exemplified on his most acclaimed album ''A Love Supreme'' (1965) and others. Decades after his death, Coltrane remains influential, and he has received numerous posthumous awards, including a special Pulitzer Prize, and was canoniz ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Love You (Cole Porter Song)
"I Love You" is a song written by Cole Porter in 1944 for his stage musical '' Mexican Hayride''. ''The New York Times'' reviewed the show, saying, among other things: "Of Mr. Porter's score, the best number bears the title almost startling in its forthrightness, "I Love You," and is the property of Mr. Evans" ( Wilbur Evans). However, the rather generic lyrics of the song were due to a challenge given by Porter. His friend Monty Woolley contended that Porter's talent lay in the off-beat and the esoteric, maintaining that he could never take a cliché title like "I Love You" and write lyrics that included the banal sentiment: "It's spring again, and birds on the wing again" and be successful. Porter accepted the challenge with the result that the song eventually topped the hit parade. Porter remarked that the "superior melody overcame the ordinary lyric". In 1945, Ira B. Arnstein sued Cole Porter for plagiarizing his work and filed a suit in the Federal Court. He had for twenty y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Albert Heath
Albert "Tootie" Heath (born May 31, 1935) is an American jazz hard bop drummer, the brother of tenor saxophonist Jimmy Heath and the double-bassist Percy Heath. Born in Philadelphia, Pennsylvania, United States, he first recorded in 1957 with John Coltrane. From 1958 to 1974, he worked with, among others, J. J. Johnson, Wes Montgomery, Art Farmer and Benny Golson's Jazztet, Cedar Walton, Bobby Timmons, Kenny Drew, Sonny Rollins, Dexter Gordon, Johnny Griffin, Herbie Hancock, Friedrich Gulda, Nina Simone, and Yusef Lateef. In 1975, he, Jimmy and Percy formed the Heath Brothers. He remained with the group until 1978, then left to freelance. He has recorded extensively throughout his career. Among his many workshop and classroom teaching assignments, Heath is a regular instructor at the Stanford Jazz Workshop. Tootie Heath is now the producer and leader of The Whole Drum Truth, a jazz drum ensemble featuring Ben Riley, Ed Thigpen, Jackie Williams, Billy Hart, Charlie Per ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Hayes
Louis Hayes (born May 31, 1937) is an American jazz drummer and band leader. He was with McCoy Tyner's trio for more than three years. Since 1989 he has led his own band, and together with Vincent Herring formed the Cannonball Legacy Band. He is part of the NEA Jazz Masters awards class of 2023. Biography Louis Sedell Hayes was born in Detroit, Michigan, United States, to a father, an automaker, who played drums and piano. His mother waited tables and played the piano. She was the sister of John Nelson, the father of the musician Prince. Hayes got his first drum set at age 10. The key influence in his early development was his cousin Clarence Stamps, an accomplished drummer who grounded his technical fundamentals and gave him lessons that stuck for life. He refers to the early influence of hearing jazz, especially big bands on the radio. His main influence was Philly Joe Jones and he was mentored by Jo Jones. His three main associations were with Horace Silver's Quinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock. Biography Early life and career Byrd was born in 1932 in Detroit, Michigan. His family came from the African-American middle-class. His father, Elijah Thomas Byrd, was a Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional recording session was in 1949 at Fortune Records in Detroit with the Robert ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Chambers
Paul Laurence Dunbar Chambers Jr. (April 22, 1935 – January 4, 1969) was an American jazz double bassist. A fixture of rhythm sections during the 1950s and 1960s, he has become one of the most widely-known jazz bassists of the hard bop era. He was also known for his bowed solos. Chambers recorded about a dozen albums as a leader or co-leader, and over 100 more as a sideman, especially as the anchor of trumpeter Miles Davis's " first great quintet" (1955–63) and with pianist Wynton Kelly (1963–68). Biography Born in Pittsburgh, Pennsylvania on April 22, 1935, to Paul Lawrence Chambers and Margaret Echos. He was brought up in Detroit, Michigan following the death of his mother. He began playing music with several of his schoolmates on the baritone horn. Later he took up the tuba. "I got along pretty well, but it's quite a job to carry it around in those long parades, and I didn't like the instrument that much". Bass playing Chambers switched to the double bass around 19 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Garland
William McKinley "Red" Garland Jr. (May 13, 1923 – April 23, 1984) was an American modern jazz pianist. Known for his work as a bandleader and during the 1950s with Miles Davis, Garland helped popularize the block chord style of playing in jazz piano. Early life William "Red" Garland was born in 1923 in Dallas, Texas. He began his musical studies on the clarinet and alto saxophone but, in 1941, switched to the piano. Less than five years later, Garland joined the trumpet player Hot Lips Page, well-known in the southwest, playing with him until a tour ended in New York in March 1946. With Garland having decided to stay in New York to find work, Art Blakey came across Garland playing at a small club, only to return the next night with his boss, Billy Eckstine. Garland also had a short-lived career as a welterweight boxer in the 1940s. He fought more than 35 fights, one being an exhibition bout with Sugar Ray Robinson. Later life and career 1955–1958: the first great Miles Dav ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drum Kit
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a stand * A bass drum, played with a beater moved by a foot-operated pedal * One or more tom-toms, including rack toms and/or floor toms * One or more cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock and pop to blues and jazz. __TOC__ History Early development Before the development of the drum set, drums and cymbals used in military and orchestral music sett ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Taylor
Arthur S. Taylor Jr. (April 6, 1929 – February 6, 1995) was an American jazz drummer, who "helped define the sound of modern jazz drumming".Watrous, Peter (February 7, 1995)"Art Taylor, 65, Jazz Drummer Who Inspired Young Musicians" ''The New York Times''. Career As a teenager, Taylor joined a local Harlem band that featured Sonny Rollins, Jackie McLean and Kenny Drew. After playing in the bands of Howard McGhee (1948), Coleman Hawkins (1950–51), Buddy DeFranco (1952), Bud Powell (1953), George Wallington and Art Farmer (1954), Powell and Wallington again (1954–55), Gigi Gryce and Donald Byrd (1956), he formed his own group, Taylor's Wailers.Feather, Leonard & Gitler, Ira (2007), ''The Biographical Encyclopedia of Jazz'', p. 637. Oxford University Press. Between 1957 and 1963, he toured with Donald Byrd, recorded with Miles Davis, Gene Ammons and John Coltrane, and performed with Thelonious Monk; Taylor also was a member of the original Kenny Dorham Quartet of 195 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known simply as the bass () (or by other names), is the largest and lowest-pitched bowed (or plucked) string instrument in the modern symphony orchestra (excluding unorthodox additions such as the octobass). Similar in structure to the cello, it has four, although occasionally five, strings. The bass is a standard member of the orchestra's string section, along with violins, viola, and cello, ''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the , and is featured in concertos, solo, and |
Earl May
Earl Charles Barrington May (September 17, 1927 - January 4, 2008) was an American jazz bassist. He was "one of the most prodigious and prolific bassists of the postwar era". Early life May was born in New York City on September 17, 1927. As a child, he played the drums, and changed to the acoustic bass at the age of 14. He "played left-handed on an instrument strung for a right-handed player". Later life and career Until 1951, May had a job in insurance while playing in clubs at night. During this period, he played with Miles Davis, Lester Young, Gene Ammons, Sonny Stitt, and Mercer Ellington. He was also taught by Charles Mingus in the early 1950s. Through most of the 1950s he played in a trio with Billy Taylor, and also worked in the late 1950s with John Coltrane and Chet Baker. From 1959 to 1963 he played behind vocalist Gloria Lynne, and in the 1960s he also worked with Dave McKenna, Herman Foster, Shirley Scott, Stanley Turrentine, Herbie Mann, Mose Allison, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Hear A Rhapsody
"I Hear a Rhapsody" is a 1941 pop song that became a jazz standard, composed by George Fragos, Jack Baker, and Dick Gasparre. Written in 1940, in 1941 it was a top 10 hit for three separate artists, Charlie Barnet, Jimmy Dorsey and Dinah Shore. “I Hear a Rhapsody” was at the top of "Your Hit Parade" in 1941. It was featured in the 1952 film noir ''Clash by Night'', in which it was sung by Tony Martin. The soundtrack featured jazz notables such as pianist Gerald Wiggins, alto saxophonist Benny Carter, and tenor saxophonist Coleman Hawkins. The film, directed by Fritz Lang, involved a love triangle in a small fishing village and starred Barbara Stanwyck, Robert Ryan, and Paul Douglas. Versions * Charlie Barnet and His Orchestra with Bob Carroll, recorded October 14, 1940 (10" shellac single, Bluebird, 1941) * Jimmy Dorsey and His Orchestra with Bob Eberly, recorded December 9, 1940 (10" shellac single, Decca, 1941) * Duke Ellington and His Orchestra with Herb Jeffries and B ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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