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Lupus Hellinck
Lupus Hellinck (also Wulfaert) (1493 or 1494 – ) was a Flemish composer of the Renaissance. He was a prominent composer of masses, as well as German chorales and motets. Although he was a Roman Catholic all of his life, his music shows evidence of sympathy for the Protestant Reformation, and three of his motets—including a famous setting of ''In te domine speravi''—were probably inspired by the prison writings of the martyred reformer Girolamo Savonarola. Life Hellinck was probably born in Axel. Little else is known about him until he appears as a choirboy in Bruges at St. Donatian on 24 March 1506. He left in 1511 to go to school, returning to St. Donatian in 1513 as a cleric, where he stayed until 1515. Until recently, nothing was known of his activities for the next four years, but in 1989 some records from the Vatican archives were published that showed that he spent this time in Rome. One of these documents, dated April 1518, gave his age as 24, which gives a bi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance Music
Renaissance music is traditionally understood to cover European music of the 15th and 16th centuries, later than the Renaissance era as it is understood in other disciplines. Rather than starting from the early 14th-century '' ars nova'', the Trecento music was treated by musicology as a coda to Medieval music and the new era dated from the rise of triadic harmony and the spread of the ' ''contenance angloise'' ' style from Britain to the Burgundian School. A convenient watershed for its end is the adoption of basso continuo at the beginning of the Baroque period. The period may be roughly subdivided, with an early period corresponding to the career of Guillaume Du Fay (c. 1397–1474) and the cultivation of cantilena style, a middle dominated by Franco-Flemish School and the four-part textures favored by Johannes Ockeghem (1410's or 20's – 1497) and Josquin des Prez (late 1450's – 1521), and culminating during the Counter-Reformation in the florid counterpoint of Palest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mass (music)
The Mass ( la, missa) is a form of sacred musical composition that sets the invariable portions of the Christian Eucharistic liturgy (principally that of the Catholic Church, the Anglican Communion, and Lutheranism), known as the Mass. Most Masses are settings of the liturgy in Latin, the sacred language of the Catholic Church's Roman Rite, but there are a significant number written in the languages of non-Catholic countries where vernacular worship has long been the norm. For example, there have been many Masses written in English for a United States context since the Second Vatican Council, and others (often called "communion services") for the Church of England. Masses can be ''a cappella'', that is, without an independent accompaniment, or they can be accompanied by instrumental ''obbligatos'' up to and including a full orchestra. Many masses, especially later ones, were never intended to be performed during the celebration of an actual mass. History Middle Ages The earli ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1490s Births
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{{Number disambiguation ...
149 may refer to: *149 (number), a natural number *AD 149, a year in the 2nd century AD * 149 BC, a year in the 2nd century BC *British Airways Flight 149, a flight from LHR to Kuwait City International Airport; the aircraft flying this flight was destroyed by Iraqi troops See also * List of highways numbered 149 The following highways are numbered 149: Canada * Prince Edward Island Route 149 Costa Rica * National Route 149 (Costa Rica), National Route 149 India * National Highway 149 (India) Japan * Japan National Route 149 United States * Alabama St ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustave Reese
Gustave Reese ( ; 29 November 1899 – 7 September 1977) was an American musicologist and teacher. Reese is known mainly for his work on medieval and Renaissance music, particularly with his two publications ''Music in the Middle Ages'' (1940) and ''Music in the Renaissance'' (1954); these two books remain the standard reference works for these two eras, with complete and precise bibliographical material, allowing for almost every piece of music mentioned to be traced back to a primary source. Early life and education Reese was born in New York City on 29 November 1899. He was an avid scholar and had interests in many areas outside music, including art, architecture, and literature. He studied law at New York University, graduating in 1921. Though he was admitted to the New York State Bar, he opted to re-enroll and pursue a Bachelor of Music from NYU, which he received in 1930. Career In 1927, however, he was already teaching classes at the university in medieval and Renaiss ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johannes Lupi
Jean Leleu, most commonly known by the latinized version of his name, Johannes Lupi (c. 1506 – December 20, 1539), was a Franco-Flemish composer of the Renaissance. A representative of the generation after Josquin, he was a minor but skilled composer of polyphony who was mainly active in Cambrai. Life His birthplace is unknown, but he served in Cambrai as a choirboy. He lived in Cambrai most of his life, only leaving to attend the university in Leuven, where he was present from 1522 until 1526. In 1527 he became master of the choirboys at the Cambrai Cathedral, a position which typically included housing and boarding them in addition to teaching them music. Several times he was fired from his job, but always re-hired again, usually for failing to discipline his charges but also for poor bookkeeping. Lupi had an unnamed chronic illness which plagued him increasingly in the 1530s—he had to leave his position because of it in 1535—and which caused his early deat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tristitia Obsedit Me
Tristitia is a Swedish doom metal band formed in Halmstad in 1992. History The band was founded by Chilean / Swedish guitarist Luis Beethoven Galvez. His devotion for doom metal and sorrowful melodies brought him to form the band with death/gothic style singer Thomas Karlsson and Harri Juvonen on bass. They recorded their first demo in April ’93 entitled ”Winds of Sacrifice”. In January ’94 they released their second demo ”Reminiscences of the Mourner”. The reception of this demo was even better than ”Winds of Sacrifice” and gave Tristitia a record deal with the French label Holy Records. In march ’95 now with Bruno Nilsson behind the drums, Thomas on vocals and Luis playing all guitars, bass and keyboards, Tristitia released their first CD album ''One with Darkness''. In summer ’96 they recorded their second album ''Crucidiction'' which was released December ’96. Tristitia’s third album ''The Last Grief'' brought the band a new atmospheric dark doo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Infelix Ego
''Infelix ego'' ("Alas, wretch that I am") is a Latin meditation on the ''Miserere'', Psalm 51 (Psalm 50 in Septuagint numbering), composed in prison by Girolamo Savonarola by 8 May 1498, after he was tortured on the rack, and two weeks before he was burned at the stake in the Piazza della Signoria in Florence on 23 May 1498. The prison authorities had spared only his right arm during the preliminary torture, so that Savonarola would be able to sign his confession: after doing so, and in a state of despair at not being strong enough to resist the pain of his prolonged torture, he wrote ''Infelix ego'' and a portion of a companion meditation, ''Tristitia obsedit me'', on Psalm 30. He was executed before he was able to complete ''Tristitia obsedit me''. Savonarola was devastated at his own personal weakness in allowing the physical torture to overcome his will. After signing the confession, recanting his beliefs, and even denying that his prophecies had been sent by God Himself, he f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rack (torture Device)
The rack is a torture device consisting of a rectangular, usually wooden frame, slightly raised from the ground, with a roller at one or both ends. The victim's ankles are fastened to one roller and the wrists are chained to the other. As the interrogation progresses, a handle and ratchet mechanism attached to the top roller are used to very gradually retract the chains, slowly increasing the strain on the prisoner's shoulders, hips, knees, and elbows and causing excruciating pain. By means of pulleys and levers, this roller could be rotated on its own axis, thus straining the ropes until the sufferer's joints were dislocated and eventually separated. Additionally, if muscle fibres are stretched excessively, they lose their ability to contract, rendering them ineffective. One gruesome aspect of being stretched too far on the rack is the loud popping noises made by snapping cartilage, ligaments or bones. Another method for putting pressure upon prisoners was to force them to watc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of Este
The House of Este ( , , ) is a European dynasty of North Italian origin whose members ruled parts of Italy and Germany for many centuries. The original House of Este's elder branch, which is known as the House of Welf, included dukes of Bavaria and of Brunswick. This branch produced Britain's Hanoverian monarchs, as well as one Emperor of Russia (Ivan VI) and one Holy Roman Emperor (Otto IV). The original House of Este's younger branch, which is simply called the House of Este, included rulers of Ferrara (1240–1597), and of Modena (–1859) and Reggio (1288–1796). This branch's male line became extinct with the death of Ercole III in 1803. Origins According to Edward Gibbon, the family originated from the Roman Attii family, which migrated from Rome to EsteThe miscellaneous Works of Edward Gibbon Vol 3 page 172 to defend Italy against the Ostrogoths. However, there is little evidence to support this hypothesis. The names of the early members of the family indicate that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Josquin Des Prez
Josquin Lebloitte dit des Prez ( – 27 August 1521) was a composer of High Renaissance music, who is variously described as French or Franco-Flemish. Considered one of the greatest composers of the Renaissance, he was a central figure of the Franco-Flemish School and had a profound influence on the music of 16th-century Europe. Building on the work of his predecessors Guillaume Du Fay and Johannes Ockeghem, he developed a complex style of expressive—and often imitative—movement between independent voices (polyphony) which informs much of his work. He further emphasized the relationship between text and music, and departed from the early Renaissance tendency towards lengthy melismatic lines on a single syllable, preferring to use shorter, repeated motifs between voices. Josquin was a singer, and his compositions are mainly vocal. They include masses, motets and secular chansons. Josquin's biography has been continually revised by modern scholarship, and remains highly u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Homophony
In music, homophony (;, Greek: ὁμόφωνος, ''homóphōnos'', from ὁμός, ''homós'', "same" and φωνή, ''phōnē'', "sound, tone") is a texture in which a primary part is supported by one or more additional strands that flesh out the harmony. One melody predominates while the other parts play either single notes or an elaborate accompaniment. This differentiation of roles contrasts with equal-voice polyphony (in which similar lines move with rhythmic and melodic independence to form an even texture) and monophony (in which all parts move in unison or octaves). Historically, homophony and its differentiated roles for parts emerged in tandem with tonality, which gave distinct harmonic functions to the soprano, bass and inner voices. A homophonic texture may be homorhythmic, which means that all parts have the same rhythm. Chorale texture is another variant of homophony. The most common type of homophony is melody-dominated homophony, in which one voice, often the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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