Lumpy Gravy
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Lumpy Gravy
''Lumpy Gravy'' is the debut solo album by Frank Zappa, written by Zappa and performed by a group of session players he dubbed the Abnuceals Emuukha Electric Symphony Orchestra. Zappa conducted the orchestra but did not perform on the album. It is his third album overall: his previous releases had been under the name of his group, the Mothers of Invention. It was commissioned and briefly released, on August 7, 1967, by Capitol Records in the 4-track Stereo-Pak format only and then withdrawn due to a lawsuit from MGM Records. MGM claimed that the album violated Zappa's contract with their subsidiary, Verve Records. In 1968 it was reedited and released by MGM's Verve Records on May 13, 1968. The final version of the album consisted of two musique concrète pieces that combined elements from the original orchestral performance with elements of surf music and the spoken word. It was praised for its music and editing. Produced simultaneously with ''We're Only in It for the Money'', ...
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Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at  revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ...
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Surf Music
Surf music (or surf rock, surf pop, or surf guitar) is a genre of rock music associated with surf culture, particularly as found in Southern California. It was especially popular from 1958 to 1964 in two major forms. The first is instrumental surf, distinguished by reverb-heavy electric guitars played to evoke the sound of crashing waves, largely pioneered by Dick Dale and the Del-Tones. The second is vocal surf, which took elements of the original surf sound and added vocal harmonies, a movement led by the Beach Boys. Dick Dale developed the surf sound from instrumental rock, where he added Middle Eastern and Mexican influences, a spring reverb, and rapid alternate picking characteristics. His regional hit "Let's Go Trippin', in 1961, launched the surf music craze, inspiring many others to take up the approach. The genre reached national exposure when it was represented by vocal groups such as the Beach Boys and Jan and Dean. Dale is quoted on such groups: "They were surfi ...
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The Great Rock Discography
Martin Charles Strong (born 1960 in Musselburgh) is a Scottish music historian known for compiling discography, discographies of popular music including ''The Great Rock Discography''. Strong has been described in broadsheet newspaper profiles as a "compiler of acclaimed mammoth discographies" and "a man who knows more about rock music than is healthy for one individual". Career Strong has researched music extensively since the early 1980s, dedicating 70 hours per week to his craft as of 2004. He is perhaps best known for ''The Great Rock Discography'', with the 7th edition being published in 2004; the foreword was penned by disc jockey John Peel. The book has garnered acclaim, with United States music critic Robert Christgau recommending it as one of the three best rock music encyclopaedias, and the one with the "maddest completism". Author Ian Rankin named it as one of the "5 Books Every Man Should Read", calling it "a great book" that "would keep [him] happy on any desert isla ...
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Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007- 4 January 2008. It was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information gleaned from music magazines, individual expertise ...
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AllMusic
AllMusic (previously known as All Music Guide and AMG) is an American online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on musicians and bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as CDs replaced LPs as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he researched using metadata to create a music guide. In 1990, in Big Rapids, Michigan, he founded ''All Music Guide' ...
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Take Your Clothes Off When You Dance
"Take Your Clothes Off When You Dance" is a song written by Frank Zappa, with the first officially available version being recorded and released by The Mothers of Invention on their 1968 album ''We're Only in It for the Money''. The song was originally recorded as an instrumental by Frank Zappa in 1961 at Pal Recording Studio. History The first instance of lyrics being written for the melody is on a 1965 demo tape by The Mothers Of Invention on which the song is recorded as "I'm So Happy I Could Cry." The lyrics describe the sincere love of a man to a "girl he left behind him when he went out to see this great, big world". This version, released on the posthumous Frank Zappa album ''Joe's Corsage'', also contains a bridge section that is not included in any other version of the song, save for the instrumental version that appears at the end of the "Lumpy Gravy" LP. At one point, the tune (without lyrics) was referred to by a working title of "Never On Sunday" (coincidentally the ...
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Roy Estrada
Roy Estrada (also known as "Roy Ralph Moleman Guacamole Guadalupe Hidalgo Estrada" and "Orejón"; born April 17, 1943) is an American former musician and convicted sex offender. He is best known for his bass guitar work with Frank Zappa and the Mothers of Invention; for having been a founding member of Little Feat, playing on their first two studio albums; and for being a member of Captain Beefheart's the Magic Band. Estrada is currently incarcerated in the Texas State Prison System. He was convicted for sex offenses, first having been convicted of child sex abuse in 1994 and serving six years' imprisonment, then pleading guilty to abuse of a young relative in 2012. He will not be eligible for release until 2036, at which time he will be 93 years old. Career With drummer Jimmy Carl Black and vocalist Ray Collins, Estrada was an original member of Frank Zappa's Mothers of Invention. Previously, Estrada had been a founding member of the Soul Giants, the band from which the Moth ...
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Motorhead Sherwood
Jim "Motorhead" Sherwood (May 8, 1942 – December 25, 2011) was an American rock musician notable for playing soprano, tenor and baritone saxophone, tambourine, vocals and vocal sound effects in Frank Zappa's Mothers of Invention. He appeared on all the albums of the original Mothers line-up and the 'posthumous' releases '' Burnt Weeny Sandwich'' and ''Weasels Ripped My Flesh'', as well as certain subsequent Zappa albums. He also appeared in the films '' 200 Motels'', ''Video from Hell'' and ''Uncle Meat''. Biography Sherwood was born in Arkansas City, Kansas. He and Zappa met in high school in 1956. Sherwood was in a class with Zappa's brother Bobby, who introduced the two after learning that Sherwood was a collector of blues records. Sherwood sat in with Zappa's first band, R&B group The Black-Outs, at various performances, where he was often a highlight. Sherwood and Zappa subsequently played together in the Ontario, California rock'n'roll/ R&B group The Omens. Sherwood ...
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The Lumpy Money Project/Object
''The Lumpy Money Project/Object'' is a compilation album by Frank Zappa. Released posthumously on January 23, 2009 as Official Release #85, it compiles the releases ''Lumpy Gravy'' and ''We're Only in It for the Money'' with previously unreleased material, with the overall package serving as an audio documentary of the production of the two albums, which share conceptual continuity themes. It is project/object #2 in a series of 40th Anniversary FZ Audio Documentaries, following '' MOFO'' (2006). Content The first disc consists of the 1967 version of ''Lumpy Gravy'', intended for release by Capitol Records (actually a few 4-track cartridge copies of the Capitol version were distributed to wholesalers and radio stations before MGM Records, Zappa's label at the time, forced Capitol to halt distribution of their version of the album), and the 1968 mono mix of ''We're Only in It for the Money''. The second disc consists of two remixes prepared by Zappa in 1984, with overdubs by d ...
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Orchestral Favorites
''Orchestral Favorites'' is an album by Frank Zappa first released in May 1979 on his own DiscReet Records label. The album is entirely instrumental and features music performed by the 37-piece Abnuceals Emuukha Electric Symphony Orchestra. It reached #168 on the ''Billboard'' 200 album chart in the United States. Recording sessions The recordings were sourced from performances recorded September 17–19, 1975 at Royce Hall on the UCLA campus with conductor Michael Zearott. There were two nights of live concert performances and an additional day of recording sessions without the audience. ''Strictly Genteel'' was heard earlier as part of the '' 200 Motels'' film and soundtrack album in 1971. ''Bogus Pomp'' is also made up of themes that were used in ''200 Motels''. The album contains a new arrangement of ''Duke of Prunes'', originally on the 1967 album '' Absolutely Free''. There are no overdubs on the album other than Zappa's electric guitar solo, which he later added to this ...
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Tommy Tedesco
Thomas Joseph Tedesco (July 3, 1930 – November 10, 1997) was an American guitarist and studio musician in Los Angeles and Hollywood. He was part of the loose collective of the area's leading session musicians later popularly known as The Wrecking Crew, who played on thousands of studio recordings in the 1960s and 1970s, including several hundred Top 40 hits. Tedesco's playing credits include the theme from television's ''Bonanza'', ''The Twilight Zone'', Vic Mizzy's theme from ''Green Acres'', ''M*A*S*H'', ''Batman'', and ''Elvis Presley's '68 Comeback Special''. Tedesco was shown on-camera in a number of game and comedy shows, and played ex-con guitarist Tommy Marinucci, a member of Happy Kyne's Mirth-Makers, in the 1977-78 talk-show spoof ''Fernwood 2 Night'' and ''America 2 Night''. Career Born in Niagara Falls, New York, Tedesco moved to the West Coast where he became one of the most-sought-after studio musicians between the 1960s and 1980s. Although he was primarily a gu ...
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Rock Music
Rock music is a broad genre of popular music that originated as " rock and roll" in the United States in the late 1940s and early 1950s, developing into a range of different styles in the mid-1960s and later, particularly in the United States and United Kingdom.W. E. Studwell and D. F. Lonergan, ''The Classic Rock and Roll Reader: Rock Music from its Beginnings to the mid-1970s'' (Abingdon: Routledge, 1999), p.xi It has its roots in 1940s and 1950s rock and roll, a style that drew directly from the blues and rhythm and blues genres of African-American music and from country music. Rock also drew strongly from a number of other genres such as electric blues and folk, and incorporated influences from jazz, classical, and other musical styles. For instrumentation, rock has centered on the electric guitar, usually as part of a rock group with electric bass guitar, drums, and one or more singers. Usually, rock is song-based music with a time signature using a verse–chorus form, ...
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