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Lula Mysz-Gmeiner
Lula Mysz-Gmeiner (born Julie Sophie Gmeiner; 15 August 1876 – 7 August 1948) was a German concert contralto and mezzo-soprano born in Transylvania, who performed lieder recitals in Europe and the United States. She was an academic voice teacher in Berlin and taught both Elisabeth Schwarzkopf and Peter Anders. Career She was born Julie Sophie Gmeiner in Kronstadt (Brassó), in the region of Transylvania, in Austria-Hungary (today Brașov, Romania). She was the third of ten siblings, called Lula. The children received early musical instruction, and several of her siblings also became professional musicians: the mezzo-soprano Ella Gmeiner, the bass-baritone Rudolf Gmeiner, the cellist Julius Gmeiner, and the pianist Luise Gmeiner. Lula learned the violin at age six and played in the Kronstadt orchestra at age 15. A year later, she began voice lessons with the composer Rudolf Lassel, who dedicated a composition to her and premiered it with her. From age 18, she studied at the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Austria-Hungary
Austria-Hungary, often referred to as the Austro-Hungarian Empire,, the Dual Monarchy, or Austria, was a constitutional monarchy and great power in Central Europe between 1867 and 1918. It was formed with the Austro-Hungarian Compromise of 1867 in the aftermath of the Austro-Prussian War and was dissolved shortly after its defeat in the First World War. Austria-Hungary was ruled by the House of Habsburg and constituted the last phase in the constitutional evolution of the Habsburg monarchy. It was a multinational state and one of Europe's major powers at the time. Austria-Hungary was geographically the second-largest country in Europe after the Russian Empire, at and the third-most populous (after Russia and the German Empire). The Empire built up the fourth-largest machine building industry in the world, after the United States, Germany and the United Kingdom. Austria-Hungary also became the world's third-largest manufacturer and exporter of electric home appliances, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lilli Lehmann
Lilli Lehmann, born Elisabeth Maria Lehmann, later Elisabeth Maria Lehmann-Kalisch (24 November 1848 – 17 May 1929) was a German operatic soprano. She was also a voice teacher. Biography The future opera star's father, Karl-August Lehmann, was a singer (Heldentenor) while her mother, Maria Theresia Löw (1809–1885), was a soprano. Her younger sister, Marie, also went on to become an operatic soprano. Her first lessons were from her mother, who had been a prima donna under Spohr at the Cassel opera. After singing small parts on the stage, for example in Mozart's ''Magic Flute'' at Prague in 1866, and studies under Heinrich Laube in Leipzig, Lehmann made her proper debut in 1870 in Berlin as a light soprano in Meyerbeer's ''Das Feldlager in Schlesien''. She subsequently became so successful that she was appointed an Imperial Chamber Singer for life in 1876. Lehmann sang in the first Bayreuth Festival in 1876, singing in the first complete performances of The Ring Cycle as Wog ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Siegfried Ochs
Siegfried Ochs (19 April 1858 – 6 February 1929) was a German choral conductor and composer. Life Born in Frankfurt, Ochs first studied medicine and chemistry at the Polytechnikum Darmstadt (today the Technische Universität Darmstadt) and at the Ruprecht Karl University of Heidelberg. He later devoted himself entirely to music, studying at the Königliche Hochschule für Musik, Berlin, under Schultze and Ernst Rudorff, and later privately under Friedrich Kiel and Heinrich Urban. In 1882 Ochs founded the Philharmonic Choral Society of Berlin, which he would lead until 1920. At first an obscure organization, it became prominent through numerous performances given by Hans von Bülow, an intimate friend of Ochs. It arguably became the greatest choral society in Berlin and was distinguished for its helpful patronage of young musicians, whose compositions were performed for the first time. Ochs died in Berlin. Works Ochs was noted for humorous or parodic compositions. He wrote bot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Nikisch
Arthur Nikisch (12 October 185523 January 1922) was a Hungarian conductor who performed internationally, holding posts in Boston, London, Leipzig and—most importantly—Berlin. He was considered an outstanding interpreter of the music of Bruckner, Tchaikovsky, Beethoven and Liszt. Johannes Brahms praised Nikisch's performance of his Fourth Symphony as "quite exemplary, it's impossible to hear it any better." Biography Arthur Augustinus Adalbertus Nikisch was born in Mosonszentmiklós, Hungary, to a Hungarian father and a mother from Moravia. Nikisch began his studies at the Vienna Conservatory in 1866. There he studied under the composer Felix Otto Dessoff, the conductor Johann von Herbeck, and the violinist Joseph Hellmesberger, Jr. and won prizes for composition and performance on violin and piano. He was engaged as a violinist in the Vienna Philharmonic, and also played in the Bayreuth Festival orchestra in its inaugural season of 1876. He achieved most of his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Mattiesen
Emil Karl Gustav Alfred Mattiesen (23 January 1875Birth date given in his dissertation, Julian calendar: 11 January – 25 September 1939) was a Baltic Germans musician, music pedagogue, composer and philosopher. He composed lieder, song cycles, ballads, chamber music and organ music, but is better known for standard works in German on parapsychology. He was a professor of church music at the University of Rostock from 1929. Life Mattiesen was born in Dorpat. The son of Emil Karl Johann Mattiesen (1835–1888), an editor-in-chief and town councillor, and Emilie (née Strümpell; 1846–1917), daughter of the philosopher and pedagogue Ludwig Strümpell, he attended a private school, the ''Kollmann'sche Privat-Lehranstalt'', in his hometown. He received musical instruction at age 16. He completed school with the Abitur in 1892 at the gymnasium in Mitau. He studied philosophy, natural sciences and music, first in Dorpat, then from 1893 at the University of Leipzig. He had to interr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Großes Sängerlexikon
''Großes Sängerlexikon'' (''Biographical Dictionary of Singers'', literally: Large singers' lexicon) is a single-field dictionary of singers in classical music, edited by Karl-Josef Kutsch and Leo Riemens and first published in 1987. The first edition was in two volumes and contained the biographies of nearly 7000 singers from the 1590s through the 1980s. It grew out of ''Unvergängliche Stimmen. Kleines Sängerlexikon'' (Immortal voices. Small singers' lexicon), published in 1962, which covered only singers who had made recordings. A 1992 review in ''Neue Zeitschrift für Musik'' described the ''Großes Sängerlexikon'' as "indispensable in the search for concise background information about those persons who are undoubtedly the most important to the performance of opera."Arndt, Michael (1992) "Reviewed Work: ''Großes Sängerlexikon Ergänzungsband'' by Karl-Josef Kutsch, Leo Riemens" ''Neue Zeitschrift für Musik'', Vol. 153, No. 9, p. 50. Retrieved via JSTOR 26 March 2019 . ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Leo Riemens
Leonardus Antony Marinus Riemens (3 December 1910 – 3 April 1985) was a Dutch musicologist and cultural journalist. He wrote a book about Maria Callas, and together with Karl-Josef Kutsch began a reference book about opera singers in 1962, which grew to ''Großes Sängerlexikon'', the standard reference in the field. Background and career Born in Zevenbergen, Riemens grew up in a family of physicians in Amsterdam. He studied musicology in Amsterdam and worked from 1931 as a feature editor for the newspaper '. Later he was a member of the extreme-right NSB. During the Second World War he worked for the nazified ''Nederlandsche Omroep''. From 1954 to 1976 he was an opera and television critic for the newspaper ''De Telegraaf''. Riemens published numerous articles in the professional journals ''Opera'', ', '' Gramophone'' and '' Opera News''. He wrote an opera guide and a biography about Maria Callas. At Radio Hilversum he designed the series ''Uren der Zangkunst''. Riemens ow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Karl-Josef Kutsch
Karl-Josef Kutsch, also known as K. J. Kutsch, (born 11 May 1924) is a German physician and co-author with Leo Riemens of the ''Großes Sängerlexikon'', the standard reference for opera singers. Life and work Born in Gangelt, Kutsch studied medicine, was drafted and participated as a soldier in the Russia campaign of the Second World War. He then completed his studies at the Goethe University Frankfurt in 1948. He practised as a physician from 1952 to 1989 in his hometown, together with his wife. From the 1950s, Kutsch built a collection of records and singers' biographies. Together with the Dutch musicologist Leo Riemens, he published a small biographical dictionary of singers in 1962 under the title ''Unvergängliche Stimmen'' (''Immortal Voices'').Jan David SchmitzSängerlexikon CD-ROMhsozkult.de In 1975 the work was revised as ''Unvergängliche Stimmen / Sängerlexikon'', which was again revised in 1985 with his and Riemens' cooperation and became the standard work. Under t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Reger
Johann Baptist Joseph Maximilian Reger (19 March 187311 May 1916) was a German composer, pianist, organist, conductor, and academic teacher. He worked as a concert pianist, as a musical director at the Paulinerkirche, Leipzig, Leipzig University Church, as a professor at the Leipzig Conservatory, Royal Conservatory in Leipzig, and as a music director at the court of Duke Georg II of Saxe-Meiningen. Reger first composed mainly ''Lieder'', chamber music, choral music and works for piano and organ. He later turned to orchestral compositions, such as the popular ''Variations and Fugue on a Theme by Mozart'' (1914), and to works for choir and orchestra such as ''Gesang der Verklärten'' (1903), ' (1909), ''Der Einsiedler'' and the ''Requiem (Reger), Hebbel Requiem'' (both 1915). Biography Born in Brand, Bavaria, Brand, Kingdom of Bavaria, Bavaria, Reger was the first child of Josef Reger, a school teacher and amateur musician, and his wife Katharina Philomena. The devout Catholic fa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Strauss
Richard Georg Strauss (; 11 June 1864 – 8 September 1949) was a German composer, conductor, pianist, and violinist. Considered a leading composer of the late Romantic and early modern eras, he has been described as a successor of Richard Wagner and Franz Liszt. Along with Gustav Mahler, he represents the late flowering of German Romanticism, in which pioneering subtleties of orchestration are combined with an advanced harmonic style. Strauss's compositional output began in 1870 when he was just six years old and lasted until his death nearly eighty years later. While his output of works encompasses nearly every type of classical compositional form, Strauss achieved his greatest success with tone poems and operas. His first tone poem to achieve wide acclaim was ''Don Juan'', and this was followed by other lauded works of this kind, including ''Death and Transfiguration'', ''Till Eulenspiegel's Merry Pranks'', ''Also sprach Zarathustra'', ''Don Quixote'', ''Ein Heldenleben' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gustav Mahler
Gustav Mahler (; 7 July 1860 – 18 May 1911) was an Austro-Bohemian Romantic composer, and one of the leading conductors of his generation. As a composer he acted as a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. While in his lifetime his status as a conductor was established beyond question, his own music gained wide popularity only after periods of relative neglect, which included a ban on its performance in much of Europe during the Nazi era. After 1945 his compositions were rediscovered by a new generation of listeners; Mahler then became one of the most frequently performed and recorded of all composers, a position he has sustained into the 21st century. Born in Bohemia (then part of the Austrian Empire) to Jewish parents of humble origins, the German-speaking Mahler displayed his musical gifts at an early age. After graduating from the Vienna Conservatory in 1878, he held a succession of conducting posts of rising ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Franz Schubert
Franz Peter Schubert (; 31 January 179719 November 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast ''oeuvre'', including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libr ...s, incidental music, and a large body of piano and chamber music. His major works include "Erlkönig (Schubert), Erlkönig" (D. 328), the Trout Quintet, Piano Quintet in A major, D. 667 (''Trout Quintet''), the Symphony No. 8 (Schubert), Symphony No. 8 in B minor, D. 759 (''Unfinished Symphony''), the Symphony No. 9 (Schubert), "Great" Symphony No. 9 in C major, D. 944, the String Quintet (Schubert), String Quintet (D. 956), ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
