Lucien Rozenberg
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Lucien Rozenberg
Lucien Rozenberg (11 June 1874 – 1 November 1947) was a French actor, theatre director, playwright and film director. He was principally known as a stage performer, but during the First World War he starred in a series of short comedy films, and in the 1930s returned to the screen in films by, among others, Abel Gance. During his stage career Rozenberg played in a wide range of plays from verse tragedy by Catulle Mendes to farce by Georges Feydeau to melodrama by W. Somerset Maugham, Somerset Maugham. In addition to starring in Parisian theatres he appeared in the French provinces, and during the 1920s was seen in twenty plays during a long tour of South America. During the Second World War Rozenberg had to hide from the Germans during their occupation of Paris; his plans to re-establish himself after the war were unrealised. Life and career Early years Rozenberg was born in the 4th arrondissement of Paris, 4th arrondissement of Paris on 11 June 1874, the son of Levis Rozenbe ...
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Théâtre De La Gaîté (rue Papin)
In 1862 during Haussmann's modernization of Paris, the Théâtre de la Gaîté of the boulevard du Temple was relocated to the rue Papin across from the Square des Arts et Métiers."History: The Venue, 150 Years in the Core of Paris"
at the La Gaîté-Lyrique website. Retrieved 11 August 2011.
The new theatre, built in an Italian style to designs of the architects Jacques-Ignace Hittorff and Alphonse Cusin, opened on 3 September.
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The Letter (play)
''The Letter'' is a 1927 play by W. Somerset Maugham, dramatised from a short story that first appeared in his 1926 collection ''The Casuarina Tree''. The story was inspired by the real-life Ethel Proudlock case which involved the wife of the headmaster of Victoria Institution in Kuala Lumpur who was convicted in a murder trial after shooting dead a male friend in April 1911. She was eventually pardoned. Synopsis In the play, the action takes place in the house of a plantation owner, Robert Crosbie, and his wife Leslie in the then-British colony of British Malaya, Malaya, and later in the Chinese quarter of Singapore. With the husband away on business, the wife claims that she shot her husband's friend, Geoff Hammond, in self-defence, following an attempted rape; it is later revealed that Hammond was her lover, but had rejected her in favour of a native woman. The play focuses on the steps taken by the wife's lawyer to convince the court of her innocence, following the discovery ...
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Jacques Deval
Jacques Deval (1895–1972) was a French playwright, screenwriter and film director. Novels *''Marie Galante'' (1931) Plays *''Une faible femme''; a comedy in three acts (1920) *''Dans sa candeur naïve''; a comedy in three acts (1926); translated into English as ''Her Cardboard Lover'' (1927), Valerie Wyngate and P.G. Wodehouse *''Étienne''; a play in three acts (1930) *''Mademoiselle''; a comedy in three acts (1932) *''Tovarich''; a play in four acts (1933) *''Marie Galante''; a play with music in two acts, based on the novel ''Marie Galante''. Music by Kurt Weill (1934) *''Soubrette''; a comedy in three acts (1938) *''Oh, Brother!''; a comedy in three acts (1945) *''La Femme de ta jeunesse''; a play in three acts (1947) *''Le Rayon des jouets''; a comedy in three acts (1951) *''La Prétentaine''; a comedy in two acts (1957) *''Romancero''; a play in three acts (1958) Filmography * ''The Cardboard Lover'', directed by Robert Z. Leonard (1928, based on the play ''Dans sa candeur ...
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Robert De Flers
Robert Pellevé de La Motte-Ango, marquis de Flers (25 November 1872, Pont-l'Évêque, Calvados – 30 July 1927, Vittel) was a French playwright, opera librettist, and journalist.Pierre Barillet, ''Les Seigneurs du rire: Flers – Caillavet – Croisset'', Paris, Arthème Fayard, 1999 Biography He entered the Lycée Condorcet in 1888 where he studied law with the initial ambition of entering diplomatic service. He met and befriended fellow student and writer Marcel Proust, and that relationship had a great influence upon him. Proust exposed Flers to art, literature, and music and his interests soon switched from law to writing, journalism, and literature. The two men enjoyed a lifelong friendship. After completing his studies, he toured throughout Asia in the mid-1890s. The event inspired his earliest writings: the novel ''La Courtisane Taïa et son singe vert'' (1896), the short story ''Ilsée, princesse de Tripoli'' (1896), and the travel narrative ''Vers l’Orient'' (1897). ...
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The Little Cafe (play)
''The Little Cafe'' (French:''Le petit café'') is a French comedy play written by Tristan Bernard which was first performed in 1911. An English-language musical version '' The Little Cafe'' was successfully staged in the United States in 1913.Bordman p.339 Synopsis Albert Loriflan, a waiter in a Paris cafe, unexpectedly inherits a large sum of money from a wealthy relative. His unscrupulous boss, Philibert, refuses to release him from his long-term contract in the hope that Albert will buy him off with a large payment. But Albert refuses, and continues to work at the cafe even though he is now very rich. Before long he falls in love with Philibert's daughter Yvonne. Film adaptations In 1919 the play was turned into a French silent film '' The Little Cafe'' directed by Tristan Bernard's son Raymond Bernard. In 1930 Paramount Pictures made an American adaptation ''Playboy of Paris ''Playboy of Paris'' is a 1930 American pre-Code musical comedy film directed by Ludwig Berger an ...
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Je Ne Trompe Pas Mon Mari!
''Je ne trompe pas mon mari!'' (I don't cheat on my husband!) is a three-act farce by Georges Feydeau and René Peter. It was Feydeau's last full-length play. Opening in Paris in 1914, it ran for 200 performances. The plot revolves round the love life of a well-known painter, with the other characters in various permutations around him. Background and first production By 1914 Feydeau had written, on his own or in collaboration with other playwrights, more than twenty full-length plays, mostly farces (for which he used the alternative French term "vaudevilles"). Several had enjoyed unusually long runs on the Paris stage. What is now one of his most popular plays, ''A Flea in Her Ear, La Puce à l'oreille'' (A Flea in Her Ear), had closed prematurely after 86 performances in 1907, following the sudden death of one of its stars, but its successor, ''Occupe-toi d'Amélie!'' (Look After Amélie), ran for 288 performances the following year – considered an excellent run at the time. ...
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