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Lucien Durosoir
Lucien Durosoir (1878 – 5 December 1955) was a French composer and violinist whose works were rediscovered thanks to manuscripts found by his son Luc. Durosoir studied the violin with Joseph Joachim and Hugo Heermann in Germany before his first tour as a young virtuoso in 1899. In addition to giving the first performances of French music in Austria-Hungary and Germany (Camille Saint-Saëns, Saint-Saëns, Gabriel Fauré, Fauré, Édouard Lalo, Lalo, Widor, Alfred Bruneau, Bruneau), he also gave the French premiere of the Strauss violin concerto in 1901. His career as a violinist was cut short by World War I. Durosoir served in the Fifth Division, which took part in some of the bloodiest battles of the war (Douaumont, the Chemin des Dames, and Eparges). At the encouragement of General Mangin, Durosoir formed a string quartet with his fellow soldiers Henri Lemoine (musician), Henri Lemoine (second violin), André Caplet (viola), and Maurice Maréchal (cello). After his demobilizati ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet can refer to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two violinists, a violist, and a cellist. The string quartet was developed into its present form by composers such as Franz Xaver Richter, and Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since Haydn the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical era, and Wolfgang Amadeus Mozart, Ludwig van Beethoven and Franz Schubert each wrote a number of them. Many Romantic and early-twentieth-century composers composed string quartets, including Felix Mendelssohn, Robert Schumann, Johannes Brahms, AntonÃn Dvořák, LeoÅ¡ Janà ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Berthelier
Henri Berthelier (real name Jean-Baptiste, 27 December 1856 – 1918) was a French classical violinist and pedagogue. Biography Born in Limoges, Berthelier graduated from the Conservatoire de Paris, where he was a pupil of Jean-Pierre Maurin. From 1881, he played in the Orchestre de la Société des concerts du Conservatoire of Paris, where between 1887 and 1895, he held the post of concert master. At the same time, he was part of a trio with Isidore Philipp, pianist and Jules-Léopold Loeb, cellist (1852-1933). This trio premiered Camille Saint-Saëns's (1892). Berthelier also performed in chamber music ensembles with the participation of wind instruments under the direction of Paul Taffanel. In the years 1894–1915, he taught at the Conservatoire de Paris, succeeding his teacher Jean-Pierre Maurin. Among his students were Lucien Durosoir, , Axel Theodor Schiøler, Sigrid Lindberg, , Jeanne Gautier, Georges Frey, Isabella Beaton, Darius Milhaud, Renée Chemet,E. W ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conservatoire Supérieur De Paris
The Conservatoire de Paris (), also known as the Paris Conservatory, is a college of music and dance founded in 1795. Officially known as the Conservatoire National Supérieur de Musique et de Danse de Paris (CNSMDP), it is situated in the avenue Jean Jaurès in the 19th arrondissement of Paris, France. The Conservatoire offers instruction in music and dance, drawing on the traditions of the 'French School'. Formerly the conservatory also included drama, but in 1946 that division was moved into a separate school, the Conservatoire National Supérieur d'Art Dramatique (CNSAD), for acting, theatre and drama. Today the conservatories operate under the auspices of the Ministry of Culture and Communication and are associate members of PSL University. The CNSMDP is also associated with the Conservatoire National Supérieur de Musique et de Danse de Lyon (CNSMDL). History École Royale de Chant On 3 December 1783 Papillon de la Ferté, ''intendant'' of the Menus-Plaisirs du Roi, p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Polyrhythms
Polyrhythm is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rhythm), or a momentary section. Polyrhythms can be distinguished from irrational rhythms, which can occur within the context of a single part; polyrhythms require at least two rhythms to be played concurrently, one of which is typically an irrational rhythm. Concurrently in this context means within the same rhythmic cycle. The underlying pulse, whether explicit or implicit can be considered one of the concurrent rhythms. For example, the son clave is poly-rhythmic because its 3 section suggests a different meter from the pulse of the entire pattern. In western art music In some European art music, polyrhythm periodically contradicts the prevailing meter. For example, in Mozart's opera ''Don Giovanni'', two orchestras are heard playing toget ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chamber Music
Chamber music is a form of classical music that is composed for a small group of instruments—traditionally a group that could fit in a palace chamber or a large room. Most broadly, it includes any art music that is performed by a small number of performers, with one performer to a part (in contrast to orchestral music, in which each string part is played by a number of performers). However, by convention, it usually does not include solo instrument performances. Because of its intimate nature, chamber music has been described as "the music of friends". For more than 100 years, chamber music was played primarily by amateur musicians in their homes, and even today, when chamber music performance has migrated from the home to the concert hall, many musicians, amateur and professional, still play chamber music for their own pleasure. Playing chamber music requires special skills, both musical and social, that differ from the skills required for playing solo or symphonic works. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Orchestral Suite
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical "overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a different ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Quintet
In classical music, a piano quintet is a work of chamber music written for piano and four other instruments, most commonly a string quartet (i.e., two violins, viola, and cello). The term also refers to the group of musicians that plays a piano quintet. The genre particularly flourished during the nineteenth century. Until the middle of the nineteenth century, most piano quintets were scored for piano, violin, viola, cello, and double bass. Following the success of Robert Schumann's Piano Quintet in E major, Op. 44 in 1842, which paired the piano with a string quartet, composers increasingly adopted Schumann's instrumentation, and it was this form of the piano quintet that dominated during the second half of the nineteenth century and into the twentieth century. Among the best known and most frequently performed piano quintets, aside from Schumann's, are those by Franz Schubert, Johannes Brahms, César Franck, AntonÃn Dvořák and Dmitri Shostakovich. The piano quintet befo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano Sonata
A piano sonata is a sonata written for a solo piano. Piano sonatas are usually written in three or four movements, although some piano sonatas have been written with a single movement ( Scarlatti, Liszt, Scriabin, Medtner, Berg), others with two movements (Haydn, Beethoven), some contain five (Brahms' Third Piano Sonata) or even more movements. The first movement is generally composed in sonata form. The Baroque keyboard sonata In the Baroque era, the use of the term "sonata" generally referred to either the sonata da chiesa (church sonata) or sonata da camera (chamber sonata), both of which were sonatas for various instruments (usually one or more violins plus basso continuo). The keyboard sonata was relatively neglected by most composers. The sonatas of Domenico Scarlatti (of which there are over 500) were the hallmark of the Baroque keyboard sonata, though they were, for the most part, unpublished during Scarlatti's lifetime. The majority of these sonatas are in one-m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cello
The cello ( ; plural ''celli'' or ''cellos'') or violoncello ( ; ) is a Bow (music), bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned in perfect fifths: from low to high, scientific pitch notation, C2, G2, D3 and A3. The viola's four strings are each an octave higher. Music for the cello is generally written in the bass clef, with tenor clef, and treble clef used for higher-range passages. Played by a ''List of cellists, cellist'' or ''violoncellist'', it enjoys a large solo repertoire Cello sonata, with and List of solo cello pieces, without accompaniment, as well as numerous cello concerto, concerti. As a solo instrument, the cello uses its whole range, from bassline, bass to soprano, and in chamber music such as string quartets and the orchestra's string section, it often plays the bass part, where it may be reinforced an octave lower by the double basses. Figure ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maurice Maréchal
Maurice Maréchal (3 October 1892 – 19 April 1964) was a French classical cellist. Maurice Maréchal was born in Dijon at the home of his parents, Jules Jacques Maréchal, an employee for Posts and Telegraphs, and Martha Justine Morier. After studying at the conservatory in his hometown, in 1905 he entered the Paris Conservatory where he studied with Jules-Leopold Loeb and won his first cello award in 1911 at the age of 19. World War I Three years later, France entered World War I, and Maréchal was drafted. He recorded his daily routine from August 1914 to February 1919 in his diaries, and recounted how two carpenter comrades carved him a rudimentary wooden cello from an ammunition box, with which he played for religious services and for officers. While in the service he met other musicians, including Gustave Cloëz, Lucien Durosoir, André Caplet and Henri Lemoine, and formed with them a small ensemble that performed before the officer staff. Maréchal was awarded the C ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
