Luca Di Tommè
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Luca Di Tommè
Luca di Tommè (or Luca Thome) (c. 1330–1389) was an Italian painter active between 1356 and 1389 in Siena. He worked in the style established by earlier Sienese painters Duccio, Simone Martini, Pietro Lorenzetti and Ambrogio Lorenzetti. More than 50 works have been attributed to him. This large output contributed to the long-term survival of the decorative Sienese style well into the 15th century. He worked in 1389 with Bartolo di Fredi and Andrea di Bartolo on a large commission for an altarpiece for one of the cathedral chapels in Siena.Carola Hicks. "Luca di Tommè." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 24 Feb. 2016 He created his images using tempera Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done ... on wood panels, in a manner typical of the ...
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WLA Lacma Luca Di Tomme Madonna And Child
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Siena
Siena ( , ; lat, Sena Iulia) is a city in Tuscany, Italy. It is the capital of the province of Siena. The city is historically linked to commercial and banking activities, having been a major banking center until the 13th and 14th centuries. Siena is also home to the oldest bank in the world, the Monte dei Paschi bank, which has been operating continuously since 1472. Several significant Renaissance painters worked and were born in Siena, among them Duccio, Ambrogio Lorenzetti, Simone Martini and Sassetta, and influenced the course of Italian and European art. The University of Siena, originally called ''Studium Senese'', was founded in 1240, making it one of the oldest universities in continuous operation in the world. Siena was one of the most important cities in medieval Europe, and its historic centre is a UNESCO World Heritage Site. From January until the end of September of 2021 it had about 217,000 arrivals, with the largest numbers of foreign visitors coming ...
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Duccio
Duccio di Buoninsegna ( , ; – ) was an Italian painter active in Siena, Tuscany, in the late 13th and early 14th century. He was hired throughout his life to complete many important works in government and religious buildings around Italy. Duccio is considered one of the greatest Italian painters of the Middle Ages,Duccio
''Encyclopedia Britannica''.
and is credited with creating the painting styles of and the Sienese school. He also contributed significantly to the Sienese .


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Simone Martini
Simone Martini ( – 1344) was an Italian painter born in Siena. He was a major figure in the development of early Italian painting and greatly influenced the development of the International Gothic style. It is thought that Martini was a pupil of Duccio di Buoninsegna, the leading Sienese painter of his time. According to late Renaissance art biographer Giorgio Vasari, Simone was instead a pupil of Giotto di Bondone, with whom he went to Rome to paint at the Old St. Peter's Basilica, Giotto also executing a mosaic there. Martini's brother-in-law was the artist Lippo Memmi. Very little documentation of Simone's life survives, and many attributions are debated by art historians. According to E. H. Gombrich, he was a friend of Petrarch and had painted a portrait of Laura. Biography Simone was doubtlessly apprenticed from an early age, as would have been the normal practice. Among his first documented works is the ''Maestà'' of 1315 in the Palazzo Pubblico in Siena. A copy of the w ...
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Pietro Lorenzetti
Pietro Lorenzetti (; – 1348) or Pietro Laurati was an Italian painter, active between c. 1306 and 1345. Together with his younger brother Ambrogio, he introduced naturalism into Sienese art. In their artistry and experiments with three-dimensional and spatial arrangements, the brothers foreshadowed the art of the Renaissance. Overview Little is known of Lorenzetti's life other than that he was (putatively) born in Siena in the late 13th century (c. 1280/90), died there (possibly) in 1348 a victim of the first Black Death pandemic then devastating Europe, and had a younger brother, Ambrogio, also an artist. That the men were brothers was unknown to Vasari because he misread Pietro's surname on a painting in Pistoia's church of San Francesco as "Laurati". Thus the kinship between the artists was missed. Pietro worked in Assisi, Florence, Pistoia, Cortona, and Siena, although the precise chronology is unknown. His work suggests the influence of Duccio (in whose studio he may ...
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Ambrogio Lorenzetti
Ambrogio Lorenzetti (; – 9 June 1348) or Ambruogio Laurati was an Italian painter of the Sienese school. He was active from approximately 1317 to 1348. He painted ''The Allegory of Good and Bad Government'' in the Sala dei Nove (Salon of Nine or Council Room) in Siena's Palazzo Pubblico. His elder brother was the painter Pietro Lorenzetti. Biography Lorenzetti was highly influenced by both Byzantine art and classical art forms, and used these to create a unique and individualistic style of painting. His work was exceptionally original. Individuality at this time was unusual due to the influence of patronage on art. Because paintings were often commissioned, individualism in art was infrequently seen. It is known that Lorenzetti engaged in artistic pursuits that were thought to have their origins during the Renaissance, such as experimenting with perspective and physiognomy, and studying classical antiquity.Chiara Frugoni, ''Pietro and Ambrogio Lorenzetti'', (Florence: Scala B ...
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Bartolo Di Fredi
Bartolo di Fredi (c. 1330 – 26 January 1410), also called Bartolo Battiloro, was an Italian painter, born in Siena, classified as a member of the Sienese School. Biography He had a large studio and was one of the most influential painters working in Siena and the surrounding towns in the second half of the fourteenth century. He registered in the Guild of that city in 1355; he had several children, who all died before him, with the exception of Andrea di Bartolo. He was the companion of Andrea Vanni from 1353, and helped decorate the Hall of Council at Siena, in 1361. From 1356 he worked in the Collegiata, or principal church, of San Gimignano, some 30 km from Siena, where he painted the entire side of the left aisle with a cycle of frescoes of ''Scenes from the Old Testament''; the completed work was signed and dated in 1367. In 1366 the Council of the city of Gimignano ordered a painting, representing ''Two Monks of the Augustine Order'' to be placed in the Palazzo Pub ...
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Andrea Di Bartolo
Andrea di Bartolo or Andrea di Bartolo Cini (1360/70 – 1428) was an Italian painter, stained glass designer and illuminator of the Sienese School mainly known for his religious subjects. He was active between 1389–1428 in the area in and around Siena.Federico Zeri, with the assistance of Elizabeth E. Gardner, ''Italian Paintings: Sienese and Central Italian Schools''
A Catalogue of the Collection of The Metropolitan Museum of Art, The Metropolitan Museum of Art, 1980, p. 1-2
Colum Hourihane, ''The Grove Encyclopedia of Medieval Art and Architecture, Volume 2'', Oxford University Press USA, 6 Dec 2012, p. 96-98


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Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in combina ...
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14th-century Italian Painters
As a means of recording the passage of time, the 14th century was a century lasting from 1 January 1301 ( MCCCI), to 31 December 1400 ( MCD). It is estimated that the century witnessed the death of more than 45 million lives from political and natural disasters in both Europe and the Mongol Empire. West Africa experienced economic growth and prosperity. In Europe, the Black Death claimed 25 million lives wiping out one third of the European population while the Kingdom of England and the Kingdom of France fought in the protracted Hundred Years' War after the death of Charles IV, King of France led to a claim to the French throne by Edward III, King of England. This period is considered the height of chivalry and marks the beginning of strong separate identities for both England and France as well as the foundation of the Italian Renaissance and Ottoman Empire. In Asia, Tamerlane (Timur), established the Timurid Empire, history's third largest empire to have been ever establish ...
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Italian Male Painters
Italian(s) may refer to: * Anything of, from, or related to the people of Italy over the centuries ** Italians, an ethnic group or simply a citizen of the Italian Republic or Italian Kingdom ** Italian language, a Romance language *** Regional Italian, regional variants of the Italian language ** Languages of Italy, languages and dialects spoken in Italy ** Italian culture, cultural features of Italy ** Italian cuisine, traditional foods ** Folklore of Italy, the folklore and urban legends of Italy ** Mythology of Italy, traditional religion and beliefs Other uses * Italian dressing, a vinaigrette-type salad dressing or marinade * Italian or Italian-A, alternative names for the Ping-Pong virus, an extinct computer virus See also * * * Italia (other) * Italic (other) * Italo (other) * The Italian (other) * Italian people (other) Italian people may refer to: * in terms of ethnicity: all ethnic Italians, in and outside of Italy * ...
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Trecento Painters
The Trecento (, also , ; short for , "1300") refers to the 14th century in Italian cultural history. Period Art Commonly, the Trecento is considered to be the beginning of the Renaissance in art history. Painters of the Trecento included Giotto di Bondone, as well as painters of the Sienese School, which became the most important in Italy during the century, including Duccio di Buoninsegna, Simone Martini, Lippo Memmi, Ambrogio Lorenzetti and his brother Pietro. Important sculptors included two pupils of Giovanni Pisano: Arnolfo di Cambio and Tino di Camaino, and Bonino da Campione. Vernacular writing The Trecento was also famous as a time of heightened literary activity, with writers working in the vernacular instead of Latin. Dante, Petrarch and Boccaccio were the leading writers of the age. Dante produced his famous ''La divina commedia'' (The ''Divine Comedy''), now seen as a summation of the medieval worldview, and Petrarch wrote verse in a lyrical style influenced by ...
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