Luca Cambiaso
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Luca Cambiaso
Luca Cambiaso (also known as Luca Cambiasi and Luca Cangiagio (being ''Cangiaxo'' the surname in Ligurian); 18 November 1527 – 6 September 1585) was an Italian painter and draughtsman and the leading artist in Genoa in the 16th century. He is considered the founder of the Genoese school who established the local tradition of historical fresco painting through his many decorations of Genoese churches and palaces. He produced a number of poetic night scenes. He was a prolific draughtsman who sometimes reduced figures to geometric (even cubic) forms.Lauro Magnani. "Cambiaso, Luca." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 14 Mar. 2016 He was familiarly known as Lucchetto da Genova. Life Cambiaso was born in Moneglia, then part of the Republic of Genoa, the son of a painter named Giovanni Cambiaso. Cambiaso was precocious, and at the age of fifteen he painted, along with his father, some subjects from Ovid's ''Metamorphoses'' on the facade of a house ...
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Luca Cambiaso - Madonna Of The Candle - Google Art Project
The last universal common ancestor (LUCA) is the most recent population from which all organisms now living on Earth share common descent—the most recent common ancestor of all current life on Earth. This includes all cellular organisms; the origins of viruses are unclear but they share the same genetic code. LUCA probably harboured a variety of viruses. The LUCA is not the first life on Earth, but rather the latest form ancestral to all existing life. While there is no specific fossil evidence of the LUCA, the detailed biochemical similarity of all current life confirms its existence. Its characteristics can be inferred from shared features of modern genomes. These genes describe a complex life form with many co-adapted features, including transcription and translation mechanisms to convert information from DNA to RNA to proteins. The LUCA probably lived in the high-temperature water of deep sea vents near ocean-floor magma flows around 4 billion years ago. Historica ...
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Luca Cambiaso - The Visitation - Google Art Project
The last universal common ancestor (LUCA) is the most recent population from which all organisms now living on Earth share common descent—the most recent common ancestor of all current life on Earth. This includes all cellular organisms; the origins of viruses are unclear but they share the same genetic code. LUCA probably harboured a variety of viruses. The LUCA is not the first life on Earth, but rather the latest form ancestral to all existing life. While there is no specific fossil evidence of the LUCA, the detailed biochemical similarity of all current life confirms its existence. Its characteristics can be inferred from shared features of modern genomes. These genes describe a complex life form with many co-adapted features, including transcription and translation mechanisms to convert information from DNA to RNA to proteins. The LUCA probably lived in the high-temperature water of deep sea vents near ocean-floor magma flows around 4 billion years ago. Historica ...
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Antonio Allegri
Antonio Allegri da Correggio (August 1489 – 5 March 1534), usually known as just Correggio (, also , , ), was the foremost painter of the Parma school of the High Italian Renaissance, who was responsible for some of the most vigorous and sensuous works of the sixteenth century. In his use of dynamic composition, illusionistic perspective and dramatic foreshortening, Correggio prefigured the Baroque art of the seventeenth century and the Rococo art of the eighteenth century. He is considered a master of chiaroscuro. Early life Antonio Allegri was born in Correggio, a small town near Reggio Emilia. His date of birth is uncertain (around 1489). His father was a merchant. Otherwise little is known about Correggio's early life or training. It is, however, often assumed that he had his first artistic education from his father's brother, the painter Lorenzo Allegri. In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the ...
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Raphael
Raffaello Sanzio da Urbino, better known as Raphael (; or ; March 28 or April 6, 1483April 6, 1520), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period. His father was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He trained in the workshop of Perugino, and was described as a fully trained "master" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of the pope, to work on the Vatican Palace. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was ...
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Lazzaro Tavarone
Lazzaro Tavarone (1556–1641) was an Italian painter of the late-Renaissance and Mannerist period, active mainly in his native Genoa and in Spain. He was the pupil of the painter Luca Cambiasi. Tavarone accompanied Cambiaso to Spain in 1583, and helped decorate the Escorial for the Spanish King, including the chaotic battle painting of Battle of La Higueruela. He returned to Genoa in 1594, where he became well known both as portrait and history painter. He painted a ''Martyrdom of San Lorenzo'' in the Genoa Cathedral. He also painted frescoes in the Palazzos Saluzzi and Adorni. He painted frescoes on the ''Life of Sant’Ambrogio'' for the Oratorio di Sant'Ambrogio An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is mus .... He also painted scenes from the life of Columbus. References * * ...
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Francesco Spezzini
Francesco, the Italian (and original) version of the personal name "Francis", is the most common given name among males in Italy. Notable persons with that name include: People with the given name Francesco * Francesco I (other), several people * Francesco Barbaro (other), several people * Francesco Bernardi (other), several people *Francesco di Giorgio Martini (1439-1501), Italian architect, engineer and painter * Francesco Berni (1497–1536), Italian writer * Francesco Canova da Milano (1497–1543), Italian lutenist and composer * Francesco Primaticcio (1504–1570), Italian painter, architect, and sculptor * Francesco Albani (1578–1660), Italian painter * Francesco Borromini (1599–1667), Swiss sculptor and architect * Francesco Cavalli (1602–1676), Italian composer * Francesco Maria Grimaldi (1618–1663), Italian mathematician and physicist * Francesco Bianchini (1662–1729), Italian philosopher and scientist * Francesco Galli Bibiena (16 ...
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Giovanni Battista Paggi
Giovanni Battista Paggi (27 February 1554 – 12 March 1627) was an Italian painter, sculptor, and writer. His style spans the Late-Renaissance and early-Baroque. Life He was born in Genoa into the well-to-do family of his father Pellegrino. In an apparent dispute over pay, he is said to have mortally wounded a patron, and was forced to flee Genoa in 1579, and take refuge in Tuscany, in the towns of Aulla sul Magra, then Pisa, and finally to Florence. He joined the ''Accademia e Compagnia delle Arti del Disegno'' in 1568. He shared a studio in Florence with Federico Zuccari. He maintained contact with his native town and returned to Genoa briefly in 1590 as a guest of the Doria family.Mary Newcome, Review of La Pittura in Liguria, artisti del primo seicento (monographs), In: The Burlington Magazine (1987) 12(1014), p. 602 Giovanni Battista Paggi became renowned among fellow artists throughout Europe when in 1590 he won his case against the Genoese Painters' guild and was allo ...
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Bernardo Castello
Bernardo Castello (or Castelli) (1557–1629) was an Italian painter of the late-Mannerist style, active mainly in Genoa and Liguria. He is mainly known as a portrait painter, portrait and historical painter.He needs to be distinguished from Giovanni Battista Castello, (called ''Il bergamasco''), who was an elder friend of and collaborator with Luca Cambiaso. Biography Bernardo Castello was born in , now a quarter of Genoa. He was apprenticed under Andrea Semino and Luca Cambiaso, then travelled throughout Italy, meeting other painters and creating his own particular style. During his career he painted many works and was appreciated by famous poets with whom he had friendships. Amongst these were Gabriello Chiabrera and Torquato Tasso, and Castello was the illustrator for ''Jerusalem Delivered'' by Tasso, published in 1590 (and also for a further edition, published in 1617). Some of these illustrations were engraved by Agostino Carracci. Beside working in Genoa, Castello was emp ...
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Battista Castello
Battista is a given name and surname which means Baptist in Italian. Given named * Battista Agnese (died 1564), cartographer from the Republic of Genoa, who worked in the Venetian Republic * Battista Dossi, also known as Battista de Luteri, Italian painter * Battista Farina (1893-1966), later Battista Pininfarina, Italian automobile designer and the founder of the Carrozzeria Pininfarina. * Battista Sforza (1446-1472), Duchess of Urbino and second wife of Federico da Montefeltro Surnamed * Bobbie Battista (1952-2020), American journalist * Giovanni Battista, multiple people * Miriam Battista (1912-1980), American actress * Orlando Aloysius Battista (1917-1995), Canadian chemist and author. Others * Battista, a Disney character who is Scrooge McDuck's butler. * Pininfarina Battista, the first car from Automobili Pininfarina See also * Baptist (other) * Batista (Portuguese/Spanish surname) * Bautista (Spanish surname) meaning "Baptist" * Baptista (Portuguese ...
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Giulio Benso
Giulio Benso (30 October 1592 – 1668) was a Genovese painter of the early Baroque. He is known as one of the followers of the style of Luca Cambiasi. Benso was born in Pieve di Teco. Initially under the patronage of Giovanni Carl Doria, he met Giulio Cesare Procaccini and was encouraged to study in the Genovese ''Accademia del Nudo''. Afterwards, he was apprenticed to Giovanni Battista Paggi. Apart from his work in Liguria, he decorated the Palazzo Grimaldi in Cagnes-sur-Mer with the ''Fall of Phaeton'' and sent works to the Abbey of Weingarten in Germany. In the 1640s, he completed his masterpiece, a fresco in the presbytery and apse of the church of the Basilica della Santissima Annunziata del Vastato. There are also paintings of his in his hometown of Pieve di Teco as well as in the parish church of Sant'Ambrogio in Alassio. Sources * Venancio Belloni, ''Pittura genovese del Seicento. Dal Manierismo al Barocco'', EMMEBI, Genoa, 1969. * Ezia Gavazza Ezia Gavazza (19 ...
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Simone Barabino
Simone Barabino (c. 1585 – c. 1620 or later) was an Italian painter of the late-Mannerist style. Born in Val de Polcevera, near Genoa, he was mainly active in his native city, where he trained with Bernardo Castello. He later feuded with his master and left for Milan, where after some works, he stopped painting. Notable works include ''San Diego restoring sight to blind child'' for the Nunziata del Guastato The Basilica della Santissima Annunziata del Vastato is the Catholic cathedral of Genoa, northern Italy; its decoration employed the major baroque studios and artists in Genoa in the 17th century. It is named ''Vastato'' because the area where it ... in Genoa and ''Dead Christ with the Virgin and Saints Michael and Andrew'' for the church of San Girolamo at Milan. He died in penury. Lanzi says he quit his profession and turned to merchandise, in which he did not succeed, and that be died in prison. The exact date of his death is not known, but he may have been quite old w ...
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Giovanni Andrea Ansaldo
Giovanni Andrea Ansaldo (1584 – August 18, 1638) was an Italian painter active mainly in Genoa. Life Ansaldo was born in Voltri, now part of the ''comune'' of Genoa, the son of a merchant. He trained under Orazio Cambiasi and possibly collaborated with Bernardo Strozzi. Two of his pupils were Giuseppe Badaracco and Bartolomeo Bassi. One of his descendants was Innocenzo Ansaldo of Pescia (February 12, 1734- February 16, 1816). He died in Genoa and was probably buried in the same Annunziata church. Work Only a few of Ansaldo's works are dated or documented, but most of these paintings listed in the early art historian Raffaello Soprani's 1768 publication about artists in Genoa ''Le vite de' pittori, scultori, ed architetti genovesi'' still survive.M. Newcome. "Ansaldo, Andrea." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 23 Feb. 2016.Raffaello Soprani con note di Carlo Giuseppe Rattivite de' pittori, scultori, ed architetti genovesi'' Tomo I, Stamperia ...
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