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Lover Man (Archie Shepp Album)
''Lover Man'' is an album by saxophonist Archie Shepp's Quartet with vocalist Annette Lowman which was recorded in Holland in 1988 and released on the Timeless label the following year. accessed June 12, 2018 Reception The review by Steve Loewy said: "Shepp has been criticized for his more commercial ventures such as this, but many will enjoy its accessibly light charm. ... There is a touch of a blues and R&B feel that adds to the ambiance. Unlike some of Shepp's other ventures, there are no attempted serious statements made -- only relaxing, good, swinging jazz that lifts the spirits or touches the soul, if only just a bit".[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Archie Shepp
Archie Shepp (born May 24, 1937) is an American jazz saxophonist, educator and playwright who since the 1960s has played a central part in the development of avant-garde jazz. Biography Early life Shepp was born in Fort Lauderdale, Florida, but raised in Philadelphia, Pennsylvania. He studied piano, clarinet and alto saxophone before narrowing his focus to tenor saxophone. He occasionally plays soprano saxophone as well. He studied drama at Goddard College from 1955 to 1959. He played in a Latin jazz band for a short time before joining the band of avant-garde pianist Cecil Taylor. Shepp's first recording under his own name, '' Archie Shepp - Bill Dixon Quartet'', was released on Savoy Records in 1962 and featured a composition by Ornette Coleman. Along with alto saxophonist John Tchicai and trumpeter Don Cherry, he formed the New York Contemporary Five. John Coltrane's admiration for Shepp led to recordings for Impulse! Records, the first of which was ''Four for Trane'' in 1964 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
My Funny Valentine
"My Funny Valentine" is a show tune from the 1937 Richard Rodgers and Lorenz Hart coming of age musical ''Babes in Arms'' in which it was introduced by teenaged star Mitzi Green. The song became a popular jazz standard, appearing on over 1300 albums performed by over 600 artists. One of them was Chet Baker, for whom it became his signature song. In 2015, it was announced that the Gerry Mulligan quartet featuring Chet Baker's version of the song was inducted into the Library of Congress's National Recording Registry for the song's "cultural, artistic and/or historical significance to American society and the nation’s audio legacy". Mulligan also recorded the song with his Concert Jazz Band in 1960. History ''Babes in Arms'' opened at the Shubert Theatre on Broadway, in New York City on April 14, 1937 and ran for 289 performances. In the original play, a character named Billie Smith (played by Mitzi Green) sings the song to Valentine "Val" LaMar (played by Ray Heatherton ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Timeless Records Albums
Timeless (or atemporal) or timelessness (or atemporality) may refer to: * Agelessness, the condition of being unaffected by the passage of time * Akal (Sikh term), timelessness in Sikhism * Eternity, timeless existence or infinite duration * Immortality, everlasting life not limited by time Arts Film and television * ''Timeless'' (film), a 2016 German film * ''Timeless'' (TV series), a 2016–2018 American science fiction series * ''Timeless'' (Philippine TV series) or ''Sana'y Wala Nang Wakas'', a 2003–2004 drama series * ''Barbra Streisand: Timeless'', a 2001 television special by Barbra Streisand * "Timeless" (''The Flash''), a television episode * "Timeless" (''Star Trek: Voyager''), a television episode Literature * ''Timeless'' (Carriger novel), a 2012 novel by Gail Carriger * ''Timeless'' (Cole novel), a 2003 ''Doctor Who'' novel by Stephen Cole * ''Timeless'' (Monir novel), a 2011 novel by Alexandra Monir Music * Timeless (Barbra Streisand), a 2000 concert t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Herman Wright
Herman Wright was a jazz bassist. He was born in Detroit, Michigan in 1932, and, in 1960, moved to New York City, where he resided until his death in 1997. He began on drums as a teen before ultimately settling on upright bass. He worked with Dorothy Ashby, Terry Gibbs, beat poet Allen Ginsberg, Yusef Lateef, George Shearing, Doug Watkins and on one occasion substituted Charles Mingus when the latter wanted to play piano. He can also be heard on Allen Ginsberg's ''Ginsberg Sings Blake.'' He had three sons, Herman Wright Jr. (brass and woodwinds), Paris Wright (drums), and Dewayne Wright (piano). Discography As sideman With Dorothy Ashby *''Hip Harp'' (Prestige, 1958) *'' In a Minor Groove'' (New Jazz, 1958) *''Dorothy Ashby'' (Argo, 1961) *'' Soft Winds'' (Jazzland, 1961) With Chet Baker *'' Smokin' with the Chet Baker Quintet'' (Prestige, 1965) *'' Groovin' with the Chet Baker Quintet'' (Prestige, 1965) *'' Comin' On with the Chet Baker Quintet'' (Prestige, 1965) *'' Cool Burn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dave Burrell
Herman Davis "Dave" Burrell (born September 10, 1940) is an American jazz pianist. He has played with many jazz musicians including Archie Shepp, Pharoah Sanders, Marion Brown and David Murray. Biography Born in Middletown, Ohio, United States, Burrell grew fond of jazz at a young age after meeting Herb Jeffries. Burrell studied music at the University of Hawaii from 1958 to 1960, then, beginning in 1961, attended the Berklee College of Music in Boston, graduating with degrees in composition/arranging and performance in 1965. While in Boston, he played with Tony Williams and Sam Rivers. In 1965, Burrell moved to New York City, where he worked and recorded with Grachan Moncur III, Marion Brown, and Pharoah Sanders. He also started the Untraditional Jazz Improvisational Team with saxophonist Byard Lancaster, bassist Sirone, and drummer Bobby Kapp. In 1968, Burrell co-founded The 360 Degree Music Experience with Grachan Moncur III and Beaver Harris and recorded two albums w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fats Waller
Thomas Wright "Fats" Waller (May 21, 1904 – December 15, 1943) was an American jazz pianist, organist, composer, violinist, singer, and comedic entertainer. His innovations in the Harlem stride style laid much of the basis for modern jazz piano. His best-known compositions, " Ain't Misbehavin'" and " Honeysuckle Rose", were inducted into the Grammy Hall of Fame in 1984 and 1999. Waller copyrighted over 400 songs, many of them co-written with his closest collaborator, Andy Razaf. Razaf described his partner as "the soul of melody... a man who made the piano sing... both big in body and in mind... known for his generosity... a bubbling bundle of joy". It is likely that he composed many more popular songs than he has been credited with: when in financial difficulties he had a habit of selling songs to other writers and performers who claimed them as their own. Waller started playing the piano at the age of six, and became a professional organist at 15. By the age of 18, he was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Squeeze Me
"Squeeze Me" is a 1925 jazz standard composed by Fats Waller. It was based on an old blues song called "The Boy in the Boat". The lyrics were credited to publisher Clarence Williams, although Andy Razaf has claimed to have actually written the lyrics. at ''jazzstandards.com'' - retrieved on 19 May 2009 The song has been recorded by numerous artists, including , , , |
Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger, who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge", "A Flower Is a Lovesome Thing", and " Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family soon moved to the Homewood section of Pittsburgh, Pennsylvania. However, his mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken sprees. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano, and playing records on her Victrola record player. Return to Pittsburgh and meeting Ellington S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lush Life (jazz Song)
"Lush Life" is a jazz standard that was written by Billy Strayhorn from 1933 to 1936. It was performed publicly for the first time by Strayhorn and vocalist Kay Davis with the Duke Ellington Orchestra at Carnegie Hall on November 13, 1948. Background The lyric describes the author's weariness of the night life after a failed romance, wasting time with "jazz and cocktails" at "come-what-may places" and in the company of girls with "sad and sullen gray faces/with ''distingué'' traces". Strayhorn was a teenager when he wrote most of the song, which was to become his signature composition (along with "Take the 'A' Train"). The song was written in the key of D-flat major. The melody is over relatively complex chord changes, compared with many jazz standards, with chromatic movement and modulations that evoke a dreamlike state and the dissolute spirit characteristic of the "lush life." During a 1949 interview, Strayhorn spoke of the song’s genesis: “’Lush Life’ wasn’t the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lorenz Hart
Lorenz Milton Hart (May 2, 1895 – November 22, 1943) was an American lyricist and half of the Broadway songwriting team Rodgers and Hart. Some of his more famous lyrics include " Blue Moon", " The Lady Is a Tramp", "Manhattan", "Bewitched, Bothered and Bewildered", and "My Funny Valentine". Life and career Hart was born in Harlem, New York City, the elder of two sons, to Jewish immigrant parents, Max M. and Frieda (Isenberg) Hart, of German background. Through his mother, he was a great-grandnephew of the German poet Heinrich Heine. His father, a business promoter, sent Hart and his brother to private schools. (His brother, Teddy Hart, also went into theatre and became a musical comedy star. Teddy Hart's wife, Dorothy Hart, wrote a biography of Lorenz Hart.) Hart received his early education from Columbia Grammar School and entered Columbia College in 1913, before switching to Columbia University School of Journalism, where he attended for two years. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Rodgers
Richard Charles Rodgers (June 28, 1902 – December 30, 1979) was an American Musical composition, composer who worked primarily in musical theater. With 43 Broadway musicals and over 900 songs to his credit, Rodgers was one of the most well-known American composers of the 20th century, and his compositions had a significant influence on popular music. Rodgers is known for his songwriting partnerships, first with lyricist Lorenz Hart and then with Oscar Hammerstein II. With Hart he wrote musicals throughout the 1920s and 1930s, including ''Pal Joey (musical), Pal Joey'', ''A Connecticut Yankee (musical), A Connecticut Yankee'', ''On Your Toes'' and ''Babes in Arms.'' With Hammerstein he wrote musicals through the 1940s and 1950s, such as ''Oklahoma!'', ''Flower Drum Song'', ''Carousel (musical), Carousel'', ''South Pacific (musical), South Pacific'', ''The King and I'', and ''The Sound of Music''. His collaborations with Hammerstein, in particular, are celebrated for brin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Harbach
Otto Abels Harbach, born Otto Abels Hauerbach (August 18, 1873 – January 24, 1963) was an American lyricist and librettist of nearly 50 musical comedies and operettas. Harbach collaborated as lyricist or librettist with many of the leading Broadway composers of the early 20th century, including Jerome Kern, Louis Hirsch, Herbert Stothart, Vincent Youmans, George Gershwin, and Sigmund Romberg. Harbach believed that music, lyrics, and story should be closely connected, and, as Oscar Hammerstein II's mentor, he encouraged Hammerstein to write musicals in this manner. Harbach is considered one of the first great Broadway lyricists, and he helped raise the status of the lyricist in an age more concerned with music, spectacle, and stars. Some of his more famous lyrics are "Smoke Gets in Your Eyes", "Indian Love Call" and "Cuddle up a Little Closer, Lovey Mine". Early life and education Otto Abels Hauerbach was born on August 18, 1873, in Salt Lake City, Utah to Danish immigrant parent ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
