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Love The Cause And Cure Of Grief
''Love the Cause and Cure of Grief'' is a 1743 tragedy by the British writer Thomas Cooke. It is a revised version of Cooke's earlier published but unperformed play ''The Mournful Nuptials''.Watson p.541 It premiered at the Theatre Royal, Drury Lane with a cast that included Dennis Delane as Weldon, Henry Giffard as Briar, William Havard as Young Freeman, Richard Winstone as Judge and Anna Marcella Giffard Anna Marcella Giffard (1707-1777) was an Irish stage actress. She was a member of the Lyddal acting family of Dublin, and began appearing herself at the Smock Alley Theatre under the name of Nancy Lyddal in the 1720s. In around 1728 she married ... as Charlotte. References Bibliography * Baines, Paul & Ferarro, Julian & Rogers, Pat. ''The Wiley-Blackwell Encyclopedia of Eighteenth-Century Writers and Writing, 1660-1789''. Wiley-Blackwell, 2011. * Watson, George. ''The New Cambridge Bibliography of English Literature: Volume 2, 1660–1800''. Cambridge University Press, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Cooke (author)
Thomas Cooke (1703 – 29 December 1756), often called "Hesiod" Cooke, was a very active English translator and author who ran afoul of Alexander Pope and was mentioned as one of the "dunces" in Pope's ''Dunciad.'' His father was an innkeeper. He was educated at Felsted. Cooke arrived in London in 1722 and began working as a writer for the Whig causes. He associated with Thomas Tickell, Ambrose Philips, Leonard Welsted, Richard Steele, and John Dennis. Cooke is the source of one of the primary biographies of John Dennis, which he wrote in Latin. Battles with Alexander Pope Cooke did a great deal of first-rate translation from Latin and ancient Greek. His first publication was an elegy on the death of the highly contentious Marlborough in 1722. He followed that with a masque entitled ''Albion'' in 1724. His most famous production was ''The Battle of the Poets'' in 1725. This was a reworking of the trope of '' Le Lutrin'' that had been used by Jonathan Swift in ''The Battle of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Drury Lane
The Theatre Royal, Drury Lane, commonly known as Drury Lane, is a West End theatre and Grade I listed building in Covent Garden, London, England. The building faces Catherine Street (earlier named Bridges or Brydges Street) and backs onto Drury Lane. The building is the most recent in a line of four theatres which were built at the same location, the earliest of which dated back to 1663, making it the oldest theatre site in London still in use. According to the author Peter Thomson, for its first two centuries, Drury Lane could "reasonably have claimed to be London's leading theatre". For most of that time, it was one of a handful of patent theatres, granted monopoly rights to the production of "legitimate" drama in London (meaning spoken plays, rather than opera, dance, concerts, or plays with music). The first theatre on the site was built at the behest of Thomas Killigrew in the early 1660s, when theatres were allowed to reopen during the English Restoration. Initiall ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London
London is the capital and List of urban areas in the United Kingdom, largest city of England and the United Kingdom, with a population of just under 9 million. It stands on the River Thames in south-east England at the head of a estuary down to the North Sea, and has been a major settlement for two millennia. The City of London, its ancient core and financial centre, was founded by the Roman Empire, Romans as ''Londinium'' and retains its medieval boundaries.See also: Independent city#National capitals, Independent city § National capitals The City of Westminster, to the west of the City of London, has for centuries hosted the national Government of the United Kingdom, government and Parliament of the United Kingdom, parliament. Since the 19th century, the name "London" has also referred to the metropolis around this core, historically split between the Counties of England, counties of Middlesex, Essex, Surrey, Kent, and Hertfordshire, which largely comprises Greater London ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a fra ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dennis Delane
Dennis Delane (died April 1750) was an Irish stage actor who appeared for many years at the leading London theatres. Beginnings in Dublin Delane was educated at Trinity College, Dublin and originally intended to become a lawyer.Highfill, Burnim & Langhans p.286 His first appearance as an actor took place about 1728 at the Smock Alley Theatre, Dublin, then under the management of Thomas Elrington. Delane supported successfully a large round of characters in tragedy and comedy, his principal parts being Alexander in Lee's ‘Rival Queens’ and Young Bevil in the ‘ Conscious Lovers’ of Richard Steele. Move to London High terms were offered him by Henry Giffard for London, and he opened at Goodman's Fields in 1730, presumably 24 November, as Chamont in the ‘Orphan.’ His success was conspicuous and immediate. During the four years in which he remained at Goodman's Fields he played in rapid succession Othello, Orestes, Oroonoko, Hotspur, Ghost in ‘Hamlet,’ Richard I ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Giffard
Henry Giffard (1694–1772) was a British stage actor and theatre manager. Early life Although there is some uncertainty about his early years, he is described as being the son of William Giffard. Born in London – in Lincoln's Inn Fields by some accounts – he worked for several years as a clerk for the South Sea Company before turning to acting. Ireland Throughout the 1720s he was a member of the Smock Alley Theatre company in Dublin, Ireland's leading theatre of the era. While there he married the Irish actress Mary Lydall, with whom he had two children. After her death he remarried to a relation of hers, Anna Marcella Lydall, who thereafter acted under the name Mrs Giffard. In 1726 he briefly appeared in at Drury Lane in London, appearing in '' Henry IV'' and ''The Recruiting Officer'', but then did not return to the London stage for three years. Goodman's Fields Theatre In 1729 he appeared at Thomas Odell's Goodman's Fields Theatre appearing in a wide variety of diffe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Havard (actor)
William Havard (1710?–1778), was a British actor and dramatist. Havard appeared at Goodman's Fields Theatre, 1730–1737, and then at the Drury Lane Theatre until retirement in 1769. He generally played secondary parts; depreciated in Rosciad. He also appeared in his own plays, '' King Charles I'' at Lincoln's Inn Fields, 1737; ''Regulus'' Drury Lane, 1744; and ''The Elopement'' Drury Lane, 1763. Selected roles * Montesini in '' The Parricide'' (1736) * Rosebrand in ''The Independent Patriot'' (1737) * Talthybius in ''Agamemnon'' (1738) * Hartly in '' The Coffee House'' (1738) * Achmet in '' Mustapha'' (1739) * Young Freeman in '' Love the Cause and Cure of Grief'' (1743) * Decius in ''Regulus'' (1744) * Young Whimsey in '' The Astrologer'' (1744) * Rodolpho in '' Tancred and Sigismunda'' (1745) * Bellamy in ''The Suspicious Husband'' (1747) * Colonel Raymond in '' The Foundling'' (1748) * Abdalla, An Officer in '' Irene'' (1749) * Arnold in ''Edward the Black Prince'' (1750 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Winstone
Richard Winstone (1699-1787) was a British stage actor of the eighteenth century. In 1732 Winstone joined Henry Giffard's Goodman's Fields Theatre. After this he worked at several London theatres including Lincoln's Inn Fields, Haymarket Theate and Bartholomew Fair. From 1734 to 1753 he was an established part of the Drury Lane company working with David Garrick amongst others, making occasional appearances at other theatres. From 1743 he spent his summers working at the Jacobs Well Theatre in Bristol. After making his final London appearance in May 1753 he settled in Bristol and took an active role in the company there, which eventually gained a new home at the Theatre Royal, Bristol and also performed in Bath. He retired in 1784 and died in the city three years later.Highfill, Burnim & Langhans p.190 Selected roles * Selim in '' Scanderbeg'' (1733) * Silvus in '' Junius Brutus'' (1734) * Paulinus in '' The Christian Hero'' (1735) * Touchwood in ''The Double Dealer'' (1735 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Marcella Giffard
Anna Marcella Giffard (1707-1777) was an Irish stage actress. She was a member of the Lyddal acting family of Dublin, and began appearing herself at the Smock Alley Theatre under the name of Nancy Lyddal in the 1720s. In around 1728 she married the English actor Henry Giffard who had been acting at Smock Alley for some years. He had previously been married to Mary Lyddal, probably Anna Marcella's sister, with whom he had two children including William Giffard. After the marriage she was generally styled Mrs Giffard on playbills. She accompanied her husband to London in 1729 and frequently appeared alongside him over the coming years. She made her British debut at the Goodman's Fields Theatre, and this became a base for the couple after Henry took over management of the company and attempted to turn it into the third major London theatre, despite operation without a patent. The Licensing Act 1737 largely ended this attempt, and in subsequent years they played in many theatres ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1743 Plays
Events January–March * January 1 – The Verendrye brothers, probably Louis-Joseph and François de La Vérendrye, become the first white people to see the Rocky Mountains from the eastern side (the Spanish conquistadors had seen the Rockies from the west side). * January 8 – King Augustus III of Poland, acting in his capacity as Elector of Saxony, signs an agreement with Austria, pledging help in war in return for part of Silesia to be conveyed to Saxony. * January 12 ** The Verendryes, and two members of the Mandan Indian tribe, reach the foot of the mountains, near the site of what is now Helena, Montana. ** An earthquake strikes the Philippines * January 16 –Cardinal André-Hercule de Fleury turns his effects over to King Louis XV of France, 13 days before his death on January 29. * January 23 –With mediation by France, Sweden and Russia begin peace negotiations at Åbo to end the Russo-Swedish War. By August 17, Sweden cede ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tragedy Plays
Tragedy (from the grc-gre, τραγῳδία, ''tragōidia'', ''tragōidia'') is a genre of drama based on human suffering and, mainly, the terrible or sorrowful events that befall a main character. Traditionally, the intention of tragedy is to invoke an accompanying catharsis, or a "pain hatawakens pleasure", for the audience. While many cultures have developed forms that provoke this paradoxical response, the term ''tragedy'' often refers to a specific tradition of drama that has played a unique and important role historically in the self-definition of Western civilization. That tradition has been multiple and discontinuous, yet the term has often been used to invoke a powerful effect of cultural identity and historical continuity—"the Greeks and the Elizabethans, in one cultural form; Hellenes and Christians, in a common activity," as Raymond Williams puts it. From its origins in the theatre of ancient Greece 2500 years ago, from which there survives only a frac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
West End Plays
West or Occident is one of the four cardinal directions or points of the compass. It is the opposite direction from east and is the direction in which the Sun sets on the Earth. Etymology The word "west" is a Germanic word passed into some Romance languages (''ouest'' in French, ''oest'' in Catalan, ''ovest'' in Italian, ''oeste'' in Spanish and Portuguese). As in other languages, the word formation stems from the fact that west is the direction of the setting sun in the evening: 'west' derives from the Indo-European root ''*wes'' reduced from ''*wes-pero'' 'evening, night', cognate with Ancient Greek ἕσπερος hesperos 'evening; evening star; western' and Latin vesper 'evening; west'. Examples of the same formation in other languages include Latin occidens 'west' from occidō 'to go down, to set' and Hebrew מַעֲרָב maarav 'west' from עֶרֶב erev 'evening'. Navigation To go west using a compass for navigation (in a place where magnetic north is the same dir ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
