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Love And Dancing
''Love and Dancing'' is a remix album by English synth-pop band The Human League, released in July 1982 by Virgin Records. Issued under the band name "The League Unlimited Orchestra" as a nod to Barry White's disco-era Love Unlimited Orchestra, the album was principally the idea and work of producer Martin Rushent and contains dub-style, largely instrumental remixes of songs from the band's multi-platinum selling album '' Dare'' (1981), along with a version of the track "Hard Times", which had originally been the B-side of the single "Love Action (I Believe in Love)". Rushent was inspired by hip hop turntablist Grandmaster Flash and created ''Love and Dancing'' on a mixing board. He created vocal effects by cutting up portions of the ''Dare'' tape and manually gluing them together. In total, over 2,600 edits feature on the album. Upon release, ''Love and Dancing'' was able to take advantage of the huge success of ''Dare'' and also work as a stopgap while the Human League worked ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Human League
The Human League are an English synth-pop band formed in Sheffield in 1977. Initially an experimental electronic outfit, the group signed to Virgin Records in 1979 and later attained widespread commercial success with their third album ''Dare'' in 1981 after restructuring their lineup. The album contained four hit singles, including the UK/US number one hit " Don't You Want Me". The band received the Brit Award for Best British Breakthrough Act in 1982. Further hits followed throughout the 1980s and into the 1990s, including " Mirror Man", "(Keep Feeling) Fascination", " The Lebanon", "Human" (a second US No. 1) and "Tell Me When". The only constant band member since 1977 has been lead singer and songwriter Philip Oakey. Keyboard players Martyn Ware and Ian Craig Marsh both left the band in 1980 to form Heaven 17. Under Oakey's leadership, the Human League then evolved into a commercially successful new pop band,Harvel, Jess"Now That's What I Call New Pop!".Pitchfork ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Phonographic Industry
British Phonographic Industry (BPI) is the British recorded music industry's Trade association. It runs the BRIT Awards, the Classic BRIT Awards, National Album Day, is home to the Mercury Prize, and co-owns the Official Charts Company with the Entertainment Retailers Association, and awards UK music sales through the BRIT Certified Awards. Structure Its membership comprises hundreds of music companies including all three "major" record companies in the UK (Warner Music UK, Sony Music UK, & Universal Music UK), and over 450 independent record labels and small to medium-sized music businesses. The BPI council is the management and policy forum of the BPI. It is chaired by the chair of BPI, and includes the chief executive, chief operating officer (COO) and the general counsel. In addition it includes 12 representatives from the recorded music sector, six from major labels, two each from the three major companies, and six from the independent sector, which are selected by votin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I Don't Depend On You
"I Don't Depend on You" is a disco-influenced song by the British synth-pop group the Human League released under the pseudonym ''The Men''. It was released as a single in the UK in July 1979, but failed to chart. It was written by Philip Oakey, Martyn Ware and Ian Craig Marsh; was produced by Colin Thurston and featured guest backing vocalists Katie Kissoon and Lisa Strike (who later worked with Pink Floyd). After hastily signing the Human League in 1978 it became apparent to Virgin Records that the band were not very profitable, with none of their releases under Fast Records making any impact on the charts. Virgin began putting pressure on the group to justify their large advance signing fee. Pressure was put on Ware, Oakey and Marsh to abandon their no traditional instruments rule and use conventional instruments in an attempt to be more commercial and sell more records. Ware reluctantly agreed but insisted that any material recorded this way should be released under a pseudo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louder Than War
''Louder Than War'' is a music and culture website and magazine focusing on mainly alternative arts news, reviews, and features. The site is an editorially independent publication that was started by journalist John Robb in 2010 and is now run by a team of other journalists with a worldwide team of freelancers. There has been a print edition since 2015. The site is built around live reviews, album reviews and interviews. In 2012, ''Louder Than War'' launched a record label to promote and champion lesser known bands and artists. History In its first year, in November 2011, Robb was voted to win the UK Association of Independent Music "Indie Champion" award. Louder Than War created the record label Louder Than War Records in 2014, to act as a platform for bands and artists to reach a wider audience; the first release being Evil Blizzard 'The Dangers Remixes', a 300 copy CD only release without a catalogue number, each being hand numbered; the 8 track releases being a remix of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Pop
Dance-pop is a popular music subgenre that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of dance and pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be producer-driven, despite some notable exceptions. Dance ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scratching (hip Hop)
Scratching, sometimes referred to as scrubbing, is a DJ and turntablist technique of moving a vinyl record back and forth on a turntable to produce percussive or rhythmic sounds. A crossfader on a DJ mixer may be used to fade between two records simultaneously. While scratching is most associated with hip hop music, where it emerged in the mid-1970s, from the 1990s it has been used in some styles of rap rock, rap metal and nu metal. In hip hop culture, scratching is one of the measures of a DJ's skills. DJs compete in scratching competitions at the DMC World DJ Championships and IDA (International DJ Association), formerly known as ITF (International Turntablist Federation). At scratching competitions, DJs can use only scratch-oriented gear (turntables, DJ mixer, digital vinyl systems or vinyl records only). In recorded hip hop songs, scratched "hooks" often use portions of other songs. History Precursors A rudimentary form of turntable manipulation that is related to scrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Oakey
Philip Oakey (born 2 October 1955) is a British singer, songwriter and record producer. He is best known as the lead singer, songwriter, and cofounder of British synth-pop band the Human League. Aside from the Human League, Oakey has enjoyed an extensive solo music career and has collaborated with numerous other artists and producers. Oakey was among the most visually distinctive music artists of the early 1980s. At the height of their success, the Human League released the triple platinum-certified album ''Dare (album), Dare'' and Oakey cowrote and sang the multimillion-selling single "Don't You Want Me," a #1 single in both the U.S. and UK, where it remains the 28th-highest-selling single of all time. Oakey has been lead singer of the Human League for more than 40 years. With the band, he has sold more than 20 million records worldwide. He continues recording and performing internationally. Early life Oakey was born on 2 October 1955 in Hinckley, Leicestershire. His father work ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dj Grandmaster Flash-01-mika
A disc jockey, more commonly abbreviated as DJ, is a person who plays recorded music for an audience. Types of DJs include radio DJs (who host programs on music radio stations), club DJs (who work at a nightclub or music festival), mobile DJs (who are hired to work at public and private events such as weddings, parties, or festivals), and turntablists (who use record players, usually turntables, to manipulate sounds on phonograph records). Originally, the "disc" in "disc jockey" referred to shellac and later vinyl records, but nowadays DJ is used as an all-encompassing term to also describe persons who mix music from other recording media such as cassettes, CDs or digital audio files on a CDJ, controller, or even a laptop. DJs may adopt the title "DJ" in front of their real names, adopted pseudonyms, or stage names. DJs commonly use audio equipment that can play at least two sources of recorded music simultaneously. This enables them to blend tracks together to create tran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Faber & Faber
Faber and Faber Limited, usually abbreviated to Faber, is an independent publishing house in London. Published authors and poets include T. S. Eliot (an early Faber editor and director), W. H. Auden, Margaret Storey, William Golding, Samuel Beckett, Philip Larkin, Ted Hughes, Seamus Heaney, Paul Muldoon, Milan Kundera, and Kazuo Ishiguro. Founded in 1929, in 2006 the company was named the KPMG Publisher of the Year. Faber and Faber Inc., formerly the American branch of the London company, was sold in 1998 to the Holtzbrinck company Farrar, Straus and Giroux (FSG). Faber and Faber ended the partnership with FSG in 2015 and began distributing its books directly in the United States. History Faber and Faber began as a firm in 1929, but originates in the Scientific Press, owned by Sir Maurice and Lady Gwyer. The Scientific Press derived much of its income from the weekly magazine ''The Nursing Mirror.'' The Gwyers' desire to expand into trade publishing led them to Geoffrey Fab ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Simon Reynolds
Simon Reynolds (born 19 June 1963) is an English music journalist and author who began his professional career on the staff of ''Melody Maker'' in the mid-1980s. He has since gone on to freelance and publish a number of full-length books on music and popular culture, ranging from historical tomes on rave music, glam rock, and the post-punk era to critical works such as ''Retromania: Pop Culture's Addiction to Its Own Past'' (2011). He has contributed to '' Spin'', ''Rolling Stone'', ''The New York Times'', ''The Village Voice'', ''The Guardian'', ''The Wire'', ''Pitchfork'', and others. Biography Early life and ''Blissed Out'' (1990) Reynolds was born in London in 1963 and grew up in Berkhamsted. Inspired by his younger brother Tim, he became interested in rock and specifically punk in 1978. In the early 1980s, he attended Brasenose College, Oxford University, which dates back to the 1200s. After graduating, in 1984 he co-founded the Oxford-based pop culture journal ''Monitor'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
KISS-FM (brand)
KISS-FM is the brand name of a Top 40 music format heard on FM radio stations in many cities in the United States and overseas. iHeartMedia claims ownership of the KISS-FM brand in the United States and operates most KISS-FM formatted stations there, though not KISS-FM in San Antonio, Texas, or KISS-FM America on TuneIn. Origin and history In the late 1970s, many US radio stations began calling themselves "Kiss". Among these was KIIS-FM in Los Angeles, which adopted that call sign in 1975 when it became a sister station to KIIS (AM) — whose call sign comes not from the word "Kiss" but rather its dial position at 1150, with the letters "I" and "S" being the letters most closely resembling 1 and 5, respectively. Gannett, which owned the station, filed a federal trademark registration for "KIIS" in 1986, which has passed on to subsequent owners of the station. In 1997, Country Club Communications registered the only current federal trademark for "KISS FM" (which has since also b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electro Funk
Electro (or electro- funk)Rap meets Techno, with a short history of Electro Globaldarkness.com. Retrieved on July 18, 2011. is a of and early hip hop directly influenced by the use of the Roland TR-808 drum machines, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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