Love Unlimited (Love Unlimited Album)
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Love Unlimited (Love Unlimited Album)
''From a Girl's Point of View We Give to You... Love Unlimited'' is the debut studio album of American soul vocal trio Love Unlimited, released in 1972 on Uni/MCA Records. Produced by soul recording artist Barry White, for whom the trio served as a backing group at the time, the album was arranged by White and conductor Gene Page. It was digitally remastered by recording engineer Bill Inglot and reissued on May 10, 1994 by Varèse Vintage. Background Love Unlimited was made up of Diane Taylor and sisters Glodean and Linda James.Hogan, Ed (August 1, 2003)Biography: Love Unlimited Allmusic. Retrieved on 2011-01-20. Glodean originally met recording artist and future husband Barry White through a mutual friend. She was a fan of Viola Wills' single "Lost Without the Love of My Guy", a song co-written and arranged by White. White rehearsed for almost a year with the trio, who had not done any professional singing before, and came up with their stage name, Love Unlimited. White wrote " ...
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Love Unlimited
Love Unlimited was a female vocal trio that provided backing vocals for American singer-songwriter Barry White on his albums and concert tours. They also found success with their own recordings. Career Formed in 1969, the group included Barry White's future wife, Glodean James, her sister, Linda James, and their cousin Diane Taylor (who died of cancer in Pomona, California on November 29, 1985 at age 38). Their first hit was " Walkin' in the Rain with the One I Love" in 1972. It peaked at number 14 on the ''Billboard'' Hot 100, number 7 on the ''Cash Box'' Top 100, and 6 on the Best Selling Soul Singles Chart. It was also successful in the United Kingdom, peaking at number 14 on the UK Singles Chart. It sold over one million copies, and was awarded a gold disc by the RIAA in July 1972. In 1973, when their album titled '' Under the Influence of... Love Unlimited'' peaked at number 3 on the ''Billboard'' Pop Albums chart, Love Unlimited became the first female group to have a ...
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Hot 100
The ''Billboard'' Hot 100 is the music industry standard record chart in the United States for songs, published weekly by '' Billboard'' magazine. Chart rankings are based on sales (physical and digital), radio play, and online streaming in the United States. The weekly tracking period for sales was initially Monday to Sunday when Nielsen started tracking sales in 1991, but was changed to Friday to Thursday in July 2015. This tracking period also applies to compiling online streaming data. Radio airplay, which, unlike sales figures and streaming, is readily available on a real-time basis, is also tracked on a Friday to Thursday cycle effective with the chart dated July 17, 2021 (previously Monday to Sunday and before July 2015, Wednesday to Tuesday). A new chart is compiled and officially released to the public by ''Billboard'' on Tuesdays but post-dated to the following Saturday. The first number-one song of the ''Billboard'' Hot 100 was " Poor Little Fool" by Ricky Ne ...
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1972 Debut Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on an ...
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Discogs
Discogs (short for discographies) is a database of information about audio recordings, including commercial releases, promotional releases, and bootleg or off-label releases. While the site was originally created with a goal of becoming the largest online database of electronic music, the site now includes releases in all genres on all formats. After the database was opened to contributions from the public, rock music began to become the most prevalent genre listed. , Discogs contains over 15.7 million releases, by over 8.3 million artists, across over 1.9 million labels, contributed from over 644,000 contributor user accounts – with these figures constantly growing as users continually add previously unlisted releases to the site over time. The Discogs servers, currently hosted under the domain name discogs.com, are owned by Zink Media, Inc. and located in Portland, Oregon, United States. History The discogs.com domain name was registered in August 2000, and Discogs itself ...
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Gamble And Huff
Kenneth Gamble (born August 11, 1943, Philadelphia, Pennsylvania) and Leon A. Huff (born April 8, 1942, Camden, New Jersey) are an American songwriting and production team credited for developing the Philadelphia soul music genre (also known as Philly sound) of the 1970s. In addition to forming their own label, Philadelphia International Records, Gamble and Huff have written and produced 175 gold and platinum records, earning them an induction into the Rock and Roll Hall of Fame in the non-performer category in March 2008. History Early years Gamble's childhood in Philadelphia shaped his adult life: he recorded himself on various arcade recording machines, assisted the morning show DJs on WDAS, operated a record store, and sang with The Romeos. In 1964, before there was "Gamble & Huff" there was "Gamble & Ross". Gamble was discovered and managed by Jerry Ross when Gamble was only 17 years old and they collaborated for many years. Gamble teamed up with Leon Huff (keyboards) for ...
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Together (The Intruders Song)
"Together" is a 1967 song originally recorded and performed by The Intruders. The song reached number 48 on the U.S. ''Billboard'' Hot 100 and spent nine weeks on the chart. It was their second of 14 chart hits. Tierra remake In 1980, "Together" was a remake by Tierra. Their rendition reached number 18 on the U.S. ''Billboard'' Hot 100. The song spent five months on the chart. It was a number one record on Los Angeles radio. Of note, both the Intruders' and Tierra's versions reached number nine on the U.S. R&B chart. Other versions Tirso Cruz III and Nora Aunor Nora Cabaltera Villamayor (born May 21, 1953), professionally known as Nora Aunor (), is a Filipino actress, recording artist, and film producer. Aunor has also appeared in several stage plays, television shows and concerts. She is known as Ph ... recorded a version of the song in 1971, released on their album '' Dream Come True''.
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Marvin Gaye
Marvin Pentz Gay Jr., who also spelled his surname as Gaye (April 2, 1939 – April 1, 1984), was an American singer and songwriter. He helped to shape the sound of Motown in the 1960s, first as an in-house session player and later as a solo artist with a string of successes, earning him the nicknames "Prince of Motown" and "Prince of Soul". Gaye's Motown songs include "Ain't That Peculiar", "How Sweet It Is (To Be Loved By You)", and "I Heard It Through the Grapevine". Gaye also recorded duets with Mary Wells, Kim Weston, Tammi Terrell, and Diana Ross. During the 1970s, Gaye recorded the albums '' What's Going On'' and ''Let's Get It On'' and became one of the first artists in Motown to break away from the reins of a production company. His later recordings influenced several contemporary R&B subgenres, such as quiet storm and neo soul. "Sexual Healing", released in 1982 on the album ''Midnight Love'', won him his first two Grammy Awards. Gaye's last televised appearances we ...
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If This World Were Mine
"If This World Were Mine" is a 1967 song by soul music duo Marvin Gaye and Tammi Terrell from their album ''United''. Written solely by Gaye, it was one of the few songs they recorded without Ashford & Simpson writing or producing. When it was released as a single in November 1967 as the B-side to the duo's "If I Could Build My Whole World Around You", it hit the ''Billboard'' pop singles chart, peaking at number sixty-eight, and peaked at number twenty-seven on the ''Billboard'' R&B singles chart. Gaye would later put the song into his set list during his last tours in the early-1980s as he performed a medley of his hits with Terrell. The song was covered a year later by Joe Bataan on th1968 Fania Allstars LP ''Live at the Red Garter, Vol. 2'' and in 1969 by Ambrose Slade (pre-Slade) on their album ''Beginnings''. Charts Cover versions Luther Vandross and Cheryl Lynn version Fifteen years after the original recording, Luther Vandross and Cheryl Lynn re-recorded it for her a ...
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Tom Brock (singer)
Tom James Brocker (August 25, 1942 – May 25, 2002), known as Tom Brock, was an American soul singer, born in Austin Texas. Brock worked with Barry White on the 20th Century Records label in the 1970s. He wrote songs for Gloria Scott's 1974 album ''What Am I Gonna Do?'', including "A Case of Too Much Love Makin". That same year he also released his one and only album, ''I Love You More And More'', which included a highly popular title track. The album was produced by White and Gene Page. The song "There's Nothing in This World That Can Stop Me From Loving You" was later sampled by producer Just Blaze for the single " Girls, Girls, Girls" on Jay-Z's album ''The Blueprint'' in 2001. This led to renewed interest in Brock, and in 2003 (a year after Brock died), the album was re-released on CD. The song "I Love You More and More" was later sampled by producer Minnesota for the single "The Panties" on Mos Def/Yasiin Bey's album ''The New Danger'' in 2004. He died of natural causes ...
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Holland–Dozier–Holland
Holland–Dozier–Holland was a songwriting and production team consisting of Lamont Dozier and brothers Brian and Eddie Holland. The trio wrote, arranged and produced many songs that helped define the Motown sound in the 1960s. During their tenure at Motown Records from 1962 to 1967, Dozier and Brian Holland were the composers and producers for each song, and Eddie Holland wrote the lyrics and arranged the vocals. Their most celebrated productions were singles for the Four Tops and the Supremes, including 10 of the Supremes' 12 US No. 1 singles, including "Baby Love", "Stop! In the Name of Love", and "You Keep Me Hangin' On". From 1969 to 1972, due to a legal dispute with Motown, they did not write material under their own names, but instead used the collective pseudonym "Edythe Wayne". When the trio left Motown, they continued to work as a production team (with Eddie Holland being added to the producer credits), and as a songwriting team, until about 1974. The trio ...
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Suite (music)
A suite, in Western classical music and jazz, is an ordered set of instrumental or orchestral/ concert band pieces. It originated in the late 14th century as a pairing of dance tunes and grew in scope to comprise up to five dances, sometimes with a prelude, by the early 17th century. The separate movements were often thematically and tonally linked. The term can also be used to refer to similar forms in other musical traditions, such as the Turkish fasıl and the Arab nuubaat. In the Baroque era, the suite was an important musical form, also known as ''Suite de danses'', ''Ordre'' (the term favored by François Couperin), ''Partita'', or ''Ouverture'' (after the theatrical " overture" which often included a series of dances) as with the orchestral suites of Christoph Graupner, Telemann and J.S. Bach. During the 18th century, the suite fell out of favour as a cyclical form, giving way to the symphony, sonata and concerto. It was revived in the later 19th century, but in a ...
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Music Critic
''The Oxford Companion to Music'' defines music criticism as "the intellectual activity of formulating judgments on the value and degree of excellence of individual works of music, or whole groups or genres". In this sense, it is a branch of musical aesthetics. With the concurrent expansion of interest in music and information media over the past century, the term has come to acquire the conventional meaning of journalistic reporting on musical performances. Nature of music criticism The musicologist Winton Dean has suggested that "music is probably the most difficult of the arts to criticise." Unlike the plastic or literary arts, the 'language' of music does not specifically relate to human sensory experience – Dean's words, "the word 'love' is common coin in life and literature: the note C has nothing to do with breakfast or railway journeys or marital harmony." Like dramatic art, music is recreated at every performance, and criticism may, therefore, be directed both at the ...
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