Love Death And The Lady
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Love Death And The Lady
''Love, Death and the Lady'' is an album by Shirley and Dolly Collins. This is a companion-piece to ''Anthems In Eden'' (1969), but with a darker tone to it. She attributes the 'melancholy' mood of the album to her own personal loneliness at that time. Many of the instrumentalists of ''Anthems In Eden'' are present ('Musica Reservata'), but they contributed sparser accompaniments. The figure of Death appears as a character in the title track. "The Oxford Girl", sung unaccompanied, is about an apparently motiveless murder of a woman by her erstwhile lover. The long instrumental sections which were such a feature of ''Anthems In Eden'', are absent, apart from the start and end of "Plains of Waterloo". The male chorus is present on only one track, "The Bold Fisherman". The thematic unity of the album centres on murder, class conflict and betrayal. "The Outlandish Knight" concerns a serial killer. The album was produced by Austin John Marshall, Shirley's husband at the time. Rejecte ...
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Shirley Collins
Shirley Elizabeth Collins MBE (born 5 July 1935) is an English folk singer who was a significant contributor to the English Folk Revival of the 1960s and 1970s. She often performed and recorded with her sister Dolly, whose accompaniment on piano and portative organ created unique settings for Shirley's plain, austere singing style. Biography Early life Shirley Collins was born in Hastings, East Sussex, England on 5 July 1935. She grew up, with her older sister Dolly, in the area, in a family which kept alive a great love of traditional song. Songs learnt from their grandfather and from their mother's sister, Grace Winborn, were to be important in the sisters' repertoire throughout their career. On leaving school, at the age of 17, Collins enrolled at a teachers' training college in Tooting, south London. In London she also involved herself in the early folk revival, making her first appearance on vinyl on the 1955 compilation ''Folk Song Today''. In 1954, at a party hos ...
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Glenlogie
Glenlogie or Bonnie Jeannie o Bethelnie is Child ballad number 238 (Roud The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud (born 1949), a former librarian in the London ... 101). Synopsis Jeannie, fifteen, sixteen or seventeen depending on which variant is counting, but clearly the “flower o’ them all”, sees Glenlogie (aka John Gordon) at a banquet (inevitable since he has been prancing around town showing off all weekend) and falls in love. He politely declines the offer and rides away to some battlefield. Various attempts to persuade her that he's unsuitable for her, either by offering another match or by pointing out the disparity of their stations, are unavailing. She takes to her bed in distress. Her father's literate chaplain writes a pointed letter to Glenlogie scolding him for causing the young woman's (apparently s ...
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1970 Albums
Year 197 ( CXCVII) was a common year starting on Saturday (link will display the full calendar) of the Julian calendar. At the time, it was known as the Year of the Consulship of Magius and Rufinus (or, less frequently, year 950 ''Ab urbe condita''). The denomination 197 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * February 19 – Battle of Lugdunum: Emperor Septimius Severus defeats the self-proclaimed emperor Clodius Albinus at Lugdunum (modern Lyon). Albinus commits suicide; legionaries sack the town. * Septimius Severus returns to Rome and has about 30 of Albinus's supporters in the Senate executed. After his victory he declares himself the adopted son of the late Marcus Aurelius. * Septimius Severus forms new naval units, manning all the triremes in Italy with heavily armed troops for war in the East. His soldiers embark on ...
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Shirley Collins Albums
Shirley may refer to: Arts and entertainment * ''Shirley'' (novel), an 1849 novel by Charlotte Brontë * ''Shirley'' (1922 film), a British silent film * ''Shirley'' (2020 film), an American film * ''Shirley'' (album), a 1961 album by Shirley Bassey * "Shirley" (song), a 1958 song by John Fred and the Playboys * ''Shirley'' (TV series), a 1979 TV series People *Shirley (name), a given name and a surname *Shirley (Danish singer) (born 1976) *Shirley (Dutch singer) (born 1946), Dutch singer and pianist Places United Kingdom *Shirley, Derbyshire, England * Shirley, New Forest, a location near Bransgore in Hampshire *Shirley, Southampton, a district of Southampton, Hampshire, England *Shirley, London, in Croydon *Shirley, West Midlands, England United States *Shirley, Arkansas *Shirley, Illinois *Shirley, Indiana *Shirley, Maine *Shirley, Massachusetts, a New England town **Shirley (CDP), Massachusetts, the main village in the town *Shirley, Minnesota *Shirley, Missouri *Shirley, Ne ...
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David Munrow
David John Munrow (12 August 194215 May 1976) was a British musician and early music historian. Early life and education Munrow was born in Birmingham where both his parents taught at the University of Birmingham. His mother, Hilda Ivy (née Norman) Munrow (1905-1985), was a dance teacher and his father, Albert Davis "Dave" Munrow (1908-1975), was a lecturer and physical education instructor who wrote a book on the subject. Munrow attended King Edward's School until 1960. He excelled academically and was noted for his treble voice. He was lent a bassoon and returned in about a fortnight, able to play it remarkably well. In 1960, Munrow took a gap year and went to Peru to teach English at Markham College in Lima under the British Council student teacher scheme. He reached Lima by train from São Paulo and later spent some time touring Brazil, Bolivia, Peru and Chile, immersing himself in the traditional music of Latin America and collecting folk instruments. He returned ho ...
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Recorder (musical Instrument)
The recorder is a family of woodwind musical instruments in the group known as ''internal duct flutes'': flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition. Recorders are made in various sizes with names and compasses roughly corresponding to various vocal ranges. The sizes most commonly in use today are the soprano (also known as descant, lowest note C5), alto (also known as treble, lowest note F4), tenor (lowest note C4), and bass (lowest note F3). Recorders were traditionally constructed from wood or ivory. Modern professional instruments are almost invariably of wood, often boxwood; student and scholastic recorders are commonly of molded plastic. The recorders' internal and external proportions vary, but the bore i ...
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Rebec
The rebec (sometimes rebecha, rebeckha, and other spellings, pronounced or ) is a bowed stringed instrument of the Medieval era and the early Renaissance. In its most common form, it has a narrow boat-shaped body and one to five strings. Origins Popular from the 13th to 16th centuries, the introduction of the rebec into Western Europe coincided with the Arabic conquest of the Iberian Peninsula. There is, however, evidence of the existence of bowed instruments in the 9th century in Eastern Europe. The Persian geographer of the 9th century Ibn Khurradadhbih cited the bowed Byzantine lira (or ''lūrā'') as a typical bowed instrument of the Byzantines and equivalent to the pear-shaped Arab '' rebab''. The rebec was adopted as a key instrument in Arab classical music and in Morocco it was used in the tradition of Arabo-Andalusian music, which had been kept alive by descendants of Muslims who left Spain as refugees following the Reconquista. The rebec also became a favorite ins ...
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Violone
The term violone (; literally "large viol" in Italian, " -one" being the augmentative suffix) can refer to several distinct large, bowed musical instruments which belong to either the viol or violin family. The violone is sometimes a fretted instrument, and may have six, five, four, or even only three strings. The violone is also not always a contrabass instrument. In modern parlance, one usually tries to clarify the 'type' of violone by adding a qualifier based on the tuning (such as "G violone" or "D violone") or on geography (such as "Viennese violone"), or by using other terms that have a more precise connotation (such as "bass violin", "violoncello", or "bass viol"). The term violone may be used correctly to describe many different instruments, yet distinguishing among these types can be difficult, especially for those not familiar with the historical instruments of the viol and violin families and their respective variations in tuning. Usage In modern usage, the term mo ...
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Bass Viol
The viol (), viola da gamba (), or informally gamba, is any one of a family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension on the strings can be increased or decreased to adjust the pitch of each of the strings. Frets on the viol are usually made of gut, tied on the fingerboard around the instrument's neck, to enable the performer to stop the strings more cleanly. Frets improve consistency of intonation and lend the stopped notes a tone that better matches the open strings. Viols first appeared in Spain in the mid-to-late 15th century, and were most popular in the Renaissance and Baroque (1600–1750) periods. Early ancestors include the Arabic ''rebab'' and the medieval European vielle,Otterstedt, Annette. ''The Viol: History of an Instrument. ''Kassel: Barenreiter;-Verlag Karl Votterle GmbH & Co; 2002. but later, more direct possible ancestors include the Venetian ''viole'' and the 15th- and 16th-century Spanish ''vihuela' ...
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Sackbut
The term sackbut refers to the early forms of the trombone commonly used during the Renaissance music, Renaissance and Baroque music, Baroque eras. A sackbut has the characteristic telescopic slide of a trombone, used to vary the length of the tube to change Pitch (music), pitch, but is distinct from later trombones by its smaller, more cylindrically-proportioned bore (wind instruments), bore, and its less-flared bell (wind instrument), bell. Unlike the earlier slide trumpet from which it evolved, the sackbut possesses a U-shaped slide with two parallel sliding tubes, rather than just one. Records of the term ''trombone'' predate the term ''sackbut'' by two decades, and evidence for the German term ''Posaune'' is even older.Timeline of trombone history (15th century)
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Copper Family
The Copper Family are a family of singers of traditional, unaccompanied English folk song. Originally from Rottingdean, near Brighton, Sussex, England, the nucleus of the family now live in the neighbouring village of Peacehaven. The family first came to the attention of folklorists in the late nineteenth century and received wider attention during the folk revival of the 1960s. They have a unique style of harmonised a capella singing, which is in stark contrast to the typical style of solo singing found among English folk singers. It is unknown whether this style is a remnant of something that was once popular, or if it is a unique phenomenon. Unlike many traditional singers, the family wrote down their own songs. Their unusual singing style has been passed down through several generations along with their huge repertoire of local songs. History The Copper family has lived in Rottingdean since the sixteenth century, where they have worked as farm bailiffs, publicans, police ...
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The Bold Fisherman
The Bold Fisherman ( Roud 291, Laws O24) is an English folk song popular with traditional singers and widely collected in the early and mid 20th century CE. It has been frequently performed and recorded by contemporary folk singers and groups. Synopsis A young woman on a river bank sees a bold fisherman rowing on the tide. She asks him how he comes to be fishing there, and he replies that he is fishing for her "sweet sake". He moors his boat and takes her by the hand. He takes off his "morning gown" (in broadside versions, her gown) and "gently lays it down" (in the broadsides, he lays her down). She sees he is wearing three gold chains, and begs him to forgive her for calling him a fisherman when "I fear you are some lord". He says she hasn't offended him, and tells her he will take her to his father's house and marry her. She will have "a bold fisherman to row you on the tide". Early versions Broadsides and early printed versions This song was frequently printed by broadside publ ...
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