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Love Can't Turn Around
"Love Can't Turn Around" is a 1986 Chicago house song by Farley Keith Williams a.k.a. Farley "Jackmaster" Funk and Jesse Saunders featuring vocalist Darryl Pandy. It holds an important place in the history of house music as the first record in that genre to cross over from the U.S. clubs to the UK Singles Chart. History "I Can't Turn Around" by Isaac Hayes (1975) The song's origin was " I Can't Turn Around", the lead single from Isaac Hayes' 1975 album ''Chocolate Chip''. This album was notable for being the first on which Hayes moved on from funk to embrace the then-fashionable disco sound. Hayes' original version remained a club favourite for many years and was often played at the Warehouse, the influential Chicago nightclub which was the focus of the house music scene in the early 1980s. "I Can't Turn Around" by Steve "Silk" Hurley (1986) In 1986, Steve "Silk" Hurley, working under the name J.M. Silk, recorded a house version of the song with vocalist Keith Nunnally, which rea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Farley "Jackmaster" Funk
Farley "Jackmaster" Funk (born Farley Keith Williams; January 25, 1962) is an American musician, DJ and record producer of Chicago house and acid house music. He is notable for writing and producing a number of highly influential tracks in the mid and late 1980s. He has released records under various aliases such as "Farley Funkin' Keith", "Rude Boy Farley Keith", "The Housemaster Boyz", "Jackmaster Dick" or "The Godfather of House". Career Farley got his start in the music industry in 1981 as one of the original members of the Hot Mix 5, a DJ team at WBMX-FM 102.7 FM, Oak Park, Illinois (original members of Kenny "Jammin" Jason, Mickey "Mixin" Oliver, Scott "Smokin" Silz, Farley "Funkin" Keith and Ralphi "Rockin" Rosario). He was a guest DJ at the Warehouse nightclub, and was a resident DJ at The Playground, which later became the Candy Store and later La Mirage. In 1985, together with Chip E., he started a record label named House Records whose first release was "Jack ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Steve "Silk" Hurley
Steve W. "Silk" Hurley (born November 9, 1962), also known as J. M. Silk (for "Jack Master Silk"), is an American club DJ, house music producer, and songwriter. From 1985 to 1988, he had four top-10 singles on the US Dance chart, including the number-one hit " I Can't Turn Around", all released in collaboration with Keith Nunnally as J. M. Silk. With " Jack Your Body" (number 25 on the U.S. ''Billboard'' Hot Dance Music/Club Play), he topped the UK Singles Chart in January 1987 as a solo artist, while one of his later compositions, " Work It Out" from 1989, brought him his fifth top-10 record on the US Dance chart (at number three). To date, Hurley's last charting single is " The Word Is Love (Say the Word)", also known as "Silk's Anthem of Life" by The Voices of Life, which peaked at number 26 in 1997 in the UK. Hurley is a four-time Grammy Award nominee; two times as Remixer of the Year, Non-Classical (in 1999 and 2000), and twice for Best Remixed Recording, Non-Classical ( ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
London Records
London Recordings (or London Records and London Music Stream) is a British record label that marketed records in the United States, Canada, and Latin America for Decca Records from 1947 to 1980 before becoming semi-independent. The London name — as London American Recordings, often shortened to London American — was also used by British Decca in the UK market, for releases taken from American labels, which British Decca licensed. The label is owned by Because Music, which also owned most of the post-1980 and post-1998 catalogues. History London arose from the split in ownership between the British and American branches of Decca Records. The American branch of London Records released British Decca records in the U.S., as British Decca could not use the "Decca" name there as well as vice-versa. The label was noted for classical albums made in then state-of-the-art stereophonic sound, and such artists as Georg Solti, Joan Sutherland and Luciano Pavarotti. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Top Of The Pops
''Top of the Pops'' (''TOTP'') is a British music chart television programme, made by the BBC and originally broadcast weekly between 1January 1964 and 30 July 2006. The programme was the world's longest-running weekly music show. For most of its history, it was broadcast on Thursday evenings on BBC One. Each show consisted of performances of some of the week's best-selling popular music records, usually excluding any tracks moving down the chart, including a rundown of that week's singles chart. This was originally the Top 20, though this varied throughout the show's history. The Top 30 was used from 1969, and the Top 40 from 1984. Dusty Springfield's " I Only Want to Be with You" was the first song featured on ''TOTP'', while the Rolling Stones were the first band to perform, with " I Wanna Be Your Man". Snow Patrol were the last act to play live on the weekly show when they performed their single " Chasing Cars". Special editions were broadcast on Christmas Day (and us ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music Video
A music video is a video of variable duration, that integrates a music song or a music album with imagery that is produced for promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. Although the origins of music videos date back to musical short films that first appeared, they again came into prominence when Paramount Global's MTV based its format around the medium. These kinds of videos were described by various terms including " illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip" or simply "video". Music videos use a wide range of styles and contemporary video-making techniques, including animation, live-action, documentary, and non-narrative approaches such as abstract film. Combining these styles and techniques has become more popular due to the variety for the aud ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opera
Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a librettist and incorporates a number of the performing arts, such as acting, scenery, costume, and sometimes dance or ballet. The performance is typically given in an opera house, accompanied by an orchestra or smaller musical ensemble, which since the early 19th century has been led by a conductor. Although musical theatre is closely related to opera, the two are considered to be distinct from one another. Opera is a key part of the Western classical music tradition. Originally understood as an entirely sung piece, in contrast to a play with songs, opera has come to include numerous genres, including some that include spoken dialogue such as '' Singspiel'' and '' Opéra comique''. In traditional number opera, singers employ two st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Broadway Theatre
Broadway theatre,Although ''theater'' is generally the spelling for this common noun in the United States (see American and British English spelling differences), 130 of the 144 extant and extinct Broadway venues use (used) the spelling ''Theatre'' as the proper noun in their names (12 others used neither), with many performers and trade groups for live dramatic presentations also using the spelling ''theatre''. or Broadway, are the theatrical performances presented in the 41 professional theatres, each with 500 or more seats, located in the Theater District and the Lincoln Center along Broadway, in Midtown Manhattan, New York City. Broadway and London's West End together represent the highest commercial level of live theater in the English-speaking world. While the thoroughfare is eponymous with the district and its collection of 41 theaters, and it is also closely identified with Times Square, only three of the theaters are located on Broadway itself (namely the Broadwa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Piano
The piano is a stringed keyboard instrument in which the strings are struck by wooden hammers that are coated with a softer material (modern hammers are covered with dense wool felt; some early pianos used leather). It is played using a keyboard, which is a row of keys (small levers) that the performer presses down or strikes with the fingers and thumbs of both hands to cause the hammers to strike the strings. It was invented in Italy by Bartolomeo Cristofori around the year 1700. Description The word "piano" is a shortened form of ''pianoforte'', the Italian term for the early 1700s versions of the instrument, which in turn derives from ''clavicembalo col piano e forte'' (key cimbalom with quiet and loud)Pollens (1995, 238) and '' fortepiano''. The Italian musical terms ''piano'' and ''forte'' indicate "soft" and "loud" respectively, in this context referring to the variations in volume (i.e., loudness) produced in response to a pianist's touch or pressure on the keys: the gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Refrain
A refrain (from Vulgar Latin ''refringere'', "to repeat", and later from Old French ''refraindre'') is the line or lines that are repeated in music or in poetry — the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle, the virelay, and the sestina. In popular music, the refrain or chorus may contrast with the verse melodically, rhythmically, and harmonically; it may assume a higher level of dynamics and activity, often with added instrumentation. Chorus form, or strophic form, is a sectional and/or additive way of structuring a piece of music based on the repetition of one formal section or block played repeatedly. Usage in history In music, a refrain has two parts: the lyrics of the song, and the melody. Sometimes refrains vary their words slightly when repeated; recognizability is given to the refrain by the fact that it is always sung to the same tune, and the rhymes, if present, are preserved despite the variations of the words. Suc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Radio Edit
In music, a radio edit or radio mix is a modification, typically truncated or censored, intended to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the ''7" version'', as opposed to the '' 12" version'' which are extended versions of a song. Not all "radio edit" tracks are played on radio. Editing for time Radio edits often shorten a long song in order to make it more commercially viable for radio stations. The normal length for songs played on the radio is between 3 and 5 minutes. The amount of cut content differs however, ranging from a few seconds to effectively half of a song being cut. It is common for radio edits to have shortened intros and/or outros. In the intro, any kind of musical buildup is removed, or, if there is no such build-up, an extensive intro is often halved. In the outro, occasionally, the song wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hook (music)
A hook is a musical idea, often a short riff, passage, or phrase, that is used in popular music to make a song appealing and to "catch the ear of the listener". The term generally applies to popular music, especially rock, R&B, hip hop, dance, and pop. In these genres, the hook is often found in, or consists of, the chorus. A hook can be either melodic or rhythmic, and often incorporates the main motif for a piece of music.Davidson, Miriam; Heartwood, Kiya (1996). ''Songwriting for Beginners'', p.7. Alfred Music Publishing. . Definitions One definition of a hook is "a musical or lyrical phrase that stands out and is easily remembered." Definitions typically include some of the following: that a hook is repetitive, attention-grabbing, memorable, easy to dance to, and has commercial potential and lyrics. A hook has been defined as a "part of a song, sometimes the title or key lyric line, that keeps recurring." Alternatively, the term has been defined as and can be somethin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ostinato
In music, an ostinato (; derived from Italian word for ''stubborn'', compare English ''obstinate'') is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's ''Boléro'' and the '' Carol of the Bells'', and popular songs such as Donna Summer and Giorgio Moroder's " I Feel Love" (1977), Henry Mancini's theme from '' Peter Gunn'' (1959), The Who's " Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997). Both ''ostinatos'' and ''ostinati'' are accepted English plural forms, the latter reflecting the word's Italian etymology. The repeating idea may be a rhythmic pattern, part of a tune, or a complete melody in itself. Kamien, Roger (1258). ''Music: An Appreciation'', p. 611. . Strictly speaking, ostinati should have exact repetition, but in common usage, the term covers repetition with variation and development, such as the alteration of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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