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Loutrophoros
A loutrophoros (Ancient Greek: λουτροφόρος; Greek etymology: λουτρόν/loutron and φέρω/pherō, English translation: "bathwater" and "carry") is a distinctive type of Greek pottery vessel characterized by an elongated neck with two handles. The loutrophoros was used to carry water for a bride's pre-nuptial ritual bath, and in funeral rituals, and was placed in the tombs of the unmarried.Richter, p. 57. The loutrophoros itself is a motif for Greek tombstones, either as a relief (for instance, the lekythos on the Stele of Panaetius) or as a stone vessel. There are many in the funeral area at the Kerameikos in Athens, some of which are now preserved in the National Archaeological Museum of Athens. File:Antikensammlung Kiel 367.JPG, Attic black-figure loutrophoros-hydria; late 6th century BC File:Antikensammlung Berlin 431.JPG, Attic black-figure loutrophoros-amphora with a prothesis scene, 510-500 BC File:0927 - Keramikos Museum, Athens - Loutrophoros from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Loutrophoros Louvre CA1960
A loutrophoros ( Ancient Greek: λουτροφόρος; Greek etymology: λουτρόν/loutron and φέρω/pherō, English translation: "bathwater" and "carry") is a distinctive type of Greek pottery vessel characterized by an elongated neck with two handles. The loutrophoros was used to carry water for a bride's pre-nuptial ritual bath, and in funeral rituals, and was placed in the tombs of the unmarried.Richter, p. 57. The loutrophoros itself is a motif for Greek tombstones, either as a relief (for instance, the lekythos on the Stele of Panaetius) or as a stone vessel. There are many in the funeral area at the Kerameikos in Athens, some of which are now preserved in the National Archaeological Museum of Athens. File:Antikensammlung Kiel 367.JPG, Attic black-figure loutrophoros-hydria; late 6th century BC File:Antikensammlung Berlin 431.JPG, Attic black-figure loutrophoros-amphora with a prothesis scene, 510-500 BC File:0927 - Keramikos Museum, Athens - Loutrophoros ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baltimore Painter
The Baltimore Painter was an Apulian vase painter whose works date to the final quarter of the 4th century BC. He is considered the most important Late Apulian vase painter, and the last Apulian painter of importance. His conventional name is derived from a vase kept at the Walters Art Museum in Baltimore. The Baltimore Painter's early work was strongly influenced by the Patera Painter. He mainly painted large format volute '' kraters'', amphorae, '' loutrophoroi'' and '' hydriai''. It is likely that his workshop was at Canosa. He depicted sepulchral scenes (''naiskos'' vases), usually depicting a ''naiskos'' on the front and a grave stele on the back, often characterised by figures in yellow-orange garments), mythological and dionysiac scenes, as well as erotes, weddings and scenes from the life of women. Stylistically, especially in regard to vase shapes and pictorial themes, his work is very similar to that of the Underworld Painter. The Baltimore Painter's work is charact ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Vase Painting
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pottery Of Ancient Greece
Ancient Greek pottery, due to its relative durability, comprises a large part of the archaeological record of ancient Greece, and since there is so much of it (over 100,000 painted vases are recorded in the Corpus vasorum antiquorum), it has exerted a disproportionately large influence on our understanding of Greek society. The shards of pots discarded or buried in the 1st millennium BC are still the best guide available to understand the customary life and mind of the ancient Greeks. There were several vessels produced locally for everyday and kitchen use, yet finer pottery from regions such as Attica was imported by other civilizations throughout the Mediterranean, such as the Etruscans in Italy.John H. Oakley (2012). "Greek Art and Architecture, Classical: Classical Greek Pottery," in Neil Asher Silberman et al. (eds), ''The Oxford Companion to Archaeology, Vol 1: Ache-Hoho'', Second Edition, 641–644. Oxford & New York: Oxford University Press. , p. 641. There were a multit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Packaging And Labelling
Packaging is the science, art and technology of enclosing or protecting products for distribution, storage, sale, and use. Packaging also refers to the process of designing, evaluating, and producing packages. Packaging can be described as a coordinated system of preparing goods for transport, warehousing, logistics, sale, and end use. Packaging contains, protects, preserves, transports, informs, and sells. In many countries it is fully integrated into government, business, institutional, industrial, and personal use. Package labeling (American English) or labelling (British English) is any written, electronic, or graphic communication on the package or on a separate but associated label. History of packaging Ancient era The first packages used the natural materials available at the time: baskets of reeds, wineskins (bota bags), wooden boxes, pottery vases, ceramic amphorae, wooden barrels, woven bags, etc. Processed materials were used to form packages as they were developed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handle (grip)
A handle is a part of, or attachment to, an object that allows it to be grasped and manipulated by hand. The design of each type of handle involves substantial ergonomic issues, even where these are dealt with intuitively or by following tradition. Handles for tools are an important part of their function, enabling the user to exploit the tools to maximum effect. Package handles allow for convenient carrying of packages. General design criteria The three nearly universal requirements of are: # Sufficient strength to support the object, or to otherwise transmit the force involved in the task the handle serves. # Sufficient length to permit the hand or hands gripping it to reliably exert that force. # Sufficiently small circumference to permit the hand or hands to surround it far enough to grip it as solidly as needed to exert that force. Specific needs Other requirements may apply to specific handles: * A sheath or coating on the handle that provides friction against th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Relief
Relief is a sculptural method in which the sculpted pieces are bonded to a solid background of the same material. The term ''relief'' is from the Latin verb ''relevo'', to raise. To create a sculpture in relief is to give the impression that the sculpted material has been raised above the background plane. When a relief is carved into a flat surface of stone (relief sculpture) or wood (relief carving), the field is actually lowered, leaving the unsculpted areas seeming higher. The approach requires a lot of chiselling away of the background, which takes a long time. On the other hand, a relief saves forming the rear of a subject, and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, particularly in stone. In other materials such as metal, clay, plaster stucco, ceramics or papier-mâché the form can be simply added to or raised up from the background. Monumental bronze reliefs a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lekythos
A lekythos (plural lekythoi) is a type of ancient Greek vessel used for storing oil (Greek λήκυθος), especially olive oil. It has a narrow body and one handle attached to the neck of the vessel, and is thus a narrow type of jug, with no pouring lip; the oinochoe is more like a modern jug. In the "shoulder" and "cylindrical" types which became the most common, especially the latter, the sides of the body are usually vertical by the shoulder, and there is then a sharp change of direction as the neck curves in; the base and lip are normally prominent and flared. However, there are a number of varieties, and the word seems to have been used even more widely in ancient times than by modern archeologists. They are normally in pottery, but there are also carved stone examples. Lekythoi were especially associated with funerary rites, and with the white ground technique of vase painting, which was too fragile for most items in regular use. Because of their handle they were norma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stele
A stele ( ),Anglicized plural steles ( ); Greek plural stelai ( ), from Greek , ''stēlē''. The Greek plural is written , ''stēlai'', but this is only rarely encountered in English. or occasionally stela (plural ''stelas'' or ''stelæ''), when derived from Latin, is a stone or wooden slab, generally taller than it is wide, erected in the ancient world as a monument. The surface of the stele often has text, ornamentation, or both. These may be inscribed, carved in relief, or painted. Stelae were created for many reasons. Grave stelae were used for funerary or commemorative purposes. Stelae as slabs of stone would also be used as ancient Greek and Roman government notices or as boundary markers to mark borders or property lines. Stelae were occasionally erected as memorials to battles. For example, along with other memorials, there are more than half-a-dozen steles erected on the battlefield of Waterloo at the locations of notable actions by participants in battle. A traditio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ancient Greek Language
Ancient Greek includes the forms of the Greek language used in ancient Greece and the classical antiquity, ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Greek Dark Ages, Dark Ages (), the Archaic Greece, Archaic period (), and the Classical Greece, Classical period (). Ancient Greek was the language of Homer and of fifth-century Athens, fifth-century Athenian historians, playwrights, and Ancient Greek philosophy, philosophers. It has contributed many words to English vocabulary and has been a standard subject of study in educational institutions of the Western world since the Renaissance. This article primarily contains information about the Homeric Greek, Epic and Classical periods of the language. From the Hellenistic period (), Ancient Greek was followed by Koine Greek, which is regarded as a separate historical stage, although its earliest form closely resembles Attic Greek and its latest form a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kerameikos
Kerameikos (, ) also known by its Latinized form Ceramicus, is an area of Athens, Greece, located to the northwest of the Acropolis, which includes an extensive area both within and outside the ancient city walls, on both sides of the Dipylon Gate and by the banks of the Eridanos River. It was the potters' quarter of the city, from which the English word "ceramic" is derived, and was also the site of an important cemetery and numerous funerary sculptures erected along the Sacred Way, a road from Athens to Eleusis. History and description The area took its name from the city square or dēmos (δῆμος) of the Kerameis (Κεραμεῖς, potters), which in turn derived its name from the word κέραμος (''kéramos'', "pottery clay", from which the English word "ceramic" is derived).Hans Rupprecht Goette, ''Athens, Attica and the Megarid: An Archaeological Guide'', p. 59 The "Inner Kerameikos" was the former "potters' quarter" within the city and "Outer Kerameikos" cove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
_01.JPG "Click for more on -> Relief")
