Louisa Jopling
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Louisa Jopling
Louise Jane Jopling (née Goode, previously Romer and later Rowe) ( Manchester 16 November 1843 – 19 November 1933) was an English painter of the Victorian era, and one of the most prominent female artists of her generation. Early life Louise Jane Goode was born in Manchester, the fifth of the nine children of railway contractor Thomas Smith "T.S." Goode and his wife Frances. She married at seventeen to civil servant Francis "Frank" Romer. The Baroness de Rothschild, a connection of Romer's, encouraged Louise to pursue and develop her art. In the later 1860s, she studied in Paris with Charles Joshua Chaplin and Alfred Stevens, and first exhibited her work at the Salon. She entered works into the Royal Academy shows, 1870–73 (as Louise Romer). After Romer's 1872 death, she married '' Vanity Fair'' artist Joseph Middleton Jopling in 1874, who in 1888 was best man at Whistler's wedding to Beatrix Godwin. Of the children from her first marriage only one son, Percy Romer, ...
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Herbert Rose Barraud
Herbert Rose Barraud (24 August 1845 – 27 November 1896) was a noted portrait photographer who had studios in London and Liverpool. Career Between 1873 and 1880 he had a partnership, ''Barraud & Jerrard'', with George Milner Gibson Jerrard (1848–1918). He produced cabinet photographs of many famous Victorian statesmen, artists, and members of the aristocracy, many of which were published in his two-volume work, ''Men and Women of the Day, 1888-89''. Most of Barraud's images were Woodburytypes, then a newly developed process which lent itself admirably to portraiture, being able to render middle tones accurately. Barraud's studios were at 96 Gloucester Place, Portman Square in 1883, at 263 Oxford Street ("A few doors west of 'The Circus'") between 1883 and 1891, at 73 Piccadilly from 1893 to 1896, and at 126 Piccadilly in 1897. Another studio was located at 92 Bold Street, Liverpool. Personal life Herbert's brother was Francis Barraud, Francis James Barraud (1856–1924 ...
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List Of Women Artists Exhibited At The 1893 World's Columbian Exposition
Women artists competing for awards at the 1893 World's Columbian Exposition submitted their work to juries at appropriate buildings. Women artists were represented in the Palace of Fine Arts, along with their fellow countrymen. Women exhibited painting and sculpture throughout the Fair. The Woman's Building did not have a juried exhibition, but lobbied to have artists of the day submit their work for the "Court of Honor". Women also contributed to the decoration and statuary throughout the Woman's Building. Women artists in the Palace of Fine Arts List of Women artist exhibiting at the Palace of Fine Arts, by country. Austria Belgium Canada Denmark France Germany Great Britain Holland Italy * Maria Martinetti – painting Norway Russia ;D * Maria Lvovna Dillon – sculpture ;K * Sophia Ivanovna Kramskaya – painting ;P * Helena Polienoff – painting ;W * Helena Wrangel (Elena Karlovna Vrangel) – painting Spain ;A * Julia Alca ...
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The Lady’s World
''The Woman's World'' was a Victorian women's magazine published by Cassell between 1886 and 1890, edited by Oscar Wilde between 1887 and 1889, and by Ella Hepworth Dixon from 1888. Foundation In the late nineteenth century, the market for periodicals was growing, and interest from women, who had always been the larger part of the market for fiction, increasing. Cassell and Co. launched a new magazine, ''The Lady's World'' in October 1886, intended to appeal to an aspirant middle-class audience of lady readers. It concentrated on fashion and trends among high society. Impressed by Wilde's journalism on the ''Pall Mall Gazette'', Wemyss Reid, the General Manager of Cassell & Co., wrote to Wilde in April 1887, enclosing several copies of the magazine. Wilde replied interestedly and suggested possible changes to the magazine. In May, he signed a contract for the editorship, to work two mornings a week and be paid a weekly salary of £6. Wilde's editorship Wilde persuaded the publi ...
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Ellen Terry
Dame Alice Ellen Terry, (27 February 184721 July 1928), was a leading English actress of the late 19th and early 20th centuries. Born into a family of actors, Terry began performing as a child, acting in Shakespeare plays in London, and toured throughout the British provinces in her teens. At 16, she married the 46-year-old artist George Frederic Watts, but they separated within a year. She soon returned to the stage but began a relationship with the architect Edward William Godwin and retired from the stage for six years. She resumed acting in 1874 and was immediately acclaimed for her portrayal of roles in Shakespeare and other classics. In 1878 she joined Henry Irving's company as his leading lady, and for more than the next two decades she was considered the leading Shakespearean and comic actress in Britain. Two of her most famous roles were Portia in ''The Merchant of Venice'' and Beatrice in ''Much Ado About Nothing''. She and Irving also toured with great success in ...
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Kate Perugini
Catherine Elizabeth Macready Perugini (''née'' Dickens; 29 October 1839 – 9 May 1929) was an English painter of the Victorian era and the daughter of Catherine Dickens and Charles Dickens. Biography Born Catherine Dickens and nicknamed Kate or Katey, she was Charles Dickens's youngest surviving daughter, and according to her siblings her father's favourite child. Dickens reportedly named her after his friend, the actor William Macready. As a girl, she also bore the nickname "Lucifer Box" for her hot temper. She travelled widely with her family as a child, and performed in her father's elaborate amateur theatrical productions – including the 1857 performance of Wilkie Collins's ''The Frozen Deep'' before Queen Victoria. In 1858, her parents separated and the children remained with their father. The reason for the separation remains unclear, though rumours have focused on the close relationship between Charles Dickens and Ellen Ternan, an actress many years his junior, a ...
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Oscar Wilde
Oscar Fingal O'Flahertie Wills Wilde (16 October 185430 November 1900) was an Irish poet and playwright. After writing in different forms throughout the 1880s, he became one of the most popular playwrights in London in the early 1890s. He is best remembered for his epigrams and plays, his novel ''The Picture of Dorian Gray'', and the circumstances of his criminal conviction for gross indecency for consensual homosexual acts in "one of the first celebrity trials", imprisonment, and early death from meningitis at age 46. Wilde's parents were Anglo-Irish intellectuals in Dublin. A young Wilde learned to speak fluent French and German. At university, Wilde read Literae Humaniores#Greats, Greats; he demonstrated himself to be an exceptional Classics, classicist, first at Trinity College Dublin, then at Magdalen College, Oxford, Oxford. He became associated with the emerging philosophy of aestheticism, led by two of his tutors, Walter Pater and John Ruskin. After university, Wilde m ...
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James McNeill Whistler
James Abbott McNeill Whistler (; July 10, 1834July 17, 1903) was an American painter active during the American Gilded Age and based primarily in the United Kingdom. He eschewed sentimentality and moral allusion in painting and was a leading proponent of the credo "art for art's sake". His signature for his paintings took the shape of a stylized butterfly possessing a long stinger for a tail. The symbol combined both aspects of his personality: his art is marked by a subtle delicacy, while his public persona was combative. He found a parallel between painting and music, and entitled many of his paintings "arrangements", "harmonies", and "nocturnes", emphasizing the primacy of tonal harmony. His most famous painting, ''Arrangement in Grey and Black No. 1'' (1871), commonly known as ''Whistler's Mother'', is a revered and often parodied portrait of motherhood. Whistler influenced the art world and the broader culture of his time with his theories and his friendships with other lea ...
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William Burges
William Burges (; 2 December 1827 – 20 April 1881) was an English architect and designer. Among the greatest of the Victorian art-architects, he sought in his work to escape from both nineteenth-century industrialisation and the Neoclassical architectural style and re-establish the architectural and social values of a utopian medieval England. Burges stands within the tradition of the Gothic Revival, his works echoing those of the Pre-Raphaelites and heralding those of the Arts and Crafts movement. Burges's career was short but illustrious; he won his first major commission for Saint Fin Barre's Cathedral in Cork in 1863 when he was 35. He died in 1881 at his Kensington home, The Tower House aged only 53. His architectural output was small but varied. Working with a long-standing team of craftsmen, he built churches, a cathedral, a warehouse, a university, a school, houses and castles. Burges's most notable works are Cardiff Castle, constructed between 1866 and ...
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Royal Society Of British Artists
The Royal Society of British Artists (RBA) is a British art body established in 1823 as the Society of British Artists, as an alternative to the Royal Academy. History The RBA commenced with twenty-seven members, and took until 1876 to reach fifty. Artists wishing to resign were required to give three months' notice and pay a fine of £100. The RBA's first two exhibitions were held in 1824, with one or two exhibitions held annually thereafter. The RBA currently has 115 elected members who participate in an annual exhibition currently held at the Mall Galleries in London. The Society's previous gallery was a building designed by John Nash in Suffolk Street. Queen Victoria granted the Society the Royal Charter in 1887. It is one of the nine member societies that form the Federation of British Artists which administers the Mall Galleries, next to Trafalgar Square. Its records from 1823 to 1985 are in the Victoria and Albert Museum The Victoria and Albert Museum (often abbre ...
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Lucy Kemp-Welch
Lucy Elizabeth Kemp-Welch (20 June 1869 – 27 November 1958) was a British artist and teacher who specialised in painting horses. Though increasingly overlooked after the Second World War, from the late 1890s to the mid 1920s she was one of the country's best-known female artists. As her obituary in ''The Times'' noted, 'Like most artists who came to maturity and were established before the end of the nineteenth century, Lucy Kemp-Welch suffered somewhat in her later reputation from the violent changes in art which followed. In her prime as an animal painter she held a position in this country comparable to that of Rosa Bonheur in France, and the only British woman artist of her generation who was more talked about was Lady Elizabeth Butler, painter of “The Roll Call.”' Her reputation has since revived, and she is best known today for her large paintings of wild and working horses in the New Forest, and those in military service which she produced during the First World ...
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Royal Society Of Portrait Painters
The Royal Society of Portrait Painters is a charity based at Carlton House Terrace, SW1, London that promotes the practice and appreciation of portraiture. Its Annual Exhibition of portraiture is held at Mall Galleries, and it runs a commissions service to help those wanting a portrait throughout the year. Activities include artist Prizes, Awards, demonstrations, workshops, debates and talks. The Society is a member of the Federation of British Artists. History The Royal Society of Portrait Painters was founded in 1891 by the leading portrait painters of the day. Being dissatisfied with the selection policies of the Royal Academy for its annual exhibition in London, they formed a new body to be concerned solely with portrait painting. The first exhibition of the society was held in 1891. The catalogue of that exhibition shows that its committee then consisted of Archibald Stuart-Wortley (Chairman), Hon. John Collier, Arthur Hacker, G. P. Jacomb-Hood, S.J. Solomon, James ...
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Society Of Women Artists
The Society of Women Artists (SWA) is a British art body dedicated to celebrating and promoting fine art created by women. It was founded as the Society of Female Artists (SFA) in about 1855, offering women artists the opportunity to exhibit and sell their works. Annual exhibitions have been held in London since 1857, with some wartime interruptions. History Particularly during the 19th century, the British art world was dominated by the Royal Academy (RA), founded in 1768. Two of the 34 named founders were women painters: Angelica Kauffman (1741–1807) and Mary Moser (1744–1819). However, it was not until 1922 that other female artists were admitted to the academy. Annie Swynnerton, a member of the Society of Women Artists since 1889, was elected as the first female associate member of the Royal Academy and in 1936, Dame Laura Knight became the first female elected full member of the Royal Academy. A woman's place in society was perceived as passive and governed by emoti ...
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