|
Louis Jordan Discography
Louis Jordan was an American popular music innovator who recorded from the 1930s until the 1970s. During the 1940s, he was the most popular recording artist of the soon-to-be-called rhythm and blues music.Whitburn 1988, p. 584. Jordan had eighteen No. 1 hits, which places him as the third most successful singles artist in ''Billboard'' R&B charts history. Aretha Franklin and Stevie Wonder are tied for first with twenty each. His 1946 recording of "Choo Choo Ch'Boogie" is tied for second place for spending the most weeks (eighteen) at No. 1. Joe Liggins's "The Honeydripper" was also No. 1 for eighteen weeks. Jordan's success was not limited to the R&B market — he also had No. 1 hits on the Billboard Pop and Country charts. The peak of Jordan's popularity occurred when the two-song record single was the typical format, before the emergence of the long-playing record album. As a result, although he recorded prolifically, he had relatively few albums until compilations began ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Jordan
Louis Thomas Jordan (July 8, 1908 – February 4, 1975) was an American saxophonist, multi-instrumentalist, songwriter and bandleader who was popular from the late 1930s to the early 1950s. Known as " the King of the Jukebox", he earned his highest profile towards the end of the swing era. He was inducted into the Rock and Roll Hall of Fame as an "early influence" in 1987. Specializing in the alto sax, Jordan played all forms of the saxophone, as well as piano and clarinet. He also was a talented singer with great comedic flair, and fronted his own band for more than twenty years. He duetted with some of the biggest solo singing stars of his time, including Bing Crosby, Ella Fitzgerald and Louis Armstrong. Jordan was also an actor and a film personality—he appeared in dozens of "soundies" (promotional film clips) He also made numerous cameos in mainstream features and short films, and starred in two musical feature films: Swing Parade of 1946, probably targeting white viewers ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Perry Bradford
Perry Bradford (February 14, 1893, Montgomery, Alabama – April 20, 1970, New York City) was an American composer, songwriter, and vaudeville performer. His most notable songs included "Crazy Blues," "That Thing Called Love," and "You Can't Keep A Good Man Down." He was nicknamed "Mule" because of his stubbornness, and he is credited with finally persuading Okeh Records to work with Mamie Smith leading to her historic blues recording in 1920. Biography Bradford grew up in Atlanta, where his family moved when he was six, and in 1906 started working in minstrel shows. He played in Chicago as a solo pianist as early as 1909 and visited New York City the following year. Through extensive experience with traveling minstrel shows and theatre companies, Bradford obtained exposure to African-American folksongs. Bradford broke down walls of racial prejudice that had kept African-American singers from recording. Prior to Bradford's influence, African-American artists recorded in a styl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Altman
Arthur Altman (1910, in Brooklyn – January 18, 1994, in Lake Worth, Florida) was an American songwriter whose credits include "All or Nothing at All", with lyrics by Jack Lawrence, and the lyrics for "All Alone Am I", "I Will Follow Him "I Will Follow Him" is a popular song that was first recorded in 1961 by Franck Pourcel, as an instrumental titled "Chariot". The song achieved its widest success when it was recorded by American singer Little Peggy March with English lyrics in ...", and "Truly, Truly True". Altman studied violin and began his professional career as a violinist with the CBS Radio Orchestra. His first nationally known song was "Play Fiddle Play", which he wrote in the early 1930s for the orchestra leader Emory Deutsch. Among the 400 songs he wrote, "All or Nothing at All" appears on more than 180 albums recorded by more than 150 artists including Count Basie, John Coltrane, Bing Crosby, Bobby Darin, Ella Fitzgerald, Jimmy Dorsey, Tommy Dorsey, Harry James ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wesley Wilson
Wesley Shellie Wilson (October 1, 1893 – October 10, 1958), often credited as Kid Wilson, was an American blues and jazz singer and songwriter. His stagecraft and performances with his wife and musical partner, Coot Grant, were popular with African American audiences in the 1910s, 1920s and early 1930s. His stage names included Kid Wilson, Jenkins, Socks, and Sox (or Socks) Wilson. His musical excursions included participation in the duo of Pigmeat Pete and Catjuice Charlie. His recordings include the songs "Blue Monday on Sugar Hill" and "Rasslin' till the Wagon Comes". Biography Wilson was born and raised in Jacksonville, Florida. He played the piano and organ, and his wife and musical partner, Coot Grant, played the guitar and sang and danced. The duo was variously billed as Grant and Wilson, Kid and Coot, and Hunter and Jenkins, as they appeared and later record with Fletcher Henderson, Mezz Mezzrow, Sidney Bechet, and Louis Armstrong. Their variety was such that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Will Marion Cook
William Mercer Cook (January 27, 1869 – July 19, 1944), better known as Will Marion Cook, was an American composer, violinist, and choral director.Riis, Thomas (2007–2011)Cook, Will Marion ''Grove Music Online.'' Oxford Music Online. Retrieved 2011-09-16. Cook was a student of Antonín Dvořák. In 1919 he took his New York Syncopated Orchestra (Southern Syncopated Orchestra) to England for a command performance for King George V of the United Kingdom, and tour. Cook is probably best known for his popular songs and landmark Broadway musicals, featuring African-American creators, producers, and casts, such as '' Clorindy, or The Origin of the Cake Walk'' (1898) and ''In Dahomey'' (1903). The latter toured for four years, including in the United Kingdom and United States. Cook served as musical director of the George Walker-Bert Williams Company, working with the comedy partners on ''Clorindy,'' ''In Dahomey,'' and several other musical successes. Early life Will Marion Cook ('' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mabel Robinson Simms
Mable Robinson Simms, (born March 29, 1914, Cape Charles, Virginia, died January 27, 2005, Boston, Massachusetts) was an American jazz pianist and singer, she performed with notable jazz musicians, also as Mabel Robinson, in the 1940–950s, including Louis Jordan, Sammy Price, Skeets Tolbert, Sammy Davis Sr., Roy Haynes Roy Owen Haynes (born March 13, 1925) is an American jazz drummer. He is among the most recorded drummers in jazz. In a career lasting over 80 years, he has played swing, bebop, jazz fusion, avant-garde jazz and is considered a pioneer of jaz ..., Pearl Bailey, The 4 Blackamours, and released another album on her own. She was born in Cape Charles, Virginia, raised in Norfolk and with her family, moved to Boston in 1931. Her voice was signatory for being remarkably capable in both the jazz and blues arenas and she was a talented pianist. This would land her guest singing roles with Sammy Price, Louis Jordan and Skeets Tolbert. Career She began workin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Feyne
Buddy Feyne (born Bernard Feinstein, June 9, 1912 – December 10, 1998) was an American lyricist during the swing era. He wrote the lyrics for "Tuxedo Junction", which went to No. 1 on the ''Billboard'' chart in 1940 when Glenn Miller recorded it, "Jersey Bounce", which was No. 15 on the ''Cash Box'' Hit Parade of 1942., and "Jumpin' with Symphony Sid". Feyne's songs have been recorded by Ella Fitzgerald, Joe Jackson, The Manhattan Transfer, Sarah Vaughan, Joe Williams, Louis Armstrong, Gene Autry, Frankie Avalon, The Andrews Sisters, George Benson, Nat King Cole, and Boz Scaggs. Biography Feyne was born in New York City, the youngest son of immigrants Solomon and Sarah Feinstein. His older brother, Irving, befriended Milton Berle, who advised Bernard that a Jewish name would prevent him from succeeding in the music industry, and summarily changed his name to Buddy Feyne. Feyne was based at the Brill Building in New York, writing songs for Lewis Music Publishers, one of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sammy Price
Samuel Blythe Price (October 6, 1908 – April 14, 1992) was an American jazz, boogie-woogie and jump blues pianist and bandleader. Price's playing is dark, mellow, and relaxed rather than percussive, and he was a specialist at creating the appropriate mood and swing for blues and rhythm and blues recordings. Life and career Price was born in Honey Grove, Texas, United States. Price formally studied the piano with Booker T. Washington's daughter, Portia Marshall Washington (1883–1978). In the mid-1920s, when he was employed in a Dallas music store, Price wrote to Paramount Records recommending Blind Lemon Jefferson to the label. During his early career, he was a singer and dancer in local venues in the Dallas area. Price lived and played jazz in Kansas City, Chicago and Detroit. In 1938 he was hired by Decca Records as a session sideman on piano, assisting singers such as Trixie Smith and Sister Rosetta Tharpe. Price's trio accompanied Rosetta Tharpe and Marie Knight on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
I'm Alabama Bound
"I'm Alabama Bound" is a ragtime melody composed by Robert Hoffman in 1909. Hoffman dedicated it to an M. T. Scarlata. The cover of its first edition, published by Robert Ebberman, New Orleans, 1909, advertises the music as "Also Known As The Alabama Blues" which has led some to suspect it of being one of the first blues songs. However, as written, it is an up-tempo rag (Rag Time Two Step) with no associated lyrics. The song has been recorded numerous times in different styles—both written and in sound recordings—with a number of different sets of lyrics. Two recording artists claimed composing credits for the tune under two different titles and both with differing lyrics: Trixie Smith for "Railroad Blues" (Paramount 12262, 1925) and Ferdinand "Jelly Roll" Morton for "Don't You Leave Me Here" (Bluebird 10450, 1939). In addition, Lead Belly also recorded another well-known version of "I'm Alabama Bound", in 1940. History The earliest lyrics expressing the sentiment ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lil Armstrong
Lillian Hardin Armstrong (née Hardin; February 3, 1898 – August 27, 1971) was an American jazz pianist, composer, arranger, singer, and bandleader. She was the second wife of Louis Armstrong, with whom she collaborated on many recordings in the 1920s. Her compositions include "Struttin' with Some Barbecue", "Don't Jive Me", "Two Deuces", "Knee Drops", "Doin' the Suzie-Q", "Just for a Thrill" (which was a hit when revived by Ray Charles in 1959), "Clip Joint", and " Bad Boy" (a hit for Ringo Starr in 1978). Armstrong was inducted into the Memphis Music Hall of Fame in 2014. Background She was born Lillian Hardin in Memphis, Tennessee, where she grew up in a household with her grandmother, Priscilla Martin, a former slave from near Oxford, Mississippi. Martin had a son and three daughters, one of whom was Dempsey, Lil's mother. Priscilla Martin moved her family to Memphis to escape from her husband, a trek the family made by mule-drawn wagon. Dempsey married Will Harden, and L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Skeets Tolbert
Campbell Aurelius "Skeets" Tolbert (February 14, 1909, Calhoun Falls, South Carolina - November 30, 2000, Houston, Texas) was an American jazz clarinetist, alto saxophonist, vocalist, composer and bandleader. He acquired the nickname "Skeets", which was short for "Mosquito." Tolbert grew up in Lincolntown, North Carolina, and studied at Johnson C. Smith University. Though Tolbert never had a standard to his credit, he composed and arranged a great number of tunes that would become hits for others, notably Nat King Cole. He has 42 tracks over two albums to his credit as well and more that he has credit for in part. Red Richards who played piano and sang with Tolbert's Gentlemen of Swing said of Tolbert that he "could play" and was an original, that he didn't copy Louis Jordan. Of the band he said they were a strong, good sounding band. Of the music he said they were a "nice style band" that could play for dancing. Early career He played in Dave Taylor's "Taylor's Dixieland Orch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don Redman
Donald Matthew Redman (July 29, 1900 – November 30, 1964) was an American jazz musician, music arrangement, arranger, bandleader, and composer. Biography Redman was born in Piedmont, West Virginia, Piedmont, Mineral County, West Virginia, United States. His father was a music teacher, his mother was a singer. Beginning by playing the trumpet at the age of three, Redman joined his first band at the age of six and by the age of 12 was proficient on all wind instruments ranging from trumpet to oboe as well as piano. He studied at Storer College in Harper's Ferry and at the Boston Conservatory, then joined Billy Page's Broadway Syncopaters in New York City. He was the uncle of saxophonist Dewey Redman, and thus great-uncle of saxophonist Joshua Redman and trumpeter Carlos Redman. Career In 1923, Redman joined the Fletcher Henderson orchestra, mostly playing clarinet and saxophones. He began writing arrangements, and Redman did much to formulate the sound that was to become Swing ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
.jpg "Click for more on -> Louis Jordan")
