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Louis Horst
Louis Horst (born January 12, 1884, Kansas City, Missouri – died January 23, 1964, New York City) was a composer, and pianist. He helped to define the principles of modern dance choreographic technique, most notably the matching of choreography to pre-existing musical structure and the use of contemporary music for dance scores. Biography and work Horst was the musical director for the Denishawn company (1916-25) before working as musical director and dance composition teacher for Martha Graham's school and dance company (1926-48). One memorable piece of advice that Horst gave dancers in his lessons in the 1930s, at times delivered in a sarcastic tone: "when in doubt, turn." This is a variant of Ted Shawn's famous line "When in doubt, twirl." The Grateful Dead Almanac adopted it as their motto. lonehombr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kansas City, Missouri
Kansas City (abbreviated KC or KCMO) is the largest city in Missouri by population and area. As of the 2020 census, the city had a population of 508,090 in 2020, making it the 36th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Missouri–Kansas state line and has a population of 2,392,035. Most of the city lies within Jackson County, with portions spilling into Clay, Cass, and Platte counties. Kansas City was founded in the 1830s as a port on the Missouri River at its confluence with the Kansas River coming in from the west. On June 1, 1850, the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued, and the name Kansas City was assigned to distinguish them soon after. Sitting on Missouri's western boundary with Kansas, with Downtown near the confluence of the Kansas and Missouri Rivers, the city encompasses about , making ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Doris Humphrey
Doris Batcheller Humphrey (October 17, 1895 – December 29, 1958) was an American dancer and choreographer of the early twentieth century. Along with her contemporaries Martha Graham and Katherine Dunham, Humphrey was one of the second generation modern dance pioneers who followed their forerunners – including Isadora Duncan, Ruth St. Denis, and Ted Shawn – in exploring the use of breath and developing techniques still taught today. As many of her works were annotated, Humphrey continues to be taught, studied and performed. Early life Humphrey was born in Oak Park, Illinois, but grew up in Chicago, Illinois. She was the daughter of Horace Buckingham Humphrey, a journalist and one-time hotel manager, and Julia Ellen Wells, who had trained as a concert pianist. She was a descendant of pilgrim William Brewster who arrived on the Mayflower in 1620. In Chicago, with the encouragement of her mother, she studied with eminent ballet masters as well as with Mary Woo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Neighborhood Playhouse School Of The Theater
The Neighborhood Playhouse School of the Theatre is a full-time professional conservatory for actors in New York City. First operational from 1915 to 1927, the school re-opened in 1928 and has been active ever since. It is the birthplace of the Meisner technique of acting, named for American actor and acting teacher Sanford Meisner. History The Neighborhood Playhouse had originally been founded as an off-Broadway theatre by philanthropists Alice Lewisohn and Irene Lewisohn in 1915, but closed in 1927. The following year, it re-opened as The Neighborhood Playhouse School of the Theatre with the addition of Rita Wallach Morgenthau. Neighborhood Playhouse joined American Academy of Dramatic Arts and Pasadena Playhouse as the only major professional training schools for the performing arts in the United States. Sanford Meisner joined the faculty in 1935 from the Group Theatre. Meisner used his study of Russian theatre and acting innovator Konstantin Stanislavski's system ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Penitente
''El Penitente'' is a modern dance work by Martha Graham performed to music by Louis Horst. It premiered on August 11, 1940, at the Bennington College Theater, Bennington, Vermont, with costumes by Edythe Gilfond and a set by Arch Lauterer. Isamu Noguchi later redesigned the set and created a new mask. Theme, structure and original cast The ballet’s theme is taken from the Penitente religious traditions of the American Southwest in which believers expiate their sins through extreme penance, including mortification of the flesh. Its structure is derived from the mystery plays of the Middle Ages, in which small groups of traveling performers reenact scenes from the Bible. The original cast members were Graham as the Mary Figures (Virgin, Magdalene and Mater Dolorosa), Merce Cunningham as the Christ Figure and Erick Hawkins as the self-flagellating Penitent. In 1947, Graham relinquished the portrayal of Mary to Pearl Lang, marking the first time a "Graham" role was performed ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frontier (ballet)
''Frontier'' is a solo dance choreographed by Martha Graham to music by Louis Horst. The set was designed by Isamu Noguchi; Graham created the costume. The work began as an ensemble piece, ''Perspectives: Frontier and Marching Song'' also known as ''Frontiers (Perspective No. 1)'' and ''Frontier''. The ballet's ''Marching Song'' portion was set to music by Lehman Engle. The work premiered on April 28, 1935, at the Guild Theatre in New York City. By the end of 1935, Graham was performing ''Frontier'' exclusively as a solo. The piece was the first of her works to explore American identity through an archetypal character. Theme Approximately seven minutes in length, ''Frontier'' is the first of Graham's "American" modern dance works, a group that includes '' American Document'' (1938), ''American Provincials'' (1934), ''Panorama'' (1935), ''El Penitente'' (1940), ''Letter to the World'' (1940), ''Salem Shore'' (1943) and '' Appalachian Spring'' (1944). In its solo form, the piece ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Primitive Mysteries
''Primitive Mysteries'' is a modern dance work choreographed by Martha Graham to music by Louis Horst. Graham also designed the original costumes. The piece premiered on February 2, 1931 at the Craig Theatre in New York City. From the first performance, critics hailed the ballet as a masterpiece and acknowledged Graham's rising role as a major force in American dance. Theme and structure The stark, minimalistic piece is staged for a female soloist, garbed in white, and an ensemble of sixteen female dancers, dressed in blue. The title and theme reference religious rituals as performed by Native Americans of the Southwest U.S. Graham began work on the ballet shortly after she and Horst returned from a trip to New Mexico ) , population_demonym = New Mexican ( es, Neomexicano, Neomejicano, Nuevo Mexicano) , seat = Santa Fe , LargestCity = Albuquerque , LargestMetro = Tiguex , OfficialLang = None , Languages = English, Spanish ( New Mexican), Navajo, Ke ..., her ima ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Anna Sokolow
Anna Sokolow (February 9, 1910, Hartford, Connecticut – March 29, 2000, Manhattan, New York City) was an American dancer and choreographer known for the social justice focus and theatricality of her work, and for her support of the development of Modern Dance in Mexico and in Israel. At the beginning of her career, Sokolow was a principal dancer in the Martha Graham Company (1930-1938) and she soon became an independent choreographer who went on to form multiple dance companies throughout her life beginning with “Dance Unit” in the 1930s and later The Player's Project which launched in 1971 and re-launched in the 1980s. Sokolow choreographed for and set her work on companies around the world, including major companies such as Batsheva Dance Company, Alvin Ailey American Dance Theater, The Jose Limón Dance Company, Joffery Ballet and the Daniel Lewis Dance Company. Her work continues to be performed by the Sokolow Theatre/Dance Ensemble in New York City. Her work is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean Erdman
Jean Erdman (February 20, 1916 – May 4, 2020) was an American dancer and choreographer of modern dance as well as an avant-garde theater director. Biography Early years and background Erdman was born in Honolulu. Erdman's father, John Piney Erdman, a doctor of divinity and missionary from New England, settled in Honolulu as a minister at the non-denominational Protestant Church of the Crossroads where he preached, in both English and Japanese, to a multi-ethnic congregation. Her mother, Marion Dillingham Erdman, was a member of one of the founding industrialist families of Hawaii. Erdman's earliest dance experience was the hula. She attended the Punahou School in Honolulu where she learned, as a form of physical education, Isadora Duncan interpretive dance. Reflecting on her early dance training Erdman said these two influences taught her that dancing is an "expression of something meaningful to the dancer, not a mere series of lively steps." From Hawaii, Erdman went to M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pearl Lang
Pearl Lang (May 29, 1921 – February 24, 2009) was an American dancer, choreographer and teacher renowned as an interpreter and propagator of the choreography style of Martha Graham, and also for her own longtime dance company, the Pearl Lang Dance Theater. She is known for ''Appalachian Spring'' (1944), ''American Masters'' (1985) and ''Driven'' (2001) Career A native of Chicago, Lang began her dance training as a child and studied acting at the Goodman Theatre. Her dance teacher was Frances Allis who taught movement for actors as well as her own modern dance technique which has many similarities to Graham's. Lang studied Allis technique and performed with her company in Chicago. In 1938, at the age of 17, she enrolled in a program for gifted students at the University of Chicago, where she remained until 1941, the year of her move to New York. Born Pearl Lack, she adopted the stage name, "Pearl Lang", she studied with Martha Graham and Louis Horst and joined the Martha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harald Kreutzberg
Harald Kreutzberg (December 11, 1902 – April 25, 1968) was a German dancer and choreographer associated with the Ausdruckstanz movement, a form in which the individual, artistic expression of feelings or emotions is essential. Though largely forgotten by the 21st century, he was the most famous German male dancer of the 20th century. Education and early career Kreutzberg was born in Reichenburg, Austria-Hungary (now Liberec in the northernmost part of Bohemia, Czech Republic). He and his family subsequently lived in Breslau, Leipzig and Dresden, Germany. His father and grandfather worked as circus performers and wild animal act entertainers. His mother encouraged his penchant for play-acting and theatricality. At age 6, he entertained at Dresden's operetta house. He attended the Academy of Applied Art in Dresden; he was reportedly an excellent draftsman. From an early age, Kreutzberg was also interested in costuming and style. During the years of hyperinflation in the Weimer R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolph Bolm
Adolph Rudolphovich Bolm (russian: Адольф Рудольфович Больм; September 25, 1884 – April 16, 1951) was a Russian-born American ballet dancer and choreographer, of German descent. Biography Bolm graduated from the Russian Imperial Ballet School in Saint Petersburg in 1904 (the teacher was Platon Karsavin), and that same year he became a dancer with Mariinsky Ballet. In 1908 and 1909 he ran a European tour with Anna Pavlova. He then collaborated with Diaghilev's Ballets Russes in Paris, along with several other dancers from Mariinsky. In 1917, during the second part of a two-part American tour by the ''Ballets Russes'' (without Diaghilev, but with Nijinsky), Bolm was injured during the ballet '' Thamar''. The injury was serious, and he was taken to the hospital for a long time and left the tour to stay in the United States. In 1917 he also provided instruction to the young ballerina Ruth Page. He went on to organize Ballet Intime in New York and ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michio Ito
Michio (written: 道夫, 道雄, 道郎, 通夫 or 三知男) is a masculine Japanese given name. Notable people with the name include: *, Japanese shogi player *, Japanese dancer and choreographer *Michio Kaku (born 1947), American theoretical physicist, futurist and writer *, Japanese Nordic combined skier *, Japanese classical composer and conductor *Michio Mamiya, Japanese composer, pianist, harpsichordist, and conductor of baroque and classical music *, Japanese musician *, Japanese economist and emeritus professor of LSE *, Japanese businessman, inventor and founder of the Suzuki Motor Corporation *, Japanese mathematician *, Japanese shogi player Fictional characters *Michio Suzuki, a main character from manga Ultra B *Michio Yuki, the antagonist of manga series '' MW'' See also *Mishio (other) Mishio is a Japanese name (meaning salt) which may refer to: *Mishiodono (jinja & no mamori no kami), Mishiohama, Mishio kumiiresho, & Mishio yakisho, parts of the Ise Gran ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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