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Louis Gaulard Dumesny
Dumesnil (also known as Louis Gaulard Dumesny) ( fl. 1677–1700, died 1702) was a French operatic tenor. His surname is sometimes found spelt Duménil, Dumény, du Mény, or Du Mesny. Little is known about Dumesnil's early life, legend has it that he was working as a cook when Jean-Baptiste Lully heard him singing and was impressed by his natural and well focused voice, his vocal range was then known as haute-contre. He made his stage debut in 1677,In fact, Dumesny (spelt Du Mesnil) is already cited as a member of the chorus performing the Hours of the Day, in the 1676 libretto of Lully's '' Atys'' (accessible for free online aGallica - B.N.F.. singing a small part in ''Isis'', and then went on creating all roles within his range in a series of operas by Lully. After Lully's death he created several other roles in operas by different composers, notably Pascal Collasse, Marc-Antoine Charpentier, André Campra, and André Cardinal Destouches. An excellent actor with a powerf ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Floruit
''Floruit'' (; abbreviated fl. or occasionally flor.; from Latin for "they flourished") denotes a date or period during which a person was known to have been alive or active. In English, the unabbreviated word may also be used as a noun indicating the time when someone flourished. Etymology and use la, flōruit is the third-person singular perfect active indicative of the Latin verb ', ' "to bloom, flower, or flourish", from the noun ', ', "flower". Broadly, the term is employed in reference to the peak of activity for a person or movement. More specifically, it often is used in genealogy and historical writing when a person's birth or death dates are unknown, but some other evidence exists that indicates when they were alive. For example, if there are wills attested by John Jones in 1204, and 1229, and a record of his marriage in 1197, a record concerning him might be written as "John Jones (fl. 1197–1229)". The term is often used in art history when dating the career ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amadis (Lully)
''Amadis'' or ''Amadis de Gaule'' (Amadis of Gaul) is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully to a libretto by Philippe Quinault based on Nicolas Herberay des Essarts' adaptation of Garci Rodríguez de Montalvo's '' Amadis de Gaula''. It was premiered by the Paris Opera at the Théâtre du Palais-Royal sometime from January 15 to 18, 1684. There was a later production at Versailles without scenery or machines in 1685.Rosow 1992, pp. 103–104. Performance history ''Amadis'' was the first ''tragédie en musique'' to be based on chivalric rather than mythological themes; Lully's last three completed operas followed in this course. Louis XIV of France chose the theme. In the dance troupe the principal male dancers were Pierre Beauchamp, Louis-Guillaume Pécour and Lestang, and the principal female dancers were La Fontaine, Carré and Pesan. There were eight revivals of the opera in Paris between 1687 and 1771. Between 1687 and 1729 it was pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1702 Deaths
Seventeen or 17 may refer to: *17 (number), the natural number following 16 and preceding 18 * one of the years 17 BC, AD 17, 1917, 2017 Literature Magazines * ''Seventeen'' (American magazine), an American magazine * ''Seventeen'' (Japanese magazine), a Japanese magazine Novels * ''Seventeen'' (Tarkington novel), a 1916 novel by Booth Tarkington *''Seventeen'' (''Sebuntiin''), a 1961 novel by Kenzaburō Ōe * ''Seventeen'' (Serafin novel), a 2004 novel by Shan Serafin Stage and screen Film * ''Seventeen'' (1916 film), an American silent comedy film *''Number Seventeen'', a 1932 film directed by Alfred Hitchcock * ''Seventeen'' (1940 film), an American comedy film *''Eric Soya's '17''' (Danish: ''Sytten''), a 1965 Danish comedy film * ''Seventeen'' (1985 film), a documentary film * ''17 Again'' (film), a 2009 film whose working title was ''17'' * ''Seventeen'' (2019 film), a Spanish drama film Television * ''Seventeen'' (TV drama), a 1994 UK dramatic short starring Christ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Operatic Tenors
French (french: français(e), link=no) may refer to: * Something of, from, or related to France ** French language, which originated in France, and its various dialects and accents ** French people, a nation and ethnic group identified with France ** French cuisine, cooking traditions and practices Fortnite French places Arts and media * The French (band), a British rock band * "French" (episode), a live-action episode of ''The Super Mario Bros. Super Show!'' * ''Française'' (film), 2008 * French Stewart (born 1964), American actor Other uses * French (surname), a surname (including a list of people with the name) * French (tunic), a particular type of military jacket or tunic used in the Russian Empire and Soviet Union * French's, an American brand of mustard condiment * French catheter scale, a unit of measurement of diameter * French Defence, a chess opening * French kiss, a type of kiss involving the tongue See also * France (other) * Franch, a surname * Fren ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vénus Et Adonis
''Vénus et Adonis'' is an opera (''tragédie en musique'') in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's ''Metamorphoses'', it was first performed by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 28 July 1697 with Marie Le Rochois and Louis Gaulard Dumesny in the title roles. Desmarets staged a major revival of the work with a new prologue at the court of Leopold, Duke of Lorraine in 1707. During the composer's lifetime, it was performed in Germany, Belgium, and France, but then fell into obscurity. Its first staging in modern times took place at the Opéra de Nancy on 28 April 2006. Background and performance history ''Vénus et Adonis'' was Desmarets' eighth stage work and his third to be premiered at the Académie Royale de Musique. Between 1695 and 1697, Desmarets was working simultaneously on ''Vénus et Adonis'', ''Les festes galante ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Issé (opera)
''Issé'' is an operatic ''pastorale héroïque'' by the French composer André Cardinal Destouches. Initially it was in three acts. The definitive revised version consists of a prologue and five acts. The libretto was by Antoine Houdar de la Motte.Wood 1992. Although Destouches was only 25 at the time of its premiere, it is considered his best score.Pitou, vol. 1, pp. 241–242. Performance history ''Issé'' was first performed in a concert version without a prologue in the Salle de la Belle-Cheminée at the Palace of Fontainebleau on 7 October 1697. At the request of Louis XIV, a prologue was added for the official premiere, a concert performance on 17 December at the Trianon (Versailles) for the festivities surrounding the marriage of Princess Marie Adélaïde of Savoy to Louis' grandson, the Duke of Burgundy, to whom ''Issé'' was dedicated.Jean-Claude Brenac''Issé''/ref> Louis XIV was so pleased with the work after its performance at the Trianon, that he gave Destouches a p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
L'Europe Galante
''L'Europe galante'' (''Galant Europe'') is an opéra-ballet in a prologue and four entrées by André Campra to a French libretto by Antoine Houdar de la Motte. The opera is regarded as the first opéra-ballet, with the entrées sharing a common theme – in this case 'love' in four countries, France (entrée 1), Spain (entrée 2), Italy (entrée 3) and Turkey (entrée 4) – rather than a common narrative. Performance history ''L'Europe Galante'' was first performed on 24 October 1697 by the Paris Opéra under Marin Marais in the Salle du Palais-Royal in Paris. It was successful and was revived periodically until 1775. In 1997 – on the 300th anniversary of its creation – Istanbul Baroque led by Leyla Pınar staged ''L'Europe Galante'' in Istanbul Dolmabahçe Palace. They then toured it to the Brussels Printemps baroque du Sablon festival the same year. Roles Sources Further reading *Anthony, James R. (1992), "Europe galante, L" in ''The New Grove Dictionary of Opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Médée (Charpentier)
''Médée'' is a '' tragédie mise en musique'' in five acts and a prologue by Marc-Antoine Charpentier to a French libretto by Thomas Corneille. It was premiered at the Théâtre du Palais-Royal in Paris on December 4, 1693. ''Médée'' is the only opera Charpentier wrote for the Académie Royale de Musique. The opera was well reviewed by contemporary critics and commentators, including Sébastien de Brossard and Évrard Titon du Tillet, as well as Louis XIV whose brother attended several performances, as did his son; however, the opera only ran until March 15, 1694, although it was later revived at Lille.Powell Roles Synopsis Prologue A celebration of the glory of King Louis XIV. Act 1 Jason and Médée (Medea), pursued by the people of Thessaly because of Médée's crimes, have sought refuge in Corinth. Médée is worried that Jason is growing distant from her. Jason claims he needs to win the good graces of the princess Créuse so her doting father, King Créon, will pr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Desmarets
Henri Desmarets (February 1661 – 7 September 1741) was a French composer of the Baroque period primarily known for his stage works, although he also composed sacred music as well as secular cantatas, songs and instrumental works. Biography Early years and first successes Henri Desmarets was born into a modest Paris household in February 1661. His mother, Madeleine ''née'' Frottier, came from a bourgeois Parisian family. His father, Hugues Desmarets was a huissier in the cavalry at the Grand Châtelet. Desmarets' childhood was marked by his father's death when he was eight years old, his mother's subsequent remarriage in 1670, and the death of his two siblings. In 1674, he entered into the service of King Louis XIV as a page and choir singer in the Chapelle Royale (Chapel Royal). According to Duron and Ferraton, he may have also previously sung as a choir boy in Saint-Germain l'Auxerrois which was the parish church of the kings of France. While in the service of the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Didon (Desmarets)
''Didon'' is a tragédie en musique or opera in a prologue and five acts by librettist, Louise-Geneviève Gillot de Saintonge, and composer Henri Desmarets. The opera was heavily influenced by Jean-Baptiste Lully's '' Armide'' and the music of both Marc-Antoine Charpentier and Henri Dumont. Performance history ''Didon'' was premiered successfully by the Académie Royale de Musique at the Théâtre du Palais-Royal in Paris on 5 June 1693. The work was reprised on the following 11 September in the presence of Louis, Grand Dauphin, and revived again on the Paris stage in 1704 and 1705. On 10 July 1999 the first modern revival of the opera was mounted at the Festival de Beaune by Les Talens Lyriques with conductor and harpsichordist Christophe Rousset. They presented the opera later that year at the Arsenal de Metz and the L'Opéra of the Palace of Versailles. The performance from Versailles on 9 October 1999 was broadcast live on France Musique France Musique is a French nationa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Achille Et Polyxène
''Achille et Polyxène'' (''Achilles and Polyxena'') is a tragédie lyrique containing a prologue and five acts based on Virgil's ''Aeneid'' with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by Jean-Baptiste Lully, who died from a conducting injury before he could complete the score. The prologue and the remaining acts are the work of his pupil Pascal Collasse who finished the work, eight months after Lully's death on 22 March 1687. Acts 1 and 4 of the ballet was created by Louis Lestang, and the ballet to the prologue and acts 2 and 3 were by Louis-Guillaume Pécour. The opera was first performed on 7 November 1687, by the Paris Opera at the Théâtre du Palais-Royal in Paris. Analysis of the libretto and music The libretto for this opera differs from those of Lully's earlier works with Philippe Quinault. Typically, Lully would begin his operas with a lively prologue, but this work has a somber prologue in which the Muses lamen ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acis Et Galatée
''Acis et Galatée'' (''Acis and Galatea'') is an opera by Jean-Baptiste Lully. Unlike most of his operas, which are designated '' tragédies en musique'', Lully called this work a '' pastorale-héroïque'', because it was on a pastoral theme and had only three acts (plus a prologue) compared to the usual five. Otherwise, there is little musically or dramatically to distinguish it from Lully's ''tragédies''. The opera was commissioned by Louis Joseph, duc de Vendôme in honor of Louis, ''le Grand Dauphin''. Lully did not work with his usual librettist Philippe Quinault, although the two men collaborated on '' Armide'', which premiered the same year as ''Acis et Galatée''. The duke considered giving the commission to Racine, but it went instead to his protege Jean Galbert de Campistron. The libretto is based on the story in Ovid's ''Metamorphoses''. The same story was also to inspire a dramatic work by Handel, '' Acis and Galatea''. Performance history The opera was premie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
