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Louis Delaquerrière
Louis-Achille Delaquerrière, who was born in Les Loges, France 24 February 1856Oursel, N-N. ''Nouvelle Biographie Normande.'' Alphonse Picard, Paris, 1888, p53. and died in Paris 11 September 1937, was a French opera singer, and later a voice pedagogue, active in France. Life and career As a child he was a pupil in the choir of Rouen Cathedral. Although rejected as a student at the Paris Conservatoire, Louis became a pupil of Louise de Miramont-Tréogate (whom he subsequently married), and later served on the Paris Conservatoire's Admissions jury panel (1910) and its Concours jury for 1929 and 1933. He attended l'École Niedermeyer (piano, organ, composition) and was also coached by Jean-Baptiste Faure with whom Louise herself had studied. Louis made his debut at the Opéra-Comique as Daniel in '' Le chalet'' on 16 March 1881.Martin J. ''Nos artistes des théâtres et concerts.'' Paul Ollendorff, Paris, 1895. At La Monnaie in Brussels, Delaquerrière sang Wagner in '' Méphis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Delaquerrière En Almaviva 1887 , names sometimes translated to English as "Louis"
{{disambiguation ...
Louis may refer to: * Louis (coin) * Louis (given name), origin and several individuals with this name * Louis (surname) * Louis (singer), Serbian singer * HMS ''Louis'', two ships of the Royal Navy See also Derived or associated terms * Lewis (other) * Louie (other) * Luis (other) * Louise (other) * Louisville (other) * Louis Cruise Lines * Louis dressing, for salad * Louis Quinze, design style Associated names * * Chlodwig, the origin of the name Ludwig, which is translated to English as "Louis" * Ladislav and László - names sometimes erroneously associated with "Louis" * Ludovic, Ludwig, Ludwick, Ludwik Ludwik () is a Polish given name. Notable people with the name include: * Ludwik Czyżewski, Polish WWII general * Ludwik Fleck (1896–1961), Polish medical doctor and biologist * Ludwik Gintel (1899–1973), Polish-Israeli Olympic soccer player ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gabriel Soulacroix
Gabriel-Valentin Soulacroix (11 December 1853, in Fumel – 16 August 1905, in Paris) was a French operatic baritone. He studied at Toulouse, where he won four first prizes, and then in Paris.Steane J. Gabriel Soulacroix. In: ''The New Grove Dictionary of Opera.'' Macmillan, London and New York, 1997. Career Making his debut in ''Mireille'' on 5 September 1878, Soulacroix appeared regularly at La Monnaie, Brussels, including in some local operatic premieres. His repertoire in Brussels included ''Le timbre d'argent'' by Camille Saint-Saëns (10 February 1879, playing the doctor), ''L'orage'', an opéra-comique by Jean Urich (2 May 1879, Julien), ''The magic flute'' in French, (January to April 1880, Papageno), ''La Bernoise'', an opéra comique by Emile Mathieu (1 April 1880, André), ''Le capitaine Raymond'', an opéra comique by Jean-Baptiste Colyns (8 April 1881, Le comte de Guitaut), '' Jean de Nivelle'' by Léo Delibes (28 November 1882, Le comte de Charolais), ''Le panache b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Annales Du Théâtre Et De La Musique
''Les Annales du Théâtre et de la Musique'' ("The Annals of Theatre and Music") was an annual French periodical which covered French dramatic and lyric theatre for 42 years, from 1875 to 1916. The volumes also covered concert series and necrology. It was co-edited by Édouard Noël (1848–1926) and Edmond Stoullig (1845–1918) and was published in Paris by Charpentier from 1876 to 1895 and Berger-Levrault in 1896. Beginning in 1897 it was published annually by Paul Ollendorff (with Stoullig as the sole editor) up to 1914 with the penultimate volume published in 1916 (covering the years 1914–1915) and the final volume in 1918 (covering the year 1916). A total of 41 volumes were published. at |
Oberon (Weber)
''Oberon, or The Elf-King's Oath'' ( J. 306) is a 3-act romantic opera with spoken dialogue composed in 1825–26 by Carl Maria von Weber. The only English opera ever set by Weber, the libretto by James Robinson Planché was based on the German poem ''Oberon'' by Christoph Martin Wieland, which itself was based on the epic romance ''Huon de Bordeaux'', a French medieval tale. It was premiered in London on 12 April 1826. Against his doctor's advice, Weber undertook the project commissioned by the actor-impresario Charles Kemble for financial reasons. Having been offered the choice of Faust or Oberon as subject matter, he travelled to London to complete the music, learning English to be better able to follow the libretto, before the premiere of the opera. However, the pressure of rehearsals, social engagements and composing extra numbers destroyed his health, and Weber died in London on 5 June 1826. Performance history First performed at Covent Garden, London, on 12 April 1826, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fra Diavolo (opera)
''Fra Diavolo, ou L'hôtellerie de Terracine'' (''Fra Diavolo, or The Inn of Terracina'') is an opéra comique in three acts by the French composer Daniel Auber, from a libretto by Auber's regular collaborator Eugène Scribe. It is loosely based on the life of the Itrani guerrilla leader Michele Pezza, active in southern Italy in the period 1800-1806, who went under the name of Fra Diavolo ("Brother Devil"). The opera was first performed by the Opéra-Comique at the Salle Ventadour in Paris on 28 January 1830 and an Italian version was prepared by Auber and Scribe for performance in London in 1857. This contained new recitatives and arias, as well as expanding the roles of Fra Diavolo's accomplices. The opera was Auber's greatest success, one of the most popular works of the 19th century and was in the standard repertory in its original French as well as German and Italian versions. An English translation was also prepared. Hugh Macdonald has characterised this comic opera ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Théâtre De La Renaissance
The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement. The current company was founded in 1873, and its much smaller theatre (pictured) was built that same year next to the Porte Saint-Martin at 20 boulevard Saint-Martin, in the 10th arrondissement. Besides performances of musical theatre, Feydeau's farces were first produced in this theatre, and plays by Victorien Sardou. Among the actors who triumphed there were Sarah Bernhardt, Eleonora Duse, and Raimu, later Agnès Jaoui and Jean-Pierre Bacri. 1838-1841 The first company to be called Théâtre de la Renaissance opened its doors in 1838 under the sponsorship of Victor Hugo and Alexandre Dumas, père, who wanted to have a location for mounting their historical dramas. The Salle Ventadour (built i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Madame Chrysanthème (opera)
' (Madam Chrysanthemum) is an opera, described as a ', with music by André Messager to a libretto by Georges Hartmann and Alexandre André, after the semi-autobiographical novel '' Madame Chrysanthème'' (1887) by Pierre Loti. It consists of four acts with a prologue and an epilogue and is set in Nagasaki, Japan. Background Prior to ''Madame Chrysanthème'', Messager had begun to establish himself as a composer with several ballet scores performed, success at the Opéra-Comique in 1890 with ''La Basoche'' and incidental music for the play '' Hélène'' in 1891. Refused by Carvalho at the Opéra-Comique ''Madame Chrysanthème'' was first performed at the Théâtre de la Renaissance in Paris on 21 January 1893 with Jane Guy and Louis Delaquerrière in the principal roles; there were 16 performances at the theatre in the first year. There were two performances in Monte Carlo on 21 December 1901 and 3 January 1902 with Mary Garden and Edmond Clément in the principal roles. The ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Joseph Walsh (Wexford)
Thomas Joseph Walsh (20 November 1911 – 8 November 1988) was an Irish doctor, writer, and founder and director of the Wexford Opera Festival.Boydell, B.: "Walsh, T(homas) J(oseph)", in: ''New Grove Dictionary of Opera'' (London and New York: Macmillan, 1997). Life Walsh was born in Wexford, Ireland, and graduated in medicine from University College Dublin in 1944. During his years in Dublin he took singing lessons from Adelio Viani at the Royal Irish Academy of Music. In 1972, he completed a Ph.D. at Trinity College, Dublin , name_Latin = Collegium Sanctae et Individuae Trinitatis Reginae Elizabethae juxta Dublin , motto = ''Perpetuis futuris temporibus duraturam'' (Latin) , motto_lang = la , motto_English = It will last i ..., the thesis becoming the basis for his 1973 book on ''Opera in Dublin''. He became chairman and artistic director of the Wexford Festival in 1951 and established its international recognition over 15 year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Les Dragons De Villars
''Les dragons de Villars'' (''The Dragoons of Villars'') is an opéra-comique in three acts by Aimé Maillart to a libretto by Lockroy and Eugène Cormon. The story of the opera was said to have been borrowed from ''La Petite Fadette'' by George Sand, updated by the librettists to the time of Louis XIV. It was premiered by the Théâtre Lyrique in Paris on 19 September 1856."Maillart, Aimé" in Sadie 1992, vol. 3, p. 156. It is also known by the English title ''The Hermit's Bell'' Background The piece was first offered to the director of the Opéra-Comique, Émile Perrin, who found it too dark, even after having the composer play some of it to him. It was next offered to one of the Seveste brothers at the Théâtre-Lyrique. They also rejected it, as did their successor Pierre Pellegrin. Some years later, the authors met Léon Carvalho, who had just taken over the direction of the Théâtre-Lyrique, and who accepted the completed piece without reading a word or hearing a note. P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mignon
''Mignon'' is an 1866 ''opéra comique'' (or opera in its second version) in three acts by Ambroise Thomas. The original French libretto was by Jules Barbier and Michel Carré, based on Goethe's 1795-96 novel '' Wilhelm Meisters Lehrjahre''. The Italian version was translated by Giuseppe Zaffira. The opera is mentioned in James Joyce's " The Dead" (''Dubliners'') and Willa Cather's '' The Professor's House''. Thomas's goddaughter Mignon Nevada was named after the main character. Performance history The first performance was at the Opéra-Comique in Paris on 17 November 1866. The piece proved popular: more than 100 performances took place by the following July, the 1,000th was given there on 13 May 1894, and the 1,500th on 25 May 1919. The opera was also adapted and translated into German for performance in Berlin with Madame Lucca as Mignon. Lucca was well received, but the German critics were unhappy with the opera's alterations to the Goethe original, so Thomas composed a shor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Philémon Et Baucis
('' Philemon and Baucis'') is an opera in three acts by Charles Gounod with a libretto by Jules Barbier and Michel Carré. The opera is based on the tale of Baucis and Philemon In Ovid's moralizing fables collected as ''Metamorphoses'' is his telling of the story of Baucis and Philemon, which stands on the periphery of Greek mythology and Roman mythology. Baucis and Philemon were an old married couple in the region ... as told by La Fontaine (derived in turn from Ovid's ''Metamorphoses'' Book VIII). The piece was intended to capitalize on the vogue for mythological comedy started by Offenbach's '' Orpheus in the Underworld'', but ''Philémon et Baucis'' is less satirically biting and more sentimental. Originally intended as a two-act piece for the music festival at Baden-Baden, it was instead first performed at the Théâtre Lyrique, Paris, on 18 February 1860 because of the political situation in 1859. The new version added a middle act with chorus depicting Jupi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mireille (opera)
''Mireille'' is an 1864 opera in five acts by Charles Gounod to a French libretto by Michel Carré after Frédéric Mistral's poem Mirèio. The vocal score is dedicated to George V of Hanover. Composition history Mistral had become well known in Paris with the publication of the French prose translation of ''Mireio'' in 1859, and Gounod probably knew the work by 1861.Huebner 1992. He was charmed by its originality, the story being much less contrived than many of those on the operatic stage at the time.Condé G. Mireille (notes for the 1979 EMI recording). The action of the opera is quite faithful to Mistral, although the sequence of events of the Val d’Enfer (Act 3, Scene 1) and Mireille's avowal of her love of Vincent to her father (Act 2 finale) are reversed in the opera. Gounod's biographer James Harding has argued that "what matters in this extended lyric poem is not the story but the rich tapestry of Provençal traditions, beliefs and customs that Mistral unfolds." Durin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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