|
Louis Deffès
file:Rue Peyrolières - no 54 - maison natale de Louis Deffès.jpg, Pierre Louis Deffès (25 July 1819 – 28 May 1900) was a 19th-century French composer. He excelled as a composer of both operas and large-scale sacred music. Life Deffès was born in Toulouse and admitted to the Conservatoire de Paris, Paris Conservatory in 1839, where he studied with Fromental Halévy and Henri Montan Berton (composition), François Bazin (composer), François Bazin (harmony), Auguste Barbereau (counterpoint and fugue), and Théodore Mozin (piano). In 1844, he composed ''La Toulousaine''. The piece gained great popularity and became a signature tune of his home town. In 1847, he won second prize at the "Concours de Chants Historiques" with his composition ''Les Charmes de la Paix'', and in the same year the Prix de Rome#19th century (musical composition), Grand Prix de Rome with the cantata ''L'Ange et Tobie'', based on a poem by Léon Halévy. During his stay in Rome, which was connected with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rue Peyrolières - No 54 - Maison Natale De Louis Deffès
''Ruta graveolens'', commonly known as rue, common rue or herb-of-grace, is a species of ''Ruta'' grown as an ornamental plant and herb. It is native to the Balkan Peninsula. It is grown throughout the world in gardens, especially for its bluish leaves, and sometimes for its tolerance of hot and dry soil conditions. It is also Horticulture, cultivated as a culinary herb, and to a lesser extent as an insect repellent and incense. Etymology The specific epithet ''graveolens'' refers to the strong-smelling leaves.J. D. Douglas and Merrill C. Tenney Description Rue is a woody, perennial plant, perennial shrub. Its leaves are oblong, blue green and arranged pinnate; they release a strong aroma when they are bruised. The flowers are small with 4 to 5 dull yellow petals in clusters. They bear brown seed capsules when pollinated. Uses Traditional use In the ancient Roman world, the naturalists Pedanius Dioscorides and Pliny the Elder recommended that rue be combined with the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Académie Des Beaux-Arts
An academy (Attic Greek: Ἀκαδήμεια; Koine Greek Ἀκαδημία) is an institution of secondary or tertiary higher learning (and generally also research or honorary membership). The name traces back to Plato's school of philosophy, founded approximately 385 BC at Akademia, a sanctuary of Athena, the goddess of wisdom and skill, north of Athens, Greece. Etymology The word comes from the ''Academy'' in ancient Greece, which derives from the Athenian hero, ''Akademos''. Outside the city walls of Athens, the gymnasium was made famous by Plato as a center of learning. The sacred space, dedicated to the goddess of wisdom, Athena, had formerly been an olive grove, hence the expression "the groves of Academe". In these gardens, the philosopher Plato conversed with followers. Plato developed his sessions into a method of teaching philosophy and in 387 BC, established what is known today as the Old Academy. By extension, ''academia'' has come to mean the accumulation, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victorien Sardou
Victorien Sardou ( , ; 5 September 18318 November 1908) was a French dramatist. He is best remembered today for his development, along with Eugène Scribe, of the well-made play. He also wrote several plays that were made into popular 19th-century operas such as ''La Tosca'' (1887) on which Giacomo Puccini's opera ''Tosca'' (1900) is based, and ''Fédora'' (1882) and '' Madame Sans-Gêne'' (1893) that provided the subjects for the lyrical dramas '' Fedora'' (1898) and '' Madame Sans-Gêne'' (1915) by Umberto Giordano. His play ''Gismonda'', from 1894, was also adapted into an opera of the same name by Henry Février. Early years Victorien Sardou was born at 16 rue Beautreillis (), Paris on 5 September 1831. The Sardous were settled at Le Cannet, a village near Cannes, where they owned an estate, planted with olive trees. A night's frost killed all the trees and the family was ruined. Victorien's father, Antoine Léandre Sardou, came to Paris in search of employment. He was in su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adolphe De Leuven
Adolphe de Leuven (30 September 1802 – 14 April 1884) was a French theatre director and a librettist. Also known as Grenvallet, and Count Adolph Ribbing. He was the illegitimate son of Adolph Ribbing, who was involved in the assassination of Gustav III of Sweden in 1792, and Jeanne-Claude Billard. He took his name as a variation of that of his paternal grandmother, Eva Löwen. He produced over 170 plays and librettos, with operatic settings by Adolphe Adam, Adam including ''Le postillon de Lonjumeau'', Clapisson, Félicien David (''Le Saphir'') and Ambroise Thomas, Thomas.Wright L A"Leuven, Adolphe de"in ''The New Grove Dictionary of Opera'', four volumes, edited by Stanley Sadie. London & New York, Macmillan, 1997. He was associated with the Opéra-Comique for fifty years and was director (with Eugène Ritt as administrator) from 1862 to 1870 and co-director with Camille du Locle from 1870-1874. He resigned in protest at the on-stage murder in ''Carmen''.Winston Dean, ''Bizet ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Émile De Najac
Comte Émile de Najac (December 1828 – 11 April 1889) was a French librettist. He was a prolific writer during the Second Empire and early part of the Third Republic, supplying plays and opéra comique librettos, many in one act. Biography Émile de Najac was born in Lorient, France, the descendant of naval commander and bonapartist Benoît Georges de Najac. His son Raoul Charles Eugène was also a writer for the stage. Najac died in Paris on 11 April 1889. Works Always writing with a co-author, Najac provided librettos for several opéras comiques and opéras bouffes: ''La Momie de Roscoco'', with Eugène Ortolan, music by Émile Jonas, ( Bouffes-Parisiens, 1857);Lamb, Andrew"Jonas, Emile"''Grove Music Online'', Oxford University Press 2002. Retrieved 27 August 2020 ''Les Noces de Fernande'', with Victorien Sardou, music by Louis Deffès, (Opéra-Comique, 1878); ''La Bonne Aventure'', with Henri Bocage, music by Émile Jonas, (Théâtre de la Renaissance, 1882); ''Le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Grangé
Eugène Grangé (16 December 1810 – 1 March 1887) was a French playwright, librettist, chansonnier and goguettier. Biography The son of Pierre-Joseph Basté and Louise-Thérèse Grangé, Pierre-Eugène Basté was born in rue Beautreillis in Paris. He attended the school and the collège Charlemagne. After graduation, he began working in a banking house that he left to start a literary career. At 17, he found himself having comédies en vaudeville played in the small theaters of Boulevard du Temple. He would sign these pieces with his middle name, Eugène and his mother's surname. He became the favorite author of Théâtre des Funambules and of Mme Saqui's show. By that time, he was dubbed the " Scribe of the boulevard du Temple". As a consequence of his success, Mme Saqui wanted him to work exclusively for her. For a year or two, Grangé would be the sole - and highly paid - author of her theater. In 1833, he gave the théâtre des Folies-Dramatiques a three-act play: ''L ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laurencin
Laurencin, real name Paul-Aimé Chapelle, (10 January 1806 - 9 December 1890) was a French playwright and librettist. He authored numerous theatre plays, vaudevilles and operettas, most of them in collaboration. '' Le 66'' and '' Monsieur et Madame Denis'' by Jacques Offenbach Jacques Offenbach (, also , , ; 20 June 18195 October 1880) was a German-born French composer, cellist and impresario of the Romantic period. He is remembered for his nearly 100 operettas of the 1850s to the 1870s, and his uncompleted opera ' ... are among the pieces he collaborated to. 19th-century French dramatists and playwrights French opera librettists 1806 births 1890 deaths {{France-playwright-stub ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jules Adenis
Jules-Adenis de Colombeau (28 June 1823 – 1900) was a 19th-century French opera librettist, playwright, and journalist. Adenis was born in Paris and studied at the Collège royal de Bourbon (now the Lycée Condorcet). Colombeau was initially employed by the Compagnie de Saint-Gobain. At this time he was already working for various newspapers and magazines. Some of Colombeau's works include ''Un Postillon en gage'' (1856) ''Sylvie'' (1864), and ''La Grand'tante'' (1867). page 341 Both of Colombeau's sons, Eugène (1854–1923) and |
Joseph Méry
Joseph Méry (21 January 179717 June 1866) was a French writer, journalist, novelist, poet, playwright and librettist. Career An ardent romanticist, he collaborated with Auguste Barthélemy in many of his satires and wrote a great number of stories, now forgotten. Nowadays he is perhaps best remembered as the co-librettist of the original version in French of Verdi's ''Don Carlos,'' which premiered in Paris in March 1867. Also, he was the author of the play ''La Bataille de Toulouse'' which Verdi had earlier adapted for his opera ''La battaglia di Legnano'' in January 1849. He was noted in his time for his wit and ability to improvise. He produced several pieces at the Paris theatres, and also collaborated with Gérard de Nerval in adaptations from Shakespeare and in other plays. A friend of Offenbach, he wrote libretti for three of the composer's works. His novella ''Histoire de ce qui n'est pas arrivé'' (1854) is a significant exercise in alternate history, in which Mér ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henri Meilhac
Henri Meilhac (23 February 1830 – 6 July 1897) was a French dramatist and opera librettist, best known for his collaborations with Ludovic Halévy on Georges Bizet's ''Carmen'' and on the works of Jacques Offenbach, as well as Jules Massenet's ''Manon''. Biography Meilhac was born in the 1st arrondissement of Paris in 1830. As a young man, he began writing fanciful articles for Parisian newspapers and comédies en vaudevilles, in a vivacious boulevardier spirit which brought him to the forefront. About 1860, Meilhac met Ludovic Halévy, and their collaboration for the stage lasted twenty years. Their most famous collaboration is the libretto for Georges Bizet's ''Carmen''. However, Meilhac's work is most closely tied to the music of Jacques Offenbach, for whom he wrote over a dozen librettos, most of them together with Halévy. The most successful collaborations with Offenbach are ''La belle Hélène'' (1864), '' Barbe-bleue'' (1866), '' La Vie parisienne'' (1866), ''La Grand ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugène Scribe
Augustin Eugène Scribe (; 24 December 179120 February 1861) was a French dramatist and librettist. He is known for writing "well-made plays" ("pièces bien faites"), a mainstay of popular theatre for over 100 years, and as the librettist of many of the most successful grand operas and opéras-comiques. Born to a middle-class Parisian family, Scribe was intended for a legal career, but was drawn to the theatre, and began writing plays while still in his teens. His early years as a playwright were unsuccessful, but from 1815 onwards he prospered. Writing, usually with one or more collaborators, he produced several hundred stage works. He wrote to entertain the public rather than educate it. Many of his plays were written in a formulaic manner which aimed at neatness of plot and focus on dramatic incident rather than naturalism, depth of characterisation or intellectual substance. For this he was much criticised by intellectuals, but the "well-made play" remained established in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry Boisseaux
Claude-Nicolas-Henry Boisseaux (14 October 1821 – 20 November 1863) was a 19th-century Theatre in France, French playwright and opera libretto, librettist. Biography Boisseaux studied law in his hometown where he was destined to an important position when in 1852, he suddenly decided to move to Paris in order to try his luck in theatrical career. Less than two years later, he made his debut at the Theatre Lyrique by a success that earned him the possibility to work with Eugène Scribe. ''Secret de l’oncle Vincent'' (music by Théodore Lajarte, Lajarte) was quickly followed by the opéra comiques ''Broskovano'', in 2 acts (music by Louis Deffès, Deffès), ''les Petits Violons du roi'', in 3 acts (music by Deffès) and ''Madame Grégoire'', in 3 acts (music by Louis Clapisson, Clapisson). Then there was ''Astaroth'', one-act opéra comique, (music by Deffès), ''la Saint-Hubert'', one act in verse, presented at the Théâtre de l'Odéon, and eventually his greatest success: ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
