Lou Levy (publisher)
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Lou Levy (publisher)
Lou Levy (December 3, 1910 – October 31, 1995) was a music publisher during the Tin Pan Alley era of American popular music. Levy established Leeds Music Corporation in 1935 with his friends, lyricist Sammy Cahn and composer Saul Chaplin. He is credited with the discoveries of Cahn and Chaplin, Bob Dylan, Charles Strouse, Richard Adler and Jerry Ross, and Henry Mancini. He also either discovered, managed, or developed the careers of such artists as the Ames Brothers, Petula Clark, Bobby Darin, Eddie Fisher, Connie Francis, Woody Herman, Steve Lawrence, Les Paul, The Andrews Sisters, Buddy Rich, Woody Herman and Charles Aznavour Levy supplied numerous other singers with hit material: Frank Sinatra with "All or Nothing At All," "Strangers in the Night," and "I'll Never Smile Again"; Petula Clark with "Downtown" and "Call Me"; The Everly Brothers with " Let It Be Me"; Tom Jones with "It's Not Unusual". He published the Beatles' first American hit, "I Want to Hold Your Hand." I ...
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Tin Pan Alley
Tin Pan Alley was a collection of music publishers and songwriters in New York City that dominated the popular music of the United States in the late 19th and early 20th centuries. It originally referred to a specific place: West 28th Street between Fifth and Sixth Avenues in the Flower District of Manhattan; a plaque (see below) on the sidewalk on 28th Street between Broadway and Sixth commemorates it. In 2019, the New York City Landmarks Preservation Commission took up the question of preserving five buildings on the north side of the street as a Tin Pan Alley Historic District. The agency designated five buildings (47–55 West 28th Street) individual landmarks on December 10, 2019, after a concerted effort by the "Save Tin Pan Alley" initiative of the 29th Street Neighborhood Association. Following successful protection of these landmarks, project director George Calderaro and other proponents formed the Tin Pan Alley American Popular Music Project to continue and com ...
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Buddy Rich
Bernard "Buddy" Rich (September 30, 1917 – April 2, 1987) was an American jazz drummer, songwriter, conductor, and bandleader. He is considered one of the most influential drummers of all time. Rich was born and raised in Brooklyn, New York, United States. He discovered his affinity for jazz music at a young age and began drumming at the age of two. He began playing jazz in 1937, working with acts such as Bunny Berigan, Artie Shaw, Tommy Dorsey, Count Basie, and Harry James. From 1942 to 1944, Rich served in the U.S. Marines. From 1945 to 1948, he led the Buddy Rich Orchestra. In 1966, he recorded a big-band style arrangement of songs from ''West Side Story''. He found lasting success in 1966 with the formation of the Buddy Rich Big Band, also billed as the Buddy Rich Band and The Big Band Machine. Rich was known for his virtuoso technique, power, and speed. He was an advocate of the traditional grip, though he occasionally used matched grip when playing the toms. Despite h ...
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Andrews Sisters
The Andrews Sisters were an American close harmony singing group of the swing and boogie-woogie eras. The group consisted of three sisters: contralto LaVerne Sophia Andrews (July 6, 1911 – May 8, 1967), soprano Maxene Anglyn Andrews (January 3, 1916 – October 21, 1995), and mezzo-soprano Patricia "Patty" Marie Andrews (February 16, 1918 – January 30, 2013). The sisters have sold an estimated 80 million records. Their 1941 hit "Boogie Woogie Bugle Boy" can be considered an early example of jump blues. Other songs closely associated with the Andrews Sisters include their first major hit, " Bei Mir Bist Du Schön (Means That You're Grand)" (1937), "Beer Barrel Polka (Roll Out the Barrel)" (1939), "Beat Me Daddy, Eight to the Bar" (1940), " Don't Sit Under the Apple Tree (With Anyone Else but Me)" (1942), and "Rum and Coca Cola" (1945), which helped introduce American audiences to calypso. The Andrews Sisters' harmonies and songs are still influential today, and have been cop ...
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MCA Inc
MCA may refer to: Astronomy * Mars-crossing asteroid, an asteroid whose orbit crosses that of Mars Aviation * Minimum crossing altitude, a minimum obstacle crossing altitude for fixes on published airways * Medium Combat Aircraft, a 5th generation fighter aircraft in India's HAL AMCA (Advanced Medium Combat Aircraft) program * Macenta Airport, Guinea (by IATA code) Biology and chemistry *MacConkey agar, a selective growth medium for bacteria *Monochloroacetic acid, carboxylic acid, manufactured by chlorinating acetic acid * Methylcholanthrene, a carcinogen * Methyl cyanoacrylate, an organic compound * Metabolic control analysis, analysing how the control of fluxes and intermediate concentrations in a metabolic pathway is distributed * Middle cerebral artery, one of the three major blood supplies to the brain Climate * Medieval Climatic Anomaly (Medieval Warm Period, also Medieval Climate Optimum), a notably warm climatic period in the North Atlantic region from about ...
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I Want To Hold Your Hand
"I Want to Hold Your Hand" is a song by the English rock band the Beatles. Written by John Lennon and Paul McCartney, and recorded on 17 October 1963, it was the first Beatles record to be made using four-track equipment. With advance orders exceeding one million copies in the United Kingdom, "I Want to Hold Your Hand" would have gone straight to the top of the British record charts on its day of release (29 November 1963) had it not been blocked by the group's first million-seller "She Loves You", their previous UK single, which was having a resurgence of popularity following intense media coverage of the group. Taking two weeks to dislodge its predecessor, "I Want to Hold Your Hand" stayed at number one for five weeks and remained in the UK top 50 for 21 weeks in total. It was also the group's first American number-one hit, entering the ''Billboard'' Hot 100 chart on 18 January 1964 at number 45 and starting the British Invasion of the American music industry. By 1 February ...
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The Beatles
The Beatles were an English Rock music, rock band, formed in Liverpool in 1960, that comprised John Lennon, Paul McCartney, George Harrison and Ringo Starr. They are regarded as the Cultural impact of the Beatles, most influential band of all time and were integral to the development of counterculture of the 1960s, 1960s counterculture and popular music's recognition as an art form. Rooted in skiffle, beat music, beat and 1950s rock and roll, rock 'n' roll, their sound incorporated elements of classical music and traditional pop in innovative ways; the band also explored music styles ranging from folk music, folk and Music of India, Indian music to Psychedelic music, psychedelia and hard rock. As Recording practices of the Beatles, pioneers in recording, songwriting and artistic presentation, the Beatles revolutionised many aspects of the music industry and were often publicised as leaders of the era's Baby boomers, youth and sociocultural movements. Led by primary songwriter ...
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Tom Jones (singer)
Sir Thomas Jones Woodward (born 7 June 1940), known professionally as Tom Jones, is a Welsh singer. His career began with a string of top-ten hits in the mid-1960s. He has toured regularly, with appearances in Las Vegas (1967–2011). Jones's voice has been described by AllMusic as a "full-throated, robust baritone". His performing range has included pop, R&B, show tunes, country, dance, soul and gospel. In 2008, the ''New York Times'' called Jones a musical "shape shifter", who could "slide from soulful rasp to pop croon, with a voice as husky as it was pretty". Jones has sold over 100 million records, with 36 Top 40 hits in the UK and 19 in the US, including "It's Not Unusual", "What's New Pussycat?", the theme song for the 1965 James Bond film '' Thunderball'', "Green, Green Grass of Home", "Delilah", "She's a Lady", "Kiss" and " Sex Bomb". Jones has also occasionally dabbled in acting, first making his acting debut playing the lead role in the 1979 television film ...
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Let It Be Me (The Everly Brothers Song)
"Let It Be Me" is a popular song originally published in French in 1955 as "Je t'appartiens" interpreted by Gilbert Bécaud. It became popular worldwide with an English version by the Everly Brothers and later with the duet by Betty Everett and Jerry Butler. "Je t'appartiens" "Je t'appartiens" was recorded by Gilbert Bécaud in 1955, with music by Bécaud and lyrics in French by Pierre Delanoë. It became a hit for Bécaud and in 1956 was re-recorded by Les Compagnons de la chanson. First English version by Jill Corey The English language version used lyrics by Manny Curtis and was performed in 1957 by Jill Corey in the television series ''Climax!'' Corey's version, with orchestration by Jimmy Carroll, was released as a single and was moderately successful. The Everly Brothers version The Everly Brothers helped to further popularize the song with their 1959 rendition of "Let It Be Me" which reached number 7 on the ''Billboard'' Hot 100. The harmony arrangement of this vers ...
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Everly Brothers
The Everly Brothers were an American rock duo, known for steel-string acoustic guitar playing and close harmony singing. Consisting of Isaac Donald "Don" Everly (February 1, 1937 – August 21, 2021) and Phillip "Phil" Everly (January 19, 1939 – January 3, 2014), the duo combined elements of rock and roll, country, and pop, becoming pioneers of country rock. The duo was raised in a musical family, first appearing on radio singing along with their father Ike Everly and mother Margaret Everly as "The Everly Family" in the 1940s. When the brothers were still in high school, they gained the attention of prominent Nashville musicians like Chet Atkins, who began to promote them for national attention. They began writing and recording their own music in 1956, and their first hit song came in 1957, with " Bye Bye Love", written by Felice and Boudleaux Bryant. The song hit No. 1 in the spring of 1957, and additional hits would follow through 1958, many of them written by the Bryants, ...
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Downtown (Petula Clark Song)
"Downtown" is a song written and produced by Tony Hatch. The 1964 version recorded by Petula Clark became an international hit, reaching number one on the ''Billboard'' Hot 100 and number two on the UK Singles Chart. Hatch received the 1981 Ivor Novello award for Best Song Musically and Lyrically. The song has been covered by many singers, including Dolly Parton, Emma Bunton and The Saw Doctors. Composition Tony Hatch first worked with Petula Clark when he assisted her producer Alan A. Freeman on her 1961 1 hit "Sailor". In 1963 Freeman asked Hatch to take over as Clark's regular producer. Hatch subsequently produced five English-language singles for Clark, none of which charted. In the autumn of 1964 Hatch made his first visit to New York City, spending three days there in search of material from music publishers for the artists he was producing. He recalled, "I was staying at a hotel on Central Park and I wandered down to Broadway and to Times Square and, naively, I thoug ...
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I'll Never Smile Again
"I'll Never Smile Again" is a 1939 song written by Ruth Lowe. It has been recorded by many other artists since, becoming a standard. The most successful and best-known million selling single version of the song was recorded by Tommy Dorsey and His Orchestra, with vocals provided by Frank Sinatra and The Pied Pipers. This recording was released as a Victor 78, 26628A, in 1940. This version was number one on ''Billboards first "National List of Best Selling Retail Records"—the first official national music chart—on July 27, 1940, staying at the top spot for 12 weeks until October 12, 1940. The tune was inducted into the Grammy Hall of Fame in 1982. Versions * The Ink Spots recorded the song in August 1940, which was just a few months after the first release of the song. *The song appears on the 1954 Dave Brubeck Quartet live album '' Jazz at the College of the Pacific.'' * Sarah Vaughan recorded the song on the 1955 '' In the Land of Hi-Fi.'' * Billie Holiday recorded the so ...
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Strangers In The Night
"Strangers in the Night" is a song composed by Bert Kaempfert with English lyrics by Charles Singleton and Eddie Snyder. Kaempfert originally used it under the title "Beddy Bye" as part of the instrumental score for the movie ''A Man Could Get Killed.'' The song was made famous in 1966 by Frank Sinatra, although it was initially given to Melina Mercouri, who thought that a man's vocals would better suit the melody and therefore declined to sing it. Reaching #1 on both the ''Billboard'' Hot 100 chart and the Easy Listening chart, it was the title song for Sinatra's 1966 album '' Strangers in the Night'', which became his most commercially successful album. The song also reached No. 1 on the UK Singles Chart. Sinatra's recording won him the Grammy Award for Best Male Pop Vocal Performance and the Grammy Award for Record of the Year, as well as a Grammy Award for Best Arrangement Accompanying a Vocalist or Instrumentalist for Ernie Freeman at the Grammy Awards of 1967. Author ...
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