Lost In America (Pavlov's Dog Album)
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Lost In America (Pavlov's Dog Album)
''Lost in America'' is the third studio album by American progressive rock/ AOR band Pavlov's Dog, released in 1990. Disbanded since 1977, Pavlov's Dog reformed in 1990 and recorded the album with only two original members, frontman David Surkamp and multi-instrumentalist Douglas Rayburn. The band's original guitarist Steve Scorfina and former percussionist Kirk Sarkisian appear as a guest musicians. Track listing All tracks credited to David Surkamp and Douglas Rayburn. Personnel All information according to the 2007 Rockville Music reissue liner notes Pavlov's Dog *David Surkamp: vocals, guitar, twelve-string guitar *Douglas Rayburn: keyboards *Michele Isam: vocals, saxophone *Robert Lloyd: bass guitar *Frank Kriege: drums Guest Musicians *Steve Scorfina: acoustic guitar on ''Lost in America'' and ''As Lovers Do'' *Kirk Sarkisian: drum treatments, additional percussion *Merry Adams: backing vocals on ''Brown Eyes'' *Lesslie Martin: power chords on ''Don't Rain on Me'' ...
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Pavlov's Dog (band)
Pavlov's Dog is a 1970s progressive rock/ AOR band formed in St. Louis, Missouri in 1972, named after Ivan Pavlov's major experimental animal in his work in classical conditioning. History Early years and split Pavlov's Dog originally was composed of vocalist David Surkamp, guitarist Steve Levin, keyboardists David Hamilton and Doug Rayburn, bassist Rick Stockton, drummer Mike Safron, and violinist Siegfried Carver (born Richard Nadler). Levin left the band during their inaugural year and was replaced by Steve Scorfina (formerly of REO Speedwagon). Carver departed the band following the release of the band's debut album '' Pampered Menial''. ''Pampered Menial'' was briefly released in 1975 on ABC Records but then quickly re-issued by Columbia Records. The result was that both versions appeared in stores at nearly the same time. The album was produced by Sandy Pearlman and Murray Krugman, who had found success earlier in the decade producing Blue Öyster Cult. For their second a ...
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Jules Shear
Jules Mark Shear (born March 7, 1952) is an American singer, songwriter, and guitarist. He wrote the Cyndi Lauper hit single " All Through the Night" and The Bangles' hit "If She Knew What She Wants", and charted a hit as a performer with "Steady" in 1985. Life and early career Shear was born in Pittsburgh, Pennsylvania, United States. He attended the University of Pittsburgh. He distinguished himself with the Pitt Glee Club where he led a special side ensemble called Wooden Music, which used acoustic instruments, in a foreshadowing of his "Unplugged" concept. One of his noted songs of the time, which he performed in concerts with the glee club, was "Always in the Morning". He left Pitt after three years in 1973, and headed to Los Angeles to pursue a music career. Shear is married to singer-songwriter Pal Shazar. Career Shear has recorded more than 20 albums to date. He made his first appearance on vinyl with Funky Kings (along with two other songwriters, Jack Tempchin and ...
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Graphic Design Occupations
Graphic design careers include creative director, art director, art production manager, brand identity developer, illustrator and layout artist. Graphic art managers The following are positions or responsibilities and usually titles, held by experienced graphic designers in related management roles: Creative Director A creative director's range of experience can be broad and encompass a number of disciplines; visual design; copywriting, art direction, advertising account director, film/video director . A Creative Director's job is to initiate the creative concept of a project and drive the direction of the project. The role of a Creative Director is to formulate creative concepts, whether it is an advertising campaign, brand identity, TV commercial, marketing campaign. A Creative Director was often referred to the 'Ideas Guy' and works with a team of 'creatives' - art director, graphic designer, copywriter, film director to produce the concept and final production. Art dir ...
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Cover Art
Cover art is a type of artwork presented as an illustration or photograph on the outside of a published product such as a book (often on a dust jacket), magazine, newspaper ( tabloid), comic book, video game (box art), music album (album art), CD, videotape, DVD, or podcast. The art has a primarily commercial function, for instance to promote the product it is displayed on, but can also have an aesthetic function, and may be artistically connected to the product, such as with art by the creator of the product. Album cover art Album cover art is artwork created for a music album. Notable album cover art includes Pink Floyd's ''The Dark Side of the Moon, King Crimson's In the Court of the Crimson King,'' the Beatles' '' Sgt. Pepper's Lonely Hearts Club Band'', ''Abbey Road'' and their self-titled "White Album" among others. Albums can have cover art created by the musician, as with Joni Mitchell's ''Clouds'', or by an associated musician, such as Bob Dylan's artwork for the cov ...
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Mastering (audio)
Mastering, a form of audio post production, is the process of preparing and transferring recorded audio from a source containing the final mix to a data storage device (the master), the source from which all copies will be produced (via methods such as pressing, duplication or replication). In recent years digital masters have become usual, although analog masters—such as audio tapes—are still being used by the manufacturing industry, particularly by a few engineers who specialize in analog mastering. Mastering requires critical listening; however, software tools exist to facilitate the process. Results depend upon the intent of the engineer, the skills of the engineer, the accuracy of the speaker monitors, and the listening environment. Mastering engineers often apply equalization and dynamic range compression in order to optimize sound translation on all playback systems. It is standard practice to make a copy of a master recording—known as a safety copy—in case ...
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Mixing Engineer
A mixing engineer (or simply mix engineer) is responsible for combining ("mixing") different sonic elements of an auditory piece into a complete rendition (also known as "final mix" or "mixdown"), whether in music, film, or any other content of auditory nature. The finished piece, recorded or live, must achieve a good balance of properties, such as volume, pan positioning, and other effects, while resolving any arising frequency conflicts from various sound sources. These sound sources can comprise the different musical instruments or vocals in a band or orchestra, dialogue or foley in a film, and more. The best mixing professionals typically have many years of experience and training with audio equipment, which has enabled them to master their craft. A mixing engineer occupies a space between artist and scientist, whose skills are used to assess the harmonic structure of sound to enable them to fashion desired timbres. Their work is found in all modern music, though ease of ...
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Audio Mixing
Audio mixing is the process by which multiple sounds are combined into one or more channels. In the process, a source's volume level, frequency content, dynamics, and panoramic position are manipulated or enhanced. This practical, aesthetic, or otherwise creative treatment is done in order to produce a finished version that is appealing to listeners. Audio mixing is practiced for music, film, television and live sound. The process is generally carried out by a mixing engineer operating a mixing console or digital audio workstation. Recorded music Before the introduction of multitrack recording, all the sounds and effects that were to be part of a recording were mixed together at one time during a live performance. If the sound blend was not satisfactory, or if one musician made a mistake, the selection had to be performed over until the desired balance and performance was obtained. However, with the introduction of multitrack recording, the production phase of a modern ...
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Recording Engineering
An audio engineer (also known as a sound engineer or recording engineer) helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound. Audio engineers work on the "technical aspect of recording—the placing of microphones, pre-amp knobs, the setting of levels. The physical recording of any project is done by an engineer... the nuts and bolts." Sound engineering is increasingly seen as a creative profession where musical instruments and technology are used to produce sound for film, radio, television, music and video games. Audio engineers also set up, sound check and do live sound mixing using a mixing console and a sound reinforcement system for music concerts, theatre, sports games and corporate events. Alternatively, ''audio engineer'' can refer to a scientist or professional engineer who holds an engineering degree and who designs, dev ...
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Conducting
Conducting is the art of directing a musical performance, such as an orchestral or choral concert. It has been defined as "the art of directing the simultaneous performance of several players or singers by the use of gesture." The primary duties of the conductor are to interpret the score in a way which reflects the specific indications in that score, set the tempo, ensure correct entries by ensemble members, and "shape" the phrasing where appropriate. Conductors communicate with their musicians primarily through hand gestures, usually with the aid of a baton, and may use other gestures or signals such as eye contact. A conductor usually supplements their direction with verbal instructions to their musicians in rehearsal. The conductor typically stands on a raised podium with a large music stand for the full score, which contains the musical notation for all the instruments or voices. Since the mid-19th century, most conductors have not played an instrument when conducting, ...
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Power Chords
A power chord (also fifth chord) is a colloquial name for a chord in guitar music, especially electric guitar, that consists of the root note and the fifth, as well as possibly octaves of those notes. Power chords are commonly played on amplified guitars, especially on electric guitar with intentionally added distortion or overdrive effects. Power chords are a key element of many styles of rock, especially heavy metal and punk rock. Analysis When two or more notes are played through a distortion process that non-linearly transforms the audio signal, additional partials are generated at the sums and differences of the frequencies of the harmonics of those notes (intermodulation distortion). When a typical chord containing such intervals (for example, a major or minor chord) is played through distortion, the number of different frequencies generated, and the complex ratios between them, can make the resulting sound messy and indistinct. This effect is accentuated as most ...
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Twelve-string Guitar
A twelve-string guitar (or 12-string guitar) is a steel-string guitar with 12 strings in six courses, which produces a thicker, more ringing tone than a standard six-string guitar. Typically, the strings of the lower four courses are tuned in octaves, with those of the upper two courses tuned in unison. The gap between the strings within each dual-string course is narrow, and the strings of each course are fretted and plucked as a single unit. The neck is wider, to accommodate the extra strings, and is similar to the width of a classical guitar neck. The sound, particularly on acoustic instruments, is fuller and more harmonically resonant than six-string instruments. The 12-string guitar can be played like a 6-string guitar as players still use the same notes, chords and guitar techniques like a standard 6-string guitar, but advanced techniques might be tough as players need to play or pluck two strings simultaneously. Structurally, 12-string guitars, especially those built befo ...
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Liner Notes
Liner notes (also sleeve notes or album notes) are the writings found on the sleeves of LP record albums and in booklets that come inserted into the compact disc jewel case or the equivalent packaging for cassettes. Origin Liner notes are descended from the program notes for musical concerts, and developed into notes that were printed on the inner sleeve used to protect a traditional 12-inch vinyl record, i.e., long playing or gramophone record album. The term descends from the name "record liner" or "album liner". Album liner notes survived format changes from vinyl LP to cassette to CD. These notes can be sources of information about the contents of the recording as well as broader cultural topics. Contents Common material Such notes often contained a mix of factual and anecdotal material, and occasionally a discography for the artist or the issuing record label. Liner notes were also an occasion for thoughtful signed essays on the artist by another party, often a sympathetic ...
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