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Los Ángeles De Estela
''Los ángeles de Estela'' (lit: ''Estela's Angels'') is a Chilean comedy-drama television series that originally aired on TVN and TV Chile from September 22, 2009, to March 19, 2010, starring, María Elena Swett, Jorge Zabaleta, Coca Guazzini, Francisco Pérez-Banenn and Cristián Arriagada. Plot Everything spins around ''Estela Cox'' (Coca Guazzini), a successful entrepreneur, but at the same time a very cold tempered woman, willing to do anything to achieve her goals. On the other side, ''Margarita'' (María Elena Swett), daughter of the servant and the husband of the powerful ''Estela'', a man that by the way has died in strange circumstances. On a particular day ''León'' (Jorge Zabaleta), ''Emilio'' (Cristián Arriagada) and ''Danilo'' (Francisco Pérez-Bannen), who have one of the most prosperous business in the city, see how their projects fall hard to the ground, when an accident ends the life of the restaurant where they had invested all their valuables. Without fina ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Serial (radio And Television)
In television program, television and radio programming, a serial is a show that has a continuing plot that unfolds in a sequential episode-by-episode fashion. Serials typically follow main story arcs that span entire television seasons or even the complete run of the series, and sometimes spinoffs, which distinguishes them from episodic television that relies on more stand-alone episodes. Worldwide, the soap opera is the most prominent form of serial dramatic programming. In the UK the serial began as a direct adaptations of well known Serial (literature), literary works, usually consisting of a small number of episodes. Serials rely on keeping the full nature of the story hidden and revealing elements episode by episode, to encourage spectators to tune in to every episode to follow the plot. Often these shows employ recapping segments at the beginning and cliffhangers at the end of each episode. The invention of recording devices such as VCRs and Digital video recorder, DVRs ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paola Volpato
Paola Volpato Martín (b. August 5 of 1969, in Santiago de Chile) is a Chilean actress. Personal life Volpato is married to Chilean actor Felipe Castro with whom she has two children, Simón and Manuel. She is of Italian descent; her grandfather, Gaetano Volpato, was an Italian immigrant from Venice. Career In 1986, she graduated from Scuola Italiana and pursued acting studies at the University of Chile. She began her career as an actress with a small appearance in ''Rojo y miel'' (1994) on Televisión Nacional de Chile. During the following years, she took part in various roles in the cast of María Eugenia Rencoret in productions such as ''Tic Tac'' (1997), '' Aquelarre'' (1999), '' Amores de mercado'' (2001) and ''Destinos cruzados'' (2004). In November 2002, she obtained the prize for best actress, voted by the judges of the international festival of Viña del Mar, for her acting in the movie ''Tres noches de un sábado''. Volpato has done as many roles in comedy as in d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Telenovelas
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2010 Chilean Television Series Endings
1 (one, unit, unity) is a number representing a single or the only entity. 1 is also a numerical digit and represents a single unit of counting or measurement. For example, a line segment of ''unit length'' is a line segment of length 1. In conventions of sign where zero is considered neither positive nor negative, 1 is the first and smallest positive integer. It is also sometimes considered the first of the infinite sequence of natural numbers, followed by 2, although by other definitions 1 is the second natural number, following 0. The fundamental mathematical property of 1 is to be a multiplicative identity, meaning that any number multiplied by 1 equals the same number. Most if not all properties of 1 can be deduced from this. In advanced mathematics, a multiplicative identity is often denoted 1, even if it is not a number. 1 is by convention not considered a prime number; this was not universally accepted until the mid-20th century. Additionally, 1 is the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
2009 Chilean Television Series Debuts
9 (nine) is the natural number following and preceding . Evolution of the Arabic digit In the beginning, various Indians wrote a digit 9 similar in shape to the modern closing question mark without the bottom dot. The Kshatrapa, Andhra and Gupta started curving the bottom vertical line coming up with a -look-alike. The Nagari continued the bottom stroke to make a circle and enclose the 3-look-alike, in much the same way that the sign @ encircles a lowercase ''a''. As time went on, the enclosing circle became bigger and its line continued beyond the circle downwards, as the 3-look-alike became smaller. Soon, all that was left of the 3-look-alike was a squiggle. The Arabs simply connected that squiggle to the downward stroke at the middle and subsequent European change was purely cosmetic. While the shape of the glyph for the digit 9 has an ascender in most modern typefaces, in typefaces with text figures the character usually has a descender, as, for example, in . The mod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
