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Los Illegals
Los Illegals is an American Chicano punk band from Los Angeles. Formed in 1979 artist/muralist Willie Herrón (keyboards, vocals), civil rights activist Jesus "Xiuy" Velo (bass), drummer Bill Reyes, and guitarist brothers Manuel and Antonio "Tony" Valdez (who also perform with their Mariachi parents & relatives). They were one of the early framers of U.S. Roc en Espanol in the early 1980s. The Smithsonian Institution exhibition, American Sabor, called Los Illegals "one of the most important East L.A. bands of the 1980s". Background Released in 1981, the song "El Lay" featured Herron singing about his stepfather's arrest for washing dishes in L.A. The song became a Raza Anthem and brought the group's rising notoriety to Europe and Japan. Its cover art was meant to evoke the danger of the punk rock movement and the cultural roots of the group. The group was the first of the Club Vex groups to sign with a major label releasing ''Internal Exile'' produced by David Bowie's Mick Ron ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chicano Punk
Chicano rock is rock music performed by Mexican American (Chicano) groups or music with themes derived from Chicano culture. Chicano Rock, to a great extent, does not refer to any single style or approach. Some of these groups do not sing in Spanish at all, or use many specific Latin instruments or sounds. The subgenre is defined by the ethnicity of its performers, and as a result covers a wide range of approaches. Overview There are three basic styles of Chicano rock. 1) The earliest Chicano rock emerged as a distinctive style of rock and roll performed by Mexican Americans from East Los Angeles and Southern California, containing themes from their cultural experience. Although the genre is broad and diverse, encompassing a variety of styles and subjects, the overarching theme of early Chicano rock is its rhythm and blues influence and incorporation of brass instruments like the saxophone and trumpet, Farfisa or Hammond B3 organ, funky basslines, and its blending of Mexican ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bauhaus (band)
Bauhaus are an English rock band formed in Northampton in 1978. Known for their dark image and gloomy sound, Bauhaus are best known as one of the pioneers of gothic rock, although they mixed many genres, including dub, glam rock, psychedelia, and funk. The group consists of Daniel Ash (guitar, saxophone), Peter Murphy (vocals, occasional instruments), Kevin Haskins (drums) and David J (bass). The band formed under the name Bauhaus 1919, in reference to the first operating year of the German art school Bauhaus, but they shortened this name within a year of formation. Their 1979 debut single " Bela Lugosi's Dead" is considered one of the harbingers of gothic rock music and has been influential on contemporary goth culture. Their debut album, ''In the Flat Field'', is regarded as one of the first gothic rock records. Their 1981 second album ''Mask'' expanded their sound by incorporating a wider variety of instruments—such as keyboards, saxophone and acoustic guitar&mdash ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Public Enemy (band)
"Public enemy" is a term which was first widely used in the United States in the 1930s to describe individuals whose activities were seen as criminal and extremely damaging to society, though the phrase had been used for centuries to describe pirates, vikings, highwaymen, bandits, mobsters, and similar outlaws. Origin and usage The expression dates back to Roman times. The Senate declared emperor Nero a ''hostis publicus'' in AD 68. Its direct translation is "public enemy". Whereas "public" is currently used in English in order to describe something related to collectivity at large, with an implication towards government or the State, the Latin word "publicus" could, in addition to that meaning, also refer directly to people, making it the equivalent of the genitive of ''populus'' ("people"), ''populi'' ("popular" or "of the people"). Thus, "public enemy" and "enemy of the people" are, etymologically, near-synonyms. The words "'' ennemi du peuple''" were extensively used duri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mur Murs
Mur may refer to: Places: * Mur (river) (or Mura), a river in central Europe * Mur, Switzerland, a commune in Vaud and Avenches * Mur (Novi Pazar), a large village in Serbia * Mur, part of the village of Murzasichle, Poland * Mur, Iran (other) Other uses: * Mur (cuneiform), a cuneiform sign * An abbreviation for muramic acid * mur, ISO 639-3 code for the Murle language, spoken in South Sudan * Mur Lafferty (born 1973), American podcaster and writer * Mona Mur, German singer born Sabine Bredy in 1960 MUR may refer to: * Mauritian rupee, by ISO 4217 currency code * Medicine use review, UK service * Melbourne University Regiment of the Australian Army Reserve * Michigan United Railways, US, 1906-1924 * ''Mouvements Unis de la Résistance'', a French Resistance group active from 1943 * M.U.R., a Lebanese resistance group in the 1990s * Criminal Investigation Department (Russian: МУР, Московский уголовный розыск) of the Moscow City Police * Artis ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Agnès Varda
Agnès Varda (; born Arlette Varda; 30 May 1928 – 29 March 2019) was a Belgian-born French film director, screenwriter, photographer, and artist. Her pioneering work was central to the development of the widely influential French New Wave film movement of the 1950s and 1960s. Her films focused on achieving documentary realism, addressing women's issues, and other social commentary, with a distinctive experimental style. Varda's work employed location shooting in an era when the limitations of sound technology made it easier and more common to film indoors, with constructed sets and painted backdrops of landscapes, rather than outdoors, on location. Her use of non-professional actors was also unconventional for 1950s French cinema. Varda's feature film debut was ''La Pointe Courte'' (1955), followed by ''Cléo from 5 to 7'' (1962), one of her most notable narrative films, ''Vagabond'' (1985), and ''Kung Fu Master'' (1988). Varda was also known for her work as a documentarian wit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pocho
''Pocho'' (feminine: ''pocha'') is slang in Spanish used in Mexico to refer to Mexican Americans and Mexican emigrants. It is often used pejoratively to describe a Mexican expatriate or a person of Mexican ancestry who lacks fluency or the ability to speak in Spanish and knowledge of Mexican culture. It derives from the Spanish word ''pocho'', used to describe fruit that has become rotten or discolored. The term can refer to the following: * A Mexican American or expat who speaks broken or no Spanish. * A Mexican American who speaks Anglicized Spanish, colloquially known as Spanglish. * A Mexican that has emigrated from Mexico and settled or naturalized in another country. * A Mexican that travels, works, or lives outside of Mexico for an extended period of time. e.g. Mexican students studying abroad. * A Mexican that does not adhere to traditional Mexican culture, customs, and etiquette. * A nickname in Argentina (Pocho or Pocha). For example, the popular Argentine president ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wetback (slur)
Wetback is a derogatory term used in the United States to refer to foreign nationals residing in the U.S., most commonly Mexicans. The word mostly targets illegal immigrants in the United States. Generally used as an ethnic slur, the term was originally coined and applied only to Mexicans who entered the U.S. state of Texas from Mexico by crossing the Rio Grande, which is the U.S. border, presumably by swimming or wading across the river and getting wet in the process. Usage The first use of the term ''wetback'' in ''The New York Times'' is dated June 20, 1920. It was used officially by the US government, including Dwight D. Eisenhower in 1954, with 'Operation Wetback', a project that involved the mass deportation of illegal Mexican immigrants. Usage of the term appeared in mainstream media outlets until the 1960s. The term can also be used as an adjective or verb. As an adjective, it pertains to activities involving Mexican illegal aliens in the United States. The earliest ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tijuana No
Tijuana No! is a Mexican ska, rock and punk band from Tijuana, Baja California, México. The band is considered a punk rock, ska band in Mexico and influenced by The Clash, Dead Kennedys, Sex Pistols and Black Flag. In the beginning their name was Radio Chantaje ''(Blackmail Radio)'', and later they became No, but upon the knowledge of another band called the same, they changed their name to No de Tijuana ''(Not From Tijuana)'', to later just shorten it to Tijuana No!. They were characterized by the social criticism in their lyrics, where they also showed their support to the EZLN, and made reference in their songs to racial, cultural, international, and governmental problems, like the immigration policies in the United States. In 1991 they recorded their first album under an independent label, and one year later (1992) they released the same album (with some design changes) under Culebra Records (BMG), who gave them international recognition promoting the single ''Pobre de Ti' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
El Tri (band)
El Tri is a Mexican rock band from Mexico City fronted by Alex Lora. It is a spinoff of Three Souls in My Mind, formed in 1968. The group is regarded as influential in the development of Mexican rock music. Over the years, El Tri's sound has touched on several different styles including rock, psychedelic rock, hard rock, acoustic rock, blues-rock, and blues. The group has enjoyed moderate success garnering numerous gold-certified albums in Mexico. Band history Three Souls in My Mind The name "Three Souls in My Mind", now commonly noted by its initials TSIMM, was initially chosen as a nod towards conventions for long band names in rock and roll. Originally composed of Alejandro Lora on bass, Memo Berea on rhythm guitar and vocals, Ernesto de Leon on lead guitar, and Carlos Hauptvogel on drums, the band has been accompanied on some albums by Arturo Labastida on saxophone and Carlos Martinez on trumpet. Sergio Mancera also played guitar on some albums. They performed their f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
LA Weekly
''LA Weekly'' is a free weekly alternative newspaper in Los Angeles, California. It was founded in 1978 by Jay Levin, who served as president and editor until 1991. Voice Media Group sold the paper in late 2017 to Semanal Media LLC, whose parent company is listed as Street Media. The current Editor-in-Chief and Creative Director is Darrick Rainey. It covers Los Angeles music, arts, film, theater, culture, concerts, and events. In 1979 they established the LA Weekly Theater Awards which awards small theatre productions (99 seats or less) in Los Angeles. Starting in 2006, ''LA Weekly'' has hosted the LA Weekly Detour Music Festival every October. The entire block surrounding Los Angeles City Hall is closed off to accommodate the festival's three stages. Some of its best known writers were Pulitzer Prize-winning food writer Jonathan Gold, who left in early 2012, and Nikki Finke, who blogged about the film industry through the ''Weekly'' website and published a print column in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Zeros (American Band)
The Zeros are an American punk rock band, formed in 1976 in Chula Vista, California. The band was originally composed of Javier Escovedo (younger brother of Alejandro Escovedo, older brother of Mario Escovedo of The Dragons) on vocals/guitar and Robert Lopez (later known as El Vez) on guitar, who were both attending Chula Vista High School; Hector Penalosa, (bass), and Baba Chenelle, (drums), who attended Sweetwater High School. Sometimes compared to the Ramones, the band was considered a pioneer of punk rock on the West Coast. Biography In 1977, The Zeros played their first major gig in Los Angeles at the Orpheum. Opening the show was the first performance by The Germs, followed by The Zeros and then The Weirdos. The gig was promoted by Peter Case of The Nerves, who later served as the frontman of The Breakaways and The Plimsouls. The Zeros' first single release, "Wimp" b/w "Don't Push Me Around", was released in 1977 on Bomp! Records. In 1978, Penalosa left the band b ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Plugz
The Plugz (also known as "Los Plugz") were a Latino punk band from Los Angeles that formed in 1977 and disbanded in 1984. They and The Zeros were among the first Latino punk bands, although several garage rock bands, such as Thee Midniters and Question Mark & the Mysterians, predated them. The Plugz melded the spirit of punk and Latino music. History The band was formed in 1977 and was a contemporary of the bands featured in the film ''The Decline of Western Civilization''. Their songs reflected the anger and angst of growing up Chicano, and this was reflected in their sardonic hi-speed version of Ritchie Valens' " La Bamba". The Plugz are generally acknowledged as being the first D.I.Y. punk band in L.A., having started their own PLUGZ RECORDS and later Fatima records. The band was initially composed of: *Tito Larriva (lead vocals/guitar) *Charlie Quintana (drums) (d. 2018) *Barry McBride (bass/backing vocals) This lineup recorded the band's first album, ''Electrify Me'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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