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Lorenz Fehenberger
Lorenz Fehenberger (24 August 1912 – 29 July 1984) was a German operatic tenor, particularly associated with the German and Italian repertories. Fehenberger was born in Oberweidach, Upper Bavaria, and began singing as a boy in a church choir, later studying voice with Elisabeth Wolff in Munich. He made his stage debut in Graz, as the Italian singer in ''Der Rosenkavalier'', in 1939. He then sang at the Staatsoper Dresden from 1941 to 1945, and made his debut at the Munich State Opera in 1946. He sang regularly at the Salzburg Festival between 1949 and 1962, where he created the role of Haemon in Carl Orff's ''Antigone''. He also sang at the Vienna State Opera (1951–52). He made guest appearances in Italy, Switzerland, Belgium, Holland, also appearing at the Teatro Colón in Buenos Aires (1951), and the Royal Opera House in London (1953). Fehenberger was much admired as Lohengrin and Walther, but also gained considerable acclaim in Italian roles such as Duke of Mantua, R ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor
A tenor is a type of classical music, classical male singing human voice, voice whose vocal range lies between the countertenor and baritone voice types. It is the highest male chest voice type. The tenor's vocal range extends up to C5. The low extreme for tenors is widely defined to be B2, though some roles include an A2 (two As below middle C). At the highest extreme, some tenors can sing up to the second F above middle C (F5). The tenor voice type is generally divided into the ''leggero'' tenor, lyric tenor, spinto tenor, dramatic tenor, heldentenor, and tenor buffo or . History The name "tenor" derives from the Latin word ''wikt:teneo#Latin, tenere'', which means "to hold". As Fallows, Jander, Forbes, Steane, Harris and Waldman note in the "Tenor" article at ''Grove Music Online'': In polyphony between about 1250 and 1500, the [tenor was the] structurally fundamental (or 'holding') voice, vocal or instrumental; by the 15th century it came to signify the male voice that ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a celebratory ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutsche Grammophon
Deutsche Grammophon (; DGG) is a German classical music record label that was the precursor of the corporation PolyGram. Headquartered in Berlin Friedrichshain, it is now part of Universal Music Group (UMG) since its merger with the UMG family of labels in 1999. It is the oldest surviving established record company. History Deutsche Grammophon Gesellschaft was founded in 1898 by German-born United States citizen Emile Berliner as the German branch of his Berliner Gramophone Company. Berliner sent his nephew Joseph Sanders from America to set up operations. Based in the city of Hanover (the founder's birthplace), the company was the German affiliate of the U.S. Victor Talking Machine Company and the British Gramophone Company, and, from 1900, a fully owned subsidiary of the latter, but that ended after the outbreak of World War I in 1914 when ownership reverted to Germany. Though no longer connected to the British Gramophone Company, Deutsche Grammophon continued to use the "His M ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eugen Jochum
Eugen Jochum (; 1 November 1902 – 26 March 1987) was a German conductor, best known for his interpretations of the music of Anton Bruckner, Carl Orff, and Johannes Brahms, among others. Biography Jochum was born to a Roman Catholic family in Babenhausen, near Augsburg, Germany; his father was an organist and conductor. Jochum studied the piano and organ in Augsburg, enrolling in its Academy of Music from 1914 to 1922. He then studied at the Munich Conservatory, with his composition teacher being Hermann von Waltershausen; it was there that he changed his focus to conducting, his teacher being Siegmund von Hausegger, who conducted the first performance of the original version of the Ninth Symphony of Anton Bruckner and made the first recording of it. Jochum's first post was as a rehearsal pianist at Mönchen-Gladbach, and then in Kiel. He made his conducting debut with the Munich Philharmonic Orchestra in 1926 in a program which included Bruckner's Seventh Symphony. In the s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Otto Von Rohr (bass)
Otto von Rohr (24 February 1914 – 5 July 1982) was a German operatic bass. Life Von Rohr was born in Berlin. After his education at the Musikhochschule Berlin with Hermann Weißenborn, he made his debut 1938 at the Theater Duisburg as Sarastro in ''The Magic Flute''. He remained there until 1941 and was then engaged at the Staatstheater Stuttgart between 1941 and 1979. There he performed until his death in Leonberg Recordings (selection) * Wagner: ''Lohengrin'', with Otto von Rohr, Herbert Schachtschneider (Lohengrin), Leonore Kirschstein (Elsa), Heinz Imdahl (Friedrich von Telramund), Ruth Hesse (Ortrud), Hans Helm, Konzertvereinigung Wiener Staatsopernchor, Large symphony orchestra (with members of the Czech Philharmonic), conductors: Hans Swarowsky Hans Swarowsky (September 16, 1899September 10, 1975,) was an Austrian conductor of Hungarian birth. Swarowsky was born in Budapest, Hungary. He studied the art of conducting under Felix Weingartner and Richard Str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ferdinand Frantz
Ferdinand Frantz (February 8, 1906 in Kassel – May 26, 1959 in Munich), was a German operatic bass-baritone. He was well known in his time for his performances in the operas of Richard Wagner. Fond of music as a boy, he joined a choral society in Kassel and at 16 was chosen to take a small solo part.Opera. June 1954, p339 Four years of vocal training ensued. Frantz's first role was in the Kassel Staatstheater in 1927, playing Hermann Ortel in a production of Wagner's ''Die Meistersinger''. He sang at the Halle Opera House from 1930 to 1932, then in Chemnitz from 1932 to 1937, and then in Hamburg with the Hamburg State Opera from 1937 to 1943. In 1943, he began singing with the Munich State Opera, where he would sing until the year of his death. Frantz guested at the Vienna Staatsoper, Semper Oper in Dresden, at La Scala, and Covent Garden. He debuted at the Metropolitan Opera in 1949, portraying Wotan in Wagner's ''Die Walküre''. This role caused some consternation among ope ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Helena Braun
Helena Braun (20 March 1903 – 2 September 1990) was a German dramatic soprano. She made her stage debut in Mozart's ''Le nozze di Figaro'' in 1928 and joined the Vienna State Opera and the Bavarian State Opera in 1939 and 1940, respectively. She became known for Wagnerian roles such as Brünnhilde in ''Der Ring des Nibelungen'' and Ortrud in ''Lohengrin''. Braun performed at the Metropolitan Opera for a brief period in 1949–1950 with her husband, Ferdinand Frantz, as a temporary replacement for Helen Traubel who had laryngitis. She continued singing in Munich in the 1950s with several international guest performances, and retired from opera after Frantz's death in 1959. Early life Helena Braun was born in Düsseldorf on 20 March 1903. She was initially trained as a mezzo-soprano and studied with Heinrich van Helden, a local baritone in Düsseldorf. Her early studies included roles such as the title character of Bizet's '' Carmen'' and Azucena from Verdi's ''Il trovatore ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Annelies Kupper
Annelies Kupper (21 July 1906 – 8 December 1987), was a German operatic soprano, particularly associated with Mozart and the German repertory. Kupper was born at Glatz (now Kłodzko) in Lower Silesia. She studied in Breslau and was a music teacher there before making her operatic debut in 1935. She then appeared in Schwerin (1937–38), Weimar (1938–40), Hamburg (1940–46), Munich (1946–61). She sang Eva in ''Die Meistersinger'' at the Bayreuth festival, in 1944, and returned as Elsa in ''Lohengrin'' in 1960. She created Danae in Richard Strauss's ''Die Liebe der Danae'' at the Salzburg festival, in 1952. Kupper was especially admired as Countess Almaviva, in addition to Wagner and Strauss roles, she also gained considerable acclaim as Aida and Desdemona (in '' Otello''). A sensitive and warm-voiced singer, she retired in 1961, and taught at the Music Conservatory in Munich. She died in Munich at age 81. Selected recordings * ''Lohengrin'' – Lorenz Fehenberger, An ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Haydn
Franz Joseph Haydn ( , ; 31 March 173231 May 1809) was an Austrian composer of the Classical period. He was instrumental in the development of chamber music such as the string quartet and piano trio. His contributions to musical form have led him to be called "Father of the Symphony" and "Father of the String Quartet". Haydn spent much of his career as a court musician for the wealthy Esterházy family at their Eszterháza Castle. Until the later part of his life, this isolated him from other composers and trends in music so that he was, as he put it, "forced to become original". Yet his music circulated widely, and for much of his career he was the most celebrated composer in Europe. He was a friend and mentor of Mozart, a tutor of Beethoven, and the elder brother of composer Michael Haydn. Biography Early life Joseph Haydn was born in Rohrau, Austria, a village that at that time stood on the border with Hungary. His father was Mathias Haydn, a wheelwright who also se ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel
George Frideric (or Frederick) Handel (; baptised , ; 23 February 1685 – 14 April 1759) was a German-British Baroque composer well known for his operas, oratorios, anthems, concerti grossi, and organ concertos. Handel received his training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712, where he spent the bulk of his career and became a naturalised British subject in 1727. He was strongly influenced both by the middle-German polyphonic choral tradition and by composers of the Italian Baroque. In turn, Handel's music forms one of the peaks of the "high baroque" style, bringing Italian opera to its highest development, creating the genres of English oratorio and organ concerto, and introducing a new style into English church music. He is consistently recognized as one of the greatest composers of his age. Handel started three commercial opera companies to supply the English nobility with Italian opera. In 1737, he had a physical break ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bach
Johann Sebastian Bach (28 July 1750) was a German composer and musician of the late Baroque period. He is known for his orchestral music such as the '' Brandenburg Concertos''; instrumental compositions such as the Cello Suites; keyboard works such as the ''Goldberg Variations'' and ''The Well-Tempered Clavier''; organ works such as the '' Schubler Chorales'' and the Toccata and Fugue in D minor; and vocal music such as the ''St Matthew Passion'' and the Mass in B minor. Since the 19th-century Bach revival he has been generally regarded as one of the greatest composers in the history of Western music. The Bach family already counted several composers when Johann Sebastian was born as the last child of a city musician in Eisenach. After being orphaned at the age of 10, he lived for five years with his eldest brother Johann Christoph, after which he continued his musical education in Lüneburg. From 1703 he was back in Thuringia, working as a musician for Protestant c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form. In an oratorio, the choir often plays a central role, and there is generally little or no interaction between the characters, and no props or elaborate costumes. A particularly important difference is in the typical subject matter of the text. Opera tends to deal with history and mythology, including age-old devices of romance, deception, and murder, whereas the plot of an oratorio often deals with sacred topics, making it appropriate for performance in the church. Protestant composers took their stories from the Bible, while Catholic composers looked to the lives of saints, as w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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