Lords Of The Night
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Lords Of The Night
In Mesoamerican mythology the Lords of the Night ( nci, Yoalteuctin) are a set of nine gods who each ruled over every ninth night forming a calendrical cycle. Each lord was associated with a particular fortune, bad or good, that was an omen for the night that they ruled over. The lords of the night are known in both the Aztec and Maya calendar, although the specific names of the Maya Night Lords are unknown. The glyphs corresponding to the night gods are known and Mayanists identify them with labels G1 to G9, the G series. Generally, these glyphs are frequently used with a fixed glyph coined F. The only Mayan light lord that has been identified is the God G9, Pauahtun the Aged Quadripartite God. The existence of a 9 nights cycle in Mesoamerican calendrics was first discovered in 1904 by Eduard Seler. The Aztec names of the Deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela. Seler argued that the 9 lords each corresponded to one ...
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Codex Borgia Page 14
The codex (plural codices ) was the historical ancestor of the modern book. Instead of being composed of sheets of paper, it used sheets of vellum, papyrus, or other materials. The term ''codex'' is often used for ancient manuscript books, with handwritten contents. A codex, much like the modern book, is bound by stacking the pages and securing one set of edges by a variety of methods over the centuries, yet in a form analogous to modern bookbinding. Modern books are divided into paperback or softback and those bound with stiff boards, called hardbacks. Elaborate historical bindings are called treasure bindings. At least in the Western world, the main alternative to the paged codex format for a long document was the continuous scroll, which was the dominant form of document in the ancient world. Some codices are continuously folded like a concertina, in particular the Maya codices and Aztec codices, which are actually long sheets of paper or animal skin folded into pages. The ...
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Tezcatlipoca
Tezcatlipoca (; nci, Tēzcatl ihpōca ) was a central deity in Aztec religion, and his main festival was the Toxcatl ceremony celebrated in the month of May. One of the four sons of Ōmeteōtl, Ometecuhtli and Omecihuatl, the God of providence, he is associated with a wide range of concepts, including the night sky, the night winds, hurricanes, the north, the earth, obsidian, hostility, discord, rulership, divination, temptation, Jaguars in Mesoamerican cultures, jaguars, sorcery, beauty, war, and conflict. His name in the Nahuatl language is often translated as "Smoking Mirror" and alludes to his connection to Obsidian use in Mesoamerica, obsidian, the material from which Mirrors in Mesoamerican culture, mirrors were made in Mesoamerica and which were used for shamanism, shamanic rituals and prophecy. Another talisman related to Tezcatlipoca was a disc worn as a chest pectoral. This talisman was carved out of abalone shell and depicted on the chest of both Huitzilopochtli and ...
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Maya Calendars
The Maya calendar is a system of calendars used in pre-Columbian Mesoamerica and in many modern communities in the Guatemalan highlands, Veracruz, Oaxaca and Chiapas, Mexico. The essentials of the Maya calendar are based upon a system which had been in common use throughout the region, dating back to at least the 5th century BC. It shares many aspects with calendars employed by other earlier Mesoamerican civilizations, such as the Zapotec and Olmec and contemporary or later ones such as the Mixtec and Aztec calendars. By the Maya mythological tradition, as documented in Colonial Yucatec accounts and reconstructed from Late Classic and Postclassic inscriptions, the deity Itzamna is frequently credited with bringing the knowledge of the calendrical system to the ancestral Maya, along with writing in general and other foundational aspects of Mayan culture. Overview The Maya calendar consists of several cycles or ''counts'' of different lengths. The 260-day count is known to sc ...
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Mesoamerican Mythology And Religion
Mesoamerica is a historical region and cultural area in southern North America and most of Central America. It extends from approximately central Mexico through Belize, Guatemala, El Salvador, Honduras, Nicaragua, and northern Costa Rica. Within this region Pre-Columbian era, pre-Columbian societies flourished for more than 3,000 years before the Spanish colonization of the Americas. Mesoamerica was the site of two of the most profound historical transformations in world history: primary urban generation, and the formation of New World cultures out of the long encounters among indigenous, European, African and Asian cultures. In the 16th century, Eurasian diseases such as smallpox and measles, which were endemic among the colonists but new to North America, caused the deaths of upwards of 90% of the indigenous people, resulting in great losses to their societies and cultures. Mesoamerica is one of the five areas in the world where ancient civilization arose independently (see cr ...
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Aztec Mythology And Religion
The Aztecs () were a Mesoamerican culture that flourished in central Mexico in the post-classic period from 1300 to 1521. The Aztec people included different ethnic groups of central Mexico, particularly those groups who spoke the Nahuatl language and who dominated large parts of Mesoamerica from the 14th to the 16th centuries. Aztec culture was organized into city-states (''altepetl''), some of which joined to form alliances, political confederations, or empires. The Aztec Empire was a confederation of three city-states established in 1427: Tenochtitlan, city-state of the Mexica or Tenochca; Texcoco; and Tlacopan, previously part of the Tepanec empire, whose dominant power was Azcapotzalco. Although the term Aztecs is often narrowly restricted to the Mexica of Tenochtitlan, it is also broadly used to refer to Nahua polities or peoples of central Mexico in the prehispanic era, as well as the Spanish colonial era (1521–1821). The definitions of Aztec and Aztecs have long ...
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Chalchiuhtlicue
Chalchiuhtlicue (from ''chālchihuitl'' "jade" and ''cuēitl'' "skirt") (also spelled Chalciuhtlicue, Chalchiuhcueye, or Chalcihuitlicue) ("She of the Jade Skirt") is an Aztec deity of water, rivers, seas, streams, storms, and baptism. Chalchiuhtlicue is associated with fertility, and she is the patroness of childbirth. Chalchiuhtlicue was highly revered in Aztec culture at the time of the Spanish conquest, and she was an important deity figure in the Postclassic Aztec realm of central Mexico. Chalchiuhtlicue belongs to a larger group of Aztec rain gods, and she is closely related to another Aztec water god called Chalchiuhtlatonal. Religious significance Chalchiuitlicue directly translates to "Jade her skirt"; however, her name is most commonly interpreted as "she of the jade skirt." She was also known as Chalchiuhtlatonac (chalchihu tltla-tona-c) "She who shines like jade" and Matlalcueye "Possessor of the Blue Skirt" by the Tlaxcalans, an indigenous group who inhabited the ...
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