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Looping State Of Mind
''Looping State of Mind'' is the third studio album by Swedish electronic music producer Axel Willner under his alias the Field and released digitally on 5 September 2011 by Kompakt. The production stemmed from the use of guest musicians for Willner's previous album as the Field, '' Yesterday and Today'' (2009), and his use of live instrumentation in a music tour. The songs in ''Looping State of Mind'' were produced at Dumbo Studios, Cologne, where live instrumentation, performed by Dan Enquvist and Jesper Skarin, were added to demos composed by Willner. It is an ambient and minimal techno album that develops upon the Field's previously established music style. Each song is formed by musical loops that are layered and evolve over time, creating immersive and intricate songs. "Then It's White" was posted on SoundCloud the same day as the digital release of ''Looping State of Mind'', which was released physically on 10 October 2011. A promotional tour ran throughout North Amer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Album
An album is a collection of audio recordings issued on compact disc (CD), Phonograph record, vinyl, audio tape, or another medium such as Digital distribution#Music, digital distribution. Albums of recorded sound were developed in the early 20th century as individual Phonograph record#78 rpm disc developments, 78 rpm records collected in a bound book resembling a photograph album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at revolutions per minute, rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the album era. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983 and was gradually supplanted by the cassette tape during the 1970s and early 1980s; the populari ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Stanier (drummer)
John Stanier is an American drummer who is best known for his work with alternative metal band Helmet. He currently plays in experimental rock band Battles and has previously performed with Tomahawk and The Mark of Cain, as well as performing on several releases as a studio musician. He is known for his speed, endurance, and precision as a performer. Stanier uses a Tama Artstar II drum kit. Biography Stanier grew up in Pittsburgh, Pennsylvania and Florida and is a veteran of the local hardcore music scene. He is known for having a drum corps background, but never actually marched a summer season. He played tenor drums for the Florida Wave Drum and Bugle Corps through a few years of their winter/spring camps. He studied orchestral percussion at the University of South Florida, but never took formal drum set lessons. Stanier cites Neil Peart as his biggest influence. He has also been influenced by drummers such as John Bonham, Billy Cobham, Bill Bruford, Terry Bozzio, Carl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shoegaze
Shoegaze (originally called shoegazing and sometimes conflated with "dream pop") is a subgenre of indie and alternative rock characterized by its ethereal mixture of obscured vocals, guitar distortion and effects, feedback, and overwhelming volume.Pete Prown / Harvey P. Newquist: "One faction came to be known as dream-pop or "shoegazers" (for their habit of looking at the ground while playing the guitars on stage). They were musicians who played trancelike, ethereal music that was composed of numerous guitars playing heavy droning chords wrapped in echo effects and phase shifters.", Hal Leonard 1997, It emerged in Ireland and the United Kingdom in the late 1980s among neo-psychedelic groups who usually stood motionless during live performances in a detached, non-confrontational state. The name comes from the heavy use of effects pedals, as the performers were often looking down at their pedals during concerts. My Bloody Valentine's album '' Loveless'' (1991) is often seen as th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ambient Techno
Ambient techno is a subgenre of techno that incorporates the atmospheric textures of ambient music with the rhythmic elements and production of techno. It was pioneered by 1990s electronic artists such as Aphex Twin, Carl Craig, the Black Dog, Pete Namlook and Biosphere. Characteristics and influences AllMusic states that ambient techno, building off the ambient house scene, blended the "soaring, layered, aquatic atmospheres of beatless and experimental ambient" with techno's "well-produced, thin-sounding electronics." Artists fused the "environmentalist" work of Brian Eno, Jon Hassell, and Wendy Carlos with the rhythms of urban dance styles such as techno and acid house. Ambient techno artists returned to the instruments of the Detroit techno and Chicago house scenes, including analogue synthesizers, the Roland TB-303 bass machine, and the TR-909 drum machine. Common elements included heavily reverbed string pads and subtle drum programming that moved beyond the simple patterns ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Consequence (publication)
''Consequence'' (previously ''Consequence of Sound'') is an independently owned New York-based online magazine featuring news, editorials, and reviews of music, movies, and television. In addition, the website also features the Festival Outlook micro-site, which serves as an online database for music festival news and rumors. In 2018, Consequence of Sound launched Consequence Podcast Network. The website took its original name from the Regina Spektor song " Consequence of Sounds". History ''Consequence of Sound'' was founded in September 2007 by Alex Young, then a student at Fordham University in The Bronx, New York. In January 2008, Michael Roffman became Editor-in-Chief. In October 2014, ''Consequence of Sound'' began covering film and became a part of the Chicago Film Critics Association. In 2016, ''Consequence of Sound'' was reorganized under the umbrella of Consequence Media, a digital media, advertising, and marketing firm. In 2018, ''Consequence of Sound'' launched the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Post-production
Post-production is part of the process of filmmaking, video production, audio production, and photography. Post-production includes all stages of production occurring after principal photography or recording individual program segments. The first part of the post-production process is the traditional non-linear (analog) film editing at the outset of post-production has mostly been replaced by digital or video editing software that operates as a non-linear editing (NLE) system. The advantage of being able to have this non-linear capacity is in the flexibility for editing scenes out of order, making creative changes at will, carefully shaping the film in a thoughtful, meaningful way for emotional effect. Once the production team is satisfied with the picture editing, the picture editing is said to be "locked." At this point begins the turnover process, where the picture is prepared for lab and color finishing and the sound is "spotted" and turnover to the composer and sound de ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jam Session
A jam session is a relatively informal musical event, process, or activity where musicians, typically instrumentalists, play improvised solos and vamp over tunes, drones, songs, and chord progressions. To "jam" is to improvise music without extensive preparation or predefined arrangements, except for when the group is playing well-known jazz standards or covers of existing popular songs. Original jam sessions, also called "free flow sessions," are often used by musicians to develop new material (music) and find suitable arrangements. Both styles can be used simply as a social gathering and communal practice session. Jam sessions may be based upon existing songs or forms, may be loosely based on an agreed chord progression or chart suggested by one participant, or may be wholly improvisational. Jam sessions can range from very loose gatherings of amateurs to evenings where a jam session coordinator or host acts as a "gatekeeper" so that appropriate-level performers take the stage ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Akai MPC
The Akai MPC (originally MIDI Production Center, now Music Production Center) is a series of music workstations produced by Akai from 1988 onwards. MPCs combine sampling and sequencing functions, allowing users to record portions of sound, modify them and play them back as sequences. The first MPCs were designed by Roger Linn, who had designed the successful LM-1 and LinnDrum drum machines in the 1980s. Linn aimed to create an intuitive instrument, with a grid of pads that can be played similarly to a traditional instrument such as a keyboard or drum kit. Rhythms can be built not just from samples of percussion but samples of any recorded sound. The MPC had a major influence on the development of electronic and hip hop music. It led to new sampling techniques, with users pushing its technical limits to creative effect. It had a democratizing effect on music production, allowing artists to create elaborate tracks without traditional instruments or recording studios. Its pad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elektron Octatrack
The Octatrack DPS-1 (Dynamic Performance Sampler) is a digital electronic music instrument made after the Machinedrum UW by Elektron Music Machines. An LCD surrounded by hand controls let the user interact with sampler, step sequencer, mixer, and effect features while stereo audio and MIDI signals are continuously output. In December 2020, 10 years after its release, Elektron Music Machines celebrated the Octatrack by producing a limited number of Anniversary Edition units. Features A CompactFlash card reader lets arbitrary digital sound recordings be loaded into RAM for sample manipulation and step sequencing, or the same functionality can be applied to live recordings made by the Octatrack from the four input audio jacks. Up to eight tracks of these sequenced audio samples can be mixed to two pairs of stereo output jacks and can be monitored with a stereo headphone jack. Buttons spanning the lower part of the instrument usually represent musical time points wi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synthesizer
A synthesizer (also spelled synthesiser) is an electronic musical instrument that generates audio signals. Synthesizers typically create sounds by generating waveforms through methods including subtractive synthesis, additive synthesis and frequency modulation synthesis. These sounds may be altered by components such as filters, which cut or boost frequencies; envelopes, which control articulation, or how notes begin and end; and low-frequency oscillators, which modulate parameters such as pitch, volume, or filter characteristics affecting timbre. Synthesizers are typically played with keyboards or controlled by sequencers, software or other instruments, and may be synchronized to other equipment via MIDI. Synthesizer-like instruments emerged in the United States in the mid-20th century with instruments such as the RCA Mark II Sound Synthesizer, RCA Mark II, which was controlled with Punched card, punch cards and used hundreds of vacuum tubes. The Moog synthesizer, d ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Red Bull Music Academy
The Red Bull Music Academy (RBMA) is a world-traveling series of music workshops and festivals that was founded in 1998 by Red Bull GmbH. The main five-week event is held in a different city each year. The public portion of its program is a festival of concerts, art installations, club nights and lectures by influential figures in contemporary music. The other part of the program is by invitation only and is held in a building that has been custom-fitted with a large recording studio, a lecture hall, a radio booth and 8–12 bedroom-sized studios. There, 60 up-and-coming producers, singers, sound artists, DJs and musicians from around the world learn from and collaborate with top industry professionals. The Red Bull Music Academy maintains an online magazine and lecture video archive year-round. The Academy hosts additional music workshops and club nights and curates stages at festivals in around 60 countries worldwide. In 2019, it was announced that both the Red Bull Music Academy ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Future Music
''Future Music'' (stylised as ''FutureMusic'') is a monthly magazine published by Future plc in the UK. It was founded in 1992 and is aimed primarily at record producers working in the electronic music field. ''Future Music'' includes hardware and software reviews, tutorials, royalty-free samples and loops, and music by electronic artists. The magazine also has reviews of commercial releases within the electronic genre, regularly naming its "Album of the Month". Interviewees have included Aphex Twin, Grimes and Gary Numan, who appeared on the cover of the first issue. ''Future Music'' content has been reprinted by outlets including ''The Fader'', ''Amiga Format'' and Loopmasters. The journalist and broadcaster Dave Haslam characterised ''Future Music'' as "a specialist mag for techno boffins". Matt Feeney in ''The Lance'' recommended the publication as one of the best within electronic music, saying, "''Future Music'' magazine is... intended not so much for the fans of electronic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
