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Look On Yonder Wall
"Look on Yonder Wall", or "Get Ready to Meet Your Man" as it was first named, is a blues song first recorded in 1945 by James "Beale Street" Clark. Clark, also known as "Memphis Jimmy", was a blues pianist from Memphis, Tennessee. During the 1940s, he appeared on recordings by Jazz Gillum, Red Nelson (also known as Dirty Red), and an early Muddy Waters session, as well as several singles in his own name. In 1961, Elmore James adapted the song, titled "Look on Yonder Wall", which was issued as single. Most subsequent renditions show James's influence. Origins "Look on Yonder Wall" was performed as a mid-tempo twelve-bar blues, with a recurrent post-World War II theme. It tells of a "man who is somewhat disabled and has not been drafted and takes advantage of that to entertain lonely married women". When the husband is discharged, the narrator ponders his fate: Jazz Gillum, with whom the song is often associated, recorded a version on February 18, 1946, four months after Cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues
Blues is a music genre and musical form which originated in the Deep South of the United States around the 1860s. Blues incorporated spirituals, work songs, field hollers, shouts, chants, and rhymed simple narrative ballads from the African-American culture. The blues form is ubiquitous in jazz, rhythm and blues, and rock and roll, and is characterized by the call-and-response pattern (the blues scale and specific chord progressions) of which the twelve-bar blues is the most common. Blue notes (or "worried notes"), usually thirds, fifths or sevenths flattened in pitch, are also an essential part of the sound. Blues shuffles or walking bass reinforce the trance-like rhythm and form a repetitive effect known as the groove. Blues as a genre is also characterized by its lyrics, bass lines, and instrumentation. Early traditional blues verses consisted of a single line repeated four times. It was only in the first decades of the 20th century that the most common current str ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny "Big Moose" Walker
Johnny "Big Moose" Walker (June 27, 1927 November 27, 1999) was an American Chicago blues and electric blues pianist and organist. He worked with many blues musicians, including Ike Turner, Sonny Boy Williamson II, Lowell Fulson, Choker Campbell, Elmore James, Earl Hooker, Muddy Waters, Otis Spann, Sunnyland Slim, Jimmy Dawkins and Son Seals. Walker was primarily a piano player but was also proficient on the electronic organ and the bass guitar (he played the bass guitar when backing Muddy Waters). He recorded solo albums and accompanied other musicians in concert and on recordings. Life and career John Mayon Walker was born in the unincorporated community of Stoneville, Mississippi, partly of Native American ancestry. He acquired his best-known stage name in his childhood in Greenville, Mississippi, derived from his long, flowing hair. He learned to play several instruments, including the church organ, guitar, vibraphone and tuba. He began his musical career as a pianist, in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hoodoo Man Blues
''Hoodoo Man Blues'' is the debut album of blues vocalist and harmonica player Junior Wells, performing with the Junior Wells' Chicago Blues Band, an early collaboration with guitarist Buddy Guy. Released on LP by Delmark Records in November 1965,Koester, BobCan I do it like I want to? Bob Koester remembers Junior Wells Delmark. Accessed October 5, 2020. the album has been subsequently reissued on CD and LP by Delmark and Analogue Productions. The album of Chicago blues music was solicited by Bob Koester, the founder of Delmark Records, who liked Wells' music enough to give the musician considerable freedom on the album despite concerns of commercial response. The resultant innovative album became Delmark's best-seller, establishing Wells' career and receiving critical acclaim as being among the best albums Wells ever produced and among the greatest blues albums ever made. Background Record producer Bob Koester, the founder of Delmark Records who is credited with discovering We ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buddy Guy
George "Buddy" Guy (born July 30, 1936) is an American blues guitarist and singer. He is an exponent of Chicago blues who has influenced generations of guitarists including Eric Clapton, Jimi Hendrix, Jimmy Page, Keith Richards, Stevie Ray Vaughan, Jeff Beck, Gary Clark Jr. and John Mayer. In the 1960s, Guy played with Muddy Waters as a session guitarist at Chess Records and began a musical partnership with blues harp virtuoso Junior Wells. Guy has won eight Grammy Awards and a Lifetime Achievement Award, the National Medal of Arts, and the Kennedy Center Honors. Guy was ranked 23rd in ''Rolling Stone'' magazine's " 100 Greatest Guitarists of All Time". His song "Stone Crazy" was ranked 78th in the ''Rolling Stone'' list of the "100 Greatest Guitar Songs of All Time". Clapton once described him as "the best guitar player alive". In 1999, Guy wrote the book ''Damn Right I've Got the Blues'', with Donald Wilcock. His autobiography, ''When I Left Home: My Story'', was publ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Wells
Junior Wells (born Amos Wells Blakemore Jr., December 9, 1934January 15, 1998) was an American singer, harmonica player, and recording artist. He is best known for his signature song "Messin' with the Kid" and his 1965 album ''Hoodoo Man Blues'', described by the critic Bill Dahl as "one of the truly classic blues albums of the 1960s". Wells himself categorized his music as rhythm and blues. Wells performed and recorded with various notable blues musicians, including Muddy Waters, Earl Hooker, and Buddy Guy. He remained a fixture on the blues scene throughout his career and also crossed over to rock audiences while touring with the Rolling Stones. Not long before Wells died, the blues historian Gerard Herzhaft called him "one of the rare active survivors of the 'golden age of the blues. Life and career Early years Wells may have been born in Memphis, Tennessee, and raised in West Memphis, Arkansas (some sources report that he was born in West Memphis). Initially taught by his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Guitar Slim
Eddie Jones (December 10, 1926 – February 7, 1959), better known as Guitar Slim, was an American guitarist in the 1940s and 1950s, best known for the million-selling song "The Things That I Used to Do", for Specialty Records. It is listed in the Rock and Roll Hall of Fame's 500 Songs That Shaped Rock and Roll. Slim had a major impact on rock and roll and experimented with distorted tones on the electric guitar a full decade before Jimi Hendrix. Biography Early life Jones was born in Greenwood, Mississippi. His mother died when he was five, and he was raised by his grandmother. In his teen years he worked in cotton fields and spent his free time at juke joints, where he started sitting in as a singer or dancer; he was good enough as a dancer that he was nicknamed "Limber Leg". Recording career After returning from military service during World War II, he started playing in clubs around New Orleans, Louisiana. Bandleader Willie D. Warren introduced him to the guitar. He was p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Blues Standard
Blues standards are blues songs that have attained a high level of recognition due to having been widely performed and recorded. They represent the best known and most interpreted blues songs that are seen as standing the test of time. Blues standards come from different eras and styles, such as ragtime-vaudeville, Delta and other early acoustic styles, and urban blues from Chicago and the West Coast. Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. Blues historian Gerard Herzhaft noted: Compounding the problem is that, in the earlier days, many blues songs were not copyrighted. Later, the rights were claimed by those who recorded a subsequent version or were managers or record company owners. Nearly one half of the blues standards listed were first recorded in the pre-World War II acoustic blues era, before music publications tracked the sales of blues records. However, many popular renditions, as refl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Things That I Used To Do
"The Things That I Used to Do" is a blues standard written by Guitar Slim. He recorded it in New Orleans, where the young Ray Charles arranged and produced the session. Specialty Records released the song as a single in 1953 and it became a bestseller the following year. Specialty founder Art Rupe believed that the appeal would be limited to the Southern U.S. rural audience. However, urban rhythm and blues radio stations in the North began airing the song and built it into a national hit. As a result, Guitar Slim became in great demand as a performer and played at venues such as the Apollo Theater in New York City. The single was one of the biggest hits in Specialty's history and stayed on the ''Billboard's'' Rhythm and Blues Records charts for 42 weeks. The song remained at number one for six weeks and was the best-selling R&B record of the year, selling more than a million copies. Composition and recording Charles's arrangement and piano accompaniment emphasize the religious ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Duke Records
Duke Records was an American record label, started in Memphis, Tennessee, in 1952 by David James Mattis (WDIA program director and DJ) and Bill Fitzgerald, owners of Tri-State Recording Company. Their first release was Roscoe Gordon singing "Hey Fat Girl", issued on Duke R-1, later amended to R-101. History After forming a partnership with Mattis in the summer of 1952, Don Robey (founder of Houston's Peacock Records) took control of Duke. Both labels then headquartered at his Bronze Peacock club at 2809 Erastus Street in Houston, focusing on R&B and gospel music. Robey started a subsidiary, Back Beat Records, in 1957 and this later specialised in soul music, along with Sure Shot Records, whilst Peacock specialised in gospel recordings. Duke's leading artist was Bobby "Blue" Bland who stayed with the label for many years until its demise, mostly recording successfully with arranger/bandleader Joe Scott. Johnny Ace was a major R&B artist in the early years of the label before ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MCA Records
MCA Records was an American record label owned by MCA Inc., which later became part of Universal Music Group. Pre-history MCA Inc., a powerful talent agency and a television production company, entered the recorded music business in 1962 with the purchase of the New York-based US Decca Records (established in 1934), including Coral Records and Brunswick Records. MCA was forced to exit the talent agency business in order to complete the merger. As American Decca owned Universal Pictures, MCA assumed full ownership of Universal and made it into a top film studio, producing several hits. In 1966, MCA formed Uni Records and in 1967, purchased Kapp Records which was placed under Uni Records management. History The early years In 1937, the owner of Decca, E. R. Lewis, chose to split off the UK Decca company from the US company (keeping his US Decca holdings), fearing the financial damage that would arise for UK Companies if the emerging hostilities of Nazi Germany should lead t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Junior Parker
Herman "Junior" Parker (March 27, 1932November 18, 1971) Little Junior Parker, ''Mississippi Blues Trail'' Retrieved October 14, 2016 was an American blues singer and musician. He is best remembered for his voice which has been described as "honeyed" and "velvet-smooth". One music journalist noted, "For years, Junior Parker deserted down home harmonica blues for uptown blues-soul music". In 2001, he was inducted into the . Parker is also inducted into the |
Shake Your Moneymaker (song)
"Shake Your Moneymaker" or "Shake Your Money Maker" is a song recorded by Elmore James in 1961 that has become one of his best-known pieces. Inspired by earlier songs, it has been interpreted and recorded by several blues and other artists. "Shake Your Moneymaker" is included on the Rock and Roll Hall of Fame's list of the "500 Songs that Shaped Rock and Roll" and in 2019, the Blues Foundation inducted it into the Blues Hall of Fame as a "Classic of Blues Recording". Earlier songs Blues historian Gerard Herzhaft suggests that "Shake Your Moneymaker" is a variation on songs that have been traced back to Charlie Patton (1929 "Shake It and Break It") and Bukka White (1937 "Shake 'Em on Down"). In 1958, Chicago blues singer and harmonica player Shakey Jake Harris recorded "Roll Your Moneymaker" with a band including Magic Sam on guitar and Willie Dixon on bass. The song, a twelve-bar blues with breaks, featured the chorus "roll your moneymaker". However, the song has been also id ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
