Longa (music)
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Longa (music)
A longa (pl. ''longae'', or sometimes ''longe''), long, quadruple note (Am.), or quadruple whole note is a musical note that could be either twice or three times as long as a breve (Am.: double whole note, or double note), four or six times as long as a semibreve (Am.: whole note), that appears in early music. The number of breves in a long was determined by the "modus" or "mode" of a passage. Sections in perfect mode used three breves to the long while sections in imperfect mode used two breves to the long. Imperfect longs, worth two breves, existed in perfect mode from the earliest sources (late 12th century), while the fourteenth century saw the introduction of perfect longs, worth three breves, in imperfect mode through the use of dots of addition (''puncti additiones''). Prior to the innovations of Franco of Cologne in the mid-thirteenth century, the value of the longa was in common usage in both theoretical and practical sources but appeared primarily in pre-mensural ...
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Scorewriter
A scorewriter, or music notation program is software for creating, editing and printing sheet music. A scorewriter is to music notation what a word processor is to text, in that they typically provide flexible editing and automatic layout, and produce high-quality printed results. Most scorewriters, especially those from the 2000s, can record notes played on a MIDI keyboard (or other MIDI instruments), and play music back via MIDI or virtual instruments. Playback is especially useful for novice composers and music students, and when musicians are not available or affordable. Several free programs are widely used, such as MuseScore. The three main professional-level programs are Finale, Sibelius and Dorico. Comparison with multitrack sequencer software Multitrack sequencer software and scorewriters typically employ different methods for notation input and display. Scorewriters are based on traditional music notation, using staff lines and round note heads, which originates f ...
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The New Grove Dictionary Of Music And Musicians
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ...
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Cambridge, Massachusetts
Cambridge ( ) is a city in Middlesex County, Massachusetts, United States. As part of the Boston metropolitan area, the cities population of the 2020 U.S. census was 118,403, making it the fourth most populous city in the state, behind Boston, Worcester, and Springfield. It is one of two de jure county seats of Middlesex County, although the county's executive government was abolished in 1997. Situated directly north of Boston, across the Charles River, it was named in honor of the University of Cambridge in England, once also an important center of the Puritan theology embraced by the town's founders. Harvard University, the Massachusetts Institute of Technology (MIT), Lesley University, and Hult International Business School are in Cambridge, as was Radcliffe College before it merged with Harvard. Kendall Square in Cambridge has been called "the most innovative square mile on the planet" owing to the high concentration of successful startups that have emerged in the vicinity ...
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List Of Musical Symbols
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which fingers, keys, or pedals are to be used, whether a string instrument should be bowed or plucked, or whether the bow of a string instrument should move up or down). Lines Clefs A clef assigns one particular pitch to one particular line of the staff on which it is placed. This also effectively defines the pitch range or tessitura of the music on that staff. A clef is usually the leftmost symbol on a staff, although a different clef may appear elsewhere to indicate a change in register. Historically, clefs could be placed on any line on a staff (or even on a space), but modern notation a ...
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Half Note
''Half Note'' is a live album by saxophonist Clifford Jordan which was recorded in 1974 and first released on the SteepleChase label in 1985.Clifford Jordan discography
accessed April 9, 2014


Reception

In his review on , Scott Yanow notes that this is "An good example of Jordan's music"


Track listing

''All compositions by Clifford Jordan except as indicated'' # "Holy Land" (Cedar Walton) - 8:41 # "The Glass Bead Games" - 5:38 # " St. Thomas" (
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LilyPond
LilyPond is a computer program and file format for music engraving. One of LilyPond's major goals is to produce scores that are engraved with traditional layout rules, reflecting the era when scores were engraved by hand. LilyPond is cross-platform, and is available for several common operating systems; released under the terms of the GNU General Public License, LilyPond is free software and part of the GNU Project. History The LilyPond project was started in 1996 by Han-Wen Nienhuys and Jan Nieuwenhuizen, after they decided to abandon work on MPP (MusiXTeX PreProcessor), a project they began collaborating on in 1995. Its name was inspired both by the Rosegarden project and an acquaintance of Nienhuys and Nieuwenhuizen named Suzanne, a name that means lily in Hebrew (). Version 1.0 LilyPond 1.0 was released on July 31, 1998, highlighting the development of a custom music font, Feta, and the complete separation of LilyPond from MusiXTeX. Version 2.0 LilyPond 2.0 was relea ...
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Maxima (music)
A maxima, duplex longa, larga (in British usage: large), or octuple whole note was a musical note used commonly in thirteenth and fourteenth century music and occasionally until the end of the sixteenth century. It was usually twice or, rarely, three times as long as a longa, four or six or nine times as long as a breve, and 8, 12, 18, or 27 times as long as a semibreve (whole note). Like the stem of the longa, the stem of the maxima generally pointed downwards except occasionally when it appeared on the bottom line or space. Before around 1430, the maxima was written with a solid, black body. Over the course of the fifteenth century, like most other note values, the head of the maxima became void. In most early sources the duplex longa has twice the body of a longa, but before 1250 there is often no clear difference of shape and the presence of the duplex longa is instead merely suggested by a greater distance between the notes in the tenor (in score notation), caused by t ...
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Mensural Notation
Mensural notation is the musical notation system used for European vocal polyphonic music from the later part of the 13th century until about 1600. The term "mensural" refers to the ability of this system to describe precisely measured rhythmic durations in terms of numerical proportions between note values. Its modern name is inspired by the terminology of medieval theorists, who used terms like ''musica mensurata'' ("measured music") or ''cantus mensurabilis'' ("measurable song") to refer to the rhythmically defined polyphonic music of their age, as opposed to ''musica plana'' or ''musica choralis'', i.e., Gregorian plainchant. Mensural notation was employed principally for compositions in the tradition of vocal polyphony, whereas plainchant retained its own, older system of neume notation throughout the period. Besides these, some purely instrumental music could be written in various forms of instrument-specific tablature notation. Mensural notation grew out of an earlier, ...
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Franco Of Cologne
Franco of Cologne (; also Franco of Paris) was a German music theorist and possibly a composer. He was one of the most influential theorists of the Late Middle Ages, and was the first to propose an idea which was to transform musical notation permanently: that the duration of any note should be determined by its appearance on the page, and not from context alone. The result was Franconian notation, described most famously in his ''Ars cantus mensurabilis''. Life Some details are known about his life, and more can be inferred. In his own treatise he described himself as the papal chaplain and the preceptor of the Knights Hospitallers of St. John at Cologne, an extremely powerful position in northern Europe in the 13th century. Other documents of the time refer to him as "Franco of Paris" as well as "Franco teutonicus"; since his writing on music is intimately associated with the Notre Dame school of Paris, and his Teutonic origin is mentioned in several sources, he was probably ...
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