Long Way Around (album)
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Long Way Around (album)
''Long Way Around – An Anthology: 1991–2001'' is the eighth album by singer-songwriter and guitarist, Chris Whitley. It is his first compilation album and includes hits, album tracks, rarities, and unreleased demos from 1991 to 2001. The compilation was produced by Danny Kadar and includes songs from Whitley's studio albums: ''Living with the Law'' (1991), ''Din of Ecstasy'' (1995), ''Terra Incognita'' (1997), '' Dirt Floor'' (1998), and ''Rocket House'' (2001) in their original, alternately mixed, or remixed form. Also included are four demos recorded live by David Kahne in 1992 at The Hit Factory in New York City after the ''Living with the Law'' tour. All of the material on this recording has been remastered from the original sources. The album's title is taken from a song on ''Living with the Law''. Track listing All tracks written by Chris Whitley unless otherwise noted. # "Home is Where You Get Across" (demo) – 3:04 # "Make the Dirt Stick" – 3:25 # "Big Sky Count ...
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Chris Whitley
Christopher Becker Whitley (August 31, 1960 – November 20, 2005) was an American blues/rock singer-songwriter and guitarist. During his 25-year career he released more than a dozen albums, had two songs in the top 50 of the Billboard mainstream rock charts and received two Independent Music Awards. Whitley's sound was drawn from the traditions of blues, jazz and rock and he recorded songs by artists from many genres. He died in 2005 of lung cancer at the age of 45. Early life Whitley was born in Houston, Texas and learned to play guitar when he was fifteen. His father was an art director and his mother was a sculptor. During his youth he lived in Dallas, Texas, Oklahoma, Connecticut, Mexico and Vermont. His parents "grew up on race music, race radio in Southern United States, the South" and their musical tastes—including Muddy Waters, Howlin' Wolf, Bob Dylan and Jimi Hendrix—influenced Whitley. Career During the early 1980s Whitley was busking on the streets of New York ...
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Remaster
Remaster refers to changing the quality of the sound or of the image, or both, of previously created recordings, either audiophonic, cinematic, or videographic. The terms digital remastering and digitally remastered are also used. Mastering A master is the definitive recording version that will be replicated for the end user, commonly into other formats (e.g. LP records, CDs, DVDs, Blu-rays). A batch of copies is often made from a single original master recording, which might itself be based on previous recordings. For example, sound effects (e.g. a door opening, punching sounds, falling down the stairs, a bell ringing) might have been added from copies of sound effect tapes similar to modern sampling to make a radio play for broadcast. Problematically, several different levels of masters often exist for any one audio release. As an example, examine the way a typical music album from the 1960s was created. Musicians and vocalists were recorded on multi-track tape. This tape w ...
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Electronic Keyboard
An electronic keyboard, portable keyboard, or digital keyboard is an electronic musical instrument, an electronic derivative of keyboard instruments. Electronic keyboards include synthesizers, digital pianos, stage pianos, electronic organs and digital audio workstations. In technical terms, an electronic keyboard is a synthesizer with a low-wattage power amplifier and small loudspeakers. Electronic keyboards are capable of recreating a wide range of instrument sounds (piano, Hammond organ, pipe organ, violin, etc.) and synthesizer tones with less complex sound synthesis. Electronic keyboards are usually designed for home users, beginners and other non-professional users. They typically have unweighted keys. The least expensive models do not have velocity-sensitive keys, but mid- to high-priced models do. Home keyboards typically have little, if any, digital sound editing capacity. The user typically selects from a range of preset "voices" or sounds, which include imitations ...
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Music Loop
In music, a loop is a repeating section of sound material. Short sections can be repeated to create ostinato patterns. Longer sections can also be repeated: for example, a player might loop what they play on an entire verse of a song in order to then play along with it, accompanying themselves. Loops can be created using a wide range of music technologies including turntables, digital samplers, looper pedals, synthesizers, sequencers, drum machines, tape machines, and delay units, and they can be programmed using computer music software. The feature to loop a section of an audio track or video footage is also referred to by electronics vendors as ''A–B repeat''. Royalty-free loops can be purchased and downloaded for music creation from companies like The Loop Loft, Native Instruments, Splice and Output. Loops are supplied in either MIDI or Audio file formats such as WAV, REX2, AIFF and MP3. Musicians ''play'' loops by triggering the start of the musical sequence by usi ...
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Brady Blade
Brady L Blade Jr. (born 1965 in Shreveport, Louisiana) is an American rock, pop and country drummer, record producer and composer, who currently resides in Stockholm, Sweden. He is the son of Dorothy and Pastor Brady Blade Sr. (Pastor of the Zion Baptist Church in Shreveport, Louisiana). His brother is jazz drummer Brian Blade. Having learned to play drums in both high school and as part of his father's church, Brady initially sought out a career in business, focusing on the music industry. This led to A&R roles at several major record labels, before ultimately becoming manager to the Brand New Heavies. He has played as part of Emmylou Harris's band, Spyboy, Steve Earle and the Dukes, Dave Matthews & Friends, and with Buddy & Julie Miller. Return to drumming Early 1995 saw Emmylou Harris persuade Brady to return to his kit as part of her touring band ''Spyboy'', along with Daniel Lanois and Darryl Johnson. The following year they were joined by Buddy Miller and toured ...
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Brian Blade
Brian Blade (born July 25, 1970) is an American jazz drummer, composer, session musician, and singer-songwriter. Early life Blade was born and raised in Shreveport, Louisiana. The first music he experienced was gospel and songs of praise at the Zion Baptist Church where his father, Brady L. Blade Sr., has been the pastor for fifty-two years. In elementary school, music appreciation classes were an important part of his development and at age nine, he began playing the violin. Inspired by his older brother, Brady Blade Jr., who had been the drummer at Zion Baptist Church, Blade shifted his focus to the drums throughout middle and high school. During high school, while studying with Dorsey Summerfield Jr., Blade began listening to the music of John Coltrane, Charlie Parker, Miles Davis, Art Blakey, Thelonious Monk, Elvin Jones, and Joni Mitchell. By the age of eighteen, Brian moved to New Orleans to attend Loyola University. From 1988 through 1993, he studied and played with ...
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Guitar Solo
A guitar solo is a melodic passage, instrumental section, or entire piece of music, pre-written (or improvised) to be played on a classical guitar, electric guitar or an acoustic guitar. In 20th and 21st century traditional music and popular music such as blues, swing, jazz, jazz fusion, rock and metal, guitar solos often contain virtuoso techniques and varying degrees of improvisation. Guitar solos on classical guitar, which are typically written in musical notation, are also used in classical music forms such as chamber music and concertos. Guitar solos range from unaccompanied works for a single guitar to compositions with accompaniment from a few other instruments or a large ensemble. The accompaniment musicians for a guitar solo can range from a small ensemble such as a jazz quartet or a rock band, to a large ensemble such as an orchestra or big band. Unaccompanied acoustic guitar music is found in folk and classical music dating as far back as the instrument's fi ...
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Pedal Steel
The pedal steel guitar is a console-type of steel guitar with pedals and knee levers that change the pitch of certain strings to enable playing more varied and complex music than any previous steel guitar design. Like all steel guitars, it can play unlimited glissandi (sliding notes) and deep vibrati—characteristics it shares with the human voice. Pedal steel is most commonly associated with American country music and Hawaiian music. Pedals were added to a lap steel guitar in 1940, allowing the performer to play a major scale without moving the bar and also to push the pedals while striking a chord, making passing notes slur or bend up into harmony with existing notes. The latter creates a unique sound that has been popular in country and western music— a sound not previously possible on steel guitars before pedals were added. From its first use in Hawaii in the 19th century, the steel guitar sound became popular in the United States in the first half of the 20th century an ...
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Guitorgan
A Guitorgan is an electric guitar with electronic organ components added. Each guitar fret is separated into six segments, creating independent contact switches for each string. The organ notes are keyed when a string touches a specific segment. An expression pedal is used to fade the organ sound in and out, while the guitar can be played at the same time. History The invention of the Guitorgan is credited to Bob Murrell and Musiconics International (MCI) of Waco, Texas. Murrell worked on converting existing products from the late 1960s. In 1968, he had a significant run of instruments based on semi-hollow body guitars from Japan. The B-300 and M-340 are among the most common examples from this run. The M-300 model was introduced at the 1970 NAMM Show. The B-300 FSG (Frequency Synthesized Guitorgan) models, introduced in the early '70s along with the B-35, are based on a master oscillator circuit using a 12-note divider integrated circuit which is an improvement to the older 12 ...
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Melvin Gibbs
Melvin Gibbs is an American bass guitarist who has appeared on close to 200 albums in diverse genres of music. Among others, Gibbs is known for working in jazz with drummer Ronald Shannon Jackson and guitarist Sonny Sharrock, and in rock music with Rollins Band and Arto Lindsay. Career A native of Brooklyn, New York, Gibbs attended Medgar Evers College and the Brooklyn Conservatory of Music. After graduating from Berklee College of Music, Gibbs first came to public notice as a member of the group Defunkt, which was a mainstay of the early 1980s downtown New York scene. Throughout most of the 1980s, he played in drummer Ronald Shannon Jackson's Decoding Society with guitarist Vernon Reid and with guitarist Sonny Sharrock and saxophonist John Zorn. With Jackson and guitarist Bill Frisell he was a member of the group Power Tools. Gibbs co-led the band Eye and I with D.K. Dyson who also co-founded the Black Rock Coalition of which he is an original member. Gibbs took on the rol ...
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Percussion Instrument
A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments.''The Oxford Companion to Music'', 10th edition, p.775, In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of ideophone, membranophone, aerophone and cordophone. The percussion section of an orchestra most commonly contains instruments such as the timpani, snare drum, bass drum, tambourine, belonging to the membranophones, and cym ...
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Synth Guitar
A guitar synthesizer is any one of a number of musical instrument systems that allow a guitarist to access synthesizer capabilities. Overview Today's guitar synths are direct descendants of 1970s devices from manufacturers (often in partnership) such as Hammond Innovex and Ovation, Ludwig, EMS, 360 Systems, Norlin Music and Maestro, Ampeg and Hagström, Arp, Roland Corporation and FujiGen ( GR-500 and GR-300), New England Digital, Electro-Harmonix, Casio, Terratec/Axon, Starr Labs, Ibanez, Holt Electro Acoustic Research, Zeta Systems, and Yamaha. In the early days, there were three main types of guitar-synthesizers: * Multi-effects type * Frequency-to-voltage converter type (using guitar with pickups) * Guitorgan type (using guitar with fretboard switches) Later, the multi-effects type evolved into modeling guitar, and the other two types evolved into current devices. Presently, there are two main groups: * Guitar-synth using guitars: regular guitars equipped with sp ...
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