Long Distance Wireless Photography
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Long Distance Wireless Photography
''La Photographie électrique à distance'', released in the United States as ''Long Distance Wireless Photography'' and in Britain as ''Electrical Photographer'', is a 1908 French short silent comedy film directed by Georges Méliès. Plot In a glass-roofed workshop, an inventor is surrounded by mechanical devices for a complicated machine. The inventor's servants show in a respectably dressed lady and gentleman; the inventor welcomes them in and begins to demonstrate his invention to them. Setting the machine in motion, he unrolls a large screen and places a small image of the Three Graces on a chair; thanks to the machine, the Graces are projected at life-size on the screen, and they briefly come to life before disappearing. Next, the inventor and his staff give a further demonstration, with a model in Grecian garb being projected. As before, the projected image takes on its own life, waving to the gentleman visitor. The visitors indicate that they are ready to be photograph ...
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Georges Méliès
Marie-Georges-Jean Méliès (; ; 8 December 1861 – 21 January 1938) was a French illusionist, actor, and film director. He led many technical and narrative developments in the earliest days of cinema. Méliès was well known for the use of special effects, popularizing such techniques as substitution splices, multiple exposures, time-lapse photography, dissolves, and hand-painted colour. He was also one of the first filmmakers to use storyboards. His films include '' A Trip to the Moon'' (1902) and ''The Impossible Voyage'' (1904), both involving strange, surreal journeys somewhat in the style of Jules Verne, and are considered among the most important early science fiction films, though their approach is closer to fantasy. The 2011 film ''Hugo'' was inspired by the life and work of Méliès. Early life and education Marie-Georges-Jean Méliès was born 8 December 1861 in Paris, son of Jean-Louis Méliès and his Dutch wife, Johannah-Catherine Schuering. His father h ...
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Long Distance Wireless Photography, Three Graces
Long may refer to: Measurement * Long, characteristic of something of great duration * Long, characteristic of something of great length * Longitude (abbreviation: long.), a geographic coordinate * Longa (music), note value in early music mensural notation Places Asia * Long District, Laos * Long District, Phrae, Thailand * Longjiang (other) or River Long (lit. "dragon river"), one of several rivers in China * Yangtze River or Changjiang (lit. "Long River"), China Elsewhere * Long, Somme, France * Long, Washington, United States People * Long (surname) * Long (surname 龍) (Chinese surname) Fictional characters * Long (''Bloody Roar''), in the video game series Sports * Long, a fielding term in cricket * Long, in tennis and similar games, beyond the service line during a serve and beyond the baseline during play Other uses * , a U.S. Navy ship name * Long (finance), a position in finance, especially stock markets * Lòng, name for a laneway in Shanghai * Lon ...
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Rake (character)
In a historical context, a rake (short for rakehell, analogous to "hellraiser") was a man who was habituated to immoral conduct, particularly womanizing. Often, a rake was also prodigal, wasting his (usually inherited) fortune on gambling, wine, women, and song, and incurring lavish debts in the process. Cad is a closely related term. Comparable terms are " libertine" and "debauchee". The Restoration rake was a carefree, witty, sexually irresistible aristocrat whose heyday was during the English Restoration period (1660–1688) at the court of King Charles II. They were typified by the "Merry Gang" of courtiers, who included as prominent members the John Wilmot; George Villiers; and Charles Sackville, who combined riotous living with intellectual pursuits and patronage of the arts. At this time the rake featured as a stock character in Restoration comedy. After the reign of Charles II, and especially after the Glorious Revolution of 1688, the cultural perception of the r ...
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Centre National Du Cinéma
Center or centre may refer to: Mathematics *Center (geometry), the middle of an object * Center (algebra), used in various contexts ** Center (group theory) ** Center (ring theory) * Graph center, the set of all vertices of minimum eccentricity Places United States * Centre, Alabama * Center, Colorado * Center, Georgia * Center, Indiana * Center, Jay County, Indiana * Center, Warrick County, Indiana * Center, Kentucky * Center, Missouri * Center, Nebraska * Center, North Dakota * Centre County, Pennsylvania * Center, Portland, Oregon * Center, Texas * Center, Washington * Center, Outagamie County, Wisconsin * Center, Rock County, Wisconsin **Center (community), Wisconsin *Center Township (other) *Centre Township (other) *Centre Avenue (other) *Center Hill (other) Other countries * Centre region, Hainaut, Belgium * Centre Region, Burkina Faso * Centre Region (Cameroon) * Centre-Val de Loire, formerly Centre, France * Centre (department), Ha ...
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Voyeuristic
Voyeurism is the sexual interest in or practice of watching other people engaged in intimate behaviors, such as undressing, sexual activity, or other actions of a private nature. The term comes from the French ''voir'' which means "to see". A male voyeur is commonly labelled as "Peeping Tom" or a "Jags", a term which originates from the Lady Godiva legend. However, that term is usually applied to a male who observes somebody secretly and, generally, not in a public space. The American Psychiatric Association has classified certain voyeuristic fantasies, urges and behaviour patterns as a paraphilia in the ''Diagnostic and Statistical Manual'' (DSM-IV) if the person has acted on these urges, or the sexual urges or fantasies cause marked distress or interpersonal difficulty. It is described as a disorder of sexual preference in the ICD-10. The DSM-IV defines voyeurism as the act of looking at "unsuspecting individuals, usually strangers, who are naked, in the process of disrobing ...
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Sexist
Sexism is prejudice or discrimination based on one's sex or gender. Sexism can affect anyone, but it primarily affects women and girls.There is a clear and broad consensus among academic scholars in multiple fields that sexism refers primarily to discrimination against women, and primarily affects women. See, for example: * Defines sexism as "prejudice, stereotyping, or discrimination, typically against women, on the basis of sex". * Defines sexism as "prejudice or discrimination based on sex or gender, especially against women and girls". Notes that "sexism in a society is most commonly applied against women and girls. It functions to maintain patriarchy, or male domination, through ideological and material practices of individuals, collectives, and institutions that oppress women and girls on the basis of sex or gender." * Notes that Sexism' refers to a historically and globally pervasive form of oppression against women." * Notes that "sexism usually refers to prejudice ...
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The Black Imp
''The Black Imp'' (french: Le Diable noir) is a 1905 French short silent film by Georges Méliès. It was sold by Méliès's Star Film Company and is numbered 683–685 in its catalogues. Synopsis A mischievous magic imp cavorts around inside of a hotel room, jumping from the bed to the table, and then, from the chair to an expensive couch. A respectable resident arrives escorted by the landlady and her husband, and before long, strange things begin to occur. Articles of furniture magically move from place to place, and even disappear entirely before their eyes. In the end, the mischievous imp materializes before the startled guests, causing a major emotional shock. Production Méliès appears in the film as the distinguished hotel guest. The special effects include pyrotechnic techniques as well as many substitution splices; there are 61 substitution splices in the moving chair sequence alone. John Frazer's 1979 book-length study of Méliès, and a 1981 guide to Méliès's wor ...
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The Mysterious Retort
''L'Alchimiste Parafaragaramus ou la Cornue infernale'', released in the United States as ''The Mysterious Retort'' and in Britain as ''The Alchemist and the Demon'', is a 1906 French silent film directed by Georges Méliès. It was released by Méliès's Star Film Company and is numbered 874–876 in its catalogues. Plot In a laboratory, an alchemist is working with a large retort on a stove. After consulting a book, he falls asleep in a chair near the retort. As he sleeps, a giant snake comes out of the stove and transforms into a jester, who wakes the alchemist and forces him to look in a hand-mirror. When the alchemist does so, the retort grows much larger, the alchemist falls back to sleep, and a giant spider with a human face appears inside the retort. The spider dissolves into a young woman sprinkling coins onto the ground. Sparks escape from the retort and transform into a ghost. The alchemist wakes in terror, and the giant retort explodes. Two assistants run to the alche ...
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Dark Media
Dark media are a type of media outlined by American philosopher Eugene Thacker to describe technologies that mediate between the natural and supernatural, most commonly found in the horror genre. Overview Discussed at length in the essay of the same name, Eugene Thacker writes that dark media are media that function too well. Thacker writes that, "dark media have, as their aim, the mediation of that which is unavailable or inaccessible to the senses, and thus that which we are normally "in the dark" about." Typically in works of Horror, dark media are relatively commonplace media that show more of the world than is expected, with the dark medium showing what lies beyond the possibility of human sense. Dark media are significant in their ability to breach the, typically unbridgeable, gap between objects being mediated. Thacker's examples include the films of Georges Méliès and Peter Tscherkassky, J-horror film directors like Kiyoshi Kurosawa, the horror films of Kenneth Anger ...
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Eugene Thacker
Eugene Thacker is an American philosopher, poet, and author. He is Professor of Media Studies at The New School in New York City. His writing is often associated with the philosophy of nihilism and pessimism. Thacker's books include ''In the Dust of This Planet'' (part of his Horror of Philosophy trilogy) and ''Infinite Resignation''. Early life and education Thacker was born and grew up in the Pacific Northwest. He received a Bachelor of Arts degree from the University of Washington, and a Master of Arts and Doctor of Philosophy in Comparative Literature from Rutgers University. Works Nihilism, pessimism, and speculative realism Thacker's work has been associated with philosophical nihilism and pessimism, as well as to contemporary philosophies of speculative realism and collapsology. His short book ''Cosmic Pessimism'' defines pessimism as "the philosophical form of disenchantment." As Thacker states: "Pessimism is the night-side of thought, a melodrama of the futility ...
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The Fly (1958 Film)
''The Fly'' is a 1958 American science fiction horror film and the first installment in ''The Fly'' film series. The film was produced and directed by Kurt Neumann and stars David Hedison, Patricia Owens, Vincent Price, and Herbert Marshall. The screenplay by James Clavell is based on the 1957 short story of the same name by George Langelaan. The film tells the story of a scientist who is transformed into a grotesque human–fly hybrid after a common house fly enters unseen into a molecular transporter with which he is experimenting, resulting in his atoms being combined with those of the insect. The film was released in CinemaScope with color by Deluxe by 20th Century Fox. It was followed by two black-and-white sequels, ''Return of the Fly'' (1959) and ''Curse of the Fly'' (1965). A remake directed by David Cronenberg was released in 1986. Plot In Montreal, Quebec, scientist André Delambre is found dead with his head and arm crushed in a hydraulic press. Although his wi ...
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Linda Williams (film Scholar)
Linda Williams (born December 18, 1946) is an American professor of film studies in the departments of Film Studies and Rhetoric at University of California, Berkeley. Career Williams graduated from University of California, Berkeley with a B.A in Comparative Literature in 1969, and then earned a PhD at the University of Colorado for her dissertation subsequently published as ''Figures of Desire: A Theory and Analysis of Surrealist Film''. Her main academic areas of interest are: film history, film genre, melodrama, pornography, feminist theory and visual culture; all with an emphasis on women, gender, race, and sexuality. With respect to film genres, she argues that horror, melodrama, and pornography all fall into the category of "body genres", since they are each designed to elicit physical reactions on the part of viewers. Horror is designed to elicit spine-chilling, white-knuckled, eye-bulging terror (often through images of blood); melodramas are designed to elicit sympathy ...
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