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Lone Wolf (Hank Williams Jr. Album)
''Lone Wolf'' is the forty-second studio album by American musician Hank Williams Jr. It was released by Warner Bros./Curb Records in January 1990. "Ain't Nobody's Business," "Good Friends, Good Whiskey, Good Lovin'" and "Man to Man" were released as singles. The album peaked at number 2 on the ''Billboard'' Top Country Albums chart and has been certified Gold by the RIAA. "The U.S.A. Today" is a cover of a George Jones song from his 1987 album, '' Too Wild Too Long''. Track listing Personnel * Ava Aldridge – background vocals * Eddie Bayers – drums * Barry Beckett – keyboards * Quitman Dennis – saxophone on "Almost Persuaded" * Steve Gibson – banjo, electric guitar * Dennis Good – trombone on "Hot to Trot" * Sammy Hagar – electric guitar on "Almost Persuaded" * Jack Hale – trombone on "Almost Persuaded" * Mike Haynes – trumpet on "Almost Persuaded" * Jim Horn – saxophone on "Hot to Trot" and "Almost Persuaded" * David Hungate – bass guitar * Roy Huskey ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hank Williams Jr
Randall Hank Williams (born May 26, 1949), known professionally as Hank Williams Jr. or Bocephus, is an American singer-songwriter and musician. His musical style is often considered a blend of southern rock, blues, and country. He is the son of country musician Hank Williams and the father of musicians Holly Williams and Hank Williams III. Williams began his career following in his famed father's footsteps, covering his father's songs and imitating his father's style. Williams' first television appearance was in a 1964 episode of ABC's ''The Jimmy Dean Show'', in which at age fourteen he sang several songs associated with his father. Later that year, he was a guest star on ''Shindig!'' Williams' style evolved slowly as he struggled to find his own voice and place within country music. This was interrupted by a near-fatal fall off the side of Ajax Peak in Montana on August 8, 1975. After an extended recovery, he challenged the country music establishment with a blend of count ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Clifton Chenier
Clifton Chenier (June 25, 1925 – December 12, 1987), was an American Creole musician known as a pioneer of zydeco, a style of music which arose from Creole music, with rhythm and blues, R&B, blues, and Cajun music, Cajun influences. He sang and played the accordion and won a Grammy Award in 1983. He was known as the King of Zydeco, and also billed as the King of the South. Biography Chenier was a native of Leonville, Louisiana, near Opelousas, Louisiana, Opelousas. He spoke Louisiana French as a first language. Chenier began his recording career in 1954, when he signed with Elko Records and released ''Cliston's Blues'' [sic], a regional success. In 1955 he signed with Specialty Records and garnered his first national hit with his label debut "Ay-Tete Fi" (Hey, Little Girl) (a cover version, cover of Professor Longhair's song). The national success of the release led to numerous tours with popular rhythm and blues performers such as Ray Charles, Etta James, and Lowell Fulso ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Trombone
The trombone (german: Posaune, Italian, French: ''trombone'') is a musical instrument in the Brass instrument, brass family. As with all brass instruments, sound is produced when the player's vibrating lips cause the Standing wave, air column inside the instrument to vibrate. Nearly all trombones use a telescoping slide mechanism to alter the Pitch (music), pitch instead of the brass instrument valve, valves used by other brass instruments. The valve trombone is an exception, using three valves similar to those on a trumpet, and the superbone has valves and a slide. The word "trombone" derives from Italian ''tromba'' (trumpet) and ''-one'' (a suffix meaning "large"), so the name means "large trumpet". The trombone has a predominantly cylindrical bore like the trumpet, in contrast to the more conical brass instruments like the cornet, the euphonium, and the French horn. The most frequently encountered trombones are the tenor trombone and bass trombone. These are treated as trans ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Guitar
An electric guitar is a guitar that requires external amplification in order to be heard at typical performance volumes, unlike a standard acoustic guitar (however combinations of the two - a semi-acoustic guitar and an electric acoustic guitar exist). It uses one or more pickups to convert the vibration of its strings into electrical signals, which ultimately are reproduced as sound by loudspeakers. The sound is sometimes shaped or electronically altered to achieve different timbres or tonal qualities on the amplifier settings or the knobs on the guitar from that of an acoustic guitar. Often, this is done through the use of effects such as reverb, distortion and "overdrive"; the latter is considered to be a key element of electric blues guitar music and jazz and rock guitar playing. Invented in 1932, the electric guitar was adopted by jazz guitar players, who wanted to play single-note guitar solos in large big band ensembles. Early proponents of the electric guitar on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Banjo
The banjo is a stringed instrument with a thin membrane stretched over a frame or cavity to form a resonator. The membrane is typically circular, and usually made of plastic, or occasionally animal skin. Early forms of the instrument were fashioned by African Americans in the United States. The banjo is frequently associated with folk, bluegrass and country music, and has also been used in some rock, pop and hip-hop. Several rock bands, such as the Eagles, Led Zeppelin, and the Grateful Dead, have used the five-string banjo in some of their songs. Historically, the banjo occupied a central place in Black American traditional music and the folk culture of rural whites before entering the mainstream via the minstrel shows of the 19th century. Along with the fiddle, the banjo is a mainstay of American styles of music, such as bluegrass and old-time music. It is also very frequently used in Dixieland jazz, as well as in Caribbean genres like biguine, calypso and mento. Histo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Saxophone
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. Saxophone players are called '' saxophonists''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as a member of a horn section in som ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Keyboard Instrument
A keyboard instrument is a musical instrument played using a keyboard, a row of levers which are pressed by the fingers. The most common of these are the piano, organ, and various electronic keyboards, including synthesizers and digital pianos. Other keyboard instruments include celestas, which are struck idiophones operated by a keyboard, and carillons, which are usually housed in bell towers or belfries of churches or municipal buildings. Today, the term ''keyboard'' often refers to keyboard-style synthesizers. Under the fingers of a sensitive performer, the keyboard may also be used to control dynamics, phrasing, shading, articulation, and other elements of expression—depending on the design and inherent capabilities of the instrument. Another important use of the word ''keyboard'' is in historical musicology, where it means an instrument whose identity cannot be firmly established. Particularly in the 18th century, the harpsichord, the clavichord, and the early ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Drums
A drum kit (also called a drum set, trap set, or simply drums) is a collection of drums, cymbals, and other Percussion instrument, auxiliary percussion instruments set up to be played by one person. The player (drummer) typically holds a pair of matching Drum stick, drumsticks, one in each hand, and uses their feet to operate a foot-controlled hi-hat and bass drum pedal. A standard kit may contain: * A snare drum, mounted on a snare drum stand, stand * A bass drum, played with a percussion mallet, beater moved by a foot-operated pedal * One or more Tom drum, tom-toms, including Rack tom, rack toms and/or floor tom, floor toms * One or more Cymbal, cymbals, including a ride cymbal and crash cymbal * Hi-hat cymbals, a pair of cymbals that can be manipulated by a foot-operated pedal The drum kit is a part of the standard rhythm section and is used in many types of popular and traditional music styles, ranging from rock music, rock and pop music, pop to blues and jazz. __TOC__ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Bayers
Eddie Bayers (born January 28, 1949) is an American session drummer who has played on 300 gold and platinum albums. He received the Academy of Country Music 'Drummer of the Year Award' for fourteen years, has three times won the Nashville Music Awards 'Drummer of the Year,' and was inducted into the Musicians Hall of Fame and Museum in 2019. He was also a member of two bands: The Players, and The Notorious Cherry Bombs. In 2022, Bayers was one of four inductees into the Country Music Hall of Fame along with Ray Charles, The Judds, and Pete Drake. Early life The son of a career military man, Bayers moved around as a child, originally from Maryland then spending time in Nashville, North Africa, Oakland, and Philadelphia. His early musical training was as a classical pianist studying Bach, Beethoven, and Mozart. During his college years in Oakland, California he was a member of the Edwin Hawkins Singers and he also jammed with future stars Jerry Garcia, and Tom and John Fogerty ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Everett Robbins (musician)
Everett "Happy" Robbins was a Chicago-based pianist,Frank Himpsl Archive "Everett Robbins" Retrieved 15 May 2013. and . Born in , he moved to Chicago in 1916 and studied at the . Lineups of his bands in th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Porter Grainger
Porter Grainger ( Granger; October 22, 1891 − October 30, 1948) was an American pianist, songwriter, playwright, and music publisher. Biography When Grainger was born in Bowling Green, Kentucky, the Granger family name did not include an "i". Although the exact date at which Grainger changed his name is unknown, he registered for the World War I draft by signing his name "Grainger". At that time, he was living in Chicago, and by 1916, he had begun his professional career. In the spring of 1920 he left Chicago for New York City, and by 1924, he was living in Harlem. Working with another pianist and composer Bob Ricketts, in 1926, Grainger wrote and published the book ''How to Play and Sing the Blues Like the Phonograph and Stage Artists''. Though he would never really be known as an exceptional soloist in his own right, Grainger thrived as an accompanist, working with singers such as Fannie May Goosby, Viola McCoy, Clara Smith, and Victoria Spivey. From 1924 to 1928, he wor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ain't Nobody's Business
"Ain't Nobody's Business" (originally "Tain't Nobody's Biz-ness if I Do") is a 1920s blues song that became one of the first blues standards. It was published in 1922 by Porter Grainger and Everett Robbins. The song features a lyrical theme of freedom of choice and a vaudeville jazz–style musical arrangement. It was first recorded, as "'Tain't Nobody's Biz-ness if I Do", in 1922 by Anna Meyers, backed by the Original Memphis Five. Recordings by other classic female blues singers, including Sara Martin, Alberta Hunter, and Bessie Smith soon followed. In 1947, the song was revived by the jump blues singer Jimmy Witherspoon as "Ain't Nobody's Business". It was the best-selling race record of 1949 and inspired numerous adaptations of the song. In 2011, Witherspoon's rendition was inducted into the Blues Foundation Hall of Fame as a "Classic of Blues Recording". Composition and lyrics The early versions of "Ain't Nobody's Business" feature vocals with piano and sometimes horn a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
