Logan String Melody
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Logan String Melody
The Logan String Melody designed by Ing. Giuliano Costantini for Logan was a portable keyboard produced in two versions from 1973 to 1982. Manufactured in Italy, it was sold under both the Logan brand name and re-badged as both a Hohner and Vox product. The Vox version was called ''The String Thing'' but still featured the Logan brand name on the back of the case. The keyboard consists of four octaves split into two nearly equal sized ranges. In each of these ranges a combination of three string sounds can be mixed using faders labelled ''Cello'', ''Viola'' and ''Violin''. Each string sound is pitched one octave apart. In addition to the separate sets of faders for the string sounds, each range has a sustain and release fader. The lower range also features a simple monophonic synthesiser that is controlled from using faders labelled ''Bass'' and ''Perc''. On the first version, there is a button labelled ''Orchestra'' that has hard wired settings and disables the faders for the st ...
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Logan String Melody II
Logan may refer to: Places * Mount Logan (other) Australia * Logan (Queensland electoral district), an electoral district in the Queensland Legislative Assembly * Logan, Victoria, small locality near St. Arnaud * Logan City, local government area in Queensland ** Shire of Logan, predecessor to Logan City * Logan Lagoon, Flinders Island, Tasmania * Logan River, river flowing into Moreton Bay, Queensland * Logan Village, Queensland, a town and locality within Logan City, Queensland Canada * Mount Logan, Canada's highest mountain * Logan (Manitoba electoral district), former electoral district in the Canadian province of Manitoba * Logan Lake, a district municipality in the Southern Interior of British Columbia United Kingdom * Logan Botanic Garden, Wigtownshire, Scotland * Logan, East Ayrshire, Scotland United States * Logan, Alabama * Logan, Arkansas * Logan, Edgar County, Illinois * Logan Square, Chicago, Illinois * Logan, Dearborn County, Indiana * Logan, Lawrence Co ...
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Hohner
Hohner Musikinstrumente GmbH & Co. KG is a German manufacturer of musical instruments, founded in 1857 by Matthias Hohner (1833–1902). The roots of the Hohner firm are in Trossingen, Baden-Württemberg. Since its foundation, and though known for its harmonicas, Hohner has manufactured a wide range of instruments, such as kazoos, accordions, recorder flutes, melodicas, banjos, electric, acoustic, resonator and classical guitars, basses, mandolins and ukuleles (under the brand name ''Lanikai'') From the 1940s through 1990s, the company also manufactured various electric/electronic keyboards. Especially in the 1960s and 1990s, they manufactured a range of innovative and popular electromechanical keyboard instruments; the cembalet, pianet, basset, guitaret, and clavinet. In the 1980s, several Casio synthesizers (such as the Casio HT-3000/Hohner KS61midi and the VZ-1/HS-2) were sold under the Hohner brand. Nowadays, Hohner produces harmonicas, melodicas, accordions and record ...
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Vox (musical Equipment)
Vox is a British musical equipment manufacturer founded in 1957 by Thomas Walter Jennings in Dartford, Kent, England. The company is most famous for making the Vox AC30 guitar amplifier, used by The Beatles, The Rolling Stones, The Kinks, The Yardbirds, Queen, Dire Straits, U2, and Radiohead; the Vox Continental electric organ, the Vox wah-wah pedal used by Jimi Hendrix, and a series of innovative electric guitars and bass guitars. Since 1992, Vox has been owned by the Japanese electronics firm Korg. History Beginnings The Jennings Organ Company was founded by Thomas Walter Jennings in Dartford Kent, England after World War II. Jennings's first successful product was the Univox, an early self-powered electronic keyboard similar to the Clavioline. In 1956, Jennings was shown a prototype guitar amplifier made by Dick Denney, a big band guitarist and workmate from World War II. The company was renamed Jennings Musical Industries, or JMI, and in 1958 the 15-watt Vox AC15 ampl ...
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Monophony
In music, monophony is the simplest of musical textures, consisting of a melody (or "tune"), typically sung by a single singer or played by a single instrument player (e.g., a flute player) without accompanying harmony or chords. Many folk songs and traditional songs are monophonic. A melody is also considered to be monophonic if a group of singers (e.g., a choir) sings the same melody together at the unison (exactly the same pitch) or with the same melody notes duplicated at the octave (such as when men and women sing together). If an entire melody is played by two or more instruments or sung by a choir with a fixed interval, such as a perfect fifth, it is also said to be monophony (or "monophonic"). The musical texture of a song or musical piece is determined by assessing whether varying components are used, such as an accompaniment part or polyphonic melody lines (two or more independent lines). In the Early Middle Ages, the earliest Christian songs, called plainchant (a we ...
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Polyphony
Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompanied by chords, homophony. Within the context of the Western musical tradition, the term ''polyphony'' is usually used to refer to music of the late Middle Ages and Renaissance. Baroque forms such as fugue, which might be called polyphonic, are usually described instead as contrapuntal. Also, as opposed to the ''species'' terminology of counterpoint, polyphony was generally either "pitch-against-pitch" / "point-against-point" or "sustained-pitch" in one part with melismas of varying lengths in another. In all cases the conception was probably what Margaret Bent (1999) calls "dyadic counterpoint", with each part being written generally against one other part, with all parts modified if needed in the end. This point-against-point conception is opposed to " ...
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Variable-gain Amplifier
A variable-gain (VGA) or voltage-controlled amplifier (VCA) is an electronic amplifier that varies its gain depending on a control voltage (often abbreviated CV). VCAs have many applications, including audio level compression, synthesizers and amplitude modulation. A crude example is a typical inverting op-amp configuration with a light-dependent resistor (LDR) in the feedback loop. The gain of the amplifier then depends on the light falling on the LDR, which can be provided by an LED (an optocoupler). The gain of the amplifier is then controllable by the current through the LED. This is similar to the circuits used in optical audio compressors. A voltage-controlled amplifier can be realised by first creating a voltage-controlled resistor (VCR), which is used to set the amplifier gain. The VCR is one of the numerous interesting circuit elements that can be produced by using a JFET (junction field-effect transistor) with simple biasing. VCRs manufactured in this way can be ob ...
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Bucket-brigade Device
A bucket brigade or bucket-brigade device (BBD) is a discrete-time analogue delay line, developed in 1969 by F. Sangster and K. Teer of the Philips Research Labs in the Netherlands. It consists of a series of capacitance sections C0 to Cn. The stored analogue signal is moved along the line of capacitors, one step at each clock cycle. The name comes from analogy with the term bucket brigade, used for a line of people passing buckets of water. In most signal processing applications, bucket brigades have been replaced by devices that use digital signal processing, manipulating samples in digital form. Bucket brigades still see use in specialty applications, such as guitar effects. A well-known integrated circuit device around 1976, the Reticon SAD-1024 implemented two 512-stage analog delay lines in a 16-pin DIP. It allowed clock frequencies ranging from 1.5 kHz to more than 1.5 MHz. The SAD-512 was a single delay line version. The Philips Semiconductors TDA1022 similarl ...
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Square Wave
A square wave is a non-sinusoidal periodic waveform in which the amplitude alternates at a steady frequency between fixed minimum and maximum values, with the same duration at minimum and maximum. In an ideal square wave, the transitions between minimum and maximum are instantaneous. The square wave is a special case of a pulse wave which allows arbitrary durations at minimum and maximum amplitudes. The ratio of the high period to the total period of a pulse wave is called the duty cycle. A true square wave has a 50% duty cycle (equal high and low periods). Square waves are often encountered in electronics and signal processing, particularly digital electronics and digital signal processing. Its stochastic counterpart is a two-state trajectory. Origin and uses Square waves are universally encountered in digital switching circuits and are naturally generated by binary (two-level) logic devices. Square waves are typically generated by metal–oxide–semiconductor fi ...
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Frequency Divider
A frequency divider, also called a clock divider or scaler or prescaler, is a circuit that takes an input signal of a frequency, f_, and generates an output signal of a frequency: : f_ = \frac where n is an integer. Phase-locked loop frequency synthesizers make use of frequency dividers to generate a frequency that is a multiple of a reference frequency. Frequency dividers can be implemented for both analog and digital applications. Analog Analog frequency dividers are less common and used only at very high frequencies. Digital dividers implemented in modern IC technologies can work up to tens of GHz. Regenerative A regenerative frequency divider, also known as a Miller frequency divider, mixes the input signal with the feedback signal from the mixer. The feedback signal is f_/2. This produces sum and difference frequencies f_/2, 3f_/2 at the output of the mixer. A low pass filter removes the higher frequency and the f_/2 frequency is amplified and fed back into mixer ...
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Mostek
Mostek was a semiconductor integrated circuit manufacturer, founded in 1969 by L. J. Sevin, Louay E. Sharif, Richard L. Petritz and other ex-employees of Texas Instruments. At its peak in the late 1970s, Mostek held an 85% market share of the dynamic random-access memory (DRAM) memory chip market worldwide, until being eclipsed by lower-priced Japanese DRAM manufacturers who were accused of dumping memory on the market. Initially Mostek products were manufactured in Worcester, Massachusetts in cooperation with Sprague Electric, however by 1974 most of its manufacturing was done in the Carrollton, Texas facility on Crosby Road. In 1979, soon after its market peak, Mostek was purchased by United Technologies Corporation for . In 1985, after several years of red ink and declining market share, UTC closed Mostek completely and sold it for to the French electronics firm Thomson-CSF, which later spun it off into STMicroelectronics. Early Products Mostek's first contract was from ...
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Integrated Circuit
An integrated circuit or monolithic integrated circuit (also referred to as an IC, a chip, or a microchip) is a set of electronic circuits on one small flat piece (or "chip") of semiconductor material, usually silicon. Large numbers of tiny MOSFETs (metal–oxide–semiconductor field-effect transistors) integrate into a small chip. This results in circuits that are orders of magnitude smaller, faster, and less expensive than those constructed of discrete electronic components. The IC's mass production capability, reliability, and building-block approach to integrated circuit design has ensured the rapid adoption of standardized ICs in place of designs using discrete transistors. ICs are now used in virtually all electronic equipment and have revolutionized the world of electronics. Computers, mobile phones and other home appliances are now inextricable parts of the structure of modern societies, made possible by the small size and low cost of ICs such as modern computer ...
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CV/Gate
CV/gate (an abbreviation of ''control voltage/gate'') is an analog method of controlling synthesizers, drum machines, and similar equipment with external sequencers. The control voltage typically controls pitch and the gate signal controls note on-off. This method was widely used in the epoch of analog modular synthesizers and CV/Gate music sequencers, since the introduction of the Roland MC-8 Microcomposer in 1977 through to the 1980s, when it was eventually superseded by the MIDI protocol (introduced in 1983), which is more feature-rich, easier to configure reliably, and more readily supports polyphony. The advent of digital synthesizers also made it possible to store and retrieve voice "patches" – eliminating patch cables and (for the most part) control voltages. However, numerous companies – including Doepfer, who designed a modular system for Kraftwerk in 1992, Buchla, MOTM, Analogue Systems, and others continue to manufacture modular synthesizers that are incre ...
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